Maxon

A limited edition Maxon OD808 modified by pedal engineer Robert Keeley featuring a 'Max-Gain' mod that delivers a louder, hotter, stacked-gain sound while retaining the OD808's signature tone.

An analog flanger pedal using a Panasonic MN3207 BBD chip to create flanging, chorus, and vibrato effects. It features Speed, Width, Delay Time, and Regeneration controls with mechanical true bypass switching.

A Fortin-modded version of the Maxon OD-9 overdrive pedal, featuring extreme output level and red LED clipping for a more amp-like, tube-style overdrive tone. Designed by amp guru Mike Fortin, it ranges from clean boost to sweet, classic overdrive.

The FA10 Fuzz Elements Air recreates the square wave clipping and octave harmonics of the vintage Shin-Ei/Univox Super Fuzz. It features a two-position Tone switch to toggle between flat and scooped EQ curves.

The FEA10 Fuzz Elements Earth captures the grit and sustain of a vintage EH Ram's Head Big Muff. It offers a warm, wooly transistor distortion with long sustain and note sag.

The FE10 Ether combines the Fat channel fuzz of the Air with a powerful parametric equalizer covering 100 Hz to 5 kHz, allowing unlimited tonal variations on the classic Super Fuzz sound.

The FF10 Fire is based on the vintage Roland AF100 Bee Baa, producing two distinct aggressive fuzz tones. A footswitchable Notch mode scoops mids and accentuates upper octave harmonics for lead work.

The FV10 Void emulates the vintage Ampeg Scrambler, producing unique frequency- and dynamics-dependent fuzz and octave effects that vary based on playing technique and note position.

The FWA10 Water combines the Ram's Head Big Muff replication of the Earth pedal with a parametric EQ circuit, letting users dial in a wide range of Big Muff variations from mid-heavy snarl to scooped-mid mayhem.

The FW10 Fuzz Elements Wind recreates the vintage Mk II Tonebender sound, offering an edgy midrange-heavy fuzz tone with a Vintage/Hot gain switch and a selectable input buffer for smoother note response.

An analog overdrive pedal offering warm, open overdrive with a brighter high-frequency response than the OSD-9. It uses NJM (JRC) 4558 op amps and features Drive and Level controls with mechanical true bypass switching.

A true-to-spec reissue of the legendary 1980's OD-9/TS-9 overdrive circuit with the addition of true bypass switching, featuring the NJM 4558D op amp for classic Tube Screamer tone.

The OD808X takes Maxon's classic 808 circuit and extends its frequency response, adds harder clipping, and increases output level by +5dB compared to a stock OD808, creating a searing, full-bodied amp-like overdrive.

The OD820 is a guitar overdrive pedal based on Maxon's classic 808 circuit, running at an internal 18 volts for extra headroom and a fuller frequency response. It offers a dual-purpose Drive control that blends clean boost and overdrive tones.

An overdrive pedal based on the classic OD-9 circuit with switchable 9- or 18-volt internal operation and a Mid Boost switch for added midrange gain, using an NJM4558 op amp with true bypass switching.

A reissue of Maxon's first overdrive, the 1977 OD880, offering a warm, open overdrive with a mild high-end roll off using NOS UA741 op amps and regulated 9 VDC power with true bypass switching.

A single-knob analog phaser pedal reissuing the original 1974 circuit unchanged, offering classic 70's-era phasing effects with buffered JFET bypass switching.

An optical phase shifter pedal based on the rare Japan-only PT-9 Pro, adding a voltage-doubling IC for increased headroom and a fat, lush, 3-dimensional phasing effect similar to vintage optical phasers.

An analog chorus pedal with a full-bodied, wide-range LFO capable of rotary speaker sounds, featuring Pure and Bright switches for tonal variation and standard plus inverted outputs for stereo routing.

A 1/4-inch instrument plug with a continuously rotating swivel head over a 180-degree arc, designed for easy connections in tight spaces and reduced stress on solder connections.

