39 products
German manufacturer of professional audio interfaces and converters.
Official siteCompact 2-channel Hi-End AD/DA converter offering first-class AD/DA conversion from/to SPDIF, AES and ADAT at up to 192 kHz. Combines SteadyClock FS clocking, High Power headphone output, and analog/digital format conversion modes in a half-rack 9.5" chassis.
Ultra-Fidelity PCM/DSD 768 kHz AD/DA Converter with dual Extreme Power headphone outputs, multi-format digital I/O, and Class Compliant USB-C.
24-Channel 192 kHz bus-powered professional USB 2.0 audio interface. A high-end portable interface machined from a block of aluminum, featuring SteadyClock FS, improved mic preamps and headphone outputs over the original Babyface Pro.
Professional, bus-powered 14 input / 16 output channel USB 2.0 interface with 2 Mic/Line universal analog input channels and 4 analog output channels (2 XLR, one TRS phones) complementing its digital I/O section. 192 kHz Digital USB Interface with AES/SPDIF/ADAT/Analog I/O.
256-channel 192 kHz USB audio interface using AVB (Audio Video Bridging) for network audio transport, with an additional headphone output for high-quality monitoring.
256-channel 192 kHz USB 3.0 audio interface combining Dante network connectivity with MADI I/O, TotalMix FX, and stand-alone Dante/MADI converter operation in a lightweight, portable enclosure.
Portable 256-channel 192 kHz USB 3.0 audio interface bringing RAVENNA networking to Mac and Windows. Combines a RAVENNA module developed by DirectOut with RME's MADI I/O, TotalMix FX, and a high-quality phones output in a lightweight enclosure.
Compact, portable, bus-powered 66-channel 192 kHz USB 2.0 audio interface with 4 optical ADAT/SPDIF I/Os and an analog stereo headphone output. Successor to the legacy HDSP Digiface PCI card.
60-Channel 192 kHz high-end USB Audio Interface in 19" rack format for professional live and studio use, featuring four high-transparency microphone/instrument preamps, SteadyClock FS jitter suppression, DC-coupled outputs, AES/EBU, ADAT, SPDIF, MIDI, Word Clock, and TotalMix FX DSP mixer with EQ, dynamics, reverb and delay.
The Fireface 802 FS is a highly integrated pro audio solution for live and studio use, all within a 19" enclosure. An interface designed for users who don't want to make compromises in sound, stability and ultra-low latency operation, and who long for an unrivaled professional feature set. Once again a milestone interface from RME, including the best of the best and even a bit more. 60 channels of audio, high-end microphone preamps, reference class converters, a complete effects section and operation at up to 192 kHz are the base for many more features. The Fireface 802 FS is based on a newly developed analog and digital board. While the analog board offers DC-coupled analog outputs as well as new AD and DA converters, the digital board also enables interesting new features thanks to updated high-tech components. The front panel provides four high-performance XLR/TRS combo inputs for microphone, instrument and line signals and two stereo headphone jacks with +17 dBu output level. The rear panel reveals the full connectivity with MIDI and Word Clock I/O, two optical ADAT I/Os, an AES/EBU I/O, and eight balanced analog inputs and outputs with line level. With the new Multi-Mode, the two ADAT I/Os can be used as separate optical SPDIF inputs and outputs in addition to the AES I/O. A USB A port is available for connecting the optional ARC USB. The Fireface 802 FS operates in two different modes: driver-based USB 2 and Class Compliant. All line-level outputs are fully DC-coupled, allowing for the sending of control voltages (CV) or Gate information to modular synthesizers.
40-channel advanced USB 2.0 audio interface in a half-rack size, integrating two front-panel mic/line preamps, two line/instrument inputs, ten rear analog balanced line I/O, ADAT, AES/EBU, SPDIF, word clock, MIDI, SteadyClock FS, DC-coupled outputs for CV/Gate, and DURec stand-alone USB recording.
60-Channel 192 kHz high-end USB audio interface with SteadyClock FS. RME's USB premium flagship interface offers improved AD/DA conversion, DC-coupled analog outputs, PAD-free mic preamps with 75 dB gain range, low-impedance high-power headphone outputs, professional DSP effects and monitoring via TotalMix FX, DURec (Direct USB Recording) for stand-alone recording to USB drives up to 2 TB, ARC USB remote compatibility, Class Compliant Mode, and AutoSet digital gain control.
