The 1023 is a handwired microphone/line preamp with a three-band equalizer featuring expanded frequency options compared to the 1073, using the same mic/line preamp circuit but with significantly more mid and high-frequency selections allowing overlapping EQ curve manipulation.
The 1023L is a 500 Series preamp/EQ module based on the classic 1023, featuring the mic/line preamp from the 1073 with significantly expanded frequency options in the high and mid sections, allowing the mid bell curve to be played directly against the high and low shelves where they overlap.
The 1028 is a hand-wired microphone/line preamplifier with a 3-band equalizer featuring the identical mic/line preamp as the 1073 but with significantly expanded mid and high-frequency EQ sections, offering 28 total frequency options for enhanced tone-shaping versatility.
The BAE 1032 is a Class A transformer-coupled 4-band microphone/line preamplifier with equalizer, inspired by the classic 1081 EQ frequencies combined with the 1073 preamp design. Hand-wired with all-discrete construction using modular cards for serviceability.
The 1066D is a hand-wired mic-line preamp and equalizer featuring the same core design as the 1073, with expanded frequency options and a distinctive mid-range character. It includes a 3-band EQ, high-pass filter, phase reverse, and uses Carnhill (St. Ives) transformers throughout.
The 1066DL is a hand-wired 500 Series mic/line preamplifier and 3-band equalizer based on the classic 1066 design, sharing the same mic-line pre-amplification stage as the 1073 but with different EQ frequency selections particularly suited to guitar applications.
The first portable dual 1073 microphone preamplifier featuring the same preamps and Carnhill (St Ives) transformers as the 1073 and 1084 models. It includes a built-in power supply for portability and a hand-wired modular design across two channels.
The 1073DMP (Desktop Mic Pre) is the first portable 1073 microphone preamplifier, featuring the same preamp circuit and Carnhill (St Ives) transformers as the 1073 and 1084 models. It includes the 'Bootsy Collins' mod with an OEP Carnhill DI transformer, making it the first 1073 direct box.
The 1073MP is a Class A, transformer-coupled microphone preamplifier available in single and dual-channel 19" 1U rackmount configurations, delivering the characteristic sound of the 1073 with harmonically rich low end, slight resonant highs, and maintained focused mids.
High-pass filter version of the 1073MP microphone preamplifier, featuring Class A transformer-coupled design with the characteristic sound of the 1073 equalizer — harmonically rich low end, resonant highs, and focused mids.
The 1073MPL is a 500 Series microphone preamplifier based on the 1073MP design, featuring Class A, transformer-coupled circuitry with the characteristic warm, harmonically rich low end, slight resonant highs, and maintained focused mids. It includes two selectable input impedances, a high-impedance DI input, and uses the same Carnhill St Ives transformers as the 1073 and 1084.
The BAE 1272 Module is a microphone preamplifier built to original Neve console specifications, designed to fit directly into vintage Neve 80 Series console frames. Hand-wired using discrete electronics with Carnhill and Jensen transformers, it delivers the classic Neve character in a console module format.
The 312A is a versatile microphone preamplifier engineered for speed and clarity, featuring a design without capacitors in the audio path to preserve transient response. It is particularly favored for drum recording due to its punchy character. Built with BAE 2015 opamps and Jensen input and output transformers, the 312A delivers exceptional transparency and musicality. A high-impedance DI input accommodates instruments directly, while front-panel phantom power switches and gold-contact switches ensure durability and ease of use.
An 11-space 500 Series rack enclosure with a heavy-duty steel chassis and point-to-point wiring. It features XLR inputs and outputs with a remote 2.1A power supply to keep transformer interference away from modules.
The 2CR is a two-channel module rack designed to house two 10 series modules (such as 1073, 1084, 1066, and others). It features solid steel internal chassis that are custom molded for easy module insertion without guide rails. The unit includes separate output controls, phantom power capability, and two Carnhill OEP line transformers for direct instrument inputs.
The 3LB is a 3-slot 500 Series lunchbox chassis built to house 500 Series modules or the BAE 1073D. Hand-wired with a solid steel chassis and an overbuilt power supply designed to support third-party modules alongside BAE units.
A 6-space 500 Series rack enclosure with a heavy-duty steel chassis and point-to-point wiring. It features XLR inputs and outputs with a remote 1.6A power supply to keep transformer interference away from modules.
