Skip to main content
aureo

Microphone

188 products

Show all 188 products

  • 5006A Surround Kit with 5 Matched 4006A

    DPA Microphones

    This is a complete Surround Kit with five carefully factory-matched omnidirectional microphones. Even though the standard tolerances on the 4006A Omnidirectional Microphones are extremely low, the surround match is even closer. The specially selected 4006As are matched within ±0.5 dB on both frequency response and sensitivity from mean of set.

    $13,700

  • 5015A Surround Kit with 5 Matched 4015A

    DPA Microphones

    The 5015A Surround Kit has five carefully factory-matched 4015 Wide Cardioid Microphones. Even though the standard tolerances on the 4015 Wide Cardioid Microphones are extremely low, the surround match is even closer − within ±1 dB.

    $12,100

  • DDK4002 Drum Microphone Kit

    DPA Microphones

    DPA's selection of mics for the drum kit is designed specifically to put the sound engineer in control of the sound. By starting with the clear, true sound of the entire kit, the engineer has the best starting point to shape the sound wanted for the situation.

    $5,800

  • DIN4099 Instrument Microphone Kit

    DPA Microphones

    Test out the power of the 4099 CORE+ with this kit.

    $2,500

  • DLK4002 Live Microphone Kit

    DPA Microphones

    The DLK4002 Live Microphone Kit includes vocal mics for lead and backup vocals, instrument mics for close-miking any type of live instrument – both acoustical and electric, as well as various pencil mics for spot miking instrument groups or capturing ambiance sounds.

    $29,100

  • DLS4000 Location Sound Microphone Kit

    DPA Microphones

    DPA’s DLS4000 Location Sound Microphone Kit has the crucial mics needed for all your standard location recording needs. It includes shotguns for booming, micro shotguns for discreet plant miking and a range of lavaliers for close miking the talent.

    $25,900

  • DPK2015 Piano Stereo Kit

    DPA Microphones

    DPK2015 is an out-of-the-box miking solution that takes a minute to install and ensures that the true voice of the piano shines. It is designed for versatile mounting: inside or outside the piano, lid open or closed.

    $2,800

  • DPK4011 Piano Stereo Kit

    DPA Microphones

    DPK4011 Piano Stereo Kit is a versatile, compact piano kit, which is tailored specifically to accommodate the need for clean sound and limitless creativity.

    $5,795

  • DPK4099 Piano Stereo Kit

    DPA Microphones

    DPK4099 CORE+ is a dedicated stereo miking solution for grand and upright pianos, built around a selected stereo pair of 4099 CORE+ Loud SPL supercardioid instrument microphones and versatile magnet mounts, perfectly designed for use on a piano.

    $1,535

  • DRK4001 Ultimate Recording Kit

    DPA Microphones

    The Ultimate Recording Kit is full of every microphone you need to make a trip to the recording studio a breeze. Vocal mics, instrument mics for any type of instrument and all the clips and accessories you can imagine to make miking up a full studio band quick and easy.

    $52,900

  • DSK4001 Studio Microphone Kit

    DPA Microphones

    The DSK4001 Studio Microphone Kit is perfect for a home studio or small recording studio. Or for boosting a larger recording studio with the most prestigious, high-quality professional condenser mics available.

  • Cobalt Co9

    Electro-Voice

    Handheld dynamic vocal microphone with a cardioid polar pattern, designed for vocalists across musical genres. A slight bass roll-off and accentuated mid-range deliver clear, articulate vocal reproduction with strong feedback rejection.

  • ND44

    Electro-Voice

    The ND44 is a large-diaphragm dynamic instrument microphone built for drums and other rhythm-section sources. A tight cardioid polar pattern delivers strong off-axis rejection for close-mic'd snare, toms, and hi-hat, while a low-profile pivoting head and integrated mount geometry simplify placement in crowded kits. A humbucking coil reduces line hum near amplifiers and lighting rigs, the Memraflex grille resists denting from stick strikes, and the included DRC-2 drum rim clamp with finger-loop design secures the mic to rims without tools. Frequency response of 80 Hz - 16,500 Hz, max SPL greater than 140 dB, and balanced low-Z output via 3-pin XLR.