188-Channel, 24-Bit/192 kHz high-end USB 3 audio interface. The Fireface UFX III is the center of any multitrack studio, handling up to 94 channels I/O with ease. Its unprecedented flexibility, compatibility, the inclusion of DURec (Direct USB Recording) and RME's famous low latency hardware and driver designs guarantee flawless operation in any mode and application. Packed with professional features, including SteadyClock FS, MADI I/O (64 channels), a powerful DSP, USB 3.0 (full 94 channel I/O Class Compliant ready), TotalMix FX, Direct USB Recording, and support for the Advanced Remote Control USB (available separately).
32-Channel AES/EBU PCI Express Card. Short-length, professional PCIe internal audio card with 8 AES/EBU inputs and 8 AES/EBU outputs (16 channels each via standard digital breakout cable with Tascam pinout), word clock I/O, and 2 MIDI I/O via expansion board breakout. Designed for broadcast, TV, theater, stage/PA and professional studio use.
30-channel 192 kHz PCI Express audio interface card with analog stereo I/O (XLR/RCA via breakout), ADAT, SPDIF coaxial, AES/EBU, MIDI, and a high-power headphone output. Successor to the HDSPe AIO, with reworked AK5572/AK4490 converters and SteadyClock FS.
512-channel PCI Express x4 audio interface card with dual Gigabit Ethernet Dante network ports, AES3, MIDI, headphone output, and internal expansion headers for up to four optional MADI ports.
512-channel PCI Express card combining dual Milan-compliant AVB network ports with headphone output, AES3, MIDI, and internal expansion headers for up to four MADI ports.
128-channel 192 kHz PCI Express MADI interface card based on RME's award-winning HDSP MADI design, providing 64 channels of coaxial and 64 channels of optical MADI I/O with SteadyClock, TotalMix FX, and an analog stereo monitoring output.
390-channel triple MADI PCI Express card with three MADI I/Os (two optical, one coaxial), AES/EBU I/O, analog stereo monitoring output, word clock I/O, and four MIDI I/Os, built on a new modular Hammerfall Pro Audio Core with ultra-low latencies down to 32 samples and a 4096-channel TotalMix FX engine.
72-channel PCI Express internal audio card with 4 ADAT optical I/O, 1 AES/EBU I/O, 1 SPDIF coaxial I/O and 2 MIDI I/O. Up to 36 inputs and 36 outputs simultaneously, sample rates up to 192 kHz (via S/MUX4 on ADAT). The PCIe successor to the HDSP 9652, RayDAT is positioned as a multi-channel, multi-format, multi-task tool for recording through mastering.
16 channel A/D, 20 channel D/A converter with ADAT, Dante and MADI, plus two separate headphone outputs, in a single-height 19-inch rack device.
High-end 32-Channel 192 kHz AD or DA Converter with MADI and Dante.
128-channel mobile MADI USB 2.0 audio interface providing dual MADI I/O (optical and coaxial), word clock input, AES input over BNC, and bus-powered operation with TotalMix FX integration.
394-channel 192 kHz Triple MADI USB 3.0 audio interface with two mic/line preamps, two balanced XLR line outputs, stereo headphone output, AES/EBU, word clock, MIDI over MADI, ARC USB remote port, SteadyClock FS and TotalMix FX.
12-channel digitally controlled microphone preamplifier with AVB & MADI connectivity, featuring SteadyClock FS, a 268x282 routing matrix and 75 dB gain range.
12-channel digitally controlled microphone preamplifier with Dante, ADAT & MADI. Twelve microphone and line level inputs with studio-quality conversion, remote-controllable gains, and integrated MADI and Dante connectivity.
8-channel AES42 interface and controller for digital microphones, converting their signals to ADAT, AES/EBU, analog and optional MADI formats, with per-channel sample rate conversion, MIDI/MADI remote control and SteadyClock technology.
8-channel full-range microphone and line preamplifier with AD converter, 85 dB gain range, AES/EBU and ADAT digital outputs, optional MADI I/O, and complete MIDI remote control.
The OctaMic II provides 8-Channel 192 kHz / 24 bit AD conversion with eight hi-class microphone and line pre-amplification channels, featuring a combination of sophisticated components and approved RME technology. It offers 8 balanced XLR mic/line inputs via Neutrik XLR/TRS combo jacks, with switches for 48V phantom power, low cut filter and phase reversal per channel. Amplification can be set between 6 and 60 dB. The 8-Channel AD-conversion operates at up to 192 kHz, with the digitized signal available simultaneously at the double ADAT output (S/MUX, up to 96 kHz) and at a DB-25 connector (4 AES/EBU outputs, up to 192 kHz). The digital part can be clocked internally (master) and externally via word clock, AES/EBU and SPDIF. RME's SteadyClock(TM) ensures perfect AD-conversion by removing jitter on external sync-sources.
