Skip to main content

Tascam

84 products

Manufacturer of professional audio recording equipment.

Official site

Audio Interface

  • AE-4D

    Compact half-rack Dante converter that bridges AES/EBU digital audio and Dante networked audio, supporting 4 channels in each direction. Includes an embedded DSP mixer with up to 50 scene presets and supports Power over Ethernet (PoE), making it suitable for smaller installations and distributed AV systems. AES/EBU inputs include integrated sampling rate conversion supporting source signals from 32 to 192kHz.

  • DP-006

    Portable battery-powered 6-track Digital Pocketstudio for capturing song ideas and demos. Records up to 6 tracks at 16-bit/44.1kHz with built-in stereo omnidirectional condenser microphones, two 1/4-inch external inputs (Input A switchable to Hi-Z guitar mode), SD/SDHC card storage, and WAV file import/export via USB. Includes chromatic tuner, metronome, bounce, and track editing.

  • DP-24SD

    24-track digital Portastudio with simultaneous 8-track recording to SD/SDHC media. Features 8 XLR/TRS combo inputs with +48V phantom power, 3-band EQ, onboard dynamics and guitar effects, 19 track faders plus master fader, chromatic tuner, metronome, and USB mass-storage connectivity. Input H doubles as a Hi-Z guitar input.

  • DR-05X

    Compact 2-channel portable stereo field recorder and USB audio interface with built-in omnidirectional condenser microphones. Records WAV/BWF up to 96kHz/24-bit and MP3 to microSD cards, handles up to 125dB SPL, and doubles as a driverless 2-in/2-out USB audio interface for Mac, PC, and iOS. Features auto recording, 2-second pre-record buffer, overdubbing, chromatic tuner, six reverb presets, and up to 17.5 hours of battery life from two AA batteries.

  • DR-05XP

    Compact 2-channel 32-bit float portable stereo recorder and USB-C audio interface designed for podcasting and field recording. Features built-in omnidirectional condenser microphones rated to 125dB SPL, automatic level management via 32-bit float recording, and support for microSDXC cards up to 512GB. Doubles as a driverless 2-in/2-out USB-C audio interface and runs up to 17.5 hours on two AA batteries. Podcast-oriented bundle variant of the DR-05X with USB-C connectivity.

  • DR-07X

    Compact 2-channel portable stereo field recorder with switchable A-B and X-Y microphone configurations and USB audio interface capability. Features built-in unidirectional condenser microphones rated to 125dB SPL, records WAV/BWF at up to 96kHz/24-bit and MP3 to microSD, and functions as a driverless USB audio interface. Includes chromatic tuner, six reverb presets, variable speed playback, and up to 17.5 hours of battery life from two AA batteries.

  • DR-07XP

    2-channel 32-bit float handheld recorder with USB-C audio interface and adjustable stereo condenser microphones. Supports WAV (16/24/32-bit float) and MP3 recording at up to 96kHz, microSDXC cards up to 512GB, and approximately 17.5 hours of battery life from 2 AA batteries. Includes built-in chromatic tuner, reverb, overdubbing, four low-cut filter levels, and Auto Tone output for DSLR integration. Podcast bundle variant of the DR-07X with 32-bit float recording and USB-C connectivity.

  • DR-10L Pro

    Ultra-compact 32-bit float wearable field recorder with included TM-10L lavalier microphone. Designed for AV creators, wedding videography, and event capture, offering dual ADC 32-bit float recording to eliminate gain-staging, LTC jam sync timecode, optional Bluetooth control via the AK-BT1 adapter, and microSDXC support up to 512GB. Runs up to 24.5 hours on two AAA batteries.

  • DR-10X

    Compact plug-on field recorder that attaches directly to handheld XLR microphones via a locking XLR connector, eliminating additional cables. Records 24-bit/48kHz WAV/BWF mono audio with a dual recording backup track at lower levels. Designed for news gathering, interviews, and broadcast capture, with automatic gain control, limiter, low-cut filter, and automatic file closing to protect recordings on battery depletion. Supports microSD/SDHC cards up to 32GB.

