Microphone

A professional true diversity handheld wireless system featuring the AUDIX VX5. The VX5 is a multi-purpose, professional vocal condenser microphone designed for stage, studio, and broadcast applications.

A professional true diversity lavalier wireless system featuring the B60 bodypack transmitter. B60 bodypack transmitter. This bodypack may be used with any lavalier, head-worn, or instrument microphone in the AUDIX line, as well as guitar and bass.

A professional true diversity wireless system featuring the AUDIX OM2 handheld transmitter with the ADX10 cardioid lavalier system. This is a very efficient and cost-effective solution for combining the hands-free convenience of a lavalier with the flexibility of a handheld mic.

A professional true diversity wireless system featuring the AUDIX OM2 handheld transmitter with the B60 bodypack to allow your choice of lavalier or headset microphones. This is a professional wireless microphone system with the flexibility of a handheld mic.

A professional true diversity handheld wireless system featuring the AUDIX OM2. The OM2, our best-selling vocal microphone, has slight bass proximity, a tailored mid-range, and a full-bodied sound.

A professional true diversity handheld wireless system featuring the AUDIX OM5. Since the mid-90s, the OM5 has become one of the most respected handheld dynamic mics in the world.

A highly detailed handheld diversity wireless system featuring the AUDIX VX5. The VX5 is a multi-purpose, professional vocal condenser microphone designed for stage, studio, and broadcast applications.

The Performance Series bodypack boasts a contemporary and comfortable design. Rugged construction and ease of use make the B60 ideal for all users and applications. There is a convenient soft mute switch at the top of the housing which serves as an on-off switch when needed.

The AUDIX D2 Trio is everything you need for miking your toms, all in one convenient package. The tailored frequency response of the D2 drum microphone gives you all the punch, clarity, and warmth needed for percussion without being muddy or boomy.

The DP4 is a perfect complement of dynamic microphones for close miking of a variety of sources on-stage or in the studio. Included in the DP4 microphone package are the D6, AUDIX's flagship dynamic kick drum microphone, and three i5s, AUDIX's best-selling instrument microphone.

LIVE SOUND OR RECORDING The DP5A professional drum microphone pack contains five microphones required to mic a standard rock kit: kick, snare, rack toms, and floor tom.

The DP5MICRO drum pack contains the five microphones required to mic a standard 5-piece drum kit: kick, snare, rack toms and floor tom.

The DP7 professional drum microphone pack represents an outstanding combination of seven microphones designed to meet the demands of today's professional drummer, both on the stage and in the studio.

The DP7MICRO drum pack contains seven microphones to mic a standard 5-piece drum kit: kick, snare, rack toms, floor tom and stereo overheads.

The DP7X professional drum microphone pack builds on the proven success of the bestselling DP7 by replacing the D6 kick drum mic with the new D6X for exceptional tonal versatility, both onstage and in the studio.

The DP8 drum pack is a premium ensemble of microphones designed to mic a five-piece kit with accuracy and fine control. Kick, snare, rack toms and floor tom mics feature AUDIX VLM TM capsule technology for natural and precise sound reproduction in high SPL applications.

The DP Elite 8 professional drum pack is the ultimate combination of 8 microphones needed to mike up a 5 piece drum kit. All microphones perform equally well whether it be on a live stage or in the studio.

The DPQUAD pack consists of four drum microphones grouped together to microphone a full drum kit. This arrangement employs a left overhead microphone to cover hi-hat, cymbals, and rack toms, and a right overhead microphone to capture the floor tom and ride cymbal.

The Fusion Series are high-performance microphones in a cost-effective package. The f2 dynamic instrument microphone is best used for miking instruments requiring mid-bass and mid-high reproduction in live and studio applications.

The Fusion Series microphones represent affordable excellence. The f5 dynamic instrument microphone is an ideal choice for snare, toms, percussion, and acoustic instruments in live and studio applications.

The F50 multipurpose vocal dynamic microphone embodies a tight and uniformly controlled cardioid polar pattern which assists in isolating the vocals from the instruments on stage. The f50 is also available with a noiseless, magnetic on/off switch ( f50S ).

The F50 multipurpose vocal dynamic microphone embodies a tight and uniformly controlled cardioid polar pattern which assists in isolating the vocals from the instruments on stage. The f50 is also available with a noiseless, magnetic on/off switch ( f50S ).

The Fusion Series microphones represent affordable excellence. The f6 dynamic instrument microphone is designed for instruments requiring bass reproduction in live and studio applications.

This F9 all-purpose pencil condenser microphone is suited for instruments requiring detailed reproduction in mid-high and extended high-end frequency ranges in live and studio applications. A wide cardioid pick-up pattern paired with high sensitivity allows close, overhead, and distance miking.

The FireBall dynamic instrument microphone is designed for harmonicas (both diatonic and chromatic) and beatbox. Clear, accurate, and capable of handling SPLs in excess of 140 dB without distortion, the FireBall is ideally suited for both live stage and studio recording applications.

The FireBall V, with a cardioid pickup pattern for isolation and feedback control, is equipped with a VLM diaphragm for natural sound reproduction with an exceptional transient response.

The FP5 Drum Pack contains a combination of f2, f5, and f6 dynamic microphones.

The FP7 Drum Pack contains a combination of f2, f5, and f6 dynamic microphones and the f9 condenser for overheads.

The GS1 is an innovative flush-mount wall or ceiling microphone designed for distance miking. Features include a fully integrated preamp, an extremely high sensitivity rating of 38 millivolts, and complete immunity from RF interference caused by cell phones and GSM devices.

The OM2, our best-selling vocal microphone, has slight bass proximity, a tailored mid-range, and a full-bodied sound.

Since the mid-90s, the OM5 has become one of the most respected handheld dynamic microphones in the world. Used on stage, in studios, and for broadcast applications, the OM5 has a reputation for clarity, resistance to feedback, and the ability to handle SPLs in excess of 144 dB without distortion.

The VX5 is a multi-purpose, professional vocal condenser microphone designed for stage, studio, and broadcast applications.

