Compressor

VCA-based 500-series compressor/limiter with API's patented THRUST® circuit, selectable feed-forward/feed-back compression modes, hard/soft knee switching, and 31-position detented controls. Built with 2510/2520 discrete op-amps; linkable for stereo applications.

Dual-slot 500-series stereo compressor inspired by the API 2500, with THRUST® sidechain circuit, feed-forward/feed-back switching, three knee settings, variable or auto makeup gain, and transformer-coupled output via 2520/2510 discrete op-amps.

500-series compressor from API's value-tier Select line, based on the original ATI Paragon Console compressor circuit. Features THRUST® circuit, Hard/Soft knee, stereo link via true RMS summing, adaptive attack/release, and dual LED metering.

2-channel 2U rackmount compressor based on the ATI Paragon console compressor circuit, featuring the patented THRUST® circuit, Hard/Soft knee switching, stereo link with true RMS power summing, and adaptive attack/release times.

2-channel 2U FET feedback-style compressor/limiter with a Class-A tube output stage, 12AT7WC and 12BH7 vacuum tubes, custom API output transformer, patented THRUST® circuit, D-S de-essing, stereo link, and analog VU meters.

Guitar effects pedal incorporating API's VCA compressor circuit with a signature output transformer, selectable feedback/feedforward compressor styles, wet/dry blend, adjustable attack/release, and buffered bypass. Operates on 9–18VDC.

Discontinued

Discontinued guitar effects pedal combining API's 525 feedback-type compressor with a guitar-optimized 3-band EQ, each independently switchable. Features discrete API circuit design, hardwire bypass, ground lift, phase reversal, and 18V external PSU.

The acm510x1 emulates all the desirable qualities of a professional analogue channel compressor, taming dynamics without restricting the natural character of a mix or performance. Presented as a virtual 500-series module with a modern stylized user-interface, the acm510x1 provides soft-knee compression coupled with a gentle analogue style overdrive for warmth and character at high signal levels.

The acm510xa plug-in includes both a versatile compressor, and an expander / gate - providing a comprehensive channel dynamics processing solution together with a modern stylized user-interface.

Inspired by one of the best-known console bus compressors, the acm520x1 offers a wide range of settings from gentle 2:1 compression, often regarded as the essential 'glue' of a cohesive mix, to more obvious punch at higher compression ratios.

APU Loudness Compressor is a real-time compressor supporting a variety of loudness types and a rich set of advanced features.

Comp DIODE-609 is a re-engineered software emulation of the legendary Neve® 33609 Diode Compressor and Limiter, famed for its warm, smooth, and versatile stereo response. For mixing and mastering alike, reinforce your sound with the spirit of analog dynamics.

Perfect vocals and a huge variety of instruments every time. Subtle tonal shaping, and dynamic control brings your sounds to life.

A reimagining of the legendary vacuum-tube powered Gates' STA-Level, a secret weapon for bass and vocals since the 1950s. Accurately recreated as a powerful plug-in, you can add some studio gold-dust compression to your mix.

The ultimate rhythm section compressor, Comp VCA-65 is a perfectly recreated VCA compressor with a modern twist, letting you add that iconic compressor snap behind so many hits to your own tracks.

The Life Support is a guitar compressor/sustainer pedal from Ashdown's Dr Green range. An Input control sets how much signal the pedal processes after the compression ratio is set, and a simple Output control sets the level sent on to the amp, ranging from a subtle evening-out of tone to highly squashed, everlasting sustain. It features true bypass switching in a custom-designed steel casing built to withstand repeated stomping.

Crystal clear multiband compander and spectral dynamics processor offering unbelievable punch and clarity with up to 64 companders working simultaneously.

Faithful and unique emulation of an old german broadcast compressor/limiter unit u73b. U73b was often used for mastering in european studios.

A simple one-knob compressor for voice-over and vocals, based on the Dials channel strip, with tube saturation and a bass boost EQ.

Banshee Nano is a lightweight vocal chain in a simple interface. Two compressors working in tandem, 2 different processing modes, and more.

Threshold, compression and output controls.

Urei 1176 based compressor/limiter. 0.02 to 800 ms attack time and 50 to 1100 ms release time. Ratio: 4-8-12-20.

The B-Comp is a stereo compressor originally designed after testing diode bridge compressors.

Babelson bundle includes 8 audio plugins and a free copy of DAW regulator.

A special feature of the bbcmp is that it enables the operator to split the incoming signal using the low pass and high pass filters.

Beat Slammer is a dynamics plugin designed for aggressive compression on drums, beats, and mix busses. Some compressors are designed to be subtle. This one is not! We set out to make the ideal compression plugin for smashing and squashing drums, beats or entire mix busses.

IHNY-2 is a comprehensive update to the original cult favorite compressor by Baby Audio, I Heart NY. It expands on the original with improved sound, features and workflow for a flexible and hard-hitting parallel compression tool.

The BAE Audio 10DCF is a discrete Class A, transformer-coupled compressor/limiter featuring Carnhill and Jensen transformers, with independent compressor and limiter sections and an inductor-based bypass filter for flexible low-frequency control. Hand-assembled in California, it is stereo linkable and suited for both tracking and mixing applications.

The BAE 500C is a 500-series FET compressor inspired by classic studio FET compressors of the 1960s and '70s. It features three 2520-style op-amps, transformer-coupled output, and a feedback-style peak limiter with six compression ratio options. Hand-wired in California with premium components.

BPB Dirty LA is a freeware compressor plugin inspired by vintage limiting amplifiers. It delivers musical-sounding compression while relying on a streamlined workflow and a simple user interface.

Discontinued

Discontinued

A mastering-grade analog compressor combining 100% analog signal path VCA compression with digital control, offering fast and precise recall and automation via DAW integration.

Hybrid FET/Optical Compressor

Legendary FET Limiting Amplifier

500-Series FET Limiting Amplifier

Classic effect compressor / saturation module

Modernized '76-style FET limiting amplifier

Modernized 500-series FET limiting amplifier

Accurately modeled after the 'black' version of a classic and sought-after VCA compressor the sc-5 opens up a whole world of versatility: you're going for super gentle compression to sweeten up the signal on your masterbuss? You're looking for a colorful or smashed sound on your drum buss? You want to tame lively and dynamic material? The BlackAsh SC-5 handles it all.

Accurately modeled after the original 70s blue-faced version of a classic and sought-after VCA compressor the sc-5 opens up a whole world of versatility: gentle compression to sweeten the signal on your master buss, distorted smashed-up sound on your drum buss, or taming lively and dynamic material. The full-blown set of parameters allows you to dial in just the right setting for your application while always maintaining its own pleasant and characteristic tone.

Original signature compressor by Koen Heldens. Hilbert detector, invertible sidechain, zero latency, transparent dynamics.

A vari-mu tube compressor plugin inspired by the Altec 436C. Creamy, gluing compression for mix bus, drums and vocals.

Discontinued

Opto compressor plugin inspired by the Teletronix LA-2A. Smooth, program-dependent leveling for vocals, bass and bus.

LA-2A opto compressor plugin with sidechain, 3 cells, mix and make-up gain. Smooth vocal, bass and bus leveling.

Vintage opto compressor plugin inspired by the Teletronix LA-3A. Faster, brighter leveling for vocals, drums and guitars.

Vintage FET compressor plugin inspired by the UREI 1176. Fast, punchy, aggressive compression for drums, bass and vocals.

Vintage tube compressor plugin modelled on 50s–70s tube leveling amplifiers. Warm glue for vocals, bass, drums and bus.

One ultra-simple plugin that delivers the punch, energy, and edge your drums need to stand out.

Glue, sculpt and polish your mix with BSA Mix Bus, an intuitive all-in-one plugin for smooth compression, low-end control, tone shaping, and loudness.

Crush. Slam. Obliterate. Audio processing plugin designed for aggressive compression and distortion featuring a CRUSH circuit for dynamic control, FLATTEN mode for transient management, and DIRT circuit for harmonic saturation.

Low Control was designed to give you maximum control from one plugin. Easily dial in the perfect low end in just a few clicks.

Controlling the dynamics of your parts and recordings is an essential step towards a professional sounding mix. With BLEASS Compressor's powerful performance and intuitive user interface, such pro-grade dynamics control has never been easier.

Blue cat's Dynamics is a complete Dynamics effect processor: it can be used as a compressor, limiter, gate, expander or even waveshaper.

Blue cat's MB-5 Dynamix is an all-in-one multiband dynamics processor that can act as a multiband compressor, limiter, expander, gate or waveshaper. It offers up to 5 separate bands and all types of effects can be combined together.

Blue cat's Protector is a stereo brickwall limiter plug-in. This plug-in offers very few controls and yet provides a large palette of sounds.

The Squish As is a compressor pedal built around a Blackmer VCA and True RMS Detector, offering natural, high-fidelity dynamics processing with program-dependent attack, adjustable ratio, blend, output gain, and tone controls. It includes a gain reduction VU meter for visual feedback.

Solid-state optical compressor with limiter featuring all-discrete class-A transistor circuitry, switchable BX1 input and BX5 output transformers, and a fully balanced circuit path, designed for individual tracks through mix bus and mastering.

The Germanium Compressor continues the Germanium series with an all class A, transformer-balanced discrete circuit using an FET gain reduction element, offering a Wet/Dry mix, switchable Comp Curve via diode combinations, Clean/Dirty comp modes, and a sidechain filter for flexible use in tracking, mixing, and mastering.

The Chandler Limited Little Devil Compressor is a discrete, transformer balanced 500 Series module that combines Wade Goeke's designs with recording studio favorites of the past, mixing elements of the LTD-2 and Germanium Compressor into a compact 500 format package.

Discontinued

The Chandler Limited LTD-2 is a hand wired and handmade recreation of the 2254/2264/33609 compressor family, using parts and build techniques from the original manufacture of the modules. Discontinued May 2019.