  • DR-40X

    4-channel portable handheld field recorder and USB audio interface. Features dual adjustable unidirectional stereo condenser microphones switchable between A-B and X-Y positions, two XLR/TRS combo inputs with 48V phantom power, MS decoding for mid-side recording, and driverless USB 2.0 audio interface (2-in/2-out) for Mac, PC, and iOS. Records WAV/BWF (16/24-bit) and MP3 at up to 96kHz to microSDXC cards up to 128GB, with approximately 18 hours of battery life.

  • DR-40XP

    4-channel 32-bit float portable field recorder with adjustable built-in stereo condenser microphones (A-B or X-Y), two XLR/TRS combo inputs with phantom power, and USB-C audio interface. Delivers clip-free audio up to 125dB SPL with ultra-low-noise HDDA mic preamps (EIN -126 dBu) and approximately 18 hours of battery life. Podcast bundle variant of the DR-40X with USB-C connectivity and 32-bit float recording.

  • FR-AV2

    Compact 32-bit float 2-channel field recorder and timecode generator with Ultra HDDA preamps (EIN -127 dBu). Features dual XLR/TRS combo inputs with phantom power, SMPTE LTC timecode generation and sync, HDMI ARC-style cascade support, built-in mixer, and USB-C audio interface (2-in/2-out). Records WAV/BWF to microSDXC at up to 192kHz. Designed for videographers and AV production requiring precise timecode sync with cameras and Atomos devices.

  • FR-AV4

    32-bit float 4-channel portable field recorder with Ultra HDDA mic preamps (EIN -127 dBu), built-in mixer, timecode generator, and HDMI 2.1 pass-through supporting 4K/60Hz and 8K/30Hz. Records six tracks (four channels plus stereo mix) to SDXC cards at up to 192kHz. Features onboard EQ, low-cut filter, limiter, noise gate, Auto Mix with gain-sharing, Ambisonics support, and a USB-C audio interface (6-in/2-out). Compatible with Atomos, Blackmagic, Canon, Sony, and other camera brands via HDMI cascade.

  • IF-DA64

    64-In/64-Out Dante Interface Card — an optional expansion card for TASCAM's expansion slot system, enabling high-channel-count Dante networking with primary and secondary redundancy ports. Supports up to 64x64 channels at 44.1/48 kHz or 32x32 channels at 88.2/96 kHz.

  • IF-MA64/EX

    64-In/64-Out MADI Interface Expansion Card with optical input and output. An optional expansion card for TASCAM's expansion slot system, adding professional MADI connectivity to compatible devices including the Sonicview 24XP, Sonicview 16XP, DA-6400, and DA-6400dp.

  • IF-ST2110

    An optional 64-in/64-out SMPTE ST2110 expansion card designed for TASCAM broadcast consoles and recorders. Compliant with ST2110-30/31 and AES67 standards, it supports ST2022-7 redundancy and NMOS IS-04/05 for IP studio, remote production, and OB vehicle workflows.

  • MiNiSTUDIO CREATOR US-42

    Portable podcast station and USB audio interface for personal broadcasting. Features 2 HDDA mic preamps with +48V phantom, a built-in omnidirectional condenser microphone, 3 velocity-sensitive sound pads, DSP effects (EQ, compressor, reverb), ducking function, and BROADCAST/CREATOR mode switching. Supports 24-bit/96kHz and is iOS-compatible via Lightning-USB camera adapter.

  • ML-16D

    1U rackmount 16-channel Dante analog interface that bridges balanced analog audio and Dante networked audio. Accepts and outputs 16 channels of balanced analog audio via D-Sub 25-pin connectors (AES59-2012) while simultaneously converting to and from up to 16 channels of Dante audio. Features dual Dante ports for redundant network topologies and supports standard Dante Controller routing. Designed for large-format installations and as the core converter for the TASCAM ML series ecosystem.

  • ML-32D

    1U rackmount 32-channel Dante analog interface that bridges balanced analog audio and Dante networked audio. Accepts and outputs 32 channels of balanced analog audio via four D-Sub 25-pin connectors (AES59-2012) while simultaneously converting to and from up to 32 channels of Dante audio. Features dual Dante ports for redundant network topologies, selectable reference levels, and per-channel signal and overload indicators. Designed for large-scale installations and flagship Dante I/O expansion.