The HT2 is a professional pre-polarized headset condenser microphone for the stage, presentation, and broadcast. The HT2 is known for its excellent sonic characteristics, low profile, comfort, and sound isolation.

The HT5 condenser vocal microphone has a uniformly controlled omnidirectional polar pattern and is designed to capture vocals from a comfortable distance of 2″-3″ off-axis. With a wide frequency range of 20 Hz – 20 kHz, this mic will handle high SPLs of ≥140 dB without distortion.

The HT7 is a professional single ear head-worn condenser microphone designed for stage, presentation, and broadcast applications.

Designed with a cardioid pickup pattern for isolation and feedback control, the i5 all-purpose dynamic instrument microphone is equipped with a VLM diaphragm for natural, accurate sound reproduction.

The L5 is a micro-sized (5 mm) cardioid condenser microphone also available with an omnidirectional polar pattern. The L5, which features modular, interchangeable capsules, is intended for use with the Audix wireless systems as well as hard-wired vocal and instrument applications.

The M1250B is a miniaturized cardioid condenser microphone with a fully integrated preamp, detachable cable, and has RF immunity to prevent interference from cell phone and GSM devices.

The M1255B is a miniaturized cardioid condenser microphone with a fully integrated preamp, detachable cable, and has RF immunity to prevent interference from cell phone and GSM devices.

The M1280B, a miniaturized condenser microphone with a fully integrated preamp and detachable cable, has complete immunity from RF interference caused by cell phones and GSM devices.

The M1370B is a retrofit kit designed to adapt an existing wired Audix Microboom System for wireless operation.

The M3 is an innovative, tri-element hanging ceiling microphone designed for applications where aesthetics, sound quality, and ease of installation are critical. The M3 is an ideal audio capture solution for video conferencing, distance learning, courtroom activities, and surgical procedures.

The M3DK is a convenient kit that pairs the AUDIX M3 hanging ceiling microphone with the AUDIX DN43 Dante | AES67 microphone interface, providing a simple to install, network-ready way to stream AUDIX audio performance through Ethernet networks.

The M3 is an innovative, tri-element hanging ceiling microphone designed for applications where aesthetics, sound quality, and ease of installation are critical. The M3 is an ideal audio capture solution for video conferencing, distance learning, courtroom activities, and surgical procedures.

The M3 is an innovative, tri-element hanging ceiling microphone designed for applications where aesthetics, sound quality, and ease of installation are critical. The M3 is an ideal audio capture solution for video conferencing, distance learning, courtroom activities, and surgical procedures.

The M3 is an innovative, tri-element hanging ceiling microphone designed for applications where aesthetics, sound quality, and ease of installation are critical. The M3 is an ideal audio capture solution for video conferencing, distance learning, courtroom activities, and surgical procedures.

The M3 is an innovative, tri-element hanging ceiling microphone designed for applications where aesthetics, sound quality, and ease of installation are critical. The M3 is an ideal audio capture solution for video conferencing, distance learning, courtroom activities, and surgical procedures.

The M3DK is a convenient kit that pairs the AUDIX M3 hanging ceiling microphone with the AUDIX DN43 Dante | AES67 microphone interface, providing a simple to install, network-ready way to stream AUDIX audio performance through Ethernet networks.

The M3 is an innovative, tri-element hanging ceiling microphone designed for applications where aesthetics, sound quality, and ease of installation are critical. The M3 is an ideal audio capture solution for video conferencing, distance learning, courtroom activities, and surgical procedures.

The M40 is a miniaturized condenser microphone with a fully integrated preamp designed with very high sensitivity for distance miking.

The M40 is a miniaturized condenser microphone with a fully integrated preamp designed with very high sensitivity for distance miking.

The M40 is a miniaturized condenser microphone with a fully integrated preamp designed with very high sensitivity for distance miking.

The M40 is a miniaturized condenser microphone with a fully integrated preamp designed with very high sensitivity for distance miking.

The M40 is a miniaturized condenser microphone with a fully integrated preamp designed with very high sensitivity for distance miking.

The M40 is a miniaturized condenser microphone with a fully integrated preamp designed with very high sensitivity for distance miking.

The M45 is a miniaturized shotgun condenser microphone with a swivel-and-pivot base for convenient aiming and positioning.

The M55 hanging ceiling microphone system is designed for applications where aesthetics, sound quality, and ease of installation are critical.

The M55 hanging ceiling microphone system is designed for applications where aesthetics, sound quality, and ease of installation are critical.

Designed, machined, assembled, and tested by AUDIX in the USA, the M60 is a miniaturized condenser microphone with fully integrated electronics and immunity from RF interference typically caused by cell phones and GSM devices.

Designed, machined, assembled, and tested by AUDIX in the USA, the M60 is a miniaturized condenser microphone with fully integrated electronics and immunity from RF interference typically caused by cell phones and GSM devices.

The M63 is a condenser boundary microphone featuring programmable functionality including a local toggle on/off, momentary talk and mute switching, and LED status (red/green) indicators. Optimized for speech, the M63 employs the Micros series technology for superior audio quality and performance.

The M63 is a condenser boundary microphone featuring programmable functionality including a local toggle on/off, momentary talk and mute switching, and LED status (red/green) indicators. Optimized for speech, the M63 employs the Micros series technology for superior audio quality and performance.

The M63 is a condenser boundary microphone featuring programmable functionality including a local toggle on/off, momentary talk and mute switching, and LED status (red/green) indicators. Optimized for speech, the M63 employs the Micros series technology for superior audio quality and performance.

The M63 is a condenser boundary microphone featuring programmable functionality including a local toggle on/off, momentary talk and mute switching, and LED status (red/green) indicators. Optimized for speech, the M63 employs the Micros series technology for superior audio quality and performance.

The only tabletop microphone that swivots. The M65 is an excellent alternative to a standard gooseneck microphone for education, conference rooms, and government applications. The M65's socket swivel mount is so innovative, we had to invent a word to describe it.

The M70 flush mount condenser microphone is designed for distance miking. Features include a fully integrated preamp, an extremely high sensitivity rating of 38 millivolts, and a small footprint of only 3 inches in diameter.

