WA Production

BassShaper is a bass processing plugin that combines subtone generation, saturation, transient shaping and cleanup controls in one interface. Its modules include Deboom, Demud, Level, Punch, Fade and Subtone alongside a three band EQ and an enhancement section.

BeatQuake is a tone shaping plugin for drums and beats built around four character controls, Tone, Enhance, Lofi and Shape, and four psychoacoustic pre-filtering colour modes. Designed by sound engineer Emrah Celik, it also works on bass lines, pads and vocals.

One-knob audio plugin with five distinct processing modes based on chorus, reverb, and overdrive to make sounds fatter, wider, and juicier.

Artist designed multi effect plugin with dedicated eight module signal chains for bass, drums, kick, synths and vocals. Each module is driven by a single dial, with auto gain, a soft clipper and waveform or frequency visual feedback.

Free kick shaping plugin carrying the tools of the kick module from the KSHMR Essentials multi effect. Eight single dial controls cover sub tuning, mid and high frequency adjustment, transient shaping, tape saturation, multiband and single band compression and stereo width.

A single-window multi-effects plugin that chains six processing modules for mixing and sound shaping. The modules can be reordered freely and each offers several character algorithms.

Kick drum processing plugin combining frequency detection, low end control, tail generation, transient shaping and tone adjustment in a single interface. Aimed at adding punch, depth and definition to kick samples across genres.

Put Me On Drums is a multi-effect drum processor made with the producer K-391 that splits incoming audio into low and high frequency modules and applies a different set of effects to each. The low module covers saturation, transient level and sub tail, while the high module covers frequency shifting, dimension and width, with EQ on both.

A dual-channel delay whose two independent engines orbit the stereo field in circular, interwoven patterns. Modulation, reverb, stereo width and a ducker sit alongside the delay section.

A bit-crushed version of the Delay Rings engine, with two independent delays that orbit the stereo field in opposite directions. Modulation, reverb, stereo width and a ducker sit alongside the delay section.

A free, reduced edition of the MultiBender delay plugin, released with Computer Music magazine. It splits the signal into three independently adjustable bands, each with its own tempo-synced delay time, feedback and gain, plus saturation, bitcrushing and detuning.

Mutant Delay is a host-synced stereo delay with a built-in ducker that lowers the wet signal in response to the dry source, keeping the original audio defined under heavy feedback. It offers independent left and right delay times, ping-pong routing, two filter shaping modes and compressor-style ducking controls.

Spectron is a spectral delay made with the producer Curbi that uses spectral diffusion to give each frequency its own delayed path. Shift and Diffuse controls add spectral pitch shifting, frequency shifting, formant manipulation and reverb like spreading.

SphereDelay 2 is a multimode delay with Mono, Stereo, Ping-Pong and Ping-Pong Separate modes, each offering LFO and envelope follower modulation of the delay time. It builds on the original SphereDelay with a revised interface and engine, plus new Space Length and Space Amount parameters.

MIDI generation plugin that produces melody, rhythm, bass, pad and chord parts at the click of a button using an algorithmic composition engine. Includes a piano roll editor and drag and drop MIDI export across five tracks.

MIDI generation plugin that builds melodies, phrases, riffs, chord progressions and drum parts from configurable rules. Offers six tracks, eight scenes per preset and an onboard piano roll editor with MIDI export.

MIDI generation plugin that creates songs, chords, riffs and rhythms from configurable musical rules using procedural generation. Adds song section architecture, DAW playback sync, one click song generation and MIDI import across up to six simultaneous tracks.

Loop Engine 2 is a multi-voice MIDI generation plugin that builds riffs, arpeggios and melodies from chord shapes and harmonic rules. It adds a polyphonic note editor, a revised polyrhythm mode and automatic auxiliary passing notes over the original Loop Engine.

Loop Engine 3 is a multi-voice MIDI generation plugin that produces chord progressions, riffs, arpeggios, melodies and polyrhythmic sequences from chord shapes and harmonic rules through a circular interface. It adds a three-way view switch, micro-timing offsets, undo and automatic auxiliary passing notes.

MIDIQ is a MIDI sequence generator for chord progressions, harmonies and bass lines, driven by a pattern language of repeating symbols laid out on a slot machine style interface. Each pattern position generates a chord along with eight alternative sequences that can be auditioned during playback.

A MIDI chord generator that builds progressions from single four-note chords up to eight-chord riffs inside a circular interface. Generated progressions can be dragged straight into the host project as MIDI.

An expanded version of the Chords MIDI effect with 30 chord types, A/B comparison and intelligent randomisation. Progressions of up to eight chords can be dragged into the host project as MIDI.

A chord and arpeggio MIDI effect that builds progressions of up to eight chords from a circular interface. A separate Notes page partitions each chord into up to eight steps for melodies, arpeggios and gated patterns.

A MIDI processing plugin for playing chords and chord progressions from a small number of controller keys. Provides a chord bank in five voicing modes, assignable chord and action keys, and transposition.

A MIDI processing plugin that builds chords and chord progressions, pairing a chord creator with a pattern editor and mini-sequencer. Expands the original InstaChord with a pattern editor, generative sequence creation, custom chords and MIDI drag and drop.