  • ML-4D/OUT-E

    Compact half-rack Dante analog output interface that converts 4-channel Dante network audio to four balanced analog line outputs via Euroblock connectors. Features a built-in 4-in/4-out DSP matrix mixer with ducking, ambient noise compensation, 10-band EQ, high/low-pass filters, delay, and limiter. Supports up to 50 scene presets and is powered via Power over Ethernet (PoE Class 0) or an optional external AC adapter. Designed for professional installation and contractor audio systems.

  • ML-4D/OUT-X

    Compact half-rack Dante analog output interface that converts 4-channel Dante network audio to four balanced analog XLR line outputs. Features a built-in 4-in/4-out DSP matrix mixer with ducking, ambient noise compensation, 10-band EQ, high/low-pass filters, delay, and limiter. Supports up to 50 scene presets and is powered via Power over Ethernet (PoE Class 0) or an optional external AC adapter. North American and global market variant of the ML-4D/OUT-E, using XLR connectors instead of Euroblock.

  • MM-4D/IN-E

    Compact half-rack 4-channel mic/line to Dante converter for professional installation. Accepts four balanced Euroblock mic/line inputs with +48V phantom power and converts them to Dante network audio with 4-channel output. Features a built-in 8-in/4-out DSP matrix mixer with compressor, 4-band parametric EQ, ducking, auto-level, and up to 50 scene presets. Powered via PoE Class 0 or optional external adapter. European Euroblock variant.

  • MM-4D/IN-X

    Compact half-rack 4-channel mic/line to Dante converter for professional installation. Accepts four balanced XLR mic/line inputs with +48V phantom power and converts them to Dante network audio with 4-channel output. Features a built-in 8-in/4-out DSP matrix mixer with ducking, ambient noise compensation, compressor, 4-band parametric EQ, and auto-level. Supports up to 50 scene presets, Dante daisy-chain, and PoE Class 0 power. North American and global XLR variant.

  • Portacapture X6

    6-channel 32-bit float portable audio field recorder with 2.4-inch color touchscreen and app-like preset operation. Records up to 6 simultaneous tracks (4 inputs plus stereo mix) at up to 96kHz with dual A/D converters, built-in switchable stereo microphones, and two XLR/TRS combo inputs with phantom power. Doubles as a driverless 6-in/2-out USB-C audio interface. Recording presets cover podcasting, music, voice, field recording, ASMR, and more.

  • Portacapture X8

    8-channel 32-bit float portable audio field recorder with 3.5-inch color touchscreen and Launcher app system. Features four XLR/TRS combo inputs with individual 48V phantom power, two 3.5mm inputs with plug-in power, and detachable large-diaphragm stereo condenser microphones configurable in A-B or X-Y patterns. Records up to 8 simultaneous tracks (6 inputs plus stereo mix) and doubles as a driverless USB 2.0 audio interface (8-in/2-out). Supports wireless remote control via optional Bluetooth adapter.

  • SB-16D

    16-in/16-out Dante stage box featuring 16 XLR microphone/line inputs and 16 XLR line outputs with integrated 32-bit ADCs and Class 1 HDIA microphone preamps. Supports Dante Domain Manager, AES67, and SMPTE ST 2110 with redundant etherCON Dante ports. Can be floor or 3U rack-mounted and controlled remotely via TASCAM IO Control app or Sonicview mixers.

  • Series 102i

    10-in/2-out USB audio/MIDI interface with angled tabletop design. Features two XLR/TRS combo inputs with Ultra HDDA preamps (EIN −129dBu), optical S/MUX expansion for up to 8 additional input channels, dual headphone outputs, built-in DSP effects (reverb, compressor, 4-band EQ), and 24-bit/192kHz resolution. Compatible with Windows, Mac, and iOS.

  • Series 208i

    20-in/8-out USB audio/MIDI interface with four Ultra HDDA mic preamps (EIN −129dBu), dual optical S/MUX expansion ports for up to 16 additional channels, eight balanced 1/4-inch line outputs, Word Clock I/O via BNC, dual independent headphone amplifiers, built-in DSP effects (reverb, compressor, 4-band EQ), and 24-bit/192kHz recording and playback.

  • Studio Bridge

    24-track multitrack recorder and 24-in/24-out USB audio interface designed to bridge analog mixing consoles to DAW-based workflows. Connects via three pairs of DB25 balanced analog connectors (TASCAM pin assignment), records to SDXC card at up to 24-bit/48kHz, and provides USB Audio Class 2.0 interface capability. Supports DAW transport control via HUI/MCU protocol over USB MIDI, includes MIDI DIN IN/OUT, a click output, headphone/local monitor output, and a dual footswitch jack.