The M70WD is a steerable, flush-mount condenser microphone designed for distance miking in a variety of applications, including video conferencing, distance learning, hospital rooms, surveillance, and ambient room miking.

The MicroBoom System is produced in three lengths: 24″, 50″, and 84″ and comes with a carbon fiber rod compatible with any of The Micros.

The MicroBoom System is produced in three lengths: 24″, 50″, and 84″ and comes with a carbon fiber rod compatible with any of The Micros.

The MicroBoom System is produced in three lengths: 24″, 50″, and 84″ and comes with a carbon fiber rod compatible with any of The Micros.

The MicroBoom System is produced in three lengths: 24″, 50″, and 84″ and comes with a carbon fiber rod compatible with any of The Micros.

The MicroBoom System is produced in three lengths: 24″, 50″, and 84″ and comes with a carbon fiber rod compatible with any of The Micros.

The MicroBoom System is produced in three lengths: 24″, 50″, and 84″ and comes with a carbon fiber rod compatible with any of The Micros.

The MBW50B adds a wireless option to the popular Audix Microboom system. Needing only 5V to operate to full spec the MBW50B can plug into an Audix or other popular wireless body pack transmitters without any inline phantom power supply.

The MBW84B adds a wireless option to the popular Audix Microboom system. Needing only 5V to operate to full spec the MBW84B can plug into an Audix or other popular wireless body pack transmitters without any inline phantom power supply.

The NC2HEC is a complete dual-channel Novacore digital wireless system for vocalists and presenters — everything needed to go from box to stage in a single purchase.

The NC4HEC is a complete quad-channel Novacore digital wireless system for vocalists and presenters — everything needed to go from box to stage in a single purchase.

The AUDIX Novacore NCB P is a compact, professional-grade UHF digital bodypack transmitter designed for clergy, performers, presenters, broadcast talent, and anyone requiring discreet hands-free wireless operation.

The AUDIX Novacore NCEC is a professional extended cardioid wireless capsule engineered for balanced vocal clarity across a wide dynamic range.

The NCHEC is a complete single-channel Novacore digital wireless system for vocalists and presenters — everything needed to go from box to stage in a single purchase.

The AUDIX Novacore NCHH is a professional-grade UHF digital handheld transmitter built for vocalists, presenters, and performers.

The NCHHEC bundles the AUDIX Novacore NCHH digital handheld transmitter with the NCEC Extended Cardioid Wireless Capsule — a complete, performance-ready wireless handheld for vocalists and presenters who need natural, balanced vocal clarity straight out of the box.

The NCHHTH bundles the AUDIX Novacore NCHH digital handheld transmitter with the NCTH Tight Hypercardioid Wireless Capsule — a complete, performance-ready wireless handheld built for loud stages, high-SPL environments, and any application where maximum feedback rejection and precise pickup control …

The AUDIX Novacore NCTH is a professional tight hypercardioid wireless capsule engineered for high-gain environments where maximum feedback rejection and precise, controlled pickup are critical.

Designed, assembled, and tested by AUDIX in the USA, The AUDIX D Series, and i5 represent the finest dynamic instrument microphones available today.

The TM2 is an Integrated Ear-Simulator (coupler) specifically designed for test and measurement in the professional sound industry.

The TM2 is an Integrated Ear-Simulator (coupler) specifically designed for test and measurement in the professional sound industry.

The CC8 is a small-diaphragm cardioid true condenser microphone featuring a handcrafted OCC7 capsule inspired by the legendary CK1 design. Made in Vienna, it delivers a natural and open sound with smooth mids and open highs, low self-noise, and match-paired precision (±0.5 dB sensitivity tolerance at 1 kHz). Suited for acoustic instruments, strings, woodwinds, brass, percussion, drums, and vocals.

The CC8-SC is a handcrafted supercardioid small-diaphragm condenser microphone built in Vienna. Featuring Austrian Audio's proprietary OCC7 capsule with in-house design and manufacturing, it delivers focused isolation and minimal signal bleed — cutting through rumble and spill with surgical precision.

TRRS condenser microphone designed to pair with MiCreator Studio, expanding to a second mic that matches its sound. Captures voice, instruments, or stereo recordings with studio-grade clarity, featuring zero-latency monitoring and a flexible swivel design.

An all-in-one USB-C audio interface and studio condenser microphone designed for capturing vocals, instruments, and ideas anywhere. Features pro-grade audio quality up to 48 kHz/24-bit with real-time monitoring via a built-in headphone output and zero-latency capability.

A hands-free lavalier microphone designed to expand the MiCreator Studio setup. Enables clip-on operation for interviews, content creation, and on-the-move recording with integrated headphone passthrough. Features omnidirectional pickup pattern, integrated wind protection, and matched sensitivity to the MiCreator Studio.

Discontinued

The OC-B6 is the world's first purpose-built large-diaphragm condenser kick drum microphone, featuring Austrian Audio's CKR6-B 1" condenser capsule. Designed to capture kick drum sound with pure, uncolored tone and handle extreme sound pressure without distortion, it works from multiple positions — inside the shell, at the port, or outside.

The OC-S10 is Austrian Audio's flagship large-diaphragm condenser microphone, built to put voices and solo instruments front and center. Handcrafted in Vienna, it features multiple polar patterns (Omni, Wide Cardioid, Cardioid, Hypercardioid, Figure-of-Eight), dual XLR outputs for independent capsule recording, and a fully discrete signal path.

The OC16 delivers true Austrian Audio sound without the fuss. It features the handcrafted CKR6 capsule and open acoustic design also found in the OC18 model, offering clean, natural detail and honest tone. Suited for home setups to big-league sessions, it excels at drums, acoustic instruments, electric guitars, pianos, wind and string instruments, vocals, podcast recordings, live streaming, and broadcast applications.

The OC18 is a large-diaphragm cardioid condenser microphone handcrafted in Vienna. Featuring Austrian Audio's handmade CKR6 ceramic capsule with Open Acoustic technology that minimizes internal resonance, the OC18 is the OC818's little sibling delivering the same renowned cardioid sound. It offers clarity across vocal and instrument applications, matches out-of-the-box with other OC18 or OC818 units in cardioid mode, and includes an on-board analog high-pass filter and switchable pad.