The Chandler Limited RS124 Compressor is a recreation of the legendary EMI/Abbey Road RS124, reimagined for use in the modern studio environment. Available for the first time in the Chandler Limited RS124, it harnesses the personalities of Abbey Road Studios' favorite historic RS124 Compressors still in use at the famed studio to this day.

The Chandler Limited RS660 Compressor is a handmade, mono/linkable, transformer-balanced valve compressor and limiter. Building upon the historic EMI RS124 and Fairchild 660 compressors used at Abbey Road Studios in the 1960s, it also features a THD mode for coloration without compression.

The Chandler Limited TG Opto Compressor is a handmade, fully discrete, mono, dual-space 500 Series module. It traces its lineage to the historic EMI TG12413 limiters found on the TG12345 mixing and mastering consoles of the late 1960s and early 1970s.

Clean is Chase Bliss Audio's Creative Compressor, an all-analog, true-stereo pedal built to bring the interactive, exploratory energy of distortion circuits to compression. It uses two stages of 100% analog compression along with physical modeling, a dynamic EQ, and emphasis filtering.

Discontinued

Cranborne Audio Brick Lane 500 - 500 Series analogue PWM Compressor with 6 operating modes and variable Stress control for harmonically-enriched compression effects.

Brick Lane MC4 is a 2u 19-inch rack, 4-channel Modal PWM Dynamics Processor with Mono, Stereo, Mid/Side, Series, Dual-Band, and De-Esser operation. An evolution of the Brick Lane 500 Modal PWM Compressor.

Falcon is a classic sounding tube compressor in a 500 series package, with 3 attack and 3 release time settings, hard/soft knee compression or limiting, two selectable audio path sounds, wet-dry mixing for parallel compression, and linking (including 5.1 configurations).

The STC-8 is a high quality compressor that delivers consistent gain control without sacrificing musical definition or harmonic richness. It utilizes a remarkably dependable peak limiter that provides overload protection critical to digital recording and broadcast transmitters.

A rack-mount stereo hardware compressor and limiter with plug-in control over Ethernet, shown here as an early first look while the companion software is still being developed.

Trakker is a high quality single-channel discrete Class A compressor-limiter that functions either as a musically transparent compressor or as a vintage compressor-limiter with selectable hard or soft knee. It offers four distinct amplifier/gain control sounds and can be linked with up to eight units for surround mixing.

Analog modelled compressor plug-in based on the classic 80's British big console buss compressor with mix, range, sidechain high pass, external sidechain, peak clip, and advanced oversampling.

When we set out to design The Dangerous COMPRESSOR, we spent over two years figuring out how to achieve modern levels of limiting and compression while avoiding the deadening effects of today's ultra-limited productions.

A discontinued buffer amplifier from dbx Professional Audio.

A discontinued quad compressor/limiter featuring four independent channels of dbx compression with PeakStopPlus™ limiting, suitable for studio, tour, and portable applications.

Stereo compressor/limiter/gate featuring dbx's V2 VCA technology, with selectable auto or manual compression modes for studio, broadcast, and portable PA applications.

The original dbx 160 is a legendary discontinued compressor/limiter that established the standard for VCA-based dynamic range processing in professional audio.

A legendary compressor/limiter from the dbx 160 family featuring switch-selectable OverEasy® and Hard Knee compression curves, designed for portable, tour, and studio applications with True RMS level detection and industry-standard dynamic processing.

A discontinued Blues Series compressor/limiter featuring patent-pending AutoVelocity technology and dual V8 VCA modules with 127dB dynamic range, housed in an aircraft aluminum chassis with Jensen transformers.

The 160X is a discontinued dbx compressor/limiter from the classic 160 series.

The 160XT is a discontinued dbx compressor/limiter from the classic 160 series.

The 161 is a discontinued dbx compressor/limiter, a companion unit to the original 160.

The 162 is a discontinued dbx stereo compressor/limiter from the classic 160 series.

Purple Series stereo compressor/limiter featuring dual proprietary VCA modules and AutoVelocity™ technology, with Jensen output transformers and aircraft aluminum construction for studio and live applications.

The 163 is a discontinued dbx compressor/limiter from the classic early lineup.

The 163A is a discontinued dbx compressor/limiter from the classic 163 series.

The dbx 163X is a discontinued single-channel compressor/limiter featuring dbx's OverEasy® compression and a single-knob "X Over Easy" control for intuitive operation. It delivered transparent, program-dependent compression in a half-rack 1U format.

The dbx 164 is a discontinued single-channel compressor/limiter in the 160 series, featuring OverEasy® compression and professional balanced I/O in a 1U rackmount enclosure. It was a staple of studio and live sound dynamics processing throughout the 1980s.

Discontinued

The dbx 165 is a discontinued single-channel compressor/limiter from the dbx 160 series, offering OverEasy® compression with program-dependent gain reduction and professional balanced connectivity in a 1U rackmount format.

The dbx 165A is a discontinued single-channel compressor/limiter that updated the 165 with revised circuitry, offering OverEasy® compression, a hard-limiting PeakStop™ circuit, and professional balanced I/O in a 1U rackmount enclosure.

Discontinued

The dbx 166 is a discontinued dual-channel compressor/limiter featuring dbx's OverEasy® compression and a PeakStop™ hard limiter in a 1U rackmount format. It was designed for studio and live sound use, offering smooth gain control with minimal audible artifacts.

Discontinued

The dbx 166A is a discontinued dual-channel compressor/limiter/gate in a 1U rackmount unit, adding a noise gate to the 166's OverEasy® compression and PeakStop™ limiting. It provided studio and live sound engineers with comprehensive dynamics control in a single rack space.

The dbx 166AD is a discontinued dual-channel compressor/limiter/gate adding AES/EBU and S/PDIF digital outputs to the 166A's OverEasy® compression, PeakStop™ limiting, and noise gate. It bridged analog dynamics processing with digital recording systems in a 1U rackmount unit.

The dbx 166AE is a discontinued dual-channel compressor/limiter/gate in the 166 series, featuring OverEasy® compression, PeakStop™ limiting, and a noise gate in a 1U rackmount unit. It was designed as a cost-effective professional dynamics solution for studio and live sound applications.

The dbx 166XL is a professional dual-channel compressor/limiter/gate combining OverEasy® or hard-knee compression, a PeakStop™ limiter, and program-adaptive expander/gates in a 1U rackmount unit. It provides stereo or dual-mono operation with True RMS Power Summing™ and full sidechain functionality.

The dbx 166xs is a dual-channel compressor, limiter, and gate in a 1U rackmount unit, featuring dbx's patented OverEasy® compression and AutoDynamic™ attack/release controls. It offers stereo or dual-mono operation with PeakStop® limiter protection and sidechain insert capability.

The dbx 168A is a discontinued 8-channel compressor/limiter/gate designed for multi-channel audio environments, featuring dbx's OverEasy® compression and PeakStop™ limiting across all channels in a 1U or 2U rackmount chassis.

Dual-channel compressor/limiter (discontinued legacy model).

Discontinued

Dual-channel compressor/limiter/gate (discontinued legacy model).

Dual-channel compressor/limiter/gate (discontinued).

The dbx 266A is a discontinued dual-channel compressor/gate from the Project 1 series.

Dual-channel compressor/gate with AutoDynamic™ controls, OverEasy® or hard knee compression, True RMS Power Summing™, and stereo or dual-mono operation. Features balanced 1/4" TRS and XLR I/O with side chain insert.

Dual-channel compressor/gate with OverEasy® compression, AutoDynamic™ attack/release, program-adaptive expander/gates, and balanced XLR plus 1/4" TRS I/O. Supports stereo or dual-mono operation.

500 Series VCA-based compressor/limiter with OverEasy and Hard Knee curves from the industry-standard dbx 160A.

Discontinued

Discontinued dual-channel vacuum-tube compressor/limiter from dbx Professional Audio.

900-series rack module de-esser for controlling sibilance in vocal and instrument recordings.

900-series rack module compressor/limiter for dynamics control in professional audio applications.

900-series rack module compressor/limiter for dynamics control in professional audio applications.

Discontinued

Discontinued mastering-grade dynamics processor combining compression and equalization in a single unit, targeted at portable, tour, and studio applications.

A feature-rich compression plugin offering full control over dynamics with a drawable compression curve, customizable attack/release settings, and flexible compression algorithms for transient shaping, track gluing, and dynamic control.

A linear phase multiband compressor featuring four frequency bands with independent dynamics control per band, double-precision linear phase band splitters, and a built-in brickwall clipper.

A software emulation of the legendary MagicDeathEye hardware tube compressor, loosely based on a Fairchild 660, designed to smoothly glue audio signals together with warm, elegant compression.

A stereo master buss compressor and equalizer emulating MagicDeathEye hardware, featuring Variable Mu tube gain structure with integrated EQ and a gentler compression curve than the mono version.

Bathtub is more than just a simple compressor: it does multi-band compression, multi-layer parallel compression, series compression, mid/side compression, left/right compression, rms/peak detection, side-chaining, look-ahead, limiting & maximizing and has comprehensive metering and clip counting.

A DIY stereo VCA bus compressor kit reconstructed from an original console circuit, offering classic attack, release, and ratio controls plus a variety of switchable mods like sidechain HPF, mix control, and transformer coloring.

A 500-series optical compressor/leveling amplifier that recreates the LA-4's opto leveling behavior with an upgraded signal path, offering a choice between modern or vintage output stages, a sidechain high-pass filter, and a parallel MIX control.

A VCA-based channel compressor module for the Colour format inspired by 80's and 90's console channel strips, featuring selectable ratio and attack/release time constants using a THAT Corp 2181 VCA.

A Colour-format compressor module recreating the peculiar attack/release characteristics and dense distortion of the classic Shure Level-Loc limiter, with a selectable release time jumper.

A diode compressor module for the Colour format using miniature Neutrik transformers, capable of subtle smoothing to aggressive limiting with vintage warmth.