  • ND46 Dynamic Supercardioid Instrument Microphone

    Electro-Voice

    The ND46 is a large-diaphragm dynamic instrument microphone with a supercardioid polar pattern, engineered for high-SPL on-stage instrument miking. Its locking pivoting head allows precise capsule placement on drums, guitar cabinets, and brass without repositioning the stand.

  • ND66

    Electro-Voice

    Small-diaphragm cardioid condenser instrument microphone designed for percussive and stringed instruments, including drum overheads, cymbals and acoustic guitar. The self-biased condenser element captures transient detail with a clean, crisp character, and a locking pivoting head allows precise placement in tight overhead and stand-mounted positions.

  • ND68

    Electro-Voice

    Large-diaphragm dynamic supercardioid kick drum and low-frequency instrument microphone. Delivers deep lows with a relaxed midrange and high-frequency punctuation for top-end definition, with excellent acoustic isolation from nearby instruments.

  • ND76

    Electro-Voice

    Handheld dynamic vocal microphone with a cardioid polar pattern, built around a large-diaphragm dynamic capsule for crisp, clear, balanced vocal reproduction. A shock-mounted capsule and humbucking coil keep handling noise and AC hum out of the signal on loud stages.

  • ND76S

    Electro-Voice

    The ND76S is a robust, high-performance, large-diaphragm dynamic cardioid vocal microphone with a near-silent on/off switch, designed for all-around lead and backing vocal applications. The cardioid polar pattern delivers crisp vocal presence with superior stage isolation, while a shock-mounted capsule minimizes handling noise and a humbucking coil guards against line hum. A Memraflex grille and die-cast zinc body with black polyurethane finish provide road-tough durability.

  • ND86

    Electro-Voice

    Handheld dynamic vocal microphone with a supercardioid polar pattern, built around a large-diaphragm dynamic capsule for present, smooth, detailed vocal reproduction with superior isolation from stage bleed. Engineered for lead vocals in large, loud venues where gain before feedback is critical.

  • ND96

    Electro-Voice

    Dynamic supercardioid vocal microphone engineered for very loud stages. A large-diaphragm capsule and tight supercardioid pattern deliver significantly more gain before feedback than typical handheld vocal mics, with high SPL handling for screamers and high-output sources.

  • OLM10

    Electro-Voice

    The OLM10 is a rugged omnidirectional lavalier microphone built around a back-electret condenser element. Its small form factor and wide pick-up pattern make it well suited to beginners, soft speakers, and general spoken-word use in presentation, broadcast, and houses of worship. An integrated 6-foot (180 cm) cable terminates in a TA4F connector, making it directly compatible with all Electro-Voice bodypack transmitters. For wired applications it can be paired with the EV TXA adapter to feed a standard 3-pin XLR mic input. A clothing clip is included for fast on-talent mounting.

  • PC Boundary

    Electro-Voice

    The PC Boundary is a low-profile multi-pattern PolarChoice surface-mount microphone designed for conferencing, boardroom, and installed-sound applications where unobtrusive area coverage is essential. A dual back-electret condenser capsule provides four switchable polar patterns - omnidirectional, cardioid, supercardioid, and figure-8 - all voiced for consistent tonal character so the operator can adapt to room geometry and talker placement without changing microphones. A programmable mute switch can be configured for latching on/off or momentary (push-to-talk / push-to-mute) operation, and the steel housing is finished in non-reflective camera black to blend into tabletops, lecterns, and broadcast sets. Balanced low-Z output is delivered via 3-pin XLR with standard 12 - 52 VDC phantom power and a 50 Hz - 20,000 Hz (-3 dB) frequency response.

  • PC Desktop

    Electro-Voice

    The PC Desktop is a PolarChoice multi-pattern condenser microphone built into a free-standing tabletop unit with a dual-section gooseneck and a sturdy steel base. A switch on the capsule lets the operator select between omnidirectional, cardioid, supercardioid, and hypercardioid polar patterns to suit a range of conferencing, broadcast, or installed-sound conditions. A programmable mute switch with LED can be configured as push-on/off or push-to-mute, a switchable high-pass filter tames low-frequency rumble, and the dual back-electret condenser elements deliver smooth, uniform response in all patterns. Frequency response of 50 Hz - 20,000 Hz, balanced low-Z output via 3-pin XLR, and standard 12-52 VDC phantom power. Available in 12-inch and 18-inch gooseneck lengths.