  • US-16x08

    16-in/8-out USB audio/MIDI interface with eight Ultra-HDDA discrete mic preamps (EIN −125dBu). Features +48V phantom on all mic inputs, 8 balanced TRS line outputs, onboard DSP with 4-band EQ and compression, 10 scene snapshots, standalone preamp mode, and iOS class-compliant operation. Supports 96kHz/24-bit.

  • US-2x2HR

    Compact 2-in/2-out USB audio/MIDI interface with Ultra HDDA mic preamps (EIN −128dBu), +48V phantom power, 24-bit/192kHz resolution, zero-latency direct monitoring, loopback, and MIDI DIN I/O. Bus-powered via USB-C with a dye-cast aluminum chassis. Compatible with iPad and iOS.

  • US-42B MiNiSTUDIO CREATOR

    USB audio interface and podcast mixer designed for streaming and content creation. Features a built-in condenser microphone, two XLR/TRS combo inputs with Ultra-HDDA preamps, instrument inputs, 3.5mm headset support, loopback, and dedicated iOS connectivity via USB Micro-B.

  • US-4x4HR

    4-in/4-out USB audio/MIDI interface with four Ultra HDDA mic preamps (EIN −128dBu), +48V phantom power, 24-bit/192kHz resolution, zero-latency direct monitoring, loopback, and dual headphone outputs. Connects via USB-C and is compatible with Windows, macOS, iOS, and iPadOS. Bus-powered or optional DC adapter.

Rack Mount

  • 202MKVII

    Professional-grade dual cassette deck with USB digital output, supporting recording, playback, dubbing, and archiving. Features pitch control, Dolby B noise reduction, parallel recording to both decks, and a 3U rack-mount design.

  • BD-MP1MKII

    Professional-grade 1U rackmount Blu-ray player supporting disc media (Blu-ray, DVD, CD), SD/SDHC/SDXC cards, and USB flash drives for commercial and residential installations. Features HDMI output with Dolby Atmos and DTS-HD passthrough, balanced XLR stereo outputs at +4dBu, and 7.1 surround sound RCA outputs. RS-232C and Ethernet ports enable external system control, and panel/IR/tray lock functions support secure, unattended operation.

  • BD-MP4K

    Professional-grade 4K UHD Blu-ray player in a 1U rackmount form factor, designed for installation in theaters, educational facilities, and commercial venues. Supports 4K Ultra HD BD, standard Blu-ray, DVD, and CD playback, as well as file playback from SD cards, USB 3.0 drives, and networked Samba/NAS servers. External control is available via Gigabit Ethernet or RS-232C, with panel lock, IR remote lock, and power-on play for unattended operation.

  • CD-200BT

    Professional 2U rack-mount CD player with integrated Bluetooth receiver supporting aptX, AAC, and SBC codecs. Plays CD, CD-R, CD-RW, and CD-ROM discs and supports WAV, MP3, and MP2 audio formats. A 10-second shockproof memory prevents skipping, and the unit pairs with up to eight Bluetooth transmitters for wireless audio streaming.

  • CD-400U

    1U rack-mount media player supporting playback from CD, SD card, USB flash drive, Bluetooth, and a built-in FM/AM tuner with 20 presets each. Offers dual analog outputs — balanced XLR and unbalanced RCA — alongside a front-panel headphone output and AUX input for portable devices. RS-232C serial control and a wireless remote make it well-suited for fixed installation environments.

  • DA-3000SD

    2-channel DSD/PCM master recorder and AD/DA converter featuring BurrBrown PCM1795 converters (one per channel), recording up to 192kHz PCM and 5.6MHz DSD. 1U rack-mountable with fanless design, high-precision TCXO oscillator (±1ppm), and support for cascading up to 16 tracks with eight units.

  • DA-6400

    Compact 64-channel digital multitrack recorder designed for live and broadcast applications. Records 64 channels at 48kHz/24-bit or 32 channels at 96kHz/24-bit PCM to 2.5-inch SSD in BWF (.wav) format. Features SMPTE LTC timecode sync, cascade support for up to 128-channel operation, and two expansion slots for optional I/O interface cards.