The OC7 is a true condenser instrument microphone featuring a 220° swivel head design for flexible positioning in tight studio and stage setups. It utilizes Austrian Audio's proprietary OCC7 small-diaphragm condenser capsule, delivering crisp transients, wide frequency response, and high SPL handling. The microphone features a rugged metal body suitable for both studio and live applications, with a transformerless output, dual low-cut filter settings, and switchable -10 dB pad.

The OC707 is a handcrafted true condenser vocal microphone designed to deliver studio-quality sound on stage and in the studio. Featuring the proprietary OCC7 small-diaphragm cardioid capsule, the OC707 captures raw detail and rich presence with zero hype.

The OC707WL1 is a true condenser wireless microphone capsule handcrafted in Vienna. Built around Austrian Audio's OCC7 small-diaphragm condenser capsule, it brings studio-quality detail and presence to the stage via wireless systems. Compatible with Shure, Sony, and Lectrosonics wireless transmitter systems.

A handcrafted Vienna-made large-diaphragm condenser microphone featuring the CKR12 ceramic capsule, designed for extreme detail and high SPL handling, offering dual outputs and optional wireless control via OCR8, enabling polar pattern morphing in post-production.

A rugged dynamic vocal microphone built for performing musicians. Designed for rehearsal rooms, small stages, and touring, the OD303 features modern Austrian voicing, high output, and real-world durability. Its almost indestructible die-cast housing, ergonomic hand-fit design, and 3D Pop Noise Diffuser make it a reliable choice for live performance.

The OD5 is an active dynamic instrument microphone from Austrian Audio, handmade at their Vienna facility. Featuring the ODC50 active dynamic capsule, it delivers a tight, focused tone with huge headroom and noise-free performance. The 220° swivel head enables precise placement on stage or in the studio.

An active dynamic microphone combining studio clarity with stage durability. Features a handmade ODC50 capsule and 3D Pop Noise Diffuser for rich, detailed sound while reducing bleed, feedback, and plosives. Built-in active circuitry adds 6–8 dB output for enhanced presence on live stages.

The OD505WL1 is an active dynamic wireless microphone capsule designed for live vocal performance. It delivers supercardioid focus with condenser-like clarity — punchy and precise — while maintaining the authentic Austrian Audio sound in wireless applications. Compatible with Shure, Sony, and Lectrosonics wireless systems. Made in Vienna.

Small-diaphragm FET condenser pencil microphone with three interchangeable polar pattern capsules (cardioid, hypercardioid, omnidirectional), designed for acoustic instruments, drum overheads, and studio recording applications.

Affordable full-range large-capsule FET condenser microphone with a 30mm gold-sputtered capsule, transformer-less circuit design, cardioid polar pattern, 80Hz high-pass filter, and -10dB pad.

Affordable full-range large-capsule FET condenser microphone with a 32mm gold-sputtered capsule for enhanced low-end, transformer-less circuit design, cardioid polar pattern, 80Hz high-pass filter, and -10dB pad.

Yeti Studio reinvents the traditional dynamic XLR mic with ClearAmp active preamp technology, a dual-diaphragm dynamic capsule that minimizes noise and vibration, and a sleek, gamer-first design for a true professional-level gaming experience.

A fixed-cardioid phantom-powered condenser delivering tube-like sonic character in a solid-state design, with exceptional vocal intensity and superior transient response for instrumental recording.

Discontinued

Discontinued entry-level variant of the Phanthera cardioid condenser microphone from Brauner Microphones.

A large-diaphragm FET condenser based on the Phanthera, adding switchable omnidirectional, cardioid, and figure-eight polar patterns with an integrated 10 dB attenuator pad.

A fixed-cardioid large-diaphragm FET condenser delivering tube-like sound quality in a solid-state design, with a capsule inspired by the VM1 and operating on standard 48 V phantom power.

Discontinued

Discontinued entry-level variant of the Phantom Classic cardioid FET condenser microphone from Brauner Microphones.

Brauner's first phantom-powered large-diaphragm FET microphone, built on the VM1 circuit and capsule with selectable omnidirectional, cardioid, and figure-eight polar patterns.

A compact tube spot microphone based on the VM1 design, offering hyper-cardioid and omni polar patterns with exceptionally low self-noise and a finely balanced character. SSAIR Award winner 1999.

A cardioid-only tube condenser of exceptional intimacy and detail, combining breathtaking presence with German craftsmanship and a noise floor below 9 dB(A). TEC Award nominee 2009.

Brauner's flagship large-diaphragm tube microphone, delivering a natural and transparent sound with infinitely variable polar patterns. The archetype from which all Brauner microphones are developed.

A fixed-cardioid tube microphone distilling the essence of the flagship VM1 into a single-pattern design, achieving lower self-noise than the variable-pattern original at a more accessible price.

The VM1S is the stereo version of the VM1, uniting two identical VM1 microphones, precisely matched to each other, in a single housing with independent directional characteristic control for both capsules.

A dual-character large-diaphragm tube condenser combining two voicings in one body, switchable between the transparent VM1 and the full-character VMX, with infinitely variable polar patterns.

A large-diaphragm tube condenser with a distinctive full character and silky top end, delivering highest detailed resolution with a well-balanced tonal appearance suited to vocals and narration.

A fixed-cardioid tube microphone distilling the VMX's full character into a single-pattern design, achieving lower self-noise than the variable-pattern VMX while retaining its distinctive silky top end.

A wireless belt pack microphone system featuring a true-diversity receiver and belt pack transmitter, ideal for theater, live music, and spoken word presentations.

A wireless handheld microphone system with a true diversity receiver, designed for live music and spoken word use.

A body pack wireless transmitter for theater, live music and spoken word presentations, allowing microphone freedom without a cable.

A handheld wireless microphone designed for live music and spoken word presentations, delivering rich vocals with intelligible mids and crisp highs.