  • PL-24

    Electro-Voice

    Entry-level handheld dynamic vocal microphone with a supercardioid polar pattern. Balanced frequency response and a tight-mesh Memraflex grille deliver controlled lows, articulate mid-range and smooth highs for live sound vocal applications.

  • PL-24S

    Electro-Voice

    Handheld dynamic supercardioid vocal microphone with an on/off switch. Balanced frequency response and a tight-mesh Memraflex grille deliver controlled lows, articulate mid-range and smooth highs for live sound vocal applications.

  • PL-33

    Electro-Voice

    Dynamic kick drum and low-frequency instrument microphone with a supercardioid polar pattern. Voiced specifically to capture the power, punctuation and snap of kick drums with little to no additional EQ required.

  • PL-35

    Electro-Voice

    The PL-35 is a professional-grade supercardioid dynamic microphone voiced for the power, punctuation, and natural tones of snare drums and tom-toms in both live sound reinforcement and studio applications. A supercardioid polar pattern delivers strong isolation from surrounding kit pieces and stage bleed, while a powerful neodymium magnet structure preserves transient detail and dynamic range under the heavy attack of close drum miking. The die-cast zinc case with textured satin black finish stands up to road use, and the included DRC-1 drum rim clamp secures the mic to the rim for fast, repeatable placement. Frequency response of 50 Hz - 16,000 Hz and balanced low-Z output via 3-pin XLR.

  • PL-37

    Electro-Voice

    Small-diaphragm condenser instrument microphone with a tight cardioid polar pattern, designed to capture the crisp detail of cymbals, hi-hats and acoustic stringed instruments as a drum overhead or close mic.

  • PL-44

    Electro-Voice

    Professional dynamic supercardioid vocal microphone with a neodymium element. High-mid frequency voicing helps position vocals precisely in a mix with minimal EQ, while the supercardioid pattern provides strong off-axis rejection for live stage use.

  • PL-80a

    Electro-Voice

    Premium handheld dynamic vocal microphone with a supercardioid polar pattern, designed to elegantly capture the character of vocals in live sound applications. Its EQ-friendly sonic contour adapts well to any vocal texture, with superior off-axis rejection and ultra-low handling noise.

  • PL-80c

    Electro-Voice

    Premium handheld dynamic vocal microphone with a supercardioid polar pattern, engineered for live vocal applications. Delivers vocal power and clarity with an EQ-friendly sonic profile, superior off-axis rejection, and ultra-low handling noise.

  • PolarChoice PC Plus

    Electro-Voice

    The PolarChoice PC Plus is a miniature multi-pattern gooseneck podium microphone that brings desktop-mic functionality to the unobtrusive form factor of an XLR-mounted gooseneck. A dual back-electret condenser capsule offers four user-selectable polar patterns - omnidirectional, cardioid, supercardioid, and hypercardioid - making the mic adaptable to lecterns, conference tables, boardrooms, houses of worship, and broadcast applications. Integrated RF shielding rejects GSM and other RFI sources, a switchable high-pass filter tames podium vibration noise, and a configurable push-button switch with status LED supports push-to-talk, push-to-mute, or on/off control. Available as XLR-mount or flush-mount in 12-inch (305 mm) and 18-inch (457 mm) gooseneck lengths with a low-reflectance black finish. Phantom-powered (12-52 VDC) with 5.6 mV/Pa sensitivity, >127 dB SPL clipping level, and a 50 Hz - 20 kHz response.

  • PolarChoice Podium

    Electro-Voice

    The PolarChoice Podium is a gooseneck condenser microphone designed for lecterns, conference tables, boardrooms, houses of worship, and broadcast applications. It is the first podium microphone to offer user-selectable polar patterns - omnidirectional, cardioid, supercardioid, and hypercardioid - via a switch on the base, allowing the mic to adapt to changing acoustics and talker positions without swapping capsules. A back-electret condenser element delivers smooth, uniform frequency response across all four patterns, with a switchable high-pass filter that tames podium and structural vibration noise while preserving extended low-frequency reproduction. The microphone is offered in three configurations - traditional XLR-mount, flange-mount for permanent install, and the enhanced PolarChoice Plus variant - all built on a sturdy steel base finished in semi-gloss camera black for low visual impact on stage.