A parallel compression effect for drums, synths and vocals, built around a single Compress control blended against the dry signal. Input Gain, Make-Up Gain, Mix and Bypass complete the controls.

A compressor with five adaptive saturation models for shaping compressor tone as well as dynamics. It carries the usual threshold, attack, release, ratio and knee controls plus a sidechain mode.

Fundamental Bass splits a signal at an adjustable crossover and processes the low and high bands separately, with twin compressors and stereo imaging on the low band and compression plus saturation on the high band. Filters, mix ratio dials and a master clipper shape the result.

A compressor developed with producer Aiden Kenway, pairing standard threshold, ratio, attack, release and makeup controls with Glue, Punch and Heat character stages. Detector options cover channel link, a high-pass filter and a variable sidechain.

A multi-effect combining a four-mode compressor, a saturator and a stereo imager in one plugin, with a real-time waveform display for before and after comparison. It follows the original Pumper, adding parallel compression, RMS shaping and frequency-focused width.

A transient shaper with attack and sustain controls for sharpening or softening a sound without over-compressing it. It can process the stereo signal, the mid, the side, the left or the right channel alone.

A multiband transient designer with three frequency bands, adjustable crossover points and a real-time display. Each band adds width, smooth, attack and release controls for shaping transient response.

Puncher 2 is a multi-effect plugin that combines a transient shaper, a four band multiband compressor and a parallel compressor in one compact interface. Each section carries advanced settings for detailed adjustment, and 48 configured presets cover a range of genres and instruments.

Puncher 2 Lite is a stripped back version of Puncher 2 that combines a transient shaper, a multiband compressor and a parallel compressor in one streamlined interface. The advanced features and presets of the full version are not included.

Heat 2 is a twin distortion and saturation plugin that blends any two of ten modelled distortion types, each with its own drive setting and high and low pass filtering. It is a refreshed version of the original Heat, with a new interface and more accurate frequency monitoring.

Make Me Scream is a two-stage saturation and distortion plugin that pairs an adjustable preamp tube with a distortion module offering four distortion types and four timbre modes. A signal follower shapes the distortion envelope in line with the transients of the source material.

Screamo is a distortion plugin that pairs two resonant shelving filters with a drive stage, both driven by a built in tempo synced waveform shaper. The results range from a talk box style effect to rhythmic overdrive.

Dodge Pro is a volume shaping plugin covering sidechain ducking, trance gates, rhythmic motifs and effects, with amplitude shapes drawn across three independent frequency bands. Up to 12 scenes can be programmed and switched over MIDI.

A gain riding plugin that tracks incoming audio and compensates for level changes automatically, standing in for manual fader moves. Advanced settings add band-pass detection, attack and release shaping and adjustable limits on how far the gain rides.

A free, reduced edition of the Outlaw gain riding plugin. It tracks the incoming signal and compensates for level changes automatically, with Mix, Target, Gate and Gain controls plus a peak and RMS display.

Deres is a de-resonance plugin that locates problem harmonics through harmonic analysis and reduces them in either a static or a dynamic mode. Compensation controls restore brightness and presence after the resonant peaks have been removed.

Detroubler is a psychoacoustic processor that reduces six categories of fatiguing frequency, from boomy and boxy low end through to harsh and sizzling highs. Each area has its own clickable meter, and a Listen mode makes audible what the plugin is capturing.

An equalizer plugin built around three controls and five selectable EQ shapes. It can process the stereo signal, the mid, the side, the left or the right channel alone, with input and output gain staging either side of the processing.

DJFX is a multi-effect plugin modelled on the effects found on DJ hardware, with six modules that can be stacked and run at the same time. Each module carries two styles, one close to the familiar hardware behaviour and one that pushes further.

A creative multi-effect that modulates incoming audio at audio rate, formant shifts it and passes it through a spectral delay line. An XY pad drives the effect matrix and can be dragged or automated from the host.

SphereQuad is a semi-modular multi-effect plugin that routes stereo flanger, phaser and chorus modules into a stereo filter driven by a 16 step sequencer. Independent left and right filter settings move the processed signal around the stereo field.

Zqueezer is an effect plugin that squeezes the harmonic content of a signal, working as an adaptive filter on monophonic sources and mangling overtones on polyphonic material. Its filter coefficients are derived from the waveform itself, so the response continuously tracks the incoming audio.

RedClip is a multiband clipping plugin that separates audio into 4 user controllable bands before processing, with Fat, Punch and Bone controls shaping the character of each band. Crossovers can be switched between linear phase and analog minimum phase.

Vocal Limiter is a limiter built for the last stage of a vocal chain, tuned to target the frequency range of vocal performances. It offers a threshold control, four auto-release speed modes, input and output faders and real-time VU metering.

The KING 2 is a five band compression plugin designed for mastering, with per-band threshold and makeup gain alongside separate upward and downward compression controls. It also carries a Magic EQ section with three cleaning curves and a built-in limiter.

XTT is a five-band multiband compressor and mastering plugin developed with production duo VINAI, combining upward and downward compression with per-band surgical shaping. It adds a brickwall limiter, linkable input and output faders for gain staging, and a real-time frequency display.

