48 products
The Midas AS 80 is designed to seamlessly convert a single, high-bitrate HyperMac connection into two redundant 1GBit connections and vice versa, whilst ensuring ultra-fast audio switching. Additionally, it can also run up to 192 bidirectional channels at 96 kHz.
The Midas AS88 is designed to seamlessly convert two high-bitrate HyperMAC connections into eight fully redundant AES50 connections, and vice versa, whilst ensuring ultra-fast audio switching. Built for speed and reliability, the AS88 supports up to 192 bidirectional channels at 96 kHz. Using the AS88 with the flagship HD96 console enables full redundancy across both console Snake ports, unlocking greater channel capacity and enhanced system reliability. Its FPGA-based switching technology ensures dependable HyperMAC failover to a redundant connection when needed. Equipped with industry-standard RJ45 and optical connectors, the AS88 provides reliable, high-performance audio transmission over long distances. Housed in a rugged 2U rackmountable chassis, it is engineered for touring and live sound environments.
24 Input Stage Box with 24 Midas Microphone Preamplifiers. DL151 is a 2U 19" fixed-configuration rack I/O unit with 24 mic/line level inputs and delivers legendary Midas sound quality utilising our time-tested and road-proven technologies. Featuring award-winning Midas microphone preamplifiers with 2.5 dB analogue gain steps and two AES50 network ports providing dual redundancy, the DL151 is the ideal partner to all Midas PRO and M32 Series digital consoles, enabling a digital snake connection from Front of House to stage.
24 Output Stage Box. DL152 is a 2U 19" fixed-configuration rack I/O unit with 24 line level outputs and delivers legendary Midas sound quality utilising time-tested and road-proven technologies. Featuring 24 active servo-balanced low impedance line level outputs with high output current capability for driving long cable runs and two AES50 network ports providing dual redundancy, the DL152 is the ideal partner to all Midas PRO and M32 Series digital consoles, enabling a digital snake connection from Front of House to stage.
PRO Series 2U 19" fixed-configuration rack I/O unit (stage box) with 16 mic/line level inputs and 8 line level outputs. Features 16 award-winning Midas microphone preamplifiers with 2.5 dB analogue gain steps and switchable +48 V phantom power, and 8 active servo-balanced low impedance line level outputs with automatic mute and per-output LED indicators. Two AES50 SuperMAC (AES50-Compliant) network ports provide dual cable redundancy and connect to Midas PRO Series consoles at 96 kHz or Midas M32 Series consoles at 48 kHz. Remote operation supported up to 100 m via CAT5/5e cable. All settings are configurable from the mixing console or via the front panel LCD with menu navigation and LED status indicators (power-supply rail, AES50, and Ethernet network status). Built in a rugged steel 2U rackmount chassis with auto-ranging universal switch-mode power supply for worldwide use, designed as the ideal stage-end partner to Midas PRO and M32 Series digital consoles for a digital snake from Front of House to stage.
8 Input, 16 Output Stage Box with 8 Midas Microphone Preamplifiers. A 2U 19" rack-mounted I/O unit designed as a digital snake connection interface between front-of-house mixing consoles and stage equipment, featuring award-winning Midas microphone preamplifiers, dual AES50 redundancy, and SuperMAC (AES50-compliant) digital audio networking.
16 Input, 16 Output Stage Box with 8 Midas Microphone Preamplifiers and AES3 Digital Interface. DL155 is a 2U 19" fixed-configuration rack I/O unit featuring 8 award-winning Midas microphone preamplifiers with 2.5 dB analogue gain steps, 8 line-level outputs, an 8 channel digital AES3 (AES/EBU) interface (8 in / 8 out across 4 streams) with sample rate conversion, and two AES50 network ports providing dual redundancy. Compatible with all Midas PRO and M32 Series digital consoles.
Digital stage box providing a 16 x 8 signal distribution solution for live entertainment production. Features 16 award-winning Midas Pro Series microphone preamplifiers with switchable +48V phantom power, 8 balanced analogue XLR outputs, dual AES50 ports for connection to a FOH console via a single shielded CAT5 cable, integrated ULTRANET output for P16-M personal monitor mixers, ADAT optical outputs (supporting up to 16 additional analogue outputs via converters), MIDI In/Out, and a front-panel headphones jack. AES50 provides 48 bidirectional audio channels at 48 kHz with ultra-low deterministic latency (1/8 ms per node) and phase-aligned networked clock distribution. Up to three units can be daisy-chained for 48 channels in and 24 out. Occupies two rack spaces.
