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Preamp

85 products

  • SGT-DI

    Ampeg

    The SGT-DI preamp and DI gives modern bassists an entire rig in a single stompbox. Enhanced Super Grit Technology overdrive with SVT and B-15 voices, versatile 3-band EQ with sweepable mids, variable compressor, and an onboard IR Loader/Cab Simulator deliver authentic Ampeg tone for stage and studio.

  • BA-31

    Antelope Audio

    Modeled after a super rare and, of course, super sought after classic, BA-31 has managed to preserve the original sound of the Germanium transistors of its hardware inspiration.

    $99

  • BAE 1073MP

    Antelope Audio

    Antelope Audio plugin modeled after a 'gold-standard' British analog preamp known for its warmth and musicality.

  • Gyraf Gyratec IX

    Antelope Audio

    We love the simple and massive analog powerful of all things Gyraf Audio and the dual tube microphone preamp Gyratec IX real-time plugin emulation is not an exception.

    €99

  • RD47

    Antelope Audio

    The RD47 plugin is an authentic recreation of one of Abbey Road Studios' most iconic valve line amps which defined the beautiful sound of the 1960s.

    $129

  • Pre 1973

    Arturia

    The definitive sound of the world's best studios, perfectly recreated for the modern producer. Color your tone, saturate your signal, or give everything a subtle, vintage lift. The perfect way to warm up a digital signal.

    $99

  • Pre TridA

    Arturia

    One of the most sought-after, exclusive channel strips ever made has been reborn for your DAW. Get ultimate control of your channels' tone with an all- in-one plug-in that's destined to become one of your go-to choices.

    $99

  • Pre V76

    Arturia

    If you want to explore the sound that defined 60s pop music, this is the plug- in for you. Combining the accurately emulated V612 EQ and V76 preamp in one unit, you can enjoy that legendary sound in your virtual studio.

    $99

  • ASP800

    Audient

    ASP800 is an audio powerhouse making it the perfect addition to your audio interface. ASP800 provides 8 channels of Audient's renowned console mic preamps, burr-brown converter technology, two jfet d.I's and two retro channels with tone control.

  • ASP880

    Audient

    Asp880 is an 8-channel microphone preamplifier & adc, the perfect addition to your set-up. Asp880 provides eight of audient's renowned console mic pres, pristine converter technology and a versatile feature set that includes variable impedance and variable high pass filters. All in a 1ru rack.

  • Preamp MKII

    Chase Bliss Audio

    A do-it-all analog drive, filtering, and fuzz pedal built around Benson amplifier circuitry, featuring variable diode clipping, resonant routable mids, two fuzz modes, motorized faders, and 30 internal presets with MIDI/CV/expression control.

  • 1086

    dbx

    Discontinued microphone preamp from dbx Professional Audio, designed for studio applications.

  • 576

    dbx

    Discontinued tube microphone preamp from dbx Professional Audio.

  • 580

    dbx

    500 Series microphone preamp delivering sonically-transparent gain with EQ, instrument input, and 60dB of headroom.

  • dbx 286A

    dbx

    Single-channel microphone preamp processor combining a sonically pristine mic preamp with OverEasy® compressor, frequency-tunable de-esser, HF/LF enhancer, and expander/gate. Features XLR mic input with +48V phantom power and balanced 1/4" TRS outputs.

  • dbx 286A (Project 1)

    dbx

    The dbx 286A (Project 1) is a discontinued microphone preamp processor from the Project 1 series, combining a mic preamp with compressor, de-esser, enhancer, and expander/gate.

  • dbx 286s

    dbx

    Single-channel microphone preamp and channel strip processor combining a studio-quality mic/instrument preamp with OverEasy® compressor, frequency-tunable de-esser, HF/LF enhancer, and program-adaptive expander/gate. Features XLR mic input with +48V phantom power.

  • dbx 376

    dbx

    Single-channel tube channel strip with mic preamp, 3-band parametric EQ, OverEasy® compressor, de-esser, and AES/EBU plus S/PDIF digital outputs. Features a 200V tube plate voltage mic preamp and dbx Type IV® A/D conversion.

  • dbx 386

    dbx

    Dual-channel vacuum tube microphone preamplifier combining tube warmth with dbx Type IV® A/D conversion. Features AES/EBU and S/PDIF digital outputs, word clock sync I/O, 60dB of gain, +48V phantom power, 20dB pad, and selectable sample rates up to 96kHz.