  • R300-E

    Electro-Voice

    UHF wireless headworn microphone system pairing the rugged metal BP-300 bodypack transmitter with the HM3 omnidirectional double-ear-hook headworn microphone. Designed for hands-free presentations, fitness instruction, and stage performance where a discreet, lightweight headset is needed. The half-rack receiver provides true antenna diversity reception, ClearScan automatic channel selection, and EZsync one-step transmitter-to-receiver synchronization.

  • R300-HD

    Electro-Voice

    Robust UHF wireless handheld microphone system pairing a metal HT-300 handheld transmitter fitted with an Electro-Voice PL22 cardioid dynamic capsule with a true-diversity half-rack receiver, offering 32 selectable channels, ClearScan automatic channel detection, and EZsync one-step transmitter setup for live vocal and presentation use.

  • R300-L

    Electro-Voice

    Robust UHF wireless lavalier microphone system pairing a metal BP-300 bodypack transmitter and ULM18 cardioid condenser lapel microphone with a true-diversity half-rack receiver, offering 32 selectable channels, ClearScan automatic channel detection, and EZsync one-step transmitter setup for presentation, broadcast, and live speech applications.

  • RE20

    Electro-Voice

    Legendary large-diaphragm dynamic cardioid microphone with Variable-D design, delivering the classic, smooth, controlled sound long associated with FM broadcast voices. Equally at home on broadcast and podcast voiceover, vocals, kick drum, bass cabinets, brass, and other loud instrument sources.

  • RE20 Black

    Electro-Voice

    Dynamic cardioid broadcast and vocal microphone in a dark charcoal finish. Variable-D design minimizes proximity effect, delivering the smooth, natural, controlled sonic character associated with the classic sound of FM radio voices.

  • RE27N/D

    Electro-Voice

    Broadcast announcer's microphone with a neodymium dynamic capsule and Variable-D design. High-output voice production mic delivering open, crisp, detailed tonal reproduction for broadcast, podcasting, voiceover, recording studios, and live sound — equally at home on vocals and instruments including kick drum and bass cabinets.

  • RE3-BPCL

    Electro-Voice

    UHF wireless bodypack system pairing the RE3-BPT belt-pack transmitter with the CL3 cardioid lavalier microphone and an RE3-RX half-rack diversity receiver, intended for voice performance, presentations, and public speaking applications.

  • RE3-BPGC

    Electro-Voice

    UHF wireless bodypack system pairing the RE3-BPT belt-pack transmitter with the GC3 instrument cable and an RE3-RX half-rack diversity receiver, intended for wireless guitar, bass, and other 1/4-inch-output instrument performance.

  • RE3-BPHW

    Electro-Voice

    UHF wireless bodypack system pairing the RE3-BPT belt-pack transmitter with the HW3 supercardioid headworn microphone and an RE3-RX half-rack diversity receiver, intended for voice performance, presentations, and athletic instruction.

  • RE3-BPNID

    Electro-Voice

    UHF wireless bodypack set pairing the RE3-BPT belt-pack transmitter with the RE3-RX half-rack diversity receiver, supplied without an input device so users can add an Electro-Voice lavalier, headworn, or instrument input to suit the application.

  • RE3-BPOL

    Electro-Voice

    UHF wireless bodypack system pairing the RE3-BPT belt-pack transmitter with the OL3 omnidirectional lavalier microphone and an RE3-RX half-rack diversity receiver, intended for voice performance, presentations, and public speaking applications.

  • RE3-ND76

    Electro-Voice

    UHF wireless handheld vocal system pairing the RE3-HHT metal-bodied handheld transmitter fitted with the ND76-RC3 thread-on dynamic cardioid microphone head and an RE3-RX half-rack diversity receiver, intended for vocal performance and presentation applications.

  • RE3-ND86

    Electro-Voice

    UHF wireless handheld vocal system pairing the RE3-HHT metal-bodied handheld transmitter fitted with the ND86-RC3 thread-on dynamic supercardioid microphone head and an RE3-RX half-rack diversity receiver, intended for vocal performance and presentation applications.