Mutant Reverb is a mono-to-stereo algorithmic reverb with a built-in ducker that lowers the reverb tail in response to the dry source, keeping the original signal defined. Controls cover tail time, pre-delay, room size, diffusion, high and low pass filtering with dampening, and compressor-style ducking.

Reverb plugin with ducking, gating, tonal reset and reverse effects for shaping reverb tails. Adds a six node EQ, a de-esser, modulation and a resizable interface with live visual feedback.

A saturation plugin with tube and tape distortion modules and a pair of low pass and high pass filters for shaping the saturated signal. It can process the stereo signal, the mid, the side, the left or the right channel alone.

Punchy Worm is a one knob punch and saturation processor, with a single central dial that applies transient shaping in one direction and saturation in the other, combined with upward and downward compression. An animated worm in the interface reacts to the incoming audio.

ChopBeast is a loop slicing plugin that chops and rearranges dropped audio into up to 32 slices, with per-slice pitch, formant shifting, reverse and declick controls. Results can be auditioned or triggered over MIDI and exported to the host.

ChopBeast 2 is a loop slicing plugin that chops and rearranges dropped audio into up to 32 slices, with per-slice pitch, volume, formant, reverse and declick control. It adds lock options for slice position and effects, melodic pitch randomization and host tempo sync over the first version.

Dynawide is a multiband processor combining tonal balance faders, per-band stereo width, saturation, depth and panning. Crossover frequencies are user-set and the crossover can run in linear phase or analog minimum phase mode.

Vocal Splitter turns a mono vocal into a wide stereo signal by combining a phase-offset vibrato that asymmetrically detunes the left and right channels with asymmetrical rectification of both channels. Speed, depth, drive and filter controls shape the added stereo signal.

Babylon is a one page virtual synthesizer with multi-voice oscillators, stereo unison and detuning, filters, effects and an internal modulation matrix. It adds per-note microtonal tuning and a scale helper covering 23 standard and 34 traditional scales.

A software synthesizer built around analog-style instability, with five oscillator modules and three sliders that introduce drift, saturation and tuning inconsistency. Includes filters, dual envelopes, LFOs, an arpeggiator and hundreds of factory presets.

Vocal Cleaner is a vocal clean-up plugin combining de-noise, de-ess and noise gate stages with high and low pass filtering and a presence control. It is designed to sit first in a vocal chain, removing background noise, harsh sibilance and breath sounds before further processing.

VocalShaper is a modular vocal processing plugin built around a pink noise leveler, a noise cleaner, vocal-tuned compression, dynamic mud removal, linear sibilance control, an air band and a vocal-focused tone section. It is intended as the first plugin on a vocal chain.

A one-knob enhancement plugin developed with producer Jonas Aden that thickens and widens kicks, vocals, synths and other material. Five bespoke signal chains cover processing built around ideas such as chorus, reverb and overdrive, shaped further by Mix and Length dials.

A spectrum exciter built around 32 colour profiles that apply saturation and frequency shaping in one move. Depth, Space and Resonate controls extend it into 3D enhancement and stereo width.

A granular effect that slices incoming audio into tempo-synced grains and reassembles them, with a sidechain input for morphing between two different sources. Grain FX, filters, reverb, tape modulation and bit crushing shape the result.

Trivox is a harmony effect plugin with three voices, each tunable from -12 to +12 semitones and carrying its own level control. Voices can be locked to one of 20 scales or left chromatic, with unison, detune and spread controls for wide stereo harmonies.

A lo-fi flavoured multi-effect created with producer Arcade, combining bit reduction, filtering, chorus, diffusion and stereo processing behind a small set of macro controls. Build and Wash faders apply the same treatment to a full mix.

MixBoss is an all-in-one mixbus plugin built for topdown mixing, combining a multiband compressor with linear-phase crossovers, a voiced Push EQ, a spectral balance control, a mixbus limiter and three character enhancement modes. It also provides monitoring simulations for small speakers, car stereo, phone and mono.

Drifter is a modulation effect that applies continuously evolving movement to level, pan, pitch, tone, phase, frequency, harmonics and filtering. Global Depth and Speed controls drive every target, with individual sliders for fine adjustment.

A percussion enhancer that injects shaped noise into drum and percussion signals, adding frequency content that was not in the source. Noise character, decay, transient and filter controls tune the layer to the material.

Scale oriented MIDI processor with 16 smart keys that play notes relative to the previous note and the selected scale. Runs as a VST instrument with MIDI routing or as an AU MIDI effect, so any target instrument can be played within a chosen scale.

Venom is a spectral processing plugin that freezes incoming audio and transforms it through a hot-swappable chain of seven effects. It covers subtle granular movement, expansive reverbs, frozen spectral tones and heavily altered soundscapes.

Babylon 2 is a single page virtual synthesizer built around multi-voice oscillators and morphing wavetables, with a wavetable editor for creating, editing and importing waves. It expands the original Babylon with new filter types, reworked effects, additional modulators, an arpeggiator and per-note microtonal tuning in cents across 11 octaves.