  • dbx 586

    dbx

    Dual-channel vacuum tube microphone preamplifier with XLR and 1/4" I/O, 48V phantom power, high-pass filter, insert points, and limiter on each channel.

  • dbx 676

    dbx

    Single-channel Class-A tube microphone preamp channel strip featuring high-voltage gain (250V DC), a compressor/limiter based on the dbx 162SL, and a 3-band semi-parametric EQ with VU metering.

  • dbx 786

    dbx

    Single-channel solid-state reference-grade microphone preamplifier designed for studio recording, providing high-transparency gain with XLR mic input and line outputs.

  • MiniPre

    dbx

    Compact microphone preamplifier for studio applications.

  • ISA 428 MKII

    Focusrite

    Four-channel transformer-coupled microphone preamplifier in a 2U rack enclosure. Incorporates four of Focusrite's renowned ISA mic pres with selectable input impedance (600Ω, 1400Ω, 2400Ω, 6800Ω), front-panel instrument inputs, rear-panel line inputs, switchable insert points on every channel, and a variable high-pass filter.

    $2,529.99

  • ISA One

    Focusrite

    Featuring a rugged, portable all-metal enclosure, Focusrite ISA One combines the classic Focusrite microphone preamp with a flexible, independent DI channel.

    $719.99

  • ISA Two

    Focusrite

    Focusrite's ISA Two brings together a totally independent pair of legendary ISA microphone preamps from the original ISA 110 module, combining the best of traditional solid-state electronics with the original input transformer specified by Rupert Neve — the Lundahl LL1538.

    $1,079.99

  • Scarlett OctoPre

    Focusrite

    Eight-channel mic preamp and ADAT expander featuring eight 2nd generation Scarlett mic preamps with 50 dB of gain, switchable 48V phantom power and pad on every channel, two front-panel high-headroom instrument inputs, eight balanced line outputs, ADAT optical output, and word clock I/O.

    $599.99

  • VPRE-2C

    Fuse Audio Labs

    A vintage tube booster/preamp emulation that adds tube warmth and harmonic richness to signals.

    $49

  • VPRE-31A

    Fuse Audio Labs

    A vintage germanium preamp emulation delivering the distinct character of germanium transistor-based amplification.

    $39

  • VPRE-376

    Fuse Audio Labs

    A recreation of a sought-after discrete Class-A microphone preamp from the golden era of German broadcasting, with faithful emulation of audio transformers and discrete class-A preamplifier circuitry.

    $39

  • VPRE-562A

    Fuse Audio Labs

    A precise emulation of a tube-based low wattage amplifier from the early 1960s, originally intended as a PA amplifier but often used as a bass or guitar amplifier by UK bands.

    $69

  • NRR-1

    Ignite Amps

    Digital emulation of a three-channel tube preamplifier built for Cristiano Trionfera (Fleshgod Apocalypse) in 2009, mainly based on a famous boutique preamplifier made in 1988. Features three channels (clean, rhythm, lead) with 3rd generation triode modeling.

    $0

  • The Anvil

    Ignite Amps

    Digital emulation of a three-channel tube preamplifier designed by Andy Zeugs. Features crystal clear tones, hot-rodded British character, and super-tight metal tones across three independent channels with separate tonestack controls.

    $0

  • Z-TONE Buffer Boost

    IK Multimedia

    Preamp/DI pedal with advanced tone shaping that lets you shape the sound of your instrument with the input circuits from IK Multimedia's award-winning AXE I/O interface. Features active/passive pickup selector, PURE and JFET channels, variable impedance Z-TONE control, output buffering, adjustable boost circuit, balanced XLR output, and true bypass.

    $169.99

  • Lindell Audio 6X-500

    Lindell Plugins

    Mono transformer-coupled preamplifier and passive two-band boost-only EQ with all-discrete design. Delivers smooth gain, creamy color, and heavy punch. Features Pultec-style EQ processing, analog button for output transformer saturation, and plugin-exclusive HP/LP filters.

    $0

  • OASIS Phono Stage

    Manley Laboratories

    Manley OASIS delivers 6922 tube amplification with MANLEY POWER®, passive RIAA, and variable MM/MC loading. No ICs in signal path. California-made.