  • RE3-ND96

    Electro-Voice

    UHF wireless handheld vocal system pairing the RE3-HHT metal-bodied handheld transmitter fitted with the ND96-RC3 thread-on dynamic supercardioid microphone head and an RE3-RX half-rack diversity receiver, intended for high-gain-before-feedback vocal performance and presentations on loud stages.

  • RE3-RE420

    Electro-Voice

    Handheld UHF wireless system featuring the RE420 condenser cardioid microphone head for vocal performance and presentations. Delivers rich, detailed and full-bodied audio with a warm, clear low end, natural and open midrange, and a clear, crisp, detailed high end. The bundle pairs the RE420-RC3 self-biased condenser capsule (with multi-stage pop filter and switchable 150 Hz high-pass filter) with the RE3-HHT metal-body handheld transmitter and the RE3-RX half-rack diversity receiver. The RE3-RX offers diversity reception, an LCD display, automatic frequency scanning, IR sync to the transmitter and selectable output levels.

  • RE3-RE520

    Electro-Voice

    UHF wireless handheld vocal system pairing the RE3-HHT handheld transmitter fitted with the RE520 supercardioid condenser microphone head and an RE3-RX half-rack diversity receiver, intended for vocal performance and presentations.

  • RE320

    Electro-Voice

    Variable-D dynamic vocal and instrument microphone designed for broadcasting, podcasting, recording, and sound reinforcement. A dual-voicing switch selects between a general-purpose response for voice and most instruments and a dedicated kick-drum curve tailored for bass drums and some baritone voices.

  • RE420

    Electro-Voice

    Premium-grade, high-performance condenser cardioid vocal microphone engineered to capture vocal performances with exceptional detail. Delivers a warm and clear low end, natural and present midrange, and an open, crisp and detailed high end.

  • RE50B

    Electro-Voice

    Handheld dynamic omnidirectional broadcast interview microphone, long established as an industry standard for ENG and field reporting. Built around Electro-Voice's Dyna-Damp shock mount and a four-stage pop filter for low handling noise and wind/plosive resistance in tough on-location conditions.

  • RE50L

    Electro-Voice

    Handheld omnidirectional dynamic interview microphone with an extended 9.5-inch handle for broadcast ENG and field reporting. The Dyna-Damp 'mic in-a-mic' internal shock mount keeps handling noise extremely low while a four-stage pop filter tames wind and breath blasts in the field.

  • RE520

    Electro-Voice

    Premium-grade supercardioid condenser vocal microphone delivering a detailed, full, and vivid sonic character with warm low end, natural midrange presence, and crisp high-frequency detail. The supercardioid pattern provides strong acoustic isolation and feedback rejection for live vocal performance.

  • RE90B

    Electro-Voice

    Miniature boundary microphone with a half-cardioid polar pattern and built-in equalization, designed for video conferencing, boardrooms, classrooms, and houses of worship. The ultra-thin profile and integrated pop filter deliver natural, intelligible speech pickup directly from a tabletop or podium surface.

  • RE90H

    Electro-Voice

    Compact hanging-style cardioid condenser microphone for choral, instrumental, vocal group and live theater installations, with a built-in preamp and 25-foot braided shielded cable.

  • RE90P

    Electro-Voice

    Cardioid back-electret condenser gooseneck microphone built around the premium RE90 capsule and an in-line preamp. The ultra-thin, dual-section gooseneck is strutted yet flexible for stable podium and lectern positioning, with uniform frequency response and polar pattern across its pickup range.

  • RE90Tx

    Electro-Voice

    Ultra-miniature omnidirectional lavalier microphone terminated with a TA4F connector for use with Electro-Voice wireless bodypack transmitters. The lightweight back-electret condenser capsule and integrated 6-foot cable suit broadcast, house-of-worship, and business presentation applications.

  • RE920TX

    Electro-Voice

    Horn and instrument condenser microphone with TA4F connector, designed as a premium-grade solution for miking drums, brass, woodwinds, and stringed instruments through Electro-Voice and Telex bodypack transmitters.