Compassion is a fully-featured dynamics processor, ready for any dynamic processing on any signal. Behind the UI lies perhaps the most flexible dynamics engine ever designed.

TrackComp 2 spans nine classic hardware compressors across pro-audio history, from filthy and distorted to invisible and clean, featuring tubes, optos, FETs, transistors and VCAs with realtime SPICE simulation.

Discontinued

DeeComp is a VST2, VST3, AU, and AAX plug-in compressor that uses software calculations rather than tube or transistor emulation to deliver clean, high-quality dynamics processing. It features multi-core processing, sidechain support, M/S input switching, PEAK/RMS detection, and an expander mode via sub-1:1 ratio settings.

DeeCompressor is a flagship compressor plug-in featuring newly developed algorithms for high-quality, powerful, and comfortable compression. It offers zero-latency operation, ratios from 0.5:1 to infinity, M/S mode, HPF/LPF filters, auto release, side-chaining, and a built-in limiter.

DeeFat is a VST2, VST3, AU, and AAX auto compressor plug-in that uses a single slider to achieve full, fat-sounding compression. It is designed for simplicity and speed, making it suitable for live performance use.

DeeGlue is a bus compressor plug-in designed for glue compression — blending individual sounds into a cohesive, integrated mix. With just three main parameters (AMOUNT, WIDE, and BASS), it delivers FAT glue compression with a groovy, feel-good character, suitable for both beginners and experienced engineers.

Discontinued

DeeGraphComp is a graphic compressor plug-in that operates like a graphic EQ to adjust the dynamics of each level, allowing independent compression and expansion settings across level bands to create custom compression curves.

DUY Analog BUS models the classical vintage mixing console buses within the digital domain. Extremely simple to use.

A 100% analog FET-style dynamics processor pedal with input and output transformers, variable attack and release, a mix control for parallel compression, a high-pass filter, and switchable compression ratios.

Features foolproof operation with an almost impossible chance of getting a bad sound. Includes empirical labs white knobs with parameter readout and direct entry, proprietary empirical labs detector modeling, and high resolution capabilities.

The Empress Bass Compressor is a transparent, all-analog compressor pedal built for bass. It carries studio-grade controls (three ratios, independent attack and release, a mix knob for parallel compression, input and gain-reduction metering, external sidechain insert) plus a fully variable sidechain high-pass filter, a two-position tone-and-colour circuit, and improved low-end response flat down to 20Hz.

Discontinued

The Empress Compressor is a truly transparent, all-analog compressor pedal with the full set of studio-style controls: three ratios, independent attack and release, a mix knob for parallel compression, and a gain-reduction meter. It has been discontinued and replaced by the Compressor MKII and the Bass Compressor.

The Empress Compressor MKII is a transparent, all-analog compressor pedal with studio-grade controls: three ratios, independent attack and release, a mix knob for parallel compression, input and gain-reduction metering, plus a new tilt-EQ tone control, a selectable sidechain high-pass filter, and an external sidechain insert. It comes in a half-size enclosure in blue or silver.

Discontinued

The Empress ECM-519 (nicknamed the Empressor) is an all-analog feedback-FET compressor in an API 500-series 1U module. It pairs studio-grade dynamics control with a selectable output transformer, super-fast attack down to 50 microseconds, a mix knob for parallel compression, two auto modes with dual-detector sidechains, a sidechain high-pass filter, and stereo linking.

Discontinued

FabFilter Pro-C 2 is a professional compressor plug-in with pristine sound quality, flexible routing options, and an intuitive interface for precise dynamics control.

FabFilter Pro-C 3 is a high quality compressor plug-in. Available in VST, VST3, AU, CLAP, AAX and AudioSuite formats for Windows and macOS.

An all-analogue JFET feedback compressor that works equally well on guitars, bass, vocals, synths, and whole mixes, with a simple three-control interface covering threshold pad, compression ratio, and makeup gain.

Alchemist is a sophisticated multi-band processor. Based on the Flux dynamic processing algorithms, Alchemist features a state-of-the-art iir cross-over with selectable slopes from 18 dB per octave to 54 dB per octave, with variable corner frequencies.

Bitter sweet is a free dynamics processor to manage audio transients. Turning the central button on the sweet side, decreases the transients amplitude. On the bitter side, the transients amplitude is magnified.

A dynamics processor emulating the dbx 118 Dynamic Range Enhancer — a VCA-based hardware unit from the early 1970s. Combines compression (1:1 to ∞:1) and expansion (1:1 to 1:2) in a single plugin, with a switchable Linear mode that processes the full signal range above and below threshold for extreme dynamic effects. The character draws from the same early VCA lineage as the dbx 160, allowing transients to punch through while compressing the body of the sound.

An authentic emulation of a 1950s vari-mu audio leveler originally used in radio broadcasting, built around the 6386 dual-triode vari-mu tube. All aspects of the circuit including the transformers, phase inverter stage, 6386 vari-mu circuitry, output driver, and the time-constant network have been accurately modeled. Features input gain compensation, switchable release times, a linear output attenuator, adjustable noise floor level, and a mix control.

A recreation of an early 1960s broadcasting limiter/compressor that eventually found its way into many mastering studios. Designed for the highest demands of German broadcasters, with an all-discrete class-A audio path and highest-grade components and transformers. Faithfully emulates the audio transformers, feedback compression circuitry, and discrete class-A make-up amplifier of the original. The 1963 transistor-based revision — replacing the original diode-bridge gain reduction — is emulated, allowing for less THD and more reliable control voltage tracking.

A faithful emulation of the silver-face revision of the UREI LA-4 opto leveler (1977–1989 era). The original circuit was rebuilt on stripboard for modeling, replacing original opto-cells with suitable Vactrols, and every part of the circuit — receiver stage, side-chain and Vactrol LED driver circuit, the Vactrol itself, push-pull driver stage, and output transformer — was accurately modeled. Provides unintrusive to extreme program-dependent and musical opto compression with a switchable ratio option.

A faithful emulation of the Webster Electric WSC-515, a rare 1960s Vari-Mu tube limiter by Webster Electric originally designed for US broadcast — a contemporary of the Altec 438. The original was a single-knob push-pull feedback unit; the plugin adds variable attack/release, a sidechain high-pass filter, and a dry/wet mix knob while preserving the characteristic soft-knee compression and rich tube harmonics. A switchable Amplifier mode bypasses gain reduction, turning the plugin into a standalone saturator.

An uncompromising circuit-model recreation of the Federal AM-864/U, a Vari-Mu tube limiter developed for US military communications during the Korean War. After the war, audio engineers discovered its exceptional compression characteristics — a massive, meaty midrange and musical release curves ideal for taming highly dynamic vocals, drums, and keys. The plugin mirrors every detail of the original circuit while adding switchable release time constants, sidechain high-pass filter, adjustable noise floor, and a dry/wet mix.

Combining the sonic excellence of two completely discrete compressors with extreme flexibility for a fast and simple workflow. Smash & Grab 2.0 features a dual compressor design — 'Grab' (VCA-style) for impact and attack, and 'Smash' (FET-style) for weight and size — with a Drum Type knob, built-in pre/post EQ sections (Beef and Air), saturation control, and a Pro mode.

Vulf Compressor, Mastering Edition (VCME) is a mastering-focused compressor plugin built on Goodhertz's acclaimed Vulf Compressor algorithm, offering expanded controls for bus processing and mastering applications with four saturation modes and surround support up to 9.1.6.

A compression plugin based on a radically unique algorithm originally engineered for the Boss SP-303 sampler, delivering distinctive character-driven compression with vintage-inspired qualities. Used on recordings by Dua Lipa, BTS, HAIM, and Rex Orange County.

The spectral compressor is a clever dynamics processor that was originally developed for highly demanding film and post-production.

The multiband compressor is the latest implementation of Harrison's renowned multiband compression algorithm, as used in ultra high-end post & film facilities worldwide.

This audio processor allows you to use the parallel compression mixing technique (also known as new york compression) in your everyday work.

IQ-Series Comp V2 is a compressor plugin with two compression styles (Calm and Rough) that uniquely links gain reduction to an integrated tone control, letting the colour EQ follow the compression. It automatically adapts settings to the material for vocals, drums, bass and mastering, controlled via an interactive display.

HoRNet CompExp is a compressor expander inspired by a compander chip designed for noise reduction in telephone lines and electronics

HoRNet Dynamics control is a broadcast compressor designed to let you control the dynamic range of your tracks thanks to its three compressors

Discover the H160 Compressor, a powerful analog compressor plugin that combines vintage punch with modern precision.

Discover the H4K Bus Compressor from HoRNet Plugins, offering classic VCA compression with advanced features.

HoRNet H76 is a faithful emulation of classic vintage compressor limiter plugin but with many modern features

HA2A is the recreation of a classic vintage opto compressor but with modern features like auto gain, auto makeup and auto threshold.

HCS1 it's a compressor sustainer pedal plugin that recreates a famous vintage guitar effect, it's also a nce compressor to be used on other sounds

HoRNet MBC is a multi band compressor with four different bands that can also work in a fully automated way

Download MixComp, a free compressor plugin inspired by legendary analog consoles with adaptive oversampling and customizable interface

The MultiComp is a compressor vst plugin with three different compression models, oversampling, analog saturation and gain reduction meter with peak hold.

HoRNet Multicomp Plus MK2 is an audio compressor plugin with 5 different compression modes and visual feedback of the compression process.

SyncPressor is a bus compressor designed for the master bus that syncs with your track's tempo and always sets the right attack and release.

Two-step mix bus processor combining automatic 31-band EQ with intelligent compression. Get professional cohesion in seconds.

ZeroComp is the intelligent compressor that learns your audio and auto-configures compression with zero effort. Three models for versatility.

Discontinued

Forget clean and sterile. This proudly analog compressor is here to color and transform your audio in special ways.