A non-pivoting straight 1/4-inch plug featuring a compression sleeve that makes full contact around the plug's circumference for a secure fit and improved signal transmission.

A high-quality non-pivoting, right-angle 1/4-inch instrument plug.

A high-quality non-pivoting, straight 1/4-inch instrument plug.

An analog delay pedal loaded with eight custom Bucket Brigade IC's providing 900 milliseconds of warm delay tone with dynamic distortion on repeats. It features stereo wet/dry outputs and is capable of self-oscillation effects.

An analog delay pedal with up to 900 milliseconds of delay time using eight Bucket Brigade IC's, featuring proprietary noise reduction filtering on repeats. Multi-Head mode switches create polyrhythmic repeats, and dual outputs allow routing dry and delayed signals separately.

A 100% analog delay pedal using bucket brigade IC's to deliver up to 450 milliseconds of warm, transparent delay. It features a switchable multi-head tape echo simulator function and stereo wet/dry outputs.

A pedalboard mounting tape that uses rows of tiny mushroom-shaped posts to form a stronger bond than traditional hook-and-loop fasteners, sold as a 1-meter roll.

A pedalboard mounting tape that uses rows of tiny mushroom-shaped posts to form a stronger bond than traditional hook-and-loop fasteners, sold as a 10-meter roll.

A pedalboard mounting tape that uses rows of tiny mushroom-shaped posts to form a stronger bond than traditional hook-and-loop fasteners, sold as a 5-meter roll.

A clean booster/overdrive pedal featuring a tube gain stage with a mil-spec vacuum tube, designed to drive tube amps with added warmth and headroom. It combines a Boost knob controlling tube gain with a dual-function Drive control that blends clean and distorted signals.

An overdrive pedal that adds a mil-spec vacuum tube gain stage to Maxon's classic OD-9 circuit for extra warmth and saturation. A dedicated Tube knob blends in tube-driven tone on top of the standard overdrive controls.

An overdrive pedal based on Maxon's '808' circuit that can run at 9 or 18 volts for varying headroom and dynamic response. Its dual-function Drive knob controls both gain and the clean/distorted signal blend, allowing use as a clean booster or full overdrive.

A 9 VDC, 2000 milliamp digital power supply designed to power an entire guitar pedalboard from a single outlet, including a variety of jumper cables for different pedal power connector types.

A 9 VDC, 3000 mA regulated power supply meeting DOE Level VI energy efficiency standards, designed to provide ultra-quiet, high-current power to guitar effect pedals.

A high-current digital power supply offering 2000 milliamps of clean, regulated, noise-free power for guitar effect pedals, available in supply-only configuration.

A studio-grade compressor pedal featuring a DBX-style VCA compression circuit with variable ratio up to infinity:1 and up to +30dB of clean gain, delivering smooth, transparent compression with a low noise floor.

A studio-grade compressor pedal combining a DBX-based compression circuit with a dual-triode vacuum tube, offering variable ratio, attack, release and up to +30 dB of gain with true bypass switching.

A high-gain distortion pedal with interactive Bass and Treble tone controls that can generate amp-like distortion tones from lightly overdriven blues sounds to heavy classic rock crunch. It also works well as a distortion pedal for bass guitar.

A pedal combining independent Overdrive and Distortion circuits with a real dual-triode tube, a footswitchable Boost, a 3-band EQ, and a switchable noise gate, offering a wide range of saturated guitar tones.

The AF-9 is an optical envelope filter modeled on the vintage Mu-Tron III, offering funky, liquid, vowel-like auto-wah effects with Low Pass, Band Pass, and High Pass filter types.

A flanger pedal that combines an analog Bucket-Brigade flanger with a voltage-controlled white noise generator to simulate a jet-in-flight Doppler effect. VCA and VCF circuits react to playing dynamics, and the two effect sections can be used separately or together for a wide range of modulated sounds.