    $3,999

  • Steelhead RC

    Manley Laboratories

    The Steelhead® RC features autoformer MC loading, 6922/7044 tubes, variable capacitive loading to 1100pF, and remote volume control. Direct amp drive.

    $10,899

  • AV 10

    Marantz

    Reference 15.4 channel home theater pre-amplifier/processor powered by HEOS with Dolby Atmos. Features Marantz HDAM discrete circuitry, fully balanced outputs, 8K HDMI support, and advanced immersive audio processing for reference-level home theater systems. Crafted in Shirakawa, Japan.

  • AV 20

    Marantz

    Reference 13.4 channel balanced AV preamplifier powered by HEOS. Features Marantz HDAM discrete circuitry, fully balanced XLR outputs, seven 8K UHD-capable HDMI inputs, four independent subwoofer outputs, and support for Dolby Atmos, DTS:X Pro, and Auro-3D immersive audio formats.

  • AV 30

    Marantz

    11.4-channel balanced AV preamplifier powered by HEOS, engineered for large media rooms and dedicated home theater systems. Features Marantz HDAM discrete circuitry with seven 8K-compatible HDMI inputs, Audyssey MultEQ XT32 room correction (Dirac Live upgradable), Dolby Atmos, DTS:X Pro, and Auro-3D support with fully balanced XLR pre-amp outputs and four independent subwoofer outputs. Crafted in Shirakawa, Japan.

  • JCM800 Synergy Preamp Module

    Marshall

    Classic 80s British crunch and searing leads recreated in a modular all-tube preamp module designed to fit Synergy Amps chassis. Advanced three-tube architecture delivers deeper saturation and clarity, with two independent channels for rhythm and lead tones, a high/low input switch for adjustable gain and harmonic intensity, and a built-in phase inverter with mini transformer that recreates the feel of a cranked amp at lower volumes. Tuned for aggressive midrange, tight punch, and classic 80s overdrive.

    $449.99

  • JMP Synergy Preamp Module

    Marshall

    All-tube Plexi preamp module built for the Synergy Amps modular preamp system. Recreates the iconic Marshall JMP 'Plexi' sound, from sparkling cleans to classic overdriven distortion, via a dual-channel design with independent 3-band EQ, master volume, and bright switches per channel. Selectable 60s/70s voicing switches dial in era-specific Plexi character, while an onboard phase inverter with 0-watt circuitry and mini transformer delivers the feel of a cranked amp at low volumes. Loaded with 12AX7 tubes and connected via 1/4" instrument cabling.

    $399.99

  • Microphone Preamplifier 502

    MIDAS

    The MICROPHONE PREAMPLIFIER 502 brings the award-winning Midas microphone preamp to the 500 Series format, available as an add-on to any mobile or recording system when used with the LEGEND L10, L6, or other standard 500 Series rackmount chassis. Considered by leading live sound and recording engineers as the very essence of the famous Midas sound, the preamp has been upgraded with four discrete ultra low noise input transistors and retains the soft clipping characteristic that provides crystal-clear audiophile reproduction with just the right amount of harmonics. The 502 also honours the legacy of the XL4 console by bringing back its swept low and high pass filters. A 12-position rotary switch sets gain from 0 to +60 dB in 5 dB increments, while a fully variable output trim potentiometer adds another ±20 dB of range for up to +80 dB of total gain. The input stage accepts signal levels up to +24 dBu without requiring a pad. Outputs are electronically balanced by default, with a switchable transformer-balanced output (TX) for additional tonal character.

Show all 85 products

  • Microphone Preamplifier 502 V2

    MIDAS

    The MICROPHONE PREAMPLIFIER 502 V2 is the award-winning Midas microphone preamp delivered as a 500 Series add-on module for mobile or recording systems, particularly designed for use with the LEGEND L10 or L6 500 Series Rackmount Chassis. The V2 iteration upgrades the original 502 with four discrete ultra low-noise input transistors, retaining the legendary Midas sound while extending dynamic range. The input stage accepts signal levels up to +24 dBu with soft clipping, gain is set via a 12-position rotary switch from 0 to +60 dB in 5 dB increments, and a ±20 dB output trim potentiometer brings total maximum gain to +80 dB. Twin balanced outputs (main and an auxiliary TX output) feed independent destinations, with illuminated push-button switches handling low-pass and high-pass filter engagement, phase reverse, 48 V phantom power, and TX output routing. Variable low-pass (1 kHz–40 kHz, -3 dB) and high-pass (10 Hz–400 Hz, -3 dB) filters provide on-module shaping, and 11-segment rotary LED meters monitor input and output levels.