The 3 Series Compressor is a simple and powerful compressor delivering everything from subtle tone smoothing to a super squashed sound, with Attack and Sustain knobs for control and a Bright toggle to keep tone clarity. Made in Kansas City, MO.

Discontinued

The JHS Lime Aid is a discontinued transparent bass compressor pedal offering dynamics, punch, and clarity with a blend control that preserves clean low-end signal alongside the compressed tone.

Discontinued

A rare, discontinued compressor pedal built around a now-obsolete chipset, produced in a limited run of fewer than one hundred units.

Discontinued

The original version of JHS's rare, discontinued Pink Panther compressor, produced in a run of fewer than one hundred units before the chipset became obsolete.

Discontinued

A 500-series compressor module with an internal mic preamp (THAT 1512) and output section (THAT 1646), designed for instruments, drums, and vocals.

Discontinued

A discontinued second-generation version of the Pulp N Peel compressor pedal, distinguished by its Tolex-covered enclosure finish.

Discontinued

A discontinued third-generation version of the Pulp N Peel compressor pedal, featuring three controls and an internal dip switch for Little Black Buffer (LBB) functionality.

A transparent parallel compressor/preamp/DI box pedal with blend control, active EQ, Dirt toggle for grit, and balanced XLR output for direct recording or live use.

A compact FET compressor pedal with Volume, Compression, and Blend controls for dialing in subtle smoothing to full squash, with a parallel blend for retaining natural clean tone.

JST Andrew Wade Bus Glue Bass - Powerful, Professional Bass Bus Processing. Introducing Bus Glue Andrew Wade Bass, the dedicated bass bus processor designed by platinum producer Andrew Wade. This plugin delivers Wade's signature punchy, defined bass sound that has powered chart-topping rock and metal records. Bus Glue Andrew Wade - Bass is perfect if you’re working on live bass tracks or DI recordings because you can make your bass sit perfectly in any mix.

JST Bus Glue Andrew Wade Drums - Massive, Punchy Drum Bus Processing Introducing Bus Glue Andrew Wade Drums: a dedicated drum bus processor designed to deliver power, punch, and musical glue to your drum tracks. Whether you're mixing live acoustic kits, layered samples, or electronic drums, this plugin helps your percussion hit hard while locking it together as a tight, cohesive unit. With just a few tweaks, you’ll get the impact, clarity, and character needed to make your drums the driving forc

JST Bus Glue Andrew Wade Guitars - Defined, Clear Guitar Bus Processing Introducing Bus Glue Andrew Wade Guitars: a dedicated bus processor engineered to bring cohesion, clarity, and impact to your entire guitar section. Whether you're blending layered rhythms, clean textures, or lead lines, this plugin helps unify your guitars into a tight, focused group that sits naturally in the mix. Built around Andrew Wade’s proven mix strategies, it enhances definition and presence without altering your co

JST Bus Glue Andrew Wade Keys - Balanced, Vibrant Synth Bus Processing Introducing Bus Glue Andrew Wade Keys, the dedicated synth bus processor that delivers atmospheric, three dimensional, and huge-sounding production in your mix. This plugin provides the perfect balance of clarity, space, and character that complements guitars and vocals of all genres. You could be working with synthesizers, pianos, pads, or other keyboard instruments, and Bus Glue Andrew Wade - Keys has got you covered. It he

Bus Glue Andrew Wade Mix: Professional Finishing Touch for Your Production Introducing Bus Glue Andrew Wade Mix, a precision-crafted processor built to shape your mix with weight, movement, and musical glue. Whether you're sculpting a full track, sweetening stems, or tightening up a submix, this plugin adds depth, contour, and a sense of finality that makes your production feel complete. Designed with an ear for nuance and control, it helps everything live in the right space. No mud, no mess, ju

Bus Glue Andrew Wade Vocals: Powerful, Present Vocal Bus Processing Introducing Bus Glue Andrew Wade Vocals, the streamlined vocal bus processor that delivers Andrew Wade's renowned approach to creating upfront, powerful vocal productions. This plugin provides the perfect balance of clarity, presence, and character that has defined countless hit rock and metal records. You could be processing lead vocals, harmonies, screams, or backing vocals… it doesn’t matter… Bus Glue Andrew Wade Vocals makes

Bus Glue Billy Decker Acoustic is an audio plugin made in collaboration with chart-topping mixer Billy Decker. With this plugin, you’ll be able to add Billy’s entire dynamic signal chain for acoustic instruments to your mix — EQ, compression, limiting and all. Unlock the tried-and-true secrets of a modern country master and you’ll be “Deckerating” your acoustics in no time!

Bus Glue Billy Decker Bass is an audio plugin made in collaboration with chart-topping mixer Billy Decker. With this plugin, you’ll be able to add Billy’s entire dynamic signal chain for bass guitar to your mix — EQ, compression, limiting and all. Unlock the tried-and-true secrets of a modern country master and you’ll be “Deckerating” your bass in no time!

Bus Glue Billy Decker Drums is an audio plugin made in collaboration with chart-topping mixer Billy Decker. With this plugin, you’ll be able to add Billy’s entire dynamic signal chain for drum processing to your mix — EQ, compression, limiting and all. Unlock the tried-and-true secrets of a modern country master and you’ll be “Deckerating” your drums in no time!

Bus Glue Billy Decker Electric Guitar is an audio plugin made in collaboration with chart-topping mixer Billy Decker. With this plugin, you’ll be able to add Billy’s entire dynamic signal chain for electric guitar bus processing to your mix — EQ, compression, limiting and all. Unlock the tried-and-true secrets of a modern country master and you’ll be “Deckerating” your guitars in no time!

Bus Glue Billy Decker Keys is an audio plugin made in collaboration with chart-topping mixer Billy Decker. With this plugin, you’ll be able to add Billy’s entire dynamic signal chain for pianos, organs, and more to your mix — EQ, compression, limiting and all. Unlock the tried-and-true secrets of a modern country master and you’ll be “Deckerating” your keys in no time!

Bus Glue Billy Decker Master is an audio plugin made in collaboration with chart-topping mixer Billy Decker. With this plugin, you’ll be able to add Billy’s master bus processing to your mixes — EQ, compression, limiting and all. Unlock the tried-and-true secrets of a modern country master and you’ll be “Deckerating” your sessions in no time!

Bus Glue Billy Decker Vocals is an audio plugin made in collaboration with chart-topping mixer Billy Decker. With this plugin, you’ll be able to add Billy’s entire dynamic vocal signal chain to your mix — EQ, compression, limiting and all. Unlock the tried-and-true secrets of a modern country master and you’ll be “Deckerating” your vocals in no time!

The ultimate compressor for bass bus glue. JST Bus Glue BG-Bass is a flagship compressor from Joey Sturgis Tones designed specifically to address bass bus compression needs in any mix. This workhorse audio plugin brings a variety of flavors and character to your bass bus, unmatched by any other bass bus processor.

The ultimate compressor for drum bus glue. JST Bus Glue BG-Drums is a flagship compressor from Joey Sturgis Tones designed specifically to address drum bus compression needs in any mix. This workhorse audio plugin brings a variety of flavors and character to your drum bus, unmatched by any other drum bus processor.

Introducing JST Bus Glue Drums SE, a simple yet powerful audio plugin for shaping and refining your drum bus dynamics. Developed by Joey Sturgis Tones, the 'Special Edition' of this plugin is packed with powerful features to help you achieve professional-sounding drum mixes.

The ultimate compressor for guitar bus glue. JST Bus Glue BG-Guitars is a flagship compressor from Joey Sturgis Tones designed specifically to address guitar bus compression needs in any mix. This workhorse audio plugin brings a variety of flavors and character to your guitar bus, unmatched by any other guitar bus processor.

The ultimate compressor for key/synth bus glue. JST Bus Glue BG-Keys is a flagship compressor from Joey Sturgis Tones designed specifically to address keyboard/synthesizer bus compression needs in any mix. This workhorse audio plugin brings a variety of flavors and character to your keys bus, unmatched by any other key/synth bus processor.

The ultimate compressor for mix bus glue. JST Bus Glue BG-Mix is a flagship compressor from Joey Sturgis Tones designed specifically to address mix bus compression needs for any mix. This workhorse audio plugin brings a variety of flavors and character to your mix bus, unmatched by any other mix bus processor.

The ultimate compressor for vocal bus glue. JST Bus Glue BG-Vocals is a flagship compressor from Joey Sturgis Tones designed specifically to address vocal bus compression needs in any mix. This workhorse audio plugin brings a variety of flavors and character to your vocal bus, unmatched by any other vocal bus processor.

Lock & Load With Joel Wanasek Bus Glue Bass Most engineers salivate over that major label big bottom bass sound. The struggle is over now because JW BG-BASS is a powerful low end bass shaping tool like no other. Easily control the top and bottom bass dynamics independently. Enhance your bass tone with the perfect grit on top to get the bass so it cuts through any wall of sound or position the bass instantly in the mix, relative to the kick drum.

Pump Up Your Drums With Joel Wanasek Bus Glue Drums

Chug Slaying With Joel Wanasek Bus Glue Guitars Mixing guitars is always frustrating for most engineers, especially if they are high gain. Good thing Joel Wanasek Bus Glue Guitars simplifies your life immediately by being optimized to give your mix the necessary headroom it needs so you can lock in your guitars. Slay those bass-heavy palm mute low-end swings that plague your mixes with the Chug Slayer circuit. Guitar mixing has never been more fun and easy!

Maximum Keys With Joel Wanasek Bus Glue Keys Mixing synths, keys, pianos, strings, and other post production elements is always extremely difficult in terms of getting them to sit in your already dense mix. JW BG-KEYS delivers the extra lift they need to find their own space and sit perfectly in the mix via the push circuit. The challenge of mixing these elements is a thing of the past now.