  • MP-800U

    1U rackmount SD/USB media player with USB DAC and FM tuner. Supports WAV, MP3, and AAC playback from SD cards and USB flash drives. Features balanced XLR and unbalanced RCA outputs with a dedicated tuner output pair, pitch control, auto cue, and fade in/out. Bluetooth streaming available via optional AK-BT2 adapter. Compatible with Q-SYS platform (in development). Suited for installed audio environments such as restaurants, hotels, and entertainment venues.

  • SS-CDR250N

    Professional 2-channel CD/SD/USB recorder and player with integrated network capabilities for installation audio applications. Supports high-resolution recording up to 96kHz/24-bit across dual SD card slots, USB, and CD-R/RW media, with mirror and relay recording modes for redundancy. Network features include an FTP client for automated file transfer and an Event List scheduler for unattended recording and playback operations.

  • SS-R250N

    2-channel SD/USB recorder and player with built-in network connectivity designed for permanent installation applications. Supports high-resolution audio up to 24-bit/96kHz via WAV or MP3 formats, with dual SD card slots for mirror or relay recording. Network features include FTP client functionality, smartphone app control, SNTP time-based event scheduling, and an Event List automation system for unattended operation.

  • VS-R264

    Compact half-rack HD video streamer functioning simultaneously as a Full HD (1920×1080p) H.264 encoder, decoder, and SD recorder without requiring an external computer. Supports RTMP, RTSP, and HLS streaming protocols with up to 8 simultaneous streams including 3 simultaneous RTMP streams for simulcast and backup. Powered by PoE+ Class 4 over its Gigabit Ethernet port for simplified installation.

  • VS-R265

    Standalone half-rack 4K video streamer that simultaneously encodes, decodes, streams, and records without an external computer. Supports H.264 and H.265 (HEVC) up to 3840×2160p and outputs up to eight simultaneous streams via RTMP/RTMPS, RTSP, HLS, RTP/UDP, and multicast. Recording is available to internal 17GB storage, USB drives, or SD/SDHC cards in MPEG2-TS or MP4 format.

Mixer

  • Mixcast 4

    All-in-one podcast mixer, recorder, USB audio interface, and streamer supporting up to 7 people. Features 4 XLR/TRS combo mic inputs with auto-mix, 4 independent headphone outputs, 14-track multitrack recording to SD card, a 5-inch color touchscreen, customizable sound pads with real-time effects, Bluetooth audio, and USB-C connectivity as a 14-in/2-out USB audio interface.

  • MM-2D-E

    Compact half-rack 2-channel Dante mixing station for professional installation. Accepts two balanced mic/line inputs with +48V phantom power via Euroblock connectors and delivers two balanced line outputs, while simultaneously exchanging 4 channels in each direction over Dante. Features a built-in 6-in/4-out DSP matrix mixer with compressor, 4-band EQ, 10-band output EQ, ducking, ambient noise compensation, and up to 50 scene presets. Powered via PoE Class 0 or optional external adapter. European Euroblock variant.

  • MM-2D-X

    Compact half-rack 2-channel Dante mixing station for professional installation. Accepts two balanced XLR mic/line inputs with +48V phantom power and delivers two balanced XLR line outputs, while simultaneously exchanging 4 channels in each direction over Dante. Features a built-in 6-in/4-out DSP matrix mixer with compressor, 4-band EQ, 10-band output EQ, ducking, ambient noise compensation, and up to 50 scene presets. Powered via PoE Class 0 or optional external adapter. North American and global XLR variant.

  • Model 12

    12-track integrated recording mixer, multitrack recorder, and 12-in/10-out USB audio interface with DAW control. Features 8 Ultra HDDA mic preamps (EIN -128 dBu) via XLR/TRS combo jacks, 12-track simultaneous SD recording, 1-knob compressor and 3-band EQ per channel, 16 built-in effects, Bluetooth 5.0 for wireless playback, and HUI/MCU DAW control over USB. Suitable for music production, content creation, and live performance.