DL231 24-Input / 24-Output Active Microphone Splitter. With two independent Midas mic preamps per input, the highest quality of sonic performance is guaranteed. Dual-redundant network ports and power supplies provide peace of mind. The DL231 features MIDI (In, Out and Thru), an Ethernet Control port, and four AES50 ports for dual-redundant digital audio interfaces. Switchable between 24-bit 96 kHz and 48 kHz operation, with a Mute All Outputs button for convenient onstage re-patching. Housed in a road-ready, rugged rack-mountable chassis, designed to work with all Midas digital consoles.
48 Input / 16 Output Stage Box with 48 Midas Microphone Preamplifiers and Dual-Redundant AES50 Networking. The DL251 is a 5U 19" rack-mount fixed-configuration I/O unit that delivers legendary Midas sound quality utilising time-tested and road-proven technologies. Featuring 48 mic/line level inputs with award-winning Midas microphone preamplifiers and 2.5 dB analogue gain steps, 16 servo-balanced line level outputs, and three AES50 network ports supporting N+1 redundancy, the DL251 enables a digital snake connection from Front of House to stage for all Midas digital consoles.
The DL32 is the perfect solution for connecting the onstage talent with your Front of House (FOH) console. A 32x16 digital stage box featuring 32 Midas PRO Series remote-controllable mic preamps and 16 balanced analog XLR returns, connecting to the FOH console via a single Cat 5e cable. Built-in AES50 ports allow cascading of two units for 32 outputs, providing 48 bidirectional audio channels at 48 kHz. Housed in a 2 rack space form factor and compatible with M32 and M32C consoles.
6U 19" fixed-configuration rack I/O unit designed for microphone signal splitting applications with 24 mic/line level inputs and 72 line level outputs.
Digital stage box providing an 8 x 8 signal distribution solution for live performance and studio applications. Features 8 award-winning Midas PRO microphone preamplifiers with switchable +48 V phantom power on balanced XLR/TRS combo inputs, 8 electronically balanced low-impedance XLR line outputs, dual AES50 SuperMAC ports for connection to a FOH console via a single shielded CAT5 cable (with daisy-chaining of up to three DL8s for 48 channels in/out), and an integrated ULTRANET distribution hub with two powered RJ45 outputs for Behringer P16-M personal monitor mixers or Turbosound speaker systems. A type-B USB port provides system updates. 24-bit @ 44.1/48 kHz A/D-D/A conversion with 114 dB dynamic range and 1.1 ms networked I/O latency. Occupies two rack spaces.
Audio Interface from the Midas DN48XX Series for the StageConnect ecosystem. Provides 16 balanced line-level analog outputs (XLR male, e.g. for wireless / IEM transmitters or as stage spare outputs) plus an ULTRANET input that allows AIR-mixer style 16-channel 24-bit personal-monitoring signals to be carried over CAT5 and fed into the StageConnect bus. StageConnect transports 32 channels of uncompressed 24-bit PCM audio over a single standard XLR (110 Ohm DMX) cable with I/O latency at or below 0.5 ms, and can also distribute up to 18 W of remote power down the cable. Devices can be daisy-chained to scale to combinations such as 32 in or 32 out, or 16 in / 16 out in parallel.
The DN4888 is a StageConnect I/O interface that provides 8 balanced line-level analogue inputs and 8 balanced line-level analogue outputs for connecting additional equipment to a monitor or FOH console. Part of the DN48XX Series, it connects to other StageConnect devices via a single XLR cable for multi-channel audio transmission, supporting up to 32 channels of uncompressed PCM audio at 24-bit / 48 kHz with latency below 0.05 ms. The device can be powered via DC input or receive up to 18 W of power through the StageConnect cable from the master device. Designed for use with the Behringer WING mixing console and compatible with the broader StageConnect ecosystem, including Ultranet devices for legacy product integration.
Personal Monitoring with DP48. Midas HUB4 is the multi-tool in your stage rack providing analogue and digital outputs for various applications. HUB4 can supply up to four DP48 personal monitor mixers with PoE (Power over Ethernet) and 48 channels of 24-bit / 48 kHz audio. HUB4 also collects 48 channels of upstream audio and forwards this audio to the FOH console, either from stage boxes connected to the AES50-B (THRU) Port or 8 return channels from each of Ports 1-4. HUB4 features 16 balanced line-level outputs that can carry the 8 stereo mixes from the connected DP48 mixers for connections in the side rack, and also features a designated StageConnect port on the rear panel.