#NOSMALLTIME With Joel Wanasek Bus Glue Mix Most mixing engineers aren’t great at mastering, and it’s simply because we’re more like artists and less like technicians. You’re also probably sick of your masters not living up to your expectations. This design is based on top notch mastering gear backed by years of trial and error resulting in a processor that can give your mixes that “finished feeling.” #NOSMALLTIME anymore because JW BG-Mix will take your mix to a whole new level. Whatever you’ve

Your Vocals Dialed With Joel Wanasek Bus Glue Vocals You know that polished, perfect vocal sound you dream of coming out of your speakers? Imagine if that were easy to achieve! Good, because it is now. Take command over your singer’s dynamics, dial in pleasing vocal tone, or give the vocals that extra aggressive push all in seconds. No matter the challenge, JW BG-VOCALS gives your vocals the polish you crave.

Tube compressor plugin developed with Michael Brauer. Modeled on his custom AWA G7201 used on Coldplay, John Mayer, and more. 120 pro presets. Try it free.

Tube compressor plugin modeled on Michael Brauer's Fairchild 666. Unique opto-tube hybrid compression and saturation for vocals, drums, and buses. Try it free.

The only official Retro Sta-Level plugin endorsed by Retro Instruments. Modern and Vintage tube compression modes, sidechain filters, and 100+ presets.

Three rare vintage tube compressors in one plugin: Presto 41A, ITA LA1B, and Collins 26W. Musical compression for any source or style. Try it free.

Diode-bridge compression plugin for weight, movement, and impact. It can hold a bus together, push a drum room forward, or serve as parallel compression.

Compress, limit, and expand in one character dynamics plugin. Add impact to drums, control peaks, or hold a mix together.

KC1 is an opto-style tube compressor plugin designed for vocals and other sources, offering a streamlined interface for musical compression.

A VCA-style bus compressor plugin with extended controls for low-end response, saturation, and parallel blend.

A gritty free compressor plugin with three release modes and an adjustable sidechain highpass filter for punch and edge.

DC1A is an effortless character compressor with just an input and output knob, the little brother of Klanghelm's DC8C. It ranges from almost invisible, smooth leveling to heavy pumping with a nice crunchy saturation and enough punch to treat drums with.

DC8C is a highly flexible compressor plugin whose general character is clear, smooth, open and distinct. It was designed for very clean compressor action without unwanted artifacts or distortion, with two optional saturation models when coloration is wanted.

MJUC is a variable-mu tube compressor plugin built on almost two years of research into vintage tube compression designs. It offers three distinct models, each with its own dedicated signal path and control set, plus TIMBRE and DRIVE controls for tone shaping and saturation.

MJUC jr. is a freeware variable-tube compressor plugin, the little brother of Klanghelm's MJUC. It is a variable-mu design with two gain stages and interstage transformer simulation, capable of smooth leveling as well as heavy pumping effects.

If you work with audio, you'll eventually need a good compressor in your toolbox. Korvpressor is an adaptive compressor / limiter that's usable in many different ways.

Richter is a tectonic compressor, designed to achieve heavy compression without too many artifacts. The brand new approach gives you a compressor that empowers you to squeeze every bit of sonic perfection out of your tracks. Use it for meaty mixes, punchy drums or smooth, transparent vocal tracks.

A hybrid tube/FET compressor combining compression capabilities with a fully adjustable tube preamp, two-band equalizer, and swappable components. Functions as a versatile channel strip suitable for drums, bass, vocals, keys, guitars, and bus processing. Features threshold from 0dB to -100dB, ratio from 2:1 to 50:1, attack from 0.2ms to 200ms, release from 10ms to 1.2s, auto and manual make-up gain, swappable tubes and transformers, two-band parametric EQ, and wet/dry parallel processing.

A compressor and saturation plug-in developed by Korneff Audio with Shure and Tchad Blake, modelled on the Shure Level-Loc. Usable on drums, vocals, guitars, keyboards and the mix bus. Features three vintage units modeled (two owned by Tchad Blake), adjustable filtering, battery drain simulation, impedance settings, customizable release times and sidechain EQ, gain and mix controls, and hundreds of presets.

AR-1 is a variable-mu tube compressor whose roots are in the raucous sound of the rockin’ American 50’s, yet it enjoys a posh, tea-sipping British image thanks to its use at Abbey Road Studios in late 60’s, notably on the later Beatles and earlier Pink Floyd records.

Novatron is an analog-modeled compressor that borrows so many sonic properties from so many different classes of hardware units that, ironically, it could only exist in the world of DSP.

A straightforward, killer-sounding compressor that completely closes the Analog/Digital gap for a particular flavor of beautifully-clipping vintage compressor sound.

Tweaker takes compression to the next level. Its vintage, discrete VCA and bespoke detector are married to envelope-pushing controls that allow this box to be whatever you want it to be: smooth & polished or dark & filthy, subtle & delicate or fierce & explosive.

A 500 Series compressor that represents everything this generation of Kush compression has to offer.

UBK-2 flanks the updated compressor section with two newly-tuned saturation engines, one pre- and one post-compression, each voiced to suit the types of transients it's likely to be presented with. UBK-2 represents a massive leap forward from the original, while still retaining the character and ease of use that make its predecessor such a popular and beloved plugin.

The ultimate smart parallel multi-band dynamics processor. DynOne was designed from the ground up to put 5 bands of quality parallel compression at your fingertips.

3-band diode bridge compressor replicating vintage hardware compression with both multiband and single-band modes. Features attack times as fast as 2 microseconds, niveau and high-pass sidechain filters, mid/side compression, and A/B comparison. Excels on drums, electric guitars, and rock vocals.

Emulation of Lindell Audio's one-channel FET feedback compressor/limiter. Offers aggressive transient control and edgy distortion suitable for rap/metal vocals and electric guitars. Includes high-pass sidechain filter, Mix control for parallel compression, and stereo operation.

Legendary bus compression now with multiple bands for signal processing. For mixing engineers looking to add aggressive character to their mixes, subgroups and select individual tracks.

Emulation of a classic Vari-Mu tube compressor from the 1960s-70s era. Captures the sonic character of vintage analog limiters with tube and transistor circuitry delivering golden tones. Features adjustable knee, SMASH switch for heavy compression, and NIVEAU filter for natural-sounding compression.

Faithful emulation of a classic American analog stereo buss VCA compressor (API 2500). Features SMASH hyper-compression mode, sidechain filter circuit, feedforward and feedback operation modes, and variable stereo link control. Delivers transparent yet assertive compression for mix bus, drums, and vocals.

BassTame does what its name suggests. It compresses the bass to get a more defined overall sound.

A stereo variable-mu tube compressor expansion module for the Silver Bullet mk2, developed in collaboration with Locomotive Audio. Draws inspiration from Locomotive Audio's acclaimed 14B and WT-COMP compressor designs, bringing real tube mojo into the Silver Bullet mk2 signal flow.

An 80s British-inspired hitmaker console and VCA compressor expansion module designed for the Silver Bullet mk2. Delivers solid state British console sound through stereo Hitmaker 4000 Mix Amp circuits combined with a stereo VCA bus compressor.

World's Smallest 1176-Style FET Limiting Amplifier for Chroma, Mister Focus, & DIYRE Colour. A miniaturized version of the legendary 1176 limiter featuring the most loved ratio settings — 4:1 and 'All Buttons In' — delivering all the aggression, smash, and colorful leveling of the original in a palm-sized Colour Module format.

The LA-76 is a Classic 70's Optical Character Compressor for Silver Bullet mk2, created in collaboration between AudioScape and Louder Than Liftoff. It combines an enhanced LA-4-style optical compressor topology with the 1176's all-discrete, push-pull topology line amp, delivering stereo optical compression with vintage character.

The Mister Focus - COMP is a two-knob compressor with character that combines compression, EQ, and output processing into a single unit, built on Louder Than Liftoff's modular Colour platform. Designed and assembled in Silicon Valley, California.

Aggressive FET compressor Colour Module based on the Fostex MN-50 mixer, modified by Louder Than Liftoff and Avenson Audio. Designed for heavy-handed dynamic control with character — excels at smashing drum room mics and turning peaky bass tracks into thick, flat lines of crunchiness.

Am-Phibia is a tube amplifier/channel strip that combines an optical compressor with a pre and post filter unit.

Am-Pulse is a transient modeler, a creative tool for editing envelope and sustain processes on percussive or dynamic signals.

Am-Track is a combination of an analogue compressor and a tape simulator in one single device. It is primarily used for so-called "tracking", I.e. Editing individual channel strips or subgroup signals.

Nu Mu features T-Bar tube front end with discrete FET output stage. HIP function, 10:1/3:1 ratios, MANLEY IRON® transformers. Fast, clean compression.

The mastering standard for the world's top engineers — an all-tube, all-transformer stereo limiter/compressor with detented controls for precise, repeatable settings and expanded modes and ratios.

The Manley Variable Mu® uses all-tube remote cut-off compression and MANLEY transformers. Industry standard for mastering and mix bus applications.

A clean, smooth gain reduction compressor with punch designed with both electro-optical and vari-mu characteristics. Features two distinct compression curves for transparent or aggressive character, a blend knob for parallel compression, and sidechain input support.

Bass punch has the following controls: boost controls how much you want to boost the bass. Length controls some part of the dynamic processing. You have to experiment with this to get optimal settings. Freq controls the frequency below which the process takes place.

ATKStereoCompressor is a dual channel compressor, with stereo or middle/side as well as serial or parallel path.

A studio-grade compressor pedal featuring a DBX-style VCA compression circuit with variable ratio up to infinity:1 and up to +30dB of clean gain, delivering smooth, transparent compression with a low noise floor.

A studio-grade compressor pedal combining a DBX-based compression circuit with a dual-triode vacuum tube, offering variable ratio, attack, release and up to +30 dB of gain with true bypass switching.

The 4030 retro compressor is a unique dynamic range control topology. It is coupled with a wet/dry mix control to balance compressed and uncompressed signals. An active attack and release design allows aggressive compression settings with minimal artifact generation.