A wireless system that transforms an existing wired microphone into a wireless one, using the 5GHz band for low-interference transmission.

Developed by Chandler Limited in partnership with Abbey Road Studios, the REDD Microphone is the first new EMI-badged microphone in over half a century. A large diaphragm tube condenser with the REDD.47 preamplifier circuit integrated directly into the microphone body.

The Chandler Limited TG Microphone is a solid-state large diaphragm condenser microphone with an on-board EMI Tape Equalizer section and Dual Tone System. The Dual Tone System and 5-setting Tape EQ create an extremely flexible microphone capable of rivaling the C414, FET47, U87, and U47.

The Chandler Limited TG Microphone Type L is a phantom powered, cardioid large diaphragm condenser microphone descended from the TG Microphone. It inherits the core circuitry, capsule, and Dual Tone System of the original TG Microphone, tuned with its own sound and voicings.

The Coles 4030L is an entry-level studio ribbon microphone built using the latest CNC machinery and magnet technology, comparable to the higher-end 4040 and 4050 models. It features a bi-directional figure-of-eight polar pattern suited to critical recording applications and stereo configurations including Blumlein.

The 4038 Studio Ribbon Microphone is of British Broadcasting design (BBC) and used for broadcasting and recording where a clear, smooth, wide-range frequency response absent of transient distortion and relatively high sensitivity is essential.

The 4050 Stereo Studio Ribbon Microphone has been developed using the latest magnet technology, offering greater output and a wider frequency response than previous models. It features an exceptionally flat response from 30 to 20,000 Hz and a bi-directional figure-of-eight polar pattern maintained consistently across the horizontal and vertical planes.

The 4104 Commentator's Noise Cancelling Ribbon Microphone is of British Broadcasting (BBC) design, used for reproducing high quality commentary speech from noisy surroundings by cancelling out a considerable degree of background noise. Its bi-directional polar response allows one or more commentators to work closely side by side without interference from mutual cross-talk.

The 4115 is a noise-cancelling ribbon microphone engineered for close indoor talking situations where good quality broadcasting and public address speech is required in conditions with high background noise present. It features a corrugated aluminium ribbon with acoustic damping, providing freedom from resonance and immunity to handling noises.

The Coles 4155 Bus Microphone features a very rugged case with sintered disk and can be used with different impedance capsules. Designed for demanding transport and public environment installations.

The Coles FIST Microphone is a handheld microphone from Coles Electroacoustics' broadcast range. It accepts interchangeable impedance capsules, enabling adaptation to different system configurations without replacing the microphone body.

This is a replacement mic for the Kaleidoloop. It is a powered mic, so it will only work with the Kaleidoloop and cannot be used with other instruments/devices.

Omnidirectional measurement microphone designed for real-time audio analysis with dbx DriveRack PA series and 260 processors.

This omnidirectional condenser microphone features a linear omnidirectional pattern and a distinctive well balanced sound. Read all of its features here.

This directional condenser microphone features a cardioid pattern and a distinctive well balanced sound. Get advanced interference tube technology and more.

The 2012 Compact Cardioid Microphone is an all-around generalist pencil mic that guarantees excellent results on any instrument on a live stage.

The 2015 Compact Wide Cardioid Microphone is for ambient pick up of a drum kit or other instrument groups.

A professional shotgun microphone that captures authentic sound with high clarity and consistency.

The 2028 Vocal Microphone is a flexible handheld vocal mic designed for the unique challenges of live stage performances and vocal performers.

The 2061 Omnidirectional Miniature Mic is a professional lavalier that meets sound engineers' need for an amazingly high-quality mic.

These specialized stereo kits contain a matched set of pencil microphones and the accessories you need to capture amazing stereo sound. Find your kit today!

These specialized stereo kits contain a matched set of pencil microphones and the accessories you need to capture amazing stereo sound. Find your kit today!

These specialized stereo kits contain a matched set of pencil microphones and the accessories you need to capture amazing stereo sound. Find your kit today!

The omnidirectional pencil microphone offers total transparency in any recording situation. It picks up incredible detail and depth of sound. See all features here.

This condenser microphone is renowned in recording studios and live applications around the world as an exceptional mic. Read all its features here.

A complete microphone floor stand solution offering a high-quality stage voice or instrument mic in an elegant and exclusive design.

A complete microphone floor stand solution offering a high-quality stage voice or instrument mic in an elegant and exclusive design.

This wide cardioid condenser microphone is the perfect fill-in between an omnidirectional and a directional microphone. Get totally linear off-axis characteristics.

This shotgun microphone is ideal for use with camera systems, in fixed positions at sports facilities, for broadcast / ENG / film booming and more.

The 4018 Supercardioid Mic is created for long-distance broadcast, ENG and film miking applications, such as booming, dialogue, interview and podium use.

The 4018 Supercardioid Tabletop Microphone is ideal for unobtrusive or distant miking like dialogue, interview and table or spot-recording use.

A complete microphone floor stand solution offering a high-quality stage voice or instrument mic in an elegant and exclusive design.

A complete microphone floor stand solution offering a high-quality stage voice or instrument mic in an elegant and exclusive design.

The 4041-SP Omni Large Diaphragm Microphone handles high sound pressure levels with no distortion and has Natural and transparent sound.

Designed to kick the bass to the next level, the 4055 takes the traditional concept of a kick drum mic and turns it on its head - no more pre-tailored sound - now you can take sound design back into your own hands.

DPA offers a wide variety of award-winning Microphone Kits that contain the mics and accessories you need to capture fantastic sound. Read more here.

The 4060 Omni Boundary Layer Mic is optimized to boost speech intelligibility and ideal for use in boardrooms, conference facilities, and courtrooms.

DPA offers a wide variety of award-winning Microphone Kits that contain the mics and accessories you need to capture fantastic sound. Read more here.

This series contains the 4060, 4061, 4062, and 4071 Omni Miniature Mics. Get big sound and a small footprint with these miniature microphones.

DPA offers a wide variety of award-winning Microphone Kits that contain the mics and accessories you need to capture fantastic sound. Read more here.