  • RE92H

    Electro-Voice

    Hanging-style cardioid condenser microphone with switchable 12 dB/octave high-pass filter and transformerless differential output, designed for suspended install applications such as theater and houses of worship.

  • RE92L

    Electro-Voice

    Professional-quality miniature cardioid electret condenser lavalier microphone designed for speech miking in houses of worship, broadcast, presentation, and theater applications.

  • RE92Tx

    Electro-Voice

    Miniature professional-quality cardioid electret condenser lavalier microphone terminated with a TA4F connector for use with Electro-Voice wireless bodypack transmitters. The directional capsule and integrated 6-foot cable suit presentations, houses of worship, broadcast, and theater applications.

  • RE97-2Tx

    Electro-Voice

    Ultra-low-profile two-eared omnidirectional back-electret condenser headworn microphone terminated with a TA4F mini-XLR connector for use with Electro-Voice wireless bodypack transmitters. The dual-ear design with an adjustable behind-the-head band adds stability for active presenters and performers.

  • RE97LTx

    Electro-Voice

    Ultra-miniature omnidirectional back-electret condenser lapel (lavalier) microphone terminated with a Switchcraft TA4F connector for use with Electro-Voice and Telex wireless bodypack transmitters.

  • RE97Tx

    Electro-Voice

    Ultra-low-profile omnidirectional back-electret condenser headworn microphone terminated with a TA4F mini-XLR connector for use with Electro-Voice and Telex wireless bodypack transmitters. Designed for spoken-word applications in houses of worship, corporate AV, theater, and fixed installations.

  • ULM21

    Electro-Voice

    The ULM21 is a rugged cardioid lavalier microphone built around a back-electret condenser element. Its small form factor and directional pick-up pattern help reduce feedback and improve sound quality in presentation, broadcast, and houses-of-worship use. The clothing clip attaches at the microphone body to maintain the cardioid pattern when worn on talent. An integrated 6-foot (180 cm) cable terminates in a TA4F connector, making it directly compatible with all Electro-Voice bodypack transmitters. For wired applications it can be paired with the EV TXA adapter to feed a standard 3-pin XLR mic input.

  • iRig Mic Studio XLR

    IK Multimedia

    iRig Mic Studio XLR is a large-diaphragm analog studio condenser microphone with a 1-inch back electret condenser capsule and cardioid polar pattern, designed for vocal and instrument recording.

    $99.99

  • LCT 940

    Lewitt

    A large-diaphragm studio microphone combining tube and FET circuits in one housing, with nine polar patterns and variable blend control for professional recording.

    $2,199

  • EM-93M

    Mackie

    Compact microphone for smartphones and DSLRs delivering professional sound in your pocket.

  • EM-93MK

    Mackie

    Complete Mobile Vlogger Kit for Smartphones and DSLRs.

  • OnyxGO Mic

    Mackie

    The app-powered OnyxGO | Mic is the best way to record your voice directly to your smartphone with amazing sound quality, versatility, and ultra-compact size.

  • BCM 104

    Neumann

    The BCM 104 is a dedicated broadcast microphone for radio, streaming and podcast, designed to convey emotion with Neumann perfection. Its functionally optimized design features an integrated pop screen and a shock protected large diaphragm condenser capsule, specially developed for speech. Transformerless circuitry ensures a direct, noise-free sound.

  • BCM 705

    Neumann

    For the classic “American” announcer voice✔️Dynamic capsule✔️ Designed for radio announcers ✔️ Works without phantom power✔️Integrated pop screen and elastic suspension✔

  • KK 104 S

    Neumann

    Condenser capsule head. Cardioid characteristic. High feedback resistance. Studio grade sound quality. For Sennheiser SKM 5000 und 5200 handheld transmitters.

  • KK 104 U

    Neumann

    Cardioid condenser capsule head for 3rd party* wireless systems

  • KK 105 S

    Neumann

    Supercardioid condenser microphone head optimized for speech and vocals. Designed for Sennheiser wireless systems with high feedback rejection.

  • KK 120

    Neumann

    The combination of the capsule KK 120 with the output stage KM A is only one of the numerous options within the Neumann KM A/D small diaphragm microphone system.

  • KK 131 / KM A

    Neumann

    The combination of the capsule KK 131 with the output stage KM A is only one of the numerous options within the Neumann KM A/D small diaphragm microphone system.