  • Model 16

    16-channel live recording mixer and USB audio interface with 10 Ultra HDDA mic preamps and +48V phantom power. Features 16-track multitrack recording to SD card at up to 48kHz/24-bit, 16-in/14-out USB 2.0 audio interface, built-in Bluetooth 5.0 for wireless audio streaming, 1-knob compressors and 3-band sweepable EQ on channels 1–8, 16 editable multi-effects, and a 4-band master EQ. Designed for small-format live performance, rehearsal recording, and studio production.

  • Model 24

    24-track live recorder, 22-channel mixing console, and 24-in/22-out USB audio interface. Features 16 Ultra HDDA mic preamps, 3-band EQ with sweepable mid on channels 1–12, 7-band graphic EQ, 16 preset effects, Bluetooth audio streaming, and records up to 24 tracks simultaneously to SD/SDHC/SDXC at 44.1/48kHz and 16/24-bit. Sub outputs available via XLR balanced and RCA unbalanced. Designed for rehearsals, live performance, and studio production.

  • Model 2400

    24-track flagship analog recording console and live mixer with 24-in/22-out USB audio interface. Features 16 Ultra HDDA mic preamps on channels 1–12 and 13/15/17/19, 1-knob compressors and 3-band parametric EQ on channels 1–12, 5 aux sends, 4 stereo sub groups, 16 onboard effects, a 4-band digital master EQ, 24-track SD card recording, MIDI DIN IN/OUT, and HUI/MCU DAW transport control. Bluetooth audio input on channels 21/22.

  • MX-8A

    Compact 8-input/8-output matrix mixer with integrated DSP, designed for small to mid-scale audio installations such as stores, restaurants, and banquet rooms. Features 8 mic/line inputs with phantom power, 8 independent output zones, onboard DSP (compressor, parametric EQ, auto-leveling, ducking, ambient noise compensation), built-in 2-in/2-out USB audio interface, Ethernet and RS-232C/RS-485 control, and support for up to 50 scene presets. 1U rack-mountable.

  • MZ-123BT

    3-channel 1U rackmount multi-zone mixer with Bluetooth 4.2 (A2DP, SBC/AAC/aptX). Designed for commercial installation in retail, restaurants, bars, and hotels. Features three discrete zone outputs with independent volume control, dual microphone inputs with talkover functionality, front-panel XLR/TRS combo mic input, Bluetooth pairing controls, and headphone monitoring. Includes 3-band EQ and high-pass filter on rear panel.

  • MZ-223

    5-channel rackmount multizone mixer designed for small-format installation applications, enabling versatile multi-zone audio routing, mixing, and segregation of several audio sources simultaneously. Suited for moderate-sized hotels, restaurants, meeting rooms, and schools. Features three independent zone outputs, five input channels with RCA stereo pairs, two front-panel mic XLR combo inputs, talkover function, 3-band EQ per output, and stereo LED level meters per output.

  • MZ-372

    7-channel 3U rackmount multi-zone mixer designed for permanent installation environments such as restaurants, retail spaces, and houses of worship. Accommodates 19 total input sources across 12 stereo RCA pairs, six rear XLR mic/line inputs, and a front-panel XLR/TRS combo mic input with Talkover ducking. Dual redundant balanced XLR and unbalanced RCA stereo main outputs plus sub, monitor, and headphone outputs provide flexible zone distribution.

Headphones

  • TH-02

    Closed-back over-ear studio headphones with 50mm drivers, rich bass response, and passive isolation. The foldable ear-cup design with 90° rotation suits both studio monitoring and live DJ use. Includes a snap-on 1/4-inch adapter.

  • TH-03

    Professional closed-back studio headphones with a 50mm neodymium magnet dynamic driver, delivering a frequency response of 18Hz–22kHz. Lightweight stainless steel framework with adjustable arms and padded ear cuffs for noise isolation during extended sessions. Includes a screw-on 1/4-inch adapter.

  • TH-05

    Studio-grade closed-back monitoring headphones with 40mm dynamic drivers and a circumaural design for passive isolation. Features 180° rotating ear cups for single-ear monitoring and a lightweight manganese headband for extended wear. Includes a screw-on 1/4-inch adapter and a leatherette travel bag.

  • TH-07

    Premium closed-back circumaural monitor headphones with 50mm custom drivers for tracking, mixing, and critical listening. Features pivoting and angling ear cups for a versatile fit and single-ear monitoring, plus a foldable design. Two detachable cables with gold-plated connectors are included for studio and field use.