16 channel A/D, 20 channel D/A converter with ADAT, Milan and MADI. The M-1620 Pro converts analog line-level signals (switchable up to +24 dBu per channel) to and from MADI, ADAT, and Milan network technology. A front panel combining LED level meters with display and two separate headphone outputs sits within a single-height 19-inch rack device. Includes dual network and dual MADI connections with redundancy, full stand-alone capability, and Milan certification supporting up to 128 channels at 48 kHz (96 @ 96 kHz, 64 @ 192 kHz).
RME's M-32 AD is a 32-channel high-end AD converter, easy to operate yet having a comprehensive feature set. The unit combines excellent analog circuit design with the latest converter chips and RME's superior SteadyClock, resulting in a state-of-the-art AD conversion - 32 times. The unique set of features includes analog limiters, three hardware reference levels up to +24 dBu, MADI and ADAT I/O up to 192 kHz, 6.3 mm TRS and D-sub inputs, remote control via MIDI, and operation across a wide range of mains voltages, all packed into a 2U enclosure. An extraordinary limiter, conceived and optimised for professional studio, stage, and broadcast applications, offers essential operational safety with its capability to limit an input's overload of up to 17 dB without audible distortion (max. input level + 30 dBu).
High-end 32-Channel 192 kHz AD or DA Converter with MADI and AVB. The M-32 Pro II series is designed to meet the demanding requirements of professional studios, immersive sound installations, live sound systems, and industrial applications that need a reliable solution for analog conversion with high-end network audio processing. These converters are available with either 32 analog inputs or outputs, and either with Dante or AVB for a choice of four different models. Boasting up to 32 channels, fully equipped MADI I/Os (coaxial & optical via optional SFP module), improved specs with extremely low THD values, intelligent channel routing and innovative usability, the M-32 Pro II Series represents the state-of-the-art in audio performance.
32-channel MADI/ADAT to analog converter in a 19-inch, 2U enclosure, combining excellent analog circuit design with the latest converter chips and RME's SteadyClock.
Universal Analog Breakout Box. The RME DTOX-16 breakout boxes are the perfect rack solutions for interconnecting analog multichannel XLRs with the common D-sub 25 connector format.
D-sub <> XLR Breakout Panel for AES/EBU. The DTOX-32 breakout panel is the ideal extension for digital multichannel interfaces. It includes two sets of D-sub to 4 x XLR male and 4 x XLR female each, replacing common breakout cables D-sub to XLR by a professional, solid, stable rack-mounted system. DTOX-32 is pin-compatible to TASCAM (=RME) and Yamaha formats.
Linear Super Low Noise Dual Audio Power Supply with µFilter and Sensor Technology. Compact half-rack linear power supply featuring two separately filtered DC outputs (Linear and µFilter), Sensor technology that measures voltage at the DC connector, a 30,000 µF capacitor bank with ferrite choke, HF and DC filters on the AC mains side, GND lift switch, multicolor status LEDs with AutoDark mode, and a 60 VA audio toroidal transformer with isolation winding.
Low Noise Isolating DC Filter, 12 Volt 2 Ampere, DC Input and Output. The LNI-2 DC provides isolation, regulation and filtering of output signals from any 12 volt DC power source, enabling a remarkable improvement in DC voltage stability while providing an ultra-clean 12V power source. The LNI-2 DC is based on two key features: galvanic isolation and RME's exclusive µFilter. Galvanic isolation is an advanced technique to prevent any noise, from hum over high frequency noise to leakage currents from reaching the filtered DC output. The µFilter (micron filter) of the LNI-2 DC consists of a discrete Ultra Low Noise linear regulator with extremely low noise output of only a few µV (micro-volt), soft start, thermal overload, short circuit protection and sensor technology. The LNI-2 DC handles power sources from 9–18V DC (input) and provides a fixed, perfect voltage of 12.0 V at 2 A at the lockable output socket.
Advanced Remote Control USB for TotalMix FX — a wired USB 1.1 (UAC1) MIDI remote control natively compatible with Windows and Mac OS X, providing direct access to the most frequently used TotalMix FX actions and commands.
Optional expansion module (HDSP Synchronization Module) for selected RME HDSPe cards that adds synchronization to LTC (Linear Time Code) and video signals. Connects to the host card via ribbon cable and uses SteadyClock technology to extract clean, low-jitter word clock from LTC and video sources, enabling sample-accurate timecode synchronization.