  • KK 133 / KM A

    Neumann

    Modular small diaphragm microphone with sound diffraction sphere and analog output stage

  • KK 143 / KM A

    Neumann

    The combination of the capsule KK 143 with the output stage KM A is only one of the numerous options within the Neumann KM A/D small diaphragm microphone system.

  • KK 145 / KM A

    Neumann

    The combination of the capsule KK 145 with the output stage KM A is only one of the numerous options within the Neumann KM A/D small diaphragm microphone system.

  • KK 184 / KM A

    Neumann

    The combination of the capsule KK 184 with the output stage KM A is only one of the numerous options within the Neumann KM A/D small diaphragm microphone system.

  • KK 204

    Neumann

    The KK 204 is a premium quality capsule head for Sennheiser SKM 2000/6000/9000 handheld transmitters as well as EW G4 300/500 and EW-D wireless systems.

  • KK 205

    Neumann

    Condenser microphone head delivering studio-grade sound for Sennheiser wireless transmitters. Designed for reliable performance on stage and in broadcast use.

  • KM 184

    Neumann

    The KM 184 is a state-of-the-art small diaphragm condenser microphone with a uniform, frequency-independent cardioid polar pattern. Its very natural, transparent sound with very low self-noise and high SPL capability have made the KM 184 a worldwide stage and studio standard for many applications ranging from classical piano to heavy metal drums.

  • KMR 81 i

    Neumann

    The KMR 81 i is a shotgun microphone for medium distances, e.g. for film dialogue with a clear and focused sound while the microphone is placed outside the picture. The KMR 81 i offers high sensitivity with low power consumption and is lightweight for easy handling.

  • KMR 82 i

    Neumann

    The KMR 82 i is a shotgun microphone for longer distances, e.g. in ENG and stage applications. With an acceptance angle of 45° and minimal off-axis coloration the KMR 82 i can be used to record individual instruments in an orchestra without problems.

  • KMS 104

    Neumann

    Studio grade stage microphone for vocalists. Cardioid pickup pattern.

  • KMS 105

    Neumann

    The KMS 105 stage microphone features a supercardioid condenser capsule with high feedback rejection, excellent pop protection and studio-grade sound for live vocals.

  • KU 100

    Neumann

    Dummy head microphone for a truly immersive sound experience. The KU 100 dummy head is a binaural stereo microphone. Two omnidirectional condenser capsules are built into artificial ears mounted on an enclosure resembling a human head. KU 100 recordings played back over high quality headphones give listeners an experience almost identical to what they would have heard with their own ears at the recording position, with stunning lateral and vertical localization and a breathtaking sense of space. Unlike older dummy head microphones, the KU 100 is compatible with loudspeaker playback as well.

  • M 147 Tube

    Neumann

    The M 147 Tube brings back the classic sound of Neumann's famous tube microphones of the 1950s. The M 147 tube is a cardioid microphone using the same large diaphragm capsule as the legendary U 47 but combines it with an innovative tube circuit for lowest noise.

  • M 149 Tube

    Neumann

    The M 149 Tube is a modern version of Neumann's famous M 49 microphone. Like its predecessor, it uses the classic K47/49 large diaphragm capsule in an acoustically open headgrille.

  • M 150 Tube

    Neumann

    The M 150 Tube is a unique small diaphragm condenser microphone for orchestral recordings, based on the legendary Neumann M 50.

  • M 49 V Set

    Neumann

    Introduced in 1951, the M 49 revolutionized studio technology with its continuously variable, remote-switchable polar pattern. And, of course, with its incomparably full, silky sound, which has made its mark on countless recordings to this day.

  • M 50 V

    Neumann

    Discover the M 50 V, a faithful reissue of the legendary M 50 with enhanced detail improvements, perfect for immersive and stereo recordings.

  • TLM 102

    Neumann

    Big sound for small studios: The TLM 102 is Neumann's most affordable large diaphragm condenser microphone to date. Nonetheless it offers true Neumann quality, made in Germany.

  • TLM 103

    Neumann

    Cardioid characteristic. Large diaphragm capsule. Pristine, clear sound. Extremely low self-noise. Capsule design derived from the legendary U 87 A.