  • XL4-2

    MIDAS

    XL4-2 is a classic 2-channel vacuum tube mic preamp. It's designed to work great with vocals, instruments and any line-level source while also giving you that rich vacuum tube sound in any kind of studio setup, modern or vintage, thanks to its premium 12AX7s that provide exceptional warmth and dynamic response.

  • Analog Studio Preamp

    Nomad Factory

    Analog studio rack provides a modular rack with hot-swappable 500 series style eq's, compressors, gate, exciter and a tube driven pre-amp as an all-in-one channel strip. The rack has been split into individual modules for separate and bundle purchase.

    $99

  • 6X-500

    Plugin Alliance

    Mono transformer-coupled preamplifier and passive two-band boost-only EQ. Its all-discrete design provides smooth gain, creamy color, and heavy punch for vocals, acoustic guitar, electric guitar, bass, and overhead recordings.

    $9.99

  • 12Mic

    RME

    12-channel digitally controlled microphone preamplifier with AVB & MADI connectivity, featuring SteadyClock FS, a 268x282 routing matrix and 75 dB gain range.

  • 12Mic-D

    RME

    12-channel digitally controlled microphone preamplifier with Dante, ADAT & MADI. Twelve microphone and line level inputs with studio-quality conversion, remote-controllable gains, and integrated MADI and Dante connectivity.

  • DMC-842

    RME

    8-channel AES42 interface and controller for digital microphones, converting their signals to ADAT, AES/EBU, analog and optional MADI formats, with per-channel sample rate conversion, MIDI/MADI remote control and SteadyClock technology.

  • Micstasy

    RME

    8-channel full-range microphone and line preamplifier with AD converter, 85 dB gain range, AES/EBU and ADAT digital outputs, optional MADI I/O, and complete MIDI remote control.

  • OctaMic II

    RME

    The OctaMic II provides 8-Channel 192 kHz / 24 bit AD conversion with eight hi-class microphone and line pre-amplification channels, featuring a combination of sophisticated components and approved RME technology. It offers 8 balanced XLR mic/line inputs via Neutrik XLR/TRS combo jacks, with switches for 48V phantom power, low cut filter and phase reversal per channel. Amplification can be set between 6 and 60 dB. The 8-Channel AD-conversion operates at up to 192 kHz, with the digitized signal available simultaneously at the double ADAT output (S/MUX, up to 96 kHz) and at a DB-25 connector (4 AES/EBU outputs, up to 192 kHz). The digital part can be clocked internally (master) and externally via word clock, AES/EBU and SPDIF. RME's SteadyClock(TM) ensures perfect AD-conversion by removing jitter on external sync-sources.

  • 511 Mic Preamp with Silk

    Rupert Neve Designs

    A 500 Series microphone preamplifier featuring a big, bold preamp, a swept high-pass filter and the powerful saturation control of variable Silk. Combines legendary Rupert Neve tone with 500 Series value and delivers clean or vintage characters at will.

  • 517

    Rupert Neve Designs

    A unified 500-series module combining a world-class microphone preamp, one-knob opto compressor, and instrument DI input. Features a 12-way precision gain switch, Vari-phase alignment, Silk saturation with blend controls, and a custom output transformer.

  • 5211 2-Channel Mic Preamp

    Rupert Neve Designs

    Simple and elegant, the 5211 is the natural evolution of what is arguably the most famous gear in audio recording history: Rupert Neve's microphone preamps. With two channels of the classic tone you know and love and the power of Mr. Rupert Neve's dual-tap transformers with variable Silk.

  • Portico 5017 Mobile Pre

    Rupert Neve Designs

    The Portico 5017 is a rugged, portable two-channel unit combining a world-class transformer-coupled microphone preamp, a high-impedance instrument DI, and a 2:1 compressor in a single chassis. Vari-phase, Silk, and DI/mic blending controls make it a versatile tool for studio recording, location work, and live performance.