The 4066 Omnidirectional Headset Microphone is the preferred mic for broadcasters, theaters on Broadway and in many auditorium and lecture halls.

DPA offers a wide variety of award-winning Microphone Kits that contain the mics and accessories you need to capture fantastic sound. Read more here.

DPA offers a wide variety of award-winning Microphone Kits that contain the mics and accessories you need to capture fantastic sound. Read more here.

The 4080 Miniature Cardioid Microphone has excellent speech reproduction, is discreet, fits left and right buttoned shirts and comes with black and white filters.

The 4088 Directional Headset Microphone is the industry standard in professional headset mics offering an open and natural sound. Read more here.

Due to its uniquely natural and open sound, the mic is suitable for instrument-miking applications in the studio or on stage. Read about all its features here.

This 4097 CORE+ Interview Microphone Kit is a pro solution for professional broadcasters, who need amazing sound in a lightweight, small-footprint form factor.

The 4097 CORE+ Micro Shotgun Mic offers a highly-directional pick-up pattern as well as low self noise and high sensitivity. The mic is capable of handling high SPLs.

The 4097 CORE+ Supercardioid Choir Mic is unobtrusive, versatile and great sounding, for live broadcast shows with choir or ensemble vocal performance.

The 4098 Supercardioid Ceiling and Tabletop Microphone offer the most clear, transparent, and natural sound available on the small footprint mic market.

A complete microphone floor stand solution offering a high-quality stage voice or instrument mic in an elegant and exclusive design.

DPA gooseneck microphones have quickly become a very popular choice for podium mics and conference room usage as either tabletop or ceiling mount.

Next-generation, high-performance instrument microphone featuring CORE+ technology.

These kits, featuring 4099 CORE or CORE+ versions ensure the highest sound quality and bring more clarity and details to your music.

The 4166 Omnidirectional Headset Microphone combines the legendary sound of the 4066 Omnidirectional Capsule with a lightweight, flexible headset system.

The Flex Directional Headset and Earset Microphone offers accurate and natural voice intelligibility and very high-SPL capabilities. Read more here.

The 4266 Omnidirectional Headset Microphone combines the legendary sound of the 4066 Omnidirectional Capsule with a lightweight, flexible headset system.

The Flex Directional Headset and Earset Microphone offers accurate and natural voice intelligibility and very high-SPL capabilities. Read more here.

The 4466 CORE Omnidirectional Headset Microphone combines DPA's renowned 5 mm capsules with CORE by DPA technology and the Red Dot award-winning headset.

The 4488 CORE Directional Headset Microphone combines DPA's well-known 5 mm cardioid capsules with CORE by DPA technology and the Red Dot award-winning headset.

Unobtrusive and easy immersive sound recording

The 4660, 4661 and 4671 Heavy Duty Mics are made for situations where you require maximum security and where the visual size of the mic is less important.

DPA Surround Kits all have unique features for surround sound recording. Our surround kits comes with five carefully matched condenser microphones.

This is a complete Surround Kit with five carefully factory-matched omnidirectional microphones. Even though the standard tolerances on the 4006A Omnidirectional Microphones are extremely low, the surround match is even closer. The specially selected 4006As are matched within ±0.5 dB on both frequency response and sensitivity from mean of set.

The 5015A Surround Kit has five carefully factory-matched 4015 Wide Cardioid Microphones. Even though the standard tolerances on the 4015 Wide Cardioid Microphones are extremely low, the surround match is even closer − within ±1 dB.

The DPA 5100 Mobile Surround Microphone is a completely self-contained plug-and-play solution for 5.1 audio capture. Read more here.

6060 CORE Subminiature Microphones are just 3 mm (0.12 in) in size but pack the audio power of our larger, award-winning DPA mics. Read all features here.

The capsule of the 6066 CORE Subminiature Headset is just 3 mm (0.12 in) in diameter, but packs the audio power of larger, award-winning DPA mics.

The 4018 vocal microphone brings true studio sound to the live stage with excellent sonic reproduction and perfect uniform supercardioid directionality.

The 4018 vocal microphone brings true studio sound to the live stage with excellent sonic reproduction and perfect uniform supercardioid directionality.

DPA's selection of mics for the drum kit is designed specifically to put the sound engineer in control of the sound. By starting with the clear, true sound of the entire kit, the engineer has the best starting point to shape the sound wanted for the situation.

Test out the power of the 4099 CORE+ with this kit.

The DLK4002 Live Microphone Kit includes vocal mics for lead and backup vocals, instrument mics for close-miking any type of live instrument – both acoustical and electric, as well as various pencil mics for spot miking instrument groups or capturing ambiance sounds.

DPA’s DLS4000 Location Sound Microphone Kit has the crucial mics needed for all your standard location recording needs. It includes shotguns for booming, micro shotguns for discreet plant miking and a range of lavaliers for close miking the talent.

DPK2015 is an out-of-the-box miking solution that takes a minute to install and ensures that the true voice of the piano shines. It is designed for versatile mounting: inside or outside the piano, lid open or closed.

DPK4011 Piano Stereo Kit is a versatile, compact piano kit, which is tailored specifically to accommodate the need for clean sound and limitless creativity.

DPK4099 CORE+ is a dedicated stereo miking solution for grand and upright pianos, built around a selected stereo pair of 4099 CORE+ Loud SPL supercardioid instrument microphones and versatile magnet mounts, perfectly designed for use on a piano.

The Ultimate Recording Kit is full of every microphone you need to make a trip to the recording studio a breeze. Vocal mics, instrument mics for any type of instrument and all the clips and accessories you can imagine to make miking up a full studio band quick and easy.

The DSK4001 Studio Microphone Kit is perfect for a home studio or small recording studio. Or for boosting a larger recording studio with the most prestigious, high-quality professional condenser mics available.

Handheld dynamic vocal microphone with a cardioid polar pattern, designed for vocalists across musical genres. A slight bass roll-off and accentuated mid-range deliver clear, articulate vocal reproduction with strong feedback rejection.