The HUB4 PRO is the essential multi-tool in any stage rack, providing analogue and digital outputs for various applications and offering reliable performance for seamless integration into diverse audio setups. The HUB4 PRO allows a more streamlined and customisable monitoring experience, with front panel buttons and 16 balanced analogue outputs for sending 4x2 personal stereo mixes from DP48 to IEM transmitters in the side rack. It also allows collecting audio from 4 of the brand-new Midas DL8 Stage Box, which can be connected and powered from ports 1-4. Ensuring reliable connections is key for the transmission of multiple channels in any setting, the HUB4 PRO features industry-standard RJ45 AES50 network ports and remote operation via shielded CAT5e cables. With a versatile and adaptive power supply, the HUB4 PRO can be used globally, and it has a rugged 1U chassis making it extremely durable for travel.
500 Series modular blank plate designed to cover empty bays in 500 series modular chassis. Engineered for Midas LEGEND L10 and L6 chassis, with compatibility extending to similar third-party equipment. Solid anodised aluminium construction provides dust protection and prevents internal damage.
500 Series Rackmount Chassis for 10 Modules with Advanced Audio Routing. The L10 accommodates up to 10 single-width modules in a compact 3U rackmount format, featuring advanced audio routing, compressor bus linking, and universal power supply compatibility for worldwide use.
The LEGEND L6 is a 500 series portable chassis for 6 single-width modules, featuring advanced audio routing with output link switches for cable-free daisy-chain connections between modules and Compressor Bus Link switches for stereo and multi-channel dynamics sidechain linking. It includes a rugged free-standing chassis with carry handle for portable applications and a 3U 19-inch rackmount kit for installation in recording studios and live touring racks. An earth lift switch eliminates ground loop problems, and the high-power auto-ranging universal switch-mode power supply provides 3.2 A at +/-16 V and 300 mA at +48 V to power compatible 500 series modules. Main and auxiliary inputs and outputs per channel are provided on industry-standard XLR connectors.
High-performance audio system engine at the centre of the Midas PRO X live mixing system, the result of a three-year R&D program. Delivers 168 simultaneous input channels and 99 time-aligned, phase-coherent output mix buses operating at 96 kHz with 40-bit floating-point processing and 62.5 µs latency. State-of-the-art DSP and FPGA technology in a MIMD architecture provides more than 100 Gigaflops of real-time audio processing, supporting up to 24 simultaneous multi-channel effects and up to 36 graphic equalizers. Klark Teknik HyperMAC (AES50-compliant) and AES50 digital audio networking provide 288 inputs and 294 outputs at 96 kHz over Gigabit Ethernet, with dual redundant HyperMAC snake connection to the PRO X Control Centre on optical fibre (up to 500 m on 50/125 µm multimode) or copper CAT5/5E (up to 100 m). N+1 redundancy across four DSP cards (three required for operation) and three removable, interchangeable power supplies. Compatible with all Midas digital I/O units and any AES50-equipped device. Rugged 7U steel rackmount enclosure with a future-proof expansion card slot. Designed for theatres, concert touring, broadcast and festivals.
The PRO369-16U touring grade 19" rackmount road case for the Midas PRO3, PRO6, PRO9 and PRO X Live Digital Console systems is designed to withstand the rigours of live concert tours.
Live Digital Console Control Centre with 144 Input Channels, 123 Mix Buses, 96 kHz Sample Rate and 21" Touch Screen. Part of the Midas Heritage D (HD96-24) platform, building on the legacy of the H3K and PRO Series consoles. Features the Graviton Mk 2 Processing Engine with 64-bit summing mix engine, Channel AI adaptive presets, Flexi-Aux aux-to-aux routing, Variable Channel Phase, tap-off points throughout the signal path, True Preview and True Audition. Powered by 18 SHARC DSPs, 14 layer boards, 5 Eighth Generation FPGAs, and 2 GPU co-processors. The 21" HD multitouch screen supports up to 10 simultaneous fader controls. A Shout Mixer provides 16 independent shout inputs and 12 dedicated outputs. Up to 96 effects available including TC 6000 (VSS4), TC 3000 (VSS3), TC Electronic 2290, HD2A, HD670, KT1176, R-Comp, KT Bus compressor, Mteq Program EQ-HD, M6 compressor, HD Stressor compressor, Ultra-Dualistic Voice Doubler, Rack-Amp, Glow, Rotor Motor, Enlightenment Bass, XL4 EQ, M Harmonics, Uncl HD Distortion, Prime Input Expander, and Wave Designer.