The 6060 includes over 30 unique modules for EQ, compression, saturation, distortion, specialized filtering, dynamic range expansion, gating, and more. Custom modules include bass optimized biasing for the larger than life low end, transformer-based tone shaping circuits for high end shine, tape simulation, de-essing and new EQ and compression designs.

The 409 is a powerful and versatile plugin with highly optimised dynamic response, based on the design and principles of analog opto compressors. Characterised by its natural and musical gain reduction, the 409 provides from gentle, transparent compression to heavy deep-cutting limiting, suitable for a very wide range of applications.

925 Compressor mkii is the second generation of the main-mix compressor designed using physical modelling principles. Its characteristic dynamic response stems from the sidechain detection stage, which is based on the basic analog envelope detector circuit.

Abx compressor test is a research VST plug-in that implements 18 different compressor modes - that is 18 more or less significantly different algorithms. It was created to research how a good compressor should sound (and therefore how it must be designed).

The COMPRESSOR LIMITER 522 V2 brings state of the industry dynamics control to a compact 500 Series format processor. When used with the LEGEND L10, L6, or other standard 500 Series rackmount chassis, the 522 V2 provides the legendary Midas sound in a modular format with upgraded, premium-quality performance. Its dynamic Presence control enables operators to add “air” to vocals without the unwanted noise or pumping effects found in competing products, and reduces the risk of feedback during live performance. The variable Presence function effectively gives the 522 V2 two different ratios — one for low frequencies and a reduced ratio for mid-high frequencies (centered around 5 kHz). The unit operates as a peak-sensing compressor in manual mode, or as an RMS compressor when the Auto switch is engaged, with selectable Soft or Hard knee response and a switchable 200 Hz sidechain high-pass filter. A true hardware relay bypass via the IN switch removes all circuitry from the signal path when compression is not needed, and bypass also engages automatically if the host chassis loses power.

ALLCOMP is designed to give you top-level sonic results fast and in a playful and intuitive way. 5 carefully curated and customized chains that do much more than just compression, plus an array of creative modules to get even more creative and unique results that's what makes this plugin stand out among all the others on the market.

A tube compressor plugin evolved from the D.W. Fearn VT-7, using a Pulse Width Modulation gain reduction circuit to deliver transparent, musical compression with Class-A triode tube tone.

A compressor and preamp emulation of JHS's Pulp N Peel pedal, providing smooth, natural dynamics with optional vintage-style harmonic saturation via a Dirt toggle.

A tube compressor plugin based on the Gates STA Level, featuring a variable mu triode tube emulation, adaptive recovery control, and an Age knob to simulate tube and transformer aging.

Amplitude Imposer takes two stereo inputs, and imposes the amplitude envelope of the first one onto the second.

Invigorate morphs from compression through limiting to overdrive with one control. The bus compressor mixers reach for when a mix needs to sound bigger.

Designed and tested by metal and electronic artists seeking the next level of pure energy for their music, the Argent Compressor takes any sound you give it and transforms it into something truly aggressive, raw, and powerful.

Analog Mastering Tools (a.m.t.) is a collection of three dynamics plug-ins - a.m.t. Amp leveler, a.m.t. Max warm and a.m.t. Multi max.

Dual limiting amplifier lm-662 is a recreation of the classic fairchild 670 limiter - when using the lm-662, music and instruments react the same as a fairchild 670 does.

Record, mix, and master the Analog Signature Pack is a collection of 3 professional quality plug-ins processors for Mac OS X and pc.

Studio channel sc-226 is a stereo channel recording plug-in, featuring four band equalizer, an analog "signature" optical compressor and at the heart of the shelving and bell filters, a tube simulator and brick-wall peak limiter designed to reproduce the warmth of vintage recordings with quality and realism.

As - bus comp, inspired by a classic famous british console brings the punch and glue to your mixes.

Analog Studio Rack is a modular rack that provides hot-swappable 500 series style EQ's, compressors, gate, exciter and a tube driven pre-amp; the perfect all-in-one channel strip.

Vintage compressor. The bt compressor fa770 provides the operation and sound of highly coveted analog limiters.

A compressor pedal designed to deliver the three-dimensional warmth of a vintage studio rack compressor with natural, clear compression tones.

The Cali76 Bass Compressor is a studio-grade compressor pedal inspired by the world-famous Urei 1176 studio compressor. It uses uncompromising all-analogue circuitry to make distinctive, ultra-fast FET compression tones available to bass players, with a dedicated Dry Blend control for parallel compression.

The Cali76 FET Compressor is a studio-grade compressor pedal inspired by the world-famous Urei 1176 studio compressor, heard on many of the greatest studio recordings since the 1960s. The Cali76 FET Compressor uses uncompromising all-analogue circuitry to make these distinctive, ultra-fast FET compression tones available to the modern guitarist.

The Cali76 Stacked Compressor is a dual-stage compressor pedal, using two compressors cascaded in series for the ultimate compressed guitar tone. Incorporating all the latest improvements to Origin Effects' Cali76 circuit, it gives super-squashed cleans, singing slide tones, and endlessly sustaining leads.

5ORCERY is a "meta-multi-band" compressor using dynamic EQ. 5ORCERY takes a different approach to multi-band compression: the signal is still split into separate bands using cross-over filters, and these still feed the side-chains of separate compressors, but the filtered signals are not mixed back together again. Instead the gain modulation signals from all five compressors are matrixed into modulation signals for 4 dynamic shelving filters plus a gain stage.

700W is a completely new approach to compression. Unlike a conventional compressor it only acts where you need it. Its main field of application is to enhance your endmix.

3-band diode bridge compressor plugin replicating the distinct behavior and rich sonic character of a legendary vintage hardware unit. Features multi-band and single-band modes, ideal for drums, electric guitars, and rock vocals.

FET feedback compressor/limiter plugin emulating the classic 1176 sound. Use with moderate settings for gentle tightening or crank to 100:1 ratio for iconic rock and roll drum bus compression with aggressive transient control.

Mastering compressor using multiple True RMS detectors to respond intelligently to changes in signal energy in the same naturally logarithmic way as the human ear, for stunningly transparent dynamic control.

Tighten your mixes with musical bus compression. Use the bettermaker bus compressor to add bus compression to your drum, vocal, guitar, and stereo buses. This VCA bus compressor plugin is designed to preserve transient material and maintain "punch" while glueing your mixes together. The Bettermaker Bus Compressor will add the warmth and vibe that your submixes have been missing, especially when applied to raw studio recordings.

Dynamic processing plugin bringing the clarity, punch, and character of world-class analog mastering tools into your digital workflow. Faithfully captures the 100% analog signal pathway of the original Bettermaker studio hardware with premium VCA compression.

VCA Bus Compressor plugin designed to preserve transient material and maintain punch while gluing mixes together. Adds warmth and vibe to drum, vocal, guitar, and stereo buses.

VCA glue compressor modeled after the greatest British-made VCA compressors of the 1980s, with multiband capabilities. Delivers warmth, punch, and cohesion for mixing.

Optical compressor plugin that blends the most desirable characteristics and anomalies of legendary light-dependent circuits. Combines the color, character, and tone of various optical compressors into a single user-friendly interface.

A slimmed-down optical compressor with a guitar pedal feel, modeled from the light-dependent circuits of several optical compressors. Provides tone-laden compression with character.

Bus compressor plugin modeled after a one-of-a-kind compressor built in 1978 by legendary Townhouse studio engineers using classic SSL console components. Used by Queen, Sting, Muse, Oasis, Coldplay, and Ozzy Osbourne.

Three industry-standard compressors in one plugin: a British icon, a Bettermaker signature, and an American legend. Combine them on individual left/right, mid/side, and dual mono channels for the ultimate fusion of analog warmth and modern control.

Mixing and mastering compressor packed with innovations, featuring algorithms for all essential elements of production including Drum, Vocal, Bus, and Mastering modes with the sound of 12 classic compressors.

Plugin emulation of SPL's iconic mastering compressor, designed to provide pleasant, melodic-sounding, transparent compression inspired by vintage radio-era compressors while adapting to modern mastering needs.

Single-channel compressor with two serial compressor sections (MAGNUM COMP and K COMP), a musical parallel EQ with Maag's signature AIR BAND, and a soft limiter. Enhanced with L/R and M/S processing by Brainworx.

Multiband VCA bus compressor plugin bringing the iconic analog bus compressor sound to the multiband domain. Transparent yet assertive, smooth yet punchy, ideal for mix bus, drums, vocals, bass, and more.

FET compressor delivering the same unrivaled tone and lightning-fast response as the iconic 1176, with added onboard sidechaining, stereo linking, and more. Terrific on bass, kicks, vocals, parallel processing, and buses.

Advanced dynamics processor delivering standard compression plus creative functions for fat, punchy sounds with beautiful coloration. Features unique compression modes beyond conventional processing.

Tube compressor capturing the holy grail of analog tube limiters from the '60s and '70s. Delivers all the control, character, and smoothness of iconic tube limiter hardware with expanded features.

Powerful and flexible optical compressor with tube sounds and opto-electric vibe. Features a unique Amp Mode for adding harmonic color without affecting dynamics.

A new generation of optical compression designed from the ground up for today's producers, mixers, and mastering engineers. Takes the optical section from the Shadow Hills Mastering Compressor as a starting point.

Faithful emulation of the classic analog buss compressor, with added features such as SMASH hyper-compression and THD. Smooth, punchy glue from one of the most popular stereo buss compressors of all time.

Meticulously modeled emulation of the Shadow Hills Mastering Compressor hardware. A versatile and musical bus compressor favored on timeless records.

Transparent compressor modeled after the Millennia Twincom hardware, featuring Twin Topology technology with selectable full tube or full J-FET/solid-state signal paths. Includes Mid/Side processing.

Emulation of a rare 1954 compressor built for the NWDR broadcasting network. Combines a solid state diode bridge using Germanium crystal semiconductors with all-tube and transformer-coupled amplification in a sophisticated hybrid design.