The ND44 is a large-diaphragm dynamic instrument microphone built for drums and other rhythm-section sources. A tight cardioid polar pattern delivers strong off-axis rejection for close-mic'd snare, toms, and hi-hat, while a low-profile pivoting head and integrated mount geometry simplify placement in crowded kits. A humbucking coil reduces line hum near amplifiers and lighting rigs, the Memraflex grille resists denting from stick strikes, and the included DRC-2 drum rim clamp with finger-loop design secures the mic to rims without tools. Frequency response of 80 Hz - 16,500 Hz, max SPL greater than 140 dB, and balanced low-Z output via 3-pin XLR.

The ND46 is a large-diaphragm dynamic instrument microphone with a supercardioid polar pattern, engineered for high-SPL on-stage instrument miking. Its locking pivoting head allows precise capsule placement on drums, guitar cabinets, and brass without repositioning the stand.

Small-diaphragm cardioid condenser instrument microphone designed for percussive and stringed instruments, including drum overheads, cymbals and acoustic guitar. The self-biased condenser element captures transient detail with a clean, crisp character, and a locking pivoting head allows precise placement in tight overhead and stand-mounted positions.

Large-diaphragm dynamic supercardioid kick drum and low-frequency instrument microphone. Delivers deep lows with a relaxed midrange and high-frequency punctuation for top-end definition, with excellent acoustic isolation from nearby instruments.

Handheld dynamic vocal microphone with a cardioid polar pattern, built around a large-diaphragm dynamic capsule for crisp, clear, balanced vocal reproduction. A shock-mounted capsule and humbucking coil keep handling noise and AC hum out of the signal on loud stages.

The ND76S is a robust, high-performance, large-diaphragm dynamic cardioid vocal microphone with a near-silent on/off switch, designed for all-around lead and backing vocal applications. The cardioid polar pattern delivers crisp vocal presence with superior stage isolation, while a shock-mounted capsule minimizes handling noise and a humbucking coil guards against line hum. A Memraflex grille and die-cast zinc body with black polyurethane finish provide road-tough durability.

Handheld dynamic vocal microphone with a supercardioid polar pattern, built around a large-diaphragm dynamic capsule for present, smooth, detailed vocal reproduction with superior isolation from stage bleed. Engineered for lead vocals in large, loud venues where gain before feedback is critical.

Dynamic supercardioid vocal microphone engineered for very loud stages. A large-diaphragm capsule and tight supercardioid pattern deliver significantly more gain before feedback than typical handheld vocal mics, with high SPL handling for screamers and high-output sources.

The OLM10 is a rugged omnidirectional lavalier microphone built around a back-electret condenser element. Its small form factor and wide pick-up pattern make it well suited to beginners, soft speakers, and general spoken-word use in presentation, broadcast, and houses of worship. An integrated 6-foot (180 cm) cable terminates in a TA4F connector, making it directly compatible with all Electro-Voice bodypack transmitters. For wired applications it can be paired with the EV TXA adapter to feed a standard 3-pin XLR mic input. A clothing clip is included for fast on-talent mounting.

The PC Boundary is a low-profile multi-pattern PolarChoice surface-mount microphone designed for conferencing, boardroom, and installed-sound applications where unobtrusive area coverage is essential. A dual back-electret condenser capsule provides four switchable polar patterns - omnidirectional, cardioid, supercardioid, and figure-8 - all voiced for consistent tonal character so the operator can adapt to room geometry and talker placement without changing microphones. A programmable mute switch can be configured for latching on/off or momentary (push-to-talk / push-to-mute) operation, and the steel housing is finished in non-reflective camera black to blend into tabletops, lecterns, and broadcast sets. Balanced low-Z output is delivered via 3-pin XLR with standard 12 - 52 VDC phantom power and a 50 Hz - 20,000 Hz (-3 dB) frequency response.

The PC Desktop is a PolarChoice multi-pattern condenser microphone built into a free-standing tabletop unit with a dual-section gooseneck and a sturdy steel base. A switch on the capsule lets the operator select between omnidirectional, cardioid, supercardioid, and hypercardioid polar patterns to suit a range of conferencing, broadcast, or installed-sound conditions. A programmable mute switch with LED can be configured as push-on/off or push-to-mute, a switchable high-pass filter tames low-frequency rumble, and the dual back-electret condenser elements deliver smooth, uniform response in all patterns. Frequency response of 50 Hz - 20,000 Hz, balanced low-Z output via 3-pin XLR, and standard 12-52 VDC phantom power. Available in 12-inch and 18-inch gooseneck lengths.

Entry-level handheld dynamic vocal microphone with a supercardioid polar pattern. Balanced frequency response and a tight-mesh Memraflex grille deliver controlled lows, articulate mid-range and smooth highs for live sound vocal applications.

Handheld dynamic supercardioid vocal microphone with an on/off switch. Balanced frequency response and a tight-mesh Memraflex grille deliver controlled lows, articulate mid-range and smooth highs for live sound vocal applications.

Dynamic kick drum and low-frequency instrument microphone with a supercardioid polar pattern. Voiced specifically to capture the power, punctuation and snap of kick drums with little to no additional EQ required.

The PL-35 is a professional-grade supercardioid dynamic microphone voiced for the power, punctuation, and natural tones of snare drums and tom-toms in both live sound reinforcement and studio applications. A supercardioid polar pattern delivers strong isolation from surrounding kit pieces and stage bleed, while a powerful neodymium magnet structure preserves transient detail and dynamic range under the heavy attack of close drum miking. The die-cast zinc case with textured satin black finish stands up to road use, and the included DRC-1 drum rim clamp secures the mic to the rim for fast, repeatable placement. Frequency response of 50 Hz - 16,000 Hz and balanced low-Z output via 3-pin XLR.

Small-diaphragm condenser instrument microphone with a tight cardioid polar pattern, designed to capture the crisp detail of cymbals, hi-hats and acoustic stringed instruments as a drum overhead or close mic.

Professional dynamic supercardioid vocal microphone with a neodymium element. High-mid frequency voicing helps position vocals precisely in a mix with minimal EQ, while the supercardioid pattern provides strong off-axis rejection for live stage use.