Live Digital Console Control Centre with 144 Input-Channels, 120 Flexible Mix Buses, 96 kHz Sample Rate, 21" Touch Screen and Touring Grade Road Case. The HD96-24-CC-TP is built around the Graviton Mk 2 processing engine with 64-bit floating-point summing, 18 SHARC DSPs, 14 layer boards, 5 eighth-generation FPGAs, and 2 GPU co-processors. It offers 144 flexi input channels, 96 flexi aux outputs, 24 matrices, stereo and mono buses, up to 96 effects, Channel AI, Flexi-Aux, Variable Channel Phase per channel, True Preview and True Audition. The control surface features a 21" full-HD multitouch screen supporting up to 10 simultaneous touches, 41 colour LCD info displays, 28 motorized 100 mm faders, 66 touch-sensitive rotary controls, and an integrated 16-input / 12-output Shout Mixer. Connectivity includes 8 Midas microphone preamps, dual AES3 in/out, four AES50 ports (Klark Teknik SuperMAC), two HyperMac snake ports on copper (RJ45 XLR) and two on fibre (Opticon XLR), two CM1 expansion slots (AES50, DANTE, MADI, USB), two Ultranet ports, word clock and AES3 sync, MIDI In/Out/Thru on 5-pin DIN, dual HDMI monitor outputs, USB 3.0 / 2.0 hubs and fader-port expansion, and dual IEC mains inputs. Supplied with a touring-grade road case.
Midas HD96-AIR Control Centre (in-package). HD96-AIR takes the next leap in digital console evolution, fusing the iconic sound of the H3K and engineering precision of the Heritage D Series with breakthrough portability. Designed for engineers who demand power without compromise, HD96-AIR features a 21" high-brightness multi-touch screen with multi-gesture control in a hyper-lightweight form factor. Key features include the Flexi-Aux system (aux-to-aux sends for advanced group and stem-style mixing), Tap Off Points for routing audio from any stage in the signal chain (with post-insert fader tap points and fully customisable, drag-and-drop processing chains), the Shout Mixer (16 independent shout inputs and 12 dedicated outputs for talkback systems with instant recall), and Variable Channel Phase per channel for seamless blending of sound sources. Rear panel I/O: 8 x 3-pin XLR analogue/AES3 inputs (switchable), 8 x 3-pin XLR analogue/AES3 outputs (switchable), 4 x RJ45 AES50, 2 x BNC word clock (75 ohm), 1 x XLR balanced Talk input, 2 x HDMI monitor outputs, External Ethernet connector (RJ45 XLR), Snake 1/2 (2 x optical and 2 x copper), 8 x USB 3.0 type A (5 V, 900 mA), 2 x micro-USB service ports, 1 x top-panel USB 2.0 type A (5 V, 500 mA), 2 x expansion module slots, 2 x 5-pin MIDI DIN sockets, 4-pin lamp connector (12 VDC / 150 mA max), 2 x IEC mains sockets with power switch, and 1 x 1/4" TRS stereo headphone output on the side panel. Audio performance: +24 dBu non-clip max input level, analogue stepped gain from -2.5 dB to +45 dB plus -40 dB to +20 dB continuous digital trim, +48 V phantom power switchable per input, 10 kOhm analogue input impedance, 50 Ohm analogue output impedance, +21 dBu analogue output max level, 106 dB dynamic range (22 Hz to 22 kHz unweighted), and crosstalk of -100 dB at 1 kHz / -90 dB at 10 kHz (physically adjacent input channels). Talk mic: 5 kOhm impedance, +15 dB to +60 dB gain, +6 dBu max level. Headphones: 10 Ohm output impedance, +21 dBu max output level. Display and control surface: 21" LCD high-brightness 1920 x 1080 px capacitive touchscreen (up to 10 simultaneous touches), 15 x full colour LCD info displays (24 mm x 24 mm, 240 x 240 px), 4 x 20-segment meters (-36 dBu to +21 dBu), 3 x 100 mm motorized faders, 8 fully assignable rotary controls, 8 fully assignable backlit buttons, 24 global assignable shortcut buttons plus 2 left/right shortcut buttons, and phones controls (min to max, mutable). Wireless: dual-band internal and external antennas, IEEE 802.11 a/b/g/n/ac, 2.4 GHz and 5 GHz operation (region dependent), 18 dBm max output power (5 GHz range). Bluetooth: 5.0 Dual Mode at 8 dBm, 30 m typical range, supporting GAP, SDN, PAN, SPP, IAP, HFP 1.5, GATT, ATTR, IAP, A2DP, ACRP. Physical: 210.5 x 464.5 x 805.8 mm (8.3 x 18.3 x 31.7"), 16.74 kg (36.83 lbs) without flight case, 29.90 kg (65.78 lbs) with flight case. Operating temperature 5 C to 45 C, storage temperature -20 C to 60 C.