  • TH-200X

    Closed-back studio headphones for professional recording and mixing, featuring a 40mm neodymium dynamic driver with a frequency response of 15Hz–22kHz. Lightweight stainless steel framework with adjustable arms and padded ear cuffs for extended wear. Includes a snap-on 1/4-inch adapter.

  • TH-300X

    Professional closed-back studio headphones with 45mm dynamic neodymium magnet drivers and a frequency response of 10Hz–26kHz. High power handling (1800mW) and passive isolation make them suitable for tracking, monitoring, and live use. Includes a screw-on 1/4-inch adapter.

  • TH-MX2

    Professional closed-back studio headphones for recording and mixing, featuring 40mm neodymium magnet dynamic drivers and a stainless steel framework with adjustable arms. Sensitivity of 95dB at 32Ω for compatibility with a wide range of sources. Includes a screw-on 1/4-inch adapter and a leatherette carrying bag.

Microphone

  • TM-10L

    Compact lavalier condenser microphone for voice capture in film, video, live events, and lectures. Features an omnidirectional back electret condenser capsule (φ6.5 × 22 mm) with plug-in power. The 160 cm cable terminates in a 3.5mm mini plug with a Sennheiser-style screw-lock, compatible with wireless transmitters and the DR-10 series recorders.

  • TM-180

    Large-diaphragm studio condenser microphone with a 34mm pure gold-coated aluminum diaphragm in a cardioid polar pattern. Operates on 48V phantom power with a switchable −10dB pad and low-cut filter. Designed for vocals, acoustic guitar, and wind instruments; ships with a suspension shockmount and hard and soft carrying cases.

  • TM-200SG

    Compact super-cardioid shotgun microphone for videographers, vloggers, and field recording. Built around a back electret condenser element with a frequency response of 30Hz–20kHz, max SPL of 132dB, and a built-in 160Hz low-cut filter. Powered exclusively via 48V phantom power through a 3-pin XLR male connector.

  • TM-250U

    USB condenser microphone for podcasting, conferencing, and computer recording. Plug-and-play via USB-C (UAC 1.0) with no driver required. Features a super-cardioid polar pattern, 16-bit/48kHz capture, built-in headphone output for low-latency direct monitoring, plus on-device gain, volume, and mute controls. Compatible with Windows, macOS, iOS, Android, and Chrome OS.

  • TM-280

    High-performance large-diaphragm studio condenser microphone with a 34mm pure gold-sputtered diaphragm in a cardioid polar pattern. Handles sources up to 135dB SPL with a switchable −10dB pad and high-pass filter. Includes a suspension shockmount, pop filter, and flight case.

Other

  • AK-DCSV16

    Dust cover designed to fit perfectly over the TASCAM Sonicview 16XP, protecting it from dust and dirt. Made from light polyester fabric.

  • AK-DCSV24

    Dust cover for the TASCAM Sonicview 24XP digital recording and mixing console. Made from light polyester fabric to protect the console from dust and dirt.

  • IF-AE16

    16-In/16-Out AES/EBU expansion card for TASCAM's expansion slot system. Features a built-in sampling rate converter per input pair supporting 32kHz–192kHz, with two D-sub 25-pin connectors conforming to AES59-2012 standard. Compatible with TASCAM Sonicview 24XP, Sonicview 16XP, DA-6400, and DA-6400dp.

  • IF-AN16/OUT

    16-channel analog output expansion card for TASCAM's expansion slot system. Provides two D-sub 25-pin balanced connectors (8 channels each) with per-channel output attenuation of 0 to -14 dB in 0.5 dB increments. Compatible with Sonicview 24XP, Sonicview 16XP, DA-6400, and DA-6400dp.

Utility

  • BO-16DX/IN

    Passive 1U rackmount audio adapter that bridges 16 front-panel balanced XLR inputs to dual D-Sub 25-pin outputs on the rear, compliant with the AES59-2012 wiring standard. Designed for professional installation and live sound environments as a breakout point between stage boxes, mixing consoles, and audio-over-IP converters. Compact 1.8-inch depth behind rack ears with flexible 180-degree mounting orientation.