A 6-space 500 Series desktop chassis (6LB) with a heavy-duty steel chassis and point-to-point wiring. It features XLR inputs and outputs with a remote 1.6A power supply to keep transformer interference away from modules.
The BAE 8CM is an 8-channel mixer chassis designed to house 10-series modules including the 1073, 1084, 1023, and 1004. Each channel features individual pan controls and output level, with routing to left or right mix buses. It also functions as a straight 10-series rack with 8 direct outputs.
An 8-module self-powered rack designed for vintage Neve 10-series 8¾" high modules (1066, 1073, 1084, and BAE reproduction modules). Features individual output level controls per channel and lighted 48V phantom power switches, with an oversized external power supply delivering twice the necessary current.
The BAE DLB is a 2-slot 500-series desktop/rackmount chassis built with solid steel construction and hand-wired assembly. It features an overbuilt power supply designed to support third-party 500-series modules, with inputs and outputs accessible from either side.
The BAE Audio R53 is a 3-channel horizontal 500 Series rack with a strong steel chassis and Neutrik XLR inputs and outputs. Shielded wires on individual connectors make it fully serviceable without PCBs, and a linking option chains modules into a channel strip signal path.
The BAE 1073 is an authentic recreation of the classic vintage microphone preamplifier and equalizer, featuring the same St Ives (Carnhill) transformers as the original vintage modules, Elma switches, and Canford wire. It will retrofit directly into vintage Neve 80 Series consoles due to identical chassis construction, connectors, PCB layouts, hand-wired looms, and circuitry.
The BAE 1073D is a Class A microphone preamplifier and equalizer in a 3-space wide 500 series format, combining the original 1073 design with enhanced high-frequency capabilities and a direct input option. It features premium Carnhill transformers, Elma gold-plated switches, Canford wire, and full point-to-point wiring.
The BAE 1084 is an authentic reproduction of the original vintage Neve equalizer, featuring identical St Ives (Carnhill) transformers, Elma switches, and Canford wire. It can retrofit into vintage Neve 80 Series consoles with identical chassis construction, connectors, PCB layouts, hand-wired looms, and circuitry.
Remote power supply unit designed to provide optimum sound quality for BAE audio preamps. Features hand-wired construction consistent with BAE standards, with a four-foot cable capable of delivering four times the current needed by the preamps. Convertible to 230, 240, 100, and 220VAC input voltages. Includes AC cable.
The BAE Audio 10DCF is a discrete Class A, transformer-coupled compressor/limiter featuring Carnhill and Jensen transformers, with independent compressor and limiter sections and an inductor-based bypass filter for flexible low-frequency control. Hand-assembled in California, it is stereo linkable and suited for both tracking and mixing applications.
The BAE 500C is a 500-series FET compressor inspired by classic studio FET compressors of the 1960s and '70s. It features three 2520-style op-amps, transformer-coupled output, and a feedback-style peak limiter with six compression ratio options. Hand-wired in California with premium components.
The BAE Audio PDI is a passive direct injection box featuring hand-wired construction and an OEP/Carnhill transformer. It converts instrument-level signals to balanced mic-level XLR output with a ground lift switch and a parallel through output.
The BAE Audio PDIS is a passive stereo direct injection box with OEP/Carnhill transformers and hand-wired construction. It supports stereo or simultaneous dual mono operation with dual ground lift switches and Neutrik connectors throughout.
The Hot Fuzz is a dual-section guitar pedal: the left side provides a high-frequency boost stage and the right side delivers an English 1970s-style fuzz circuit. Both sections operate independently or in series, each with its own true bypass footswitch.
The Royaltone is a dual-stomp fuzz pedal pairing vintage English fuzz circuits with an in-series 3-band tone circuit. The fuzz section delivers an instantly recognizable spitting, buzzy grit, while the left footswitch controls a 3-JFET tone stack. Handbuilt in the USA with true bypass on both sections.
The 73EQL is a 500 Series equalizer module sharing heritage with BAE Audio's classic 1073 lineup. It features a 3-band EQ section with highpass filter, delivering vintage BAE sound in a compact 500 Series form factor.
The B15 is a 3-band parametric equalizer in standard 500-series modular format. Each band offers 5 selectable frequencies with up to 16 dB of boost or cut via continuous variable potentiometers. The low and high bands include a push-button shelving option.
$1,200
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