Midas' HD96-AIR Control Centre with Touring Package is an ultra-portable digital live console built on the Graviton Mk 2 64-bit summing processing engine, fusing the iconic sound of the H3K and engineering precision of the Heritage D Series with breakthrough portability. The control surface features a 21" full-HD high-brightness capacitive multi-touch display (1920 x 1080 px, up to 10 simultaneous touches), 15 colour LCD info displays (24 x 24 mm, 240 x 240 px), 3 motorized 100 mm faders, 8 touch-sensitive rotary controls, 8 fully assignable backlit buttons, 24 global assignable shortcut buttons plus 2 global left/right shortcut buttons, and an integrated 16-input / 12-output Shout Mixer. Connectivity includes 8 switchable analogue/AES3 inputs on 3-pin XLR, 8 switchable analogue/AES3 outputs on 3-pin XLR, 1 talk XLR input, 1 headphone output on 1/4" TRS stereo (side panel), 4 AES50 RJ45 ports, 2 expansion module slots, snake ports (2 optical + 2 copper), 2 BNC word clock (75 Ω), an external Ethernet connector (RJ45 XLR), 2 HDMI monitor outputs, 8 USB 3.0 type-A ports (5 V / 900 mA), 1 USB 2.0 type-A port (top panel, 5 V / 500 mA), 2 micro-USB service ports, 2 x 5-pin MIDI DIN sockets (in/out), a 4-pin 12 VDC / 150 mA lamp output, and dual IEC mains inputs powered by 2 x auto-ranging 100–240 V (50/60 Hz) switch-mode supplies (220 W typical, 2 x 350 W max). Built-in wireless features include 802.11a/b/g/n/ac (internal & external dual-band antenna, 2.4 GHz and 5 GHz, max 18 dBm output) and Bluetooth 5.0 Dual Mode (8 dBm, ~30 m range, GAP/SDN/PAN/SPP/IAP/HFP 1.5/GATT/ATTR/A2DP/ACRP). The TP variant ships with a touring-grade flight case; the full package weighs under 30 kg (16.74 kg surface; 29.90 kg with flight case).
Mid-format digital mixing console featuring 32 Midas PRO Series microphone preamplifiers, 40-bit floating point audio processing, 25 motorised faders, a 7-inch colour TFT main display and 29 channel LCD scribble strips. Provides 32 input channels, 8 aux channels, 8 FX return channels, 16 mix buses, 6 matrices and main LRC, with 16 internal effects engines and 100 total recall scenes. Onboard I/O includes dual AES50 ports (Klark Teknik SuperMAC) for 48 channels per port, a 16-channel ULTRANET output for P16 personal monitoring, USB 2.0 for 32 x 32 channel recording, MIDI in/out, AES/EBU output and an expansion slot for DN32-USB, DN32-ADAT, DN32-MADI or DN32-DANTE cards.
Digital rack mixer for installed and live sound applications. The 40-input, 25-bus M32C packs the audio engine of the flagship M32 Digital Mixing Console into a 1U aluminium-and-steel rack-mount form factor. Onboard connectivity includes dual AES50 network ports (Klark Teknik SuperMAC, CAT5/RJ45) supporting up to 96 inputs and 96 outputs over shielded (STP) CAT5; a 16-channel ULTRANET output to P16 personal monitor mixers; USB 2.0 connectivity for 32 x 32 channels of audio and 16 channels of MIDI; native Ethernet remote control; MIDI; and an expansion slot for optional DN32 series cards (DN32-USB, DN32-ADAT, DN32-MADI, DN32-DANTE). The console provides 8 DCA groups, 6 mute groups, 8 stereo effects engines (including LA, Ultimo and Fair Compressors; XTEC EQ1/EQ5; Sub Octaver, Edison EX1, Sound Maximizer; Vintage Room/Plate/Hall/Vintage/Rich reverbs; Flanger & Delay; Wave Designer; Stereo Precision Limiter; De-Esser; Chorus & Chamber; Modulation Delay) and a 100-band Real-Time Analyzer (via M32-EDIT). M32C operates at 48 kHz with 24-bit signal transmission and 0.8 ms console latency, and integrates with DL16 stage boxes (up to three daisy-chained per AES50 port) and Turbosound iQ speakers (Acoustic Integration over ULTRANET). Remote control is supported via M32-EDIT (PC/Mac/Linux), M32-MIX (iPad) and M32-Q (iOS/Android) apps.
