Chase Bliss Audio

Big Time is a hybrid echo that revisits the mixed-up circuitry found in rackmount delays from the early 80s, blending a stereo analog preamp and feedback-loop limiter with a digital delay core for modulation, echoes, ambience and loops.

Reverse Mode C is a fantastical mix of motion and space. It's an echo effects pedal composed of multiple distinct voices that move in different directions, forward, backward, and up, that you can blend, isolate, and sequence, all glued together by some very colorful modulation.

Discontinued

A delay with a memory that stores everything you play in a 60-second digital tape reel, letting you scan back through your history to revisit and reuse sounds from the past.

Discontinued

An all-analog delay and pitch-shifter built around four MN3005 bucket-brigade chips, featuring a built-in sequencer, tap tempo with subdivisions, CV and expression control, and MIDI support.

Discontinued

Built around a pair of re-issued versions of the legendary MN3005 bucket-brigade delay chips, Tonal Recall puts unmistakable analog delay character and velvety tape-like modulation front and center while adding modern amenities such as tap tempo, optional bypass with trails, expression control over any parameter, and savable presets.

Discontinued

The "Red Knob Mod" version of Tonal Recall is built around 4 re-issued versions of the legendary MN3005 bucket-brigade delay chips. Its maximum delay time is increased to 1100ms and the unmistakable analog character of this delay is front and center.

Bad Mood is a romping return to the two-channel "instant bliss" workflow found in MOOD MKII, a batch of big new moods that explore the wild side of ambience. Explore musical disguises, radio loops, and splintered harmonies, with two stereo channels that can interact and interfere with each other.

Chase Bliss's first true multi-effect pedal, a collection of 12 rare and strange effect modes that can be blended in countless ways, offering a full spectrum of textures inspired by effects that have captivated and perplexed over the years.

MOOD MKII is a different kind of multi-effect from Chase Bliss. Its two channels are aware of each other and work together. One half samples and loops brief moments, the other is a collection of real-time spatial effects.

Discontinued

Ayahuasca is a fuzz pedal and a tremolo pedal — the fuzz can be used independently or together with the tremolo. Described by Chase Bliss as their trippiest pedal, it can also produce ring-mod-like oscillation at high Rate speeds and vibe-like sounds when the tremolo is set to Harmonic mode.

Discontinued

A two-channel micro-looper and spatial effects pedal where one half samples and loops brief moments while the other provides real-time spatial effects, with both channels aware of each other and working together.

Discontinued

Ooey-gooey-analog goodness: an analog vibrato/chorus pedal that simulates the effect of a warped vinyl record, though that is only scratching the surface of what it can do. The signal path is fully analog, but every knob is connected to a little digital brain that opens up effects never before heard in an analog stompbox.

Discontinued

An analog chorus and vibrato pedal built around a 1024-stage bucket-brigade chip, originally conceived to simulate the effect of a warped vinyl record. Features true pitch modulation with an all-analog signal path.

Discontinued

An analog vibrato and chorus pedal originally conceived to simulate the effect of a warped vinyl record. Features an all-analog signal path with digital control over every knob and switch.

Generation Loss MKII is a stereo effects pedal from Chase Bliss. It is a study of tape in all its forms. All available for you to saturate, fail and flutter, until everything sits just right.

Lossy is an effects pedal from Chase Bliss and Goodhertz that captures the special kind of degradation that happens to digital audio when it's shrunk, transferred, and compromised.

Discontinued

A limited-edition collaboration between Chase Bliss Audio and Cooper FX that brings together all aspects of tape degradation, combining random pitch fluctuations, bandwidth-limiting filters, sample rate reduction, and noise to mimic that sound without the need for a broken VHS player.

Discontinued

The Billy Strings Wombtone analog phaser effects pedal from Chase Bliss collects multiple styles of phasing in one place, using a rich, all-analog signal path. You can now control the phasing directly with your playing, for responsive, fluid, and tightly-synced movement.