  • BO-16DX/OUT

    Passive 1U rackmount D-Sub to XLR breakout adapter designed for professional installation and live sound applications. Converts audio signals from two rear-panel D-Sub 25-pin female connectors (AES59-2012 compliant) to 16 front-panel XLR outputs. Companion to TASCAM ML-16D and ML-32D Dante converters, with multiple rackmounting orientations and a shallow 2-inch depth.

  • BO-32DE

    1U rackmount breakout adapter that converts 32 channels of balanced Euroblock connections on the front panel to four AES59-2012 compliant D-Sub 25-pin female connectors on the rear. Designed for professional installation environments bridging front-panel connectors to rear-panel outputs for use with CD players, digital audio players, zone mixers, and audio-over-IP converters. Features compact 50.8mm depth and reversible/removable rackmount ears for flexible tabletop or rack deployment.

  • RX-BT10

    Compact Bluetooth 5.1 (Class 1) stereo receiver designed for professional installation environments such as hotels, classrooms, retail spaces, and large venues. Accepts wireless audio via A2DP (SBC/AAC) and outputs balanced XLR and unbalanced RCA stereo signals. Features a front-panel extendable antenna, Euroblock remote pairing terminal, and switchable mono/stereo output configuration.

Console

  • Sonicview 16XP

    Professional digital recording and mixing console featuring a 54-bit floating-point FPGA mixing engine at 96 kHz, 44 input channels, built-in 64-channel Dante networking, a 32-track recorder, two 7-inch color touch panels, and 16+1 motorized 100mm faders.

  • Sonicview 24XP

    Digital Recording and Mixing Console featuring 44 input channels, a 54-bit floating-point FPGA mixing engine at 96 kHz, integrated 32-track SDXC recorder, built-in 64-in/64-out Dante interface, three 7-inch multi-touch displays, and 24+1 motorized 100mm faders.

Outboard

  • CG-1800

    1U rack-mount master clock generator built around a high-precision OCXO (±0.01ppm accuracy) for large professional audio and video systems. Distributes word clock, AES3/11, S/PDIF, and video sync (NTSC, PAL, HD Tri-level) across 12 BNC word clock outputs, 4 BNC video outputs, 2 AES XLR outputs, and 2 S/PDIF RCA outputs. Accepts 10MHz atomic/GPS reference for self-calibration.

  • CG-2000

    Professional 1U rack-mount master clock generator for broadcasting stations and post-production facilities, featuring an OCXO (±0.01ppm accuracy) with redundant power supplies and redundant A/B video/word clock inputs for mission-critical reliability. Distributes word clock, AES3/11, S/PDIF, and video sync across 12 BNC word clock outputs, 4 BNC video outputs, 2 AES XLR outputs, and 2 S/PDIF RCA outputs. Accepts 10MHz atomic/GPS calibration input.

Preamp

  • CA-XLR2d

    Professional XLR microphone adapter developed with Canon, FUJIFILM, and Nikon for mirrorless and DSLR cameras. Transmits digital audio directly via camera accessory shoe, eliminating analog signal degradation. Features two XLR/TRS combo inputs with HDDA preamps, +48V phantom power, a 1/8-inch stereo input for lavalier mics, headphone monitoring, and 48/96kHz up to 24-bit recording synchronized with camera settings.

  • Series 8p Dyna

    8-channel mic preamp and analog-to-digital converter with integrated single-knob analog compressor per channel. Features TASCAM HDIA preamps (EIN −127dBu), per-channel switchable +48V phantom, dual TOSLINK S/MUX optical outputs for up to 8 channels at 96kHz, a DB25 analog output, and Word Clock I/O. 1U rack-mount.

Amplifier

  • MA-BT240

    Mixing amplifier with extended Bluetooth designed for smaller commercial spaces including restaurants, retail stores, institutions, and waiting rooms. Combines high and low-impedance amplification with microphone input, line-level inputs, and built-in Bluetooth 5.1 wireless audio streaming in a compact half-rack 1U design.

Multi Effect

  • TA-1VP

    1U rack-mount vocal processor co-developed with Antares Audio Technologies, combining a mic preamp with real-time pitch correction (Auto-Tune Evo), Antares Microphone Modeling, analog tube modeling, compression, de-essing, and 2-band parametric EQ. Features MIDI I/O for DAW integration and a footswitch input for hands-free control. Designed for live sound, studio, and broadcast applications.