The Midas M32R LIVE is a rack-mountable mid-format digital live mixing console combining classic British console design with modern technology. It features award-winning Midas PRO Series microphone preamplifiers, 17 motorised faders (rated for 1,000,000 life cycles), 17 programmable LCD scribble strips, and a 5" day-viewable colour TFT display. The audio engine is floating-point with 0.8 ms latency and 192 kHz ADC/DAC converters. The console supports 32 mic inputs, 8 aux inputs, and 16 mix buses, plus FX stereo returns, Matrix, Main and DCA levels. Dual AES50 network ports (Klark Teknik SuperMAC) provide ultra-low latency digital audio over CAT5, enabling up to 96 input channels via cascaded DL16 / DL150 stage boxes. On-board ULTRANET delivers a 16-channel digital mix to P16 Personal Monitor Mixers, MIDI I/O supports bidirectional communication, and Ethernet enables remote control over LAN (PC, Mac, iPad, iPhone). An expansion slot accepts DN32-USB (standard, 32x32 channels + 16 MIDI), DN32-ADAT, DN32-MADI, or DN32-DANTE cards. The console includes 8 true-stereo studio-grade FX engines with 16+ effect plug-ins and 50+ effects based on physical modelling (including emulations of LA-2A, 1176LN, Fairchild 670, Pultec EQP-1a, MEQ5, Lexicon 480L, EMT250 and Quantec QRS), plus a 100-band Real Time Analyzer. Scene management supports 500 Cue entries x 100 Scenes x 100 Snippets. Recording is supported at 44.1/48 kHz 24-bit (32 tracks via USB 2.0).
DLIO-BP is a blanking plate for use with the I/O expansion slots in Midas PRO3, PRO6, PRO9 and PRO X digital console control centres and DL351 and DL451 modular I/O stage boxes. It covers unused card slot positions and shares the same front panel form factor as DL441, DL442, DL443, DL444, and DL452 I/O cards.
Mounting Bracket for Midas DP48 Personal Monitoring Mixer. Bracket designed to mount the DP48 Personal Monitor Mixer on mic stands, music stands, drum hardware, or similar surfaces. Features dual headphone hangers and integrated cable guide.
PRO SERIES PRO FADER (200 mm). Not satisfied with the existing motorised fader choices in the marketplace, Midas created the PRO FADER, rated for up to a million cycles - replacement motorised fader for use in Midas PRO Series consoles.
Not satisfied with the existing motorised fader choices in the marketplace, Midas created the PRO FADER, rated for up to a million cycles – three times that of other leading manufacturers - and providing high linearity, robustness, and smooth feel during operation. This decision yielded many other benefits, including total quality control over the manufacturing process and lower costs that could be passed on to customers. As a digital console manufacturer, Midas has a perspective on the actual application of motor faders that a component manufacturer would not have. The multi-disciplinary development project combined mechanical design, electronic hardware and software optimisation with a rigorous testing programme and an investment in material science to produce the best possible performance in actual operation in Midas PRO Series consoles. Semi-precious metals are used for the wiper fingers for their hard-wearing properties, and precision resistive tracks were created that offer highly linear positional accuracy, coupled with long-term durability and even response in use. PRO FADER (550 mm) features a high precision 100 mm travel track with a 10 kΩ linear law, ideally suited to servo control applications. The integrated touch sensing track and conductive T-Bar allow both the implementation of automatic channel selection in software, as well as detection of when the fader is being held so that the motor is not driven. PRO FADER (550 mm) is designed to be mounted to console fascia panels via its two M3 threaded pillars which are on 120 mm mounting centres. A 550 mm long cable is provided which includes connections for the 10 kΩ resistive track, the touch sensing track and the motor. PRO FADER (550 mm) is supplied as a set of five faders and is specifically intended for use in the centre sections of Midas PRO3, PRO6, PRO9 and PRO X Series control centres. PRO FADER (550 mm) is also a replacement for industry standard parts such as Penny+Giles PGFM3200, Alps K-Fader and other similar 100 mm motorised faders.
PRO LCD SWITCH enables dynamic and context-sensitive user interfaces, providing clear visual feedback of assigned functions and user-created labelling of mixing console channel, bus and group selections. The high contrast FSTN LCD glass with 36 x 24 pixel resolution allows immediate at-a-glance indication over a very wide viewing angle, and the tactile response of the momentary switch action provides confidence that the switch has been pressed, essential when the mix engineer's eyes are on the stage, not the console. PRO LCD SWITCH provides the key user interface functionality for the Midas console VCA and POPulation group navigation system, which mirrors the natural workflows used by mix engineers. The RGB LED backlight offers high visibility in all lighting conditions, and the colour coding offered by the 8 distinct displayable LED colours encourages the development of a mental picture, or “Mind Map”, of the whole console system. The flexibility of PRO LCD SWITCH ensures only the required control elements and associated visual feedback are presented, allowing users to adopt structured task-based workflows. PRO LCD SWITCH is suitable for use in all Midas XL8 and PRO SERIES digital consoles and control centres, including as a replacement for the Screenkeys RGB24T LCD switch.