LA-2A-style opto compressor plugin retaining the tone, bold minimalism, and beautiful nonlinearities of the original while providing modern control and flexibility. Great for vocals, bass, drums, and stereo buses.

Quad discrete VCA compressor plugin capturing every nuance of the original Vertigo VSC-2 hardware. Features four custom discrete 1979 VCAs across two channels for smooth, clear, glossy, and precise compression.

FET compressor plugin that recreates the sound of the most popular hardware compressors of the modern era. Known for speed, versatility, and attitude, ideal for drum busses, kicks, basses, acoustic guitars, and vocals.

Advanced compressor and downward expander with six analysis modes including Amplitude, Quietness, Brightness, Darkness, Noisiness, and Tonalness for unique compression and expansion effects.

Press is a fully analog stereo compressor with features typically found only in professional studio gear, blending the tight, natural response of classic analog rack units with additional controls found in modern VSTs.

PSP auralComp is a multi-channel compressor and limiter designed for surround and immersive audio applications. Supports up to 16 channels of compression per input bus and speaker configurations from stereo to 9.1.6. Features four compression types (Opto, FET, VCA, OldTimer), eight individual side chain submixes with advanced filtering, an output brick-wall limiter, and Mid-Side processing for stereo tracks. Designed in partnership with acclaimed immersive audio pioneer Ronald Prent.

PSP BussPressor is a compressor optimized for group and master buss processing. It combines the sound of classic VCA compression with wide tuning capabilities, while its extra controls allow you to adjust a side chain high pass filter or apply parallel compression with ease.

PSP FETpressor is a FET feedback type compressor plug-in designed to provide accurate, almost instant compression with loads of character. Great for vocals, guitars, bass, drums, and whenever a classic 1970s-style FET compressor is needed.

PSP Flare is a new kind of psycho-acoustic compressor that provides exceptional volume consistency without the usual audible side effects associated with heavy compression.

PSP Impressor is an incredibly accurate, a fully-featured, high-precision compressor designed to process whole mixes, busses or single tracks.

A high-fidelity mastering compressor utilizing 64-bit double-precision floating point processing with double-sampled FAT technology. Maintains unrivaled transparency even at extreme compression settings. Includes PSP MicroComp for bus and track processing during mixing. Features a Smooth Level Detector algorithm, automatic attack/release options, over-threshold compression and expansion, advanced sidechain filtering and channel linking, Mid/Side/Stereo/Left/Right processing modes, a brick wall output limiter, and PPM/VU metering.

PSP oldTimer ME (Master Edition) includes two versions: PSP oldTimerME, a vintage-style compressor designed for demanding track, group compression, limiting and mastering applications, and PSP oldTimer, for track or group compression and limiting. Inspired by vintage circuitry, emulating favorite characteristics of vintage compressors. PSP oldTimerME adds the option to process left, right, mid or side channel exclusively. Both are part of the Zero Latency Processing series.

PSP VintageWarmer2 is a high-quality digital simulation of an analog-style single or multi-band compressor/limiter. It combines rich, warm analog processing with a straightforward user interface, and comes with a comprehensive library of presets.

Pulsar 1178 is an audio plug-in (VST/VST3/AU/AAX) that meticulously recreates the original 1178 hardware compressor in its tonal color and compression character, while adding several additional features, turning it into a very versatile compressor for tracking and mixing.

AutomaticLite is a simplified, free version of the automaticdynamic plugin. It's an automatic compressor that's effortless to calibrate to your material. There are no dials for threshold or make-up gain because these are automatic. Thus the device stays configured and delivers a consistent dynamic signature, even as your material gets louder and quieter.

Base Reflex is an audio plugin designed to clarify and add punch to your low end, without changing your EQ balance. It does this using intelligent dynamics and saturation that you can dial in quickly because it's automatic.

Hardware-accurate tube compression in software form, modeled from a vintage 1960s 176-style compressor using real-time circuit solving to recreate every tube, transformer, and timing network.

BattleComp Vintage is a punchy yet smooth compressor with an EQ and a high-pass filter on its internal sidechain and tube emulation + soft-clipping circuit in the output stage to keep peaks under control, all in one VST plug-in.

A 500 Series compressor module capturing the sonic character of Rupert Neve's original 2254 diode-bridge design with modern enhancements: advanced timing control, a lower noise floor, fully stepped controls, and built-in parallel processing via a BLEND control. Designed to deliver punchy, thick, and versatile compression suitable for vocals, guitars, bass, and drums.

Clean, precise, powerful level control. Whether you're tracking, mixing or mastering, the 543 delivers unobtrusive, musical dynamic control and high-ratio limiting with massive flexibility, transparency and precision.

A versatile mono analog compressor and wave shaper combining a newly-designed FET compression circuit with an optimized optical compression circuit in a single 1U rack space. Offers transparent vocal smoothing through extreme envelope shaping with harmonic texture, and can operate in Dual-Stage (FET and OPTO in series) or Dual-Band (split at 50Hz-500Hz crossover) modes.

Two-channel diode bridge compressor inspired by vintage Neve 2254 and 33609 units. Delivers classic diode bridge punch, color, weight, and tone with modern updates including advanced timing control, lower noise floor, fully stepped 31-position detented controls for precision recall, higher voltage power rails, full-wave sidechain detection, and internal parallel processing via blend control.

The Studio Bass Compressor pedal is your secret weapon, now with the look to match. Dial in anything from transparent to bold presence with a 3-mode toggle and parallel blend knob. Pick, slap, or fingerstyle, there's something here for every player. Studio-grade performance. Retro-inspired housing. Leave it on and let it work.

A25 has been modeled after a beautiful stereo compressor, with a few "modern" add-ons: sample aligned dry-wet control. Mid-side balance control of action of the compressor (sets where the processing is done between mid and side components of the stereo field). True auto-gain, for easy level-matched comparison. Through-clipboard preset management system (copy and paste between instances).

Attackease takes an audio input (I.e. A drum mic track) and separates the incoming audio into two tracks, attack and sustain, with selectable parameters.

The fg-stress is a digital replication of one of the industry's most highly coveted analog compressors, the empirical labs distressor plugin.

The famous British analog console compressor. A precisely emulated console compressor with authentic, unmistakable British console character.

A luxurious-sounding bus compressor with saturation, sidechain, spatialization, and more. Ultramodern algorithmic compression in a classic compressor style, providing musical glue for any bus.

A meticulous model of the Chandler Limited Germanium Compressor. A versatile mojo machine capable of replacing multiple plug-ins in a chain including EQ, distortion, and transient designer functions.

A meticulous model of the original Drawmer 1973 hardware — a three-band FET compressor providing absolute precision control of dynamics while maintaining analog character.

A preamp full of crunchy distortion, a multi-stage soft-clipping circuit saturator, and a compressor based on the ELI Distressor — all in one native plug-in.

A ground-up remake of the most-used analog compressor with the iconic All-buttons-in mode, added ratios, two different drives, parallel compression, and detector filtering.

Three classic compressors expertly modeled with added modern features. Includes FET Compressor Mk II, OPTO Compressor, and VCA Compressor.

A prime compressor optimized for modern times. An expert emulation of a classic analog optical tube compressor renowned for adding natural warmth and smoothness to vocals, guitar, and bass.

A studio essential for four decades and counting, this classic compressor is all about gentle, natural-sounding gain reduction, sublime leveling, and ease of use.

Smooth, musical vocal compression with two-in-one design featuring both Mk I and Mk II versions toggleable via Generation Switch.

The iconic three-band opto compressor used by top engineers, producers, studios, and mastering houses, offering fidelity, flexibility, and multiband magic.

A meticulous model of an iconic 1970s-era compressor with modern features including parallel compression and detector filtering.

Modern and transparent mastering compressor/limiter with code-ported algorithms from the industry-standard DS1-MK3 hardware unit.

Five full DS1-MK3 compression units in one multiband plugin with macro controls and low-latency options for transparent, precise multiband compression.

Solid State Logic and sonible have teamed up to bring an exclusive series of pro audio processing plug-in bundles that deliver the perfect combination of heritage analogue mixing with modern ai-assisted processing.

Ssl 4000g bus compressor processing with sonible ai-assisted analysis introducing autoBUS, part of the autoseries with autodyn and autoeq.

smart:comp 3 is a spectro-dynamic compressor plug-in that combines AI-driven signal analysis with a semantic approach to dynamic control. It maps a range of musically viable compression settings for the material at hand, alongside all common compression controls, Style options and Spectral Compression.

Voca is a vocal channel plugin that combines levelling, de-essing, compression, saturation and tone shaping in one window. Its compressors are inspired by 1176 and LA-2A style designs, and Focus and Soften controls set presence and reduce sibilance.

Simplified two-knob audio level destroyer inspired by vintage Level-Loc podium microphone compressors, delivering extreme compression and distortion effects. Included with Devil-Loc Deluxe.

Crushing, aggressive compressor based on the 1960s Shure Level-Loc brick wall limiter. Adds Darkness control, switchable release times, and dry signal mixing over the standard Devil-Loc.

Atlas Compressor offers a comprehensive collection of compression circuits that perfectly capture the tone and feel of the industry's most sought-after compressors.

The attacker microplug employs the same processing technique like the original transient designer. Spl's differential envelope technology has revolutionized dynamic processing with a level-independent method. This radically different approach allows to forego the setting of a threshold. Other parameters are set automatically and in a musical manner as they follow the characteristics of the input signal.

The aXCompressor by SSA Plugins is a dynamic range compressor designed to compress ambisonic signals while preserving the spatial information they contain. Any processing on ambisonics signals has to be handled carefully to ensure that the spatial balance of the sound scene is not disturbed.