Discontinued

An analog phaser pedal by Chase Bliss, now discontinued.

Discontinued

An all-analog phaser pedal with digitally-controlled parameters, featuring switchable 2, 4, and 6 stages of phase shifting and a rare mix control that moves from full dry to pure phase vibrato.

Each Fadershield is custom designed for the pedal it protects, balancing solid protection with a seamless, simple aesthetic that doesn't detract from the pedal's beauty. Installation takes only a few minutes.

Replacement pedal knobs sold individually, available in color combinations matching various Chase Bliss pedal models.

Discontinued

The exp expression roller works like any other expression pedal but features two completely independent outputs attached to a dual linear 10k pot compatible with any TRS expression input.

Discontinued

An analog multi-effect pedal that allows sophisticated control over a wide range of effects including EQ, overdrive, boost, tremolo, and filter tones, with a parametric mids control ranging from 150Hz to 4kHz and three separate low pass filter and bass boost/cut modes.

Discontinued

An analog tone shaping pedal that combines a parametric midrange EQ, resonant low-pass filter, and overdrive into a single 100% analog signal path with MIDI, expression, and CV control.

Brothers AM is a tribute to the legendary King of Tone overdrive, made by Chase Bliss with Analog Man himself. It takes that coveted circuit, gives you advanced control, and tosses in a couple of bonus features without changing what made it sound so good in the first place.

Discontinued

Boost. Drive. Fuzz. Any way you want. Designed in collaboration with Resonant Electronic, Brothers is built upon two independent JFET / IC analog channels comprising a total of six unique boost, drive, or fuzz circuits in one small enclosure.

CXM 1978 is a reverb effects pedal from Chase Bliss. It allows you to explore the charm of late 70's imperfections or hifi and lofi reimaginings.

Discontinued

Dual-channel reverb blender combining three natural algorithms (Spring, Plate, Hall) by Keeley Electronics with three impossible/surreal algorithms by Cooper FX, offering 33 distinct ways to mix and match reverb spaces.

CHOMPI is a complete starting point for making music with samples, anywhere. It's two instruments in one, with alternate firmwares: TAPE, a free-form sampler with a varispeed looper, and TEMPO, an intuitive groovebox for syncable patterns and rhythms.

Onward is a sampler effects pedal by Chase Bliss controlled by your playing. It moves when you do, capturing the sounds you make to create rich musical landscapes.

Clean is Chase Bliss Audio's Creative Compressor, an all-analog, true-stereo pedal built to bring the interactive, exploratory energy of distortion circuits to compression. It uses two stages of 100% analog compression along with physical modeling, a dynamic EQ, and emphasis filtering.

Discontinued

Through-zero and back again. An analog through-zero flanger pedal replicating the legendary effect created by putting a finger on a set of identical tape recorders, slightly altering the speed of one of the recorders.

Discontinued

The very famous five-knob, two germanium transistor fuzz made in collaboration with ZVEX — in short, a souped-up Fuzz Factory with digital control and a resonant low pass filter.

blooper is a looper effects pedal from Chase Bliss. The dream of blooper was to merge high-fidelity looping with creative manipulation, allowing you to steer recordings to new and extraordinary places.

The Chase Bliss Audio Midibox allows you to connect Chase Bliss Audio (or Empress) pedals to a standard MIDI cable.

Discontinued

Faves is a dead simple MIDI controller that allows the user to access six presets as well as "live" mode on-the-fly for any of the Chase Bliss pedals.

Discontinued

A do-it-all analog drive, filtering, and fuzz pedal built around Benson amplifier circuitry, featuring variable diode clipping, resonant routable mids, two fuzz modes, motorized faders, and 30 internal presets with MIDI/CV/expression control.

Discontinued

Harmonic and/or standard tremolo, pure analog warmth. This tremolo pedal features an all-analog signal path that can do any variety or shape of standard volume modulation, harmonic tremolo (inspired by vintage Brownface) or both simultaneously for a truly unique and beautiful tremolo sound that sits just perfectly in a mix.