Touring grade road case for the Midas PRO3, PRO6, PRO9 and PRO X Live Digital Console control centres, designed to withstand the rigours of live concert tours. Constructed from 12 mm thick rigid marine grade plywood with 40 x 40 mm durable aluminium edging extrusions. Dual load-bearing spigots couple the weight of the console chassis directly into the road case, and composite density foam provides internal support and superior protection in transit. Features premium Penn-Elcom castors and RK handles, and ships with a removable protective pallet that allows the road case to be stored and shipped on its side.
12 Input Analogue Live and Studio Mixer with MIDAS Microphone Preamplifiers. Designed for live performance and studio recording, the DM12 accommodates small bands, worship teams, and serves as a sub-mixer for larger setups. Features 8 mono channels with XLR mic inputs and 2 stereo channels (9/10 and 11/12), 3-band EQ with mid-sweep, 2 switchable pre/post-fader aux sends, +48V phantom power, and an internal switch-mode power supply.
16 Input Analogue Live and Studio Mixer with MIDAS Microphone Preamplifiers. Designed for live performance and studio recording, the DM16 accommodates small bands, worship teams, and serves as a sub-mixer for larger setups. Features 12 mono channels with XLR mic inputs and 2 stereo channels (13/14 and 15/16), 3-band EQ with mid-sweep, 2 switchable pre/post-fader aux sends, +48V phantom power, and an internal switch-mode power supply.
12-Input Digital Mixer for iPad/Android Tablets with 4 Midas PRO Microphone Preamplifiers, 8 Line Inputs, Integrated WiFi Module and USB Stereo Recorder. A compact, rack-mountable mixer for live and studio applications featuring 40-bit floating-point DSP, up to 4 onboard M32 effect engines, 100-band Real Time Analyzer, and Midas M AIR Gain Sharing technology supporting up to 4 live microphones.
18-input rack-mountable digital mixer for iPad and Android tablets, featuring 16 award-winning Midas PRO microphone preamplifiers on industry-standard XLR/TRS combo connectors with locking latches, an 18 x 18 channel bidirectional USB 2.0 audio interface, and a built-in tri-mode WiFi router (Access Point, Client, or wired LAN). The MR18 provides 6 aux buses plus main L/R outputs with inserts, full dynamics processing, 6-band parametric or 31-band graphic EQ, 4 onboard M32-derived true-stereo effects engines, M AIR Gain Sharing automixing for up to 16 microphones, 40-bit floating-point DSP, and a 100-band Real Time Analyzer for all channel and bus EQs. Outputs include 6 XLR aux outputs, 2 XLR main outputs, and a headphone connector. Connectivity includes MIDI In/Out, Ethernet (Cat 5e, max 100 m), and 16-channel ULTRANET for P-16 personal monitor distribution. Rack ears and protection bumpers are included. Free M AIR MIX (iOS, Android) and M AIR EDIT (PC/Mac/Linux) apps provide remote control over Ethernet, LAN, or WiFi. Auto-ranging universal switch-mode power supply.
The MICROPHONE PREAMPLIFIER 502 brings the award-winning Midas microphone preamp to the 500 Series format, available as an add-on to any mobile or recording system when used with the LEGEND L10, L6, or other standard 500 Series rackmount chassis. Considered by leading live sound and recording engineers as the very essence of the famous Midas sound, the preamp has been upgraded with four discrete ultra low noise input transistors and retains the soft clipping characteristic that provides crystal-clear audiophile reproduction with just the right amount of harmonics. The 502 also honours the legacy of the XL4 console by bringing back its swept low and high pass filters. A 12-position rotary switch sets gain from 0 to +60 dB in 5 dB increments, while a fully variable output trim potentiometer adds another ±20 dB of range for up to +80 dB of total gain. The input stage accepts signal levels up to +24 dBu without requiring a pad. Outputs are electronically balanced by default, with a switchable transformer-balanced output (TX) for additional tonal character.
The MICROPHONE PREAMPLIFIER 502 V2 is the award-winning Midas microphone preamp delivered as a 500 Series add-on module for mobile or recording systems, particularly designed for use with the LEGEND L10 or L6 500 Series Rackmount Chassis. The V2 iteration upgrades the original 502 with four discrete ultra low-noise input transistors, retaining the legendary Midas sound while extending dynamic range. The input stage accepts signal levels up to +24 dBu with soft clipping, gain is set via a 12-position rotary switch from 0 to +60 dB in 5 dB increments, and a ±20 dB output trim potentiometer brings total maximum gain to +80 dB. Twin balanced outputs (main and an auxiliary TX output) feed independent destinations, with illuminated push-button switches handling low-pass and high-pass filter engagement, phase reverse, 48 V phantom power, and TX output routing. Variable low-pass (1 kHz–40 kHz, -3 dB) and high-pass (10 Hz–400 Hz, -3 dB) filters provide on-module shaping, and 11-segment rotary LED meters monitor input and output levels.