  • TLM 107

    Neumann

    The TLM 107 is a reference class microphone for vocals and instruments with breathtaking realism. Five polar patterns plus variable pad and low cut settings make the TLM 107 exceptionally flexible.

  • TLM 170 R

    Neumann

    The TLM 170 R is a truly universal microphone for even the most demanding recording situations. It combines technical excellence with the smoothness and flexibility of a large diaphragm capsule.

  • TLM 49 Set

    Neumann

    The TLM 49 brings back the vintage tone of Neumann's post-war classics. The TLM 49 uses the same K 47 capsule and the iconic large headgrille design of Neumann's legendary M 49, but instead of electron tubes the TLM 49 relies on trouble free FET circuitry with a special sound design for smooth vocals and acoustic instruments with timeless elegance.

  • TLM 67

    Neumann

    The TLM 67 captures the spirit of Neumann's classic U 67, which defined the sound of the 1960s. But instead of electron tubes the TLM 67 relies on trouble free FET electronics with a special sound design for a gorgeous retro tone.

  • U 67 Set

    Neumann

    Introduced in 1960, the U 67 was the quintessential studio workhorse throughout the formative years of modern music.

  • U 87 Ai

    Neumann

    The Neumann U 87 Ai is probably the best-known and most frequently used studio microphone the world over.

  • U 89 i

    Neumann

    The U 89 i is a universal studio microphone combining classic transformer coupled circuit topology with a state of the art Neumann capsule.

  • USM 69 i

    Neumann

    The USM 69 i is a one-point stereo microphone for all coincident stereo techniques such as XY, MS, and Blumlein.

  • WM200

    Numark

    WM200 is a cardioid, dynamic microphone that is rugged and reliable enough to stand up to the real-world rigors of the DJ stage.

  • WS100

    Numark

    Digital wireless handheld microphone system with dual-antenna diversity receiver, 24-bit UHF audio, and 200-foot working range.

  • SM48

    Shure

    Professional-quality dynamic vocal microphone with cardioid polar pattern. Designed for live vocal performance with tailored frequency response, bright midrange presence, and bass rolloff to minimize proximity effect and handling noise.

  • TM-10L

    Tascam

    Compact lavalier condenser microphone for voice capture in film, video, live events, and lectures. Features an omnidirectional back electret condenser capsule (φ6.5 × 22 mm) with plug-in power. The 160 cm cable terminates in a 3.5mm mini plug with a Sennheiser-style screw-lock, compatible with wireless transmitters and the DR-10 series recorders.

  • TM-180

    Tascam

    Large-diaphragm studio condenser microphone with a 34mm pure gold-coated aluminum diaphragm in a cardioid polar pattern. Operates on 48V phantom power with a switchable −10dB pad and low-cut filter. Designed for vocals, acoustic guitar, and wind instruments; ships with a suspension shockmount and hard and soft carrying cases.

  • TM-200SG

    Tascam

    Compact super-cardioid shotgun microphone for videographers, vloggers, and field recording. Built around a back electret condenser element with a frequency response of 30Hz–20kHz, max SPL of 132dB, and a built-in 160Hz low-cut filter. Powered exclusively via 48V phantom power through a 3-pin XLR male connector.

  • TM-250U

    Tascam

    USB condenser microphone for podcasting, conferencing, and computer recording. Plug-and-play via USB-C (UAC 1.0) with no driver required. Features a super-cardioid polar pattern, 16-bit/48kHz capture, built-in headphone output for low-latency direct monitoring, plus on-device gain, volume, and mute controls. Compatible with Windows, macOS, iOS, Android, and Chrome OS.

  • TM-280

    Tascam

    High-performance large-diaphragm studio condenser microphone with a 34mm pure gold-sputtered diaphragm in a cardioid polar pattern. Handles sources up to 135dB SPL with a switchable −10dB pad and high-pass filter. Includes a suspension shockmount, pop filter, and flight case.

  • Bill Putnam Mic Collection

    Universal Audio

    The Bill Putnam Mic Collection provides access to exacting emulations of rare, vintage mics which have been used to record countless iconic artists of the '50s, '60s, and '70s, including frank sinatra, nat king cole, the beach boys, and more.

    $249