Discontinued

Midas-Powered High-End Dynamics Channel Plug-In with Optional Analog-Feel Desktop Interface

Classic Compressor/Limiter Pedal with Endless Sustain

Exceptional Multiband Compression Pedal with Vintage Compressor Mode and Built-In TonePrints

State-of-the-Art Multiband Compression with Advanced MD3 Multiband Dynamics Algorithm for Professionally Polished Tones

Ultra-Compact Multiband Compression Pedal for Bass with Built-In TonePrint Technology

Cenozoix is the definitive all-terrain compressor plugin delivering unparalleled sound quality and adaptability with 24 vintage & modern compressor styles. Engineered for the future, Cenozoix is poised to redefine the landscape of compressor plugins.

Discontinued

A carefully designed RMS-based feed-back dynamics compressor dedicated to sum/bus compression, the result of an intensive study about the musical behavior of the feed-back compressor topology.

Discontinued

A major design update of its critically acclaimed predecessor. The compressor is dedicated to compressing the highest fidelity stereo program (2-buss), but equally shines in classic mixing tasks.

A state of the art wideband dynamic range controller. Perfectly suited for stereo bus compression and other critical applications.

The Gentleman's Edition adds several features such as support for equal loudness workflows, frequency dependent ratio and more.

Characterful dynamic range compression with sophisticated saturation, creative tone control, and a snappy peak limiter.

A simplified version of Molot GE covering a wide range of colourful compression flavours. A musically characterful dynamics processor providing compression colors inspired by vintage device characteristics.

Discontinued

Vlad's legendary Molot compressor. Raw, brutal and direct, with subtle traces of rock'n'roll.

Mastering-grade dynamics processor whose compression zone technology selects which frequencies and channels get compressed. Covers upward, downward, parallel and side-chain compression with automatic lookahead, signal-adaptive release, a side-chain equalizer and audition options.

Multi-band compressor and saturator with up to 12 bands, two compressor curves per band, per-band analog pre-amp saturation and an external side-chain input.

Autoformer combines an analogue like pre-amp with automatic volume function and a gentle compressor. It is the right tool for your vocals or voice-overs. Improves drummers or bass-players performances.

The definitive collection of the world's most famous compressors. The original Universal Audio 1176 was designed by ua founder m.t. "bill" putnam, and represented a major breakthrough in limiter technology. The first compressor featuring solidstate circuitry and ultra-fast 20 microsecond fet gain reduction, the 1176 is an easytouse "desert island" compressor that has lent its character and punch to some of the greatest recordings in history.

Multiband dynamic enhancer emulating the iconic A-Type Air, Excite, and Expand effects, with Crush and Gated modes plus a circuit mods panel for transient shaping and subharmonic effects.

Add hit-making glue to your mixes and subgroups.

Get transparent to colorful limiting on masters and more.

Get the legendary tube compressor from Capitol Studios.

Explore a modern take on the iconic British console limiter.

Experience the quirky VCA compression of the vintage hardware.

Hear your mixes and masters with incredible precision and transparency.

Get creative with this futuristic compressor.

Get the colorful sound of the world’s most popular compressor.

Circuit-modeled emulations of golden-reference Fairchild 660 and 670 tube limiters, adding classic tube warmth, harmonics, and punch to vocals, drums, and mixes.

Get the rich sound of magnetic tape, Class A transformers, and tube circuits.

Add tube compression royalty to your mixes.

Get transparent gain reduction with UA’s original dual-VCA dynamic processor.

Get the ultimate “glue” for your mix bus.

Add compression with a unique tube/solid-state circuit.

Add the warm sound of the most famous tube compressor ever made.

Get compression with attitude for guitars, vocals, and drums.

Get the vocal compressor of modern pop, hip‑hop, and R&B.

Add the iconic punch of a world famous compressor.

The UAD 4K Buss Compressor emulates the console dynamics from the ssl 4000. With its simple control set and transparent compression characteristics, ua says it has captured this icon of record production with exacting accuracy.

Add versatile compression and gating/expanding with this one-of-a-kind processor.

Get classic VCA tones with modern specs.

The 1970 Classic Console Compressor is part of the classic console compressor bundle, offering digital recreations of the buss compressor/limiter of two famous british mixing consoles.

The 1980 Classic Console Compressor is part of the classic console compressor bundle, offering digital recreations of the buss compressor/limiter of two famous british mixing consoles. The bundle includes the 1970 compressor and the 1980 compressor with two versions each: compressor/limiter/side chain version and compressor only version.

Aeco A1 is dynamic processor with three components: autogain, expander and compressor in one plugin. Components are routed after each other.

A parallel compression effect for drums, synths and vocals, built around a single Compress control blended against the dry signal. Input Gain, Make-Up Gain, Mix and Bypass complete the controls.

A compressor with five adaptive saturation models for shaping compressor tone as well as dynamics. It carries the usual threshold, attack, release, ratio and knee controls plus a sidechain mode.

Fundamental Bass splits a signal at an adjustable crossover and processes the low and high bands separately, with twin compressors and stereo imaging on the low band and compression plus saturation on the high band. Filters, mix ratio dials and a master clipper shape the result.

A compressor developed with producer Aiden Kenway, pairing standard threshold, ratio, attack, release and makeup controls with Glue, Punch and Heat character stages. Detector options cover channel link, a high-pass filter and a variable sidechain.

A multi-effect combining a four-mode compressor, a saturator and a stereo imager in one plugin, with a real-time waveform display for before and after comparison. It follows the original Pumper, adding parallel compression, RMS shaping and frequency-focused width.

Updated in all the right places for top notch tone and playability. Updates to the V3 are as follows: • Added Tone knob (bass cut) for the ability to shape the low end of your guitar signal. • Soft switch/relay bypassing for smoother more reliable operation. • Moved to top mounted in/out jacks.

Sculpt your sound with uncompromising precision using the Highpoint Analog Optical Compressor. Designed for players who live in the details, the Highpoint brings dynamic control and console style LED VU monitoring into a beautifully responsive analog format that feels as good as it sounds.

Discontinued

Look! Come and see the Mira's capabilities. In the Spanish language, Mira is a command that translates to look, see, and call attention to. With the Mira Optical Compressor, you’re creating and shaping a studio-grade timbre that demands to be seen, heard, and above all, felt.

The ultra-rare RS124 is the holy grail of vintage smooth compressors. Now you can give your music the legendary velvety tones heard on every Beatles recording made at Abbey Road. With two distinct flavors to choose from, this is the only official emulation approved by Abbey Road Studios.

A versatile stereo compressor plugin, the API 2500 can function as two separate mono channels, so you can shape the punch and tone of mixes with absolute accuracy.

This plugin recreates the versatile explosive sound of the popular compressor/limiter/de-esser used on countless rock, dance and hip-hop hits since the 80s.

With compression, expansion, gating, sidechain and equalization, the C1 is a true production workhorse, featuring 3 separate modules for maximum flexibility.

Engineered especially for 5.1 surround production, the C360 Surround Compressor plugin delivers state-of-the-art soft knee compression with flexible channel coupling and grouping.

Buss compressor designed by Chris Lord-Alge for gluing mixes together with punch and clarity.

Modeled on the legendary electro-optical tube compressor, this plugin emulates the original’s smooth frequency-dependent behaviors which made it a favorite of engineers everywhere.

Based on the early ‘70s solid-state unit with its transparent compression curve, the CLA-3A compressor plugin delivers the quick response and subtle harmonic distortion of the original.

Inspired by the famed mid-‘60s Class A line level limiting amplifier, Waves CLA-76 compressor plugin offers the superfast attack that made the original studio legends.

Modeled emulation of the classic dbx 160 hardware compressor known for its punchy, transparent dynamics control.

Combining the modeled behavior of transformers, tubes, and transistors, H-Comp Hybrid Compressor plugin is a dynamics processor with the best of analog and digital in one plugin.

This intelligent frequency-dependent compressor optimizes your tracks' energy for greater punch and focus. Instantly vitalize your mix with just one knob.

Modeled on a vintage Pye compressor, the PIE compressor plugin features a modeled VU meter with superfast refresh rates that recreates behavior of a physical meter.

The Manny Marroquin Tone Shaper plugin is a parallel compressor with 4 bands plus EQ and ‘secret ingredients’ to change the tonality of a track to match your mix.

With high and low level compression controlled by a streamlined interface and intuitive dual faders, the MV2 Compressor plugin keeps your dynamics in check and maximizes your volume instantly.

With 6 channels of high-level surround compression controlled by a streamlined interface, MV360 surround volume leveler plugin keeps dynamics in check and maximizes your volume instantly.

From light parallel-style compression to heavy squashing, OneKnob Pressure is a versatile dynamics processor, ideal for percussive sources like loops and drum busses.

Modeled on the legendary Fairchild compressor, the PuigChild 660/670 includes the PuigChild 660 mono Fairchild plugin and PuigChild 670 stereo Fairchild plugin.

Engineered for guitars and bass, R-Axx is an all-in-one dynamics processor that delivers mix-ready results in seconds.

The gold standard for smooth, great-sounding compression, R-Comp has delivered musical results for countless top engineers and musicians. Features vintage Opto and modern Electro modes.

The first-choice vocal compressor for top engineers worldwide. With its approachable interface of just 3 controls for gating, compression and output gain, R-Vox is the quickest route to a legendary vocal sound.

Save time and avoid tedious manual workarounds with Spherix, two dynamics plugins designed from the ground up for fast, efficient work on the beds (fixed channels) of immersive 7.1.4/7.1.2 mixing environments such as Dolby Atmos®.

Modeled emulation of the SSL G-Series master buss compressor, the industry standard for mix glue.

Modeled on the rich lush buss sound of the vintage 2254 hardware with its time constants and fixed nominal output gain, V-Comp packs the musical punch heard on countless hit records.

Two anti-aliasing options dramatically suppress aliasing artifacts by oversampling at 8x and 16x standard audio frequency.

MSCL is a stereo analog compressor in 4hp for Eurorack, designed for master bus glue, featuring independent attack and release, a combined threshold/ratio/gain knob, a limit switch for peak limiting, and a sidechain input.