  • Portico II 5022 Dual Mic Pre

    Rupert Neve Designs

    The 5022 is a dual mic preamp module for the Rupert Neve Designs 5088 console, featuring two class-A, electronically balanced mic preamps with variable high-pass filters, 48V phantom power, polarity reverse, and Silk/Texture controls for harmonic shaping. Designed to maximize the number of inputs available in a single 5088 Penthouse Module.

  • Portico II 5024 Quad Mic Pre

    Rupert Neve Designs

    The Portico II 5024 is a four-channel microphone preamplifier featuring 72dB of gain, custom transformers, and Rupert Neve's Silk circuit for vintage-style harmonic saturation. Channels 1 and 2 include transformer-isolated high-impedance DI inputs with parallel THRU outputs, while channels 3 and 4 include a built-in Mid-Side (M/S) decoder, combining four channels of legendary front-end tone into a single 1U enclosure.

  • Shelford Dual Mic Pre

    Rupert Neve Designs

    Two channels of Rupert Neve's Shelford preamplifier in a 1RU rackmount chassis. Built around a custom direct-coupled input transformer that delivers the first 15 dB of gain, with selectable Silk Red/Blue and continuously variable Texture for harmonic shaping, plus dual transformer-coupled outputs (Main at +26 dBu and -6 dB) for either pristine headroom or saturated tone without clipping converters.

  • PIM-MC1

    Stax

    An optional MC phono equalizer module designed exclusively for the SRM-T8000 amplifier. Features completely separated left and right channels with Class-A amplification, DC amplifier configuration, and premium audio-grade components including WIMA film capacitors for high signal-to-noise performance.

  • CA-XLR2d

    Tascam

    Professional XLR microphone adapter developed with Canon, FUJIFILM, and Nikon for mirrorless and DSLR cameras. Transmits digital audio directly via camera accessory shoe, eliminating analog signal degradation. Features two XLR/TRS combo inputs with HDDA preamps, +48V phantom power, a 1/8-inch stereo input for lavalier mics, headphone monitoring, and 48/96kHz up to 24-bit recording synchronized with camera settings.

  • Series 8p Dyna

    Tascam

    8-channel mic preamp and analog-to-digital converter with integrated single-knob analog compressor per channel. Features TASCAM HDIA preamps (EIN −127dBu), per-channel switchable +48V phantom, dual TOSLINK S/MUX optical outputs for up to 8 channels at 96kHz, a DB25 analog output, and Word Clock I/O. 1U rack-mount.

  • DC30 PREAMP

    TC Electronic

    Dual-channel guitar preamp faithfully recreating the sound of a 1965 Top Boost AC30 in a pedal, with independent channel controls, pre/post boost, optional cab simulation, and dedicated outputs for direct recording and live rig integration.

  • DUAL WRECK PREAMP

    TC Electronic

    Two-channel high-gain preamp pedal modeled on the legendary Dual Rectifier, with global Presence control for tonal flexibility, optional cab simulation, and dedicated outputs for direct recording and live rig integration.

  • JIMS 45 PREAMP

    TC Electronic

    Dual-Channel Guitar Preamp Faithfully Recreates the Sound of a 1965 45W PLEXI with Independent Channel Controls, Pre/Post Boost, Optional Cab Sim and Dedicated Outputs for DI and Headphones

  • JIMS 800 PREAMP

    TC Electronic

    Twin-channel guitar preamp faithfully recreating the sound of a legendary British high-gain amp in a pedal, with independent channel controls, pre/post boost, optional cab simulation, and dedicated outputs for direct recording and live rig integration.

  • V550 PREAMP

    TC Electronic

    Twin-channel guitar preamp faithfully recreating the sound of a legendary 5150 high-gain tube amp in a pedal, with independent channel controls, pre/post boost, optional cab simulation, and dedicated outputs for direct recording and live use.

  • Apollo E1x

    Universal Audio

    Put Unison preamps on stage or in your studio with Dante. Expand any Dante network with remote-controlled mic/line preamps using Power over Ethernet (PoE). Combine with Apollo X16D interface to get the authentic Unison mic preamp sounds of API, Avalon, Manley, Neve, SSL, and more. Link multiple Apollo E1x units together for expanded I/O within a centralized Dante network.

    $399