XL4-2 is a classic 2-channel vacuum tube mic preamp. It's designed to work great with vocals, instruments and any line-level source while also giving you that rich vacuum tube sound in any kind of studio setup, modern or vintage, thanks to its premium 12AX7s that provide exceptional warmth and dynamic response.
COBALT allows you to connect your computer to any HyperMAC audio network for high-channel count recording and playback with zero compromise. The perfect companion to any Midas digital console or HyperMAC-equipped device, COBALT brings studio-grade power and seamless connectivity to your live setup. With a single locking USB-C connection, COBALT delivers effortless compatibility with Apple Macs - no adapters, no hassle. Initial release supports macOS only due to ongoing stability work with ASIO drivers, with full cross-platform functionality remaining a priority. Up to 192 bidirectional channels at 48 or 96 kHz via Dual Redundant HyperMAC In/Outs ensure ultra-reliable performance in demanding live environments. Onboard LED status indicators keep signal integrity visible at a glance. Built into a tough blue brushed aluminum chassis, COBALT is compact, portable, and road-tested for the rigors of touring and live sound.
The DN4816-I is a 16-channel analogue line input I/O box for the Midas StageConnect ecosystem. It provides 16 balanced line level combo inputs for connecting wireless receivers or other external audio players to monitor or FOH consoles. Devices can be daisy-chained over a single XLR cable for multi-channel audio transmission, with automatic channel negotiation across the StageConnect ecosystem supporting 32 channels of audio at 24-bit/48kHz with below 0.05 ms of latency.
The COMPRESSOR LIMITER 522 V2 brings state of the industry dynamics control to a compact 500 Series format processor. When used with the LEGEND L10, L6, or other standard 500 Series rackmount chassis, the 522 V2 provides the legendary Midas sound in a modular format with upgraded, premium-quality performance. Its dynamic Presence control enables operators to add “air” to vocals without the unwanted noise or pumping effects found in competing products, and reduces the risk of feedback during live performance. The variable Presence function effectively gives the 522 V2 two different ratios — one for low frequencies and a reduced ratio for mid-high frequencies (centered around 5 kHz). The unit operates as a peak-sensing compressor in manual mode, or as an RMS compressor when the Auto switch is engaged, with selectable Soft or Hard knee response and a switchable 200 Hz sidechain high-pass filter. A true hardware relay bypass via the IN switch removes all circuitry from the signal path when compression is not needed, and bypass also engages automatically if the host chassis loses power.
A portable fader bay expansion unit designed to work with HD Series consoles. Turns any HD Series console into a fully expanded mixing surface and is described as the perfect partner to the HD96-AIR. Features 16 motorised 100 mm faders with Mute and Select buttons per channel, 24x240 LCD screen displays per channel, a single USB connection, internal power supply, and a compact, road-ready design.
The PARAMETRIC EQUALISER 512 V2 is a 500 Series 4-band fully parametric equaliser derived from the channel strip of the legendary Midas HERITAGE 3000 mixing console. Designed for use with the LEGEND L10, L6, or other standard 500 Series rackmount chassis, the 512 V2 delivers the legendary Midas sound in a compact modular format with upgraded, premium-quality performance. Four overlapping bands cover the full audio range, each combining gain and frequency on dual concentric controls — gain on the inner knob and frequency on the outer ring. The Lo Mid and Hi Mid bands are always in fully parametric mode, while the Bass and Treble bands can be switched between shelving and parametric (bell) operation. A true hardware relay bypass via the IN switch removes all circuitry from the signal path when EQ is not needed, and bypass also engages automatically should the host chassis lose power.
Dual 48-Channel Personal Monitor Mixer with SD Card Recorder, Stereo Ambience Microphone and Remote Powering. The DP48 is a 48-channel personal monitor mixer that allows two performers to fully control their monitor mixes, hear exactly what they want, and even record and playback rehearsals and performances. Twelve stereo groups enable rapid creation and balancing of personal mixes from fully configurable stem groups. The dual mix feature allows two users to be connected to one DP48 each with their own separate stereo group mix. Each group features a 3-band EQ, compressor, and reverb. A built-in stereo ambience microphone provides on-stage sound feed with an automatic ducking function to remove the sense of isolation with in-ear monitors. The DP48 connects via AES50 to Midas hubs featuring Power over Ethernet (PoE), and any 44.1/48 kHz AES50 device including Midas and Behringer digital consoles and I/O boxes is compatible. An SD card interface is provided for stereo recording and playback of rehearsal sessions and performances.