Premium handheld dynamic vocal microphone with a supercardioid polar pattern, designed to elegantly capture the character of vocals in live sound applications. Its EQ-friendly sonic contour adapts well to any vocal texture, with superior off-axis rejection and ultra-low handling noise.

Premium handheld dynamic vocal microphone with a supercardioid polar pattern, engineered for live vocal applications. Delivers vocal power and clarity with an EQ-friendly sonic profile, superior off-axis rejection, and ultra-low handling noise.

The PolarChoice PC Plus is a miniature multi-pattern gooseneck podium microphone that brings desktop-mic functionality to the unobtrusive form factor of an XLR-mounted gooseneck. A dual back-electret condenser capsule offers four user-selectable polar patterns - omnidirectional, cardioid, supercardioid, and hypercardioid - making the mic adaptable to lecterns, conference tables, boardrooms, houses of worship, and broadcast applications. Integrated RF shielding rejects GSM and other RFI sources, a switchable high-pass filter tames podium vibration noise, and a configurable push-button switch with status LED supports push-to-talk, push-to-mute, or on/off control. Available as XLR-mount or flush-mount in 12-inch (305 mm) and 18-inch (457 mm) gooseneck lengths with a low-reflectance black finish. Phantom-powered (12-52 VDC) with 5.6 mV/Pa sensitivity, >127 dB SPL clipping level, and a 50 Hz - 20 kHz response.

The PolarChoice Podium is a gooseneck condenser microphone designed for lecterns, conference tables, boardrooms, houses of worship, and broadcast applications. It is the first podium microphone to offer user-selectable polar patterns - omnidirectional, cardioid, supercardioid, and hypercardioid - via a switch on the base, allowing the mic to adapt to changing acoustics and talker positions without swapping capsules. A back-electret condenser element delivers smooth, uniform frequency response across all four patterns, with a switchable high-pass filter that tames podium and structural vibration noise while preserving extended low-frequency reproduction. The microphone is offered in three configurations - traditional XLR-mount, flange-mount for permanent install, and the enhanced PolarChoice Plus variant - all built on a sturdy steel base finished in semi-gloss camera black for low visual impact on stage.

UHF wireless headworn microphone system pairing the rugged metal BP-300 bodypack transmitter with the HM3 omnidirectional double-ear-hook headworn microphone. Designed for hands-free presentations, fitness instruction, and stage performance where a discreet, lightweight headset is needed. The half-rack receiver provides true antenna diversity reception, ClearScan automatic channel selection, and EZsync one-step transmitter-to-receiver synchronization.

Robust UHF wireless handheld microphone system pairing a metal HT-300 handheld transmitter fitted with an Electro-Voice PL22 cardioid dynamic capsule with a true-diversity half-rack receiver, offering 32 selectable channels, ClearScan automatic channel detection, and EZsync one-step transmitter setup for live vocal and presentation use.

Robust UHF wireless lavalier microphone system pairing a metal BP-300 bodypack transmitter and ULM18 cardioid condenser lapel microphone with a true-diversity half-rack receiver, offering 32 selectable channels, ClearScan automatic channel detection, and EZsync one-step transmitter setup for presentation, broadcast, and live speech applications.

Legendary large-diaphragm dynamic cardioid microphone with Variable-D design, delivering the classic, smooth, controlled sound long associated with FM broadcast voices. Equally at home on broadcast and podcast voiceover, vocals, kick drum, bass cabinets, brass, and other loud instrument sources.

Dynamic cardioid broadcast and vocal microphone in a dark charcoal finish. Variable-D design minimizes proximity effect, delivering the smooth, natural, controlled sonic character associated with the classic sound of FM radio voices.

Broadcast announcer's microphone with a neodymium dynamic capsule and Variable-D design. High-output voice production mic delivering open, crisp, detailed tonal reproduction for broadcast, podcasting, voiceover, recording studios, and live sound — equally at home on vocals and instruments including kick drum and bass cabinets.

UHF wireless bodypack system pairing the RE3-BPT belt-pack transmitter with the CL3 cardioid lavalier microphone and an RE3-RX half-rack diversity receiver, intended for voice performance, presentations, and public speaking applications.

UHF wireless bodypack system pairing the RE3-BPT belt-pack transmitter with the GC3 instrument cable and an RE3-RX half-rack diversity receiver, intended for wireless guitar, bass, and other 1/4-inch-output instrument performance.

UHF wireless bodypack system pairing the RE3-BPT belt-pack transmitter with the HW3 supercardioid headworn microphone and an RE3-RX half-rack diversity receiver, intended for voice performance, presentations, and athletic instruction.

UHF wireless bodypack set pairing the RE3-BPT belt-pack transmitter with the RE3-RX half-rack diversity receiver, supplied without an input device so users can add an Electro-Voice lavalier, headworn, or instrument input to suit the application.

UHF wireless bodypack system pairing the RE3-BPT belt-pack transmitter with the OL3 omnidirectional lavalier microphone and an RE3-RX half-rack diversity receiver, intended for voice performance, presentations, and public speaking applications.

UHF wireless handheld vocal system pairing the RE3-HHT metal-bodied handheld transmitter fitted with the ND76-RC3 thread-on dynamic cardioid microphone head and an RE3-RX half-rack diversity receiver, intended for vocal performance and presentation applications.

UHF wireless handheld vocal system pairing the RE3-HHT metal-bodied handheld transmitter fitted with the ND86-RC3 thread-on dynamic supercardioid microphone head and an RE3-RX half-rack diversity receiver, intended for vocal performance and presentation applications.

UHF wireless handheld vocal system pairing the RE3-HHT metal-bodied handheld transmitter fitted with the ND96-RC3 thread-on dynamic supercardioid microphone head and an RE3-RX half-rack diversity receiver, intended for high-gain-before-feedback vocal performance and presentations on loud stages.

Handheld UHF wireless system featuring the RE420 condenser cardioid microphone head for vocal performance and presentations. Delivers rich, detailed and full-bodied audio with a warm, clear low end, natural and open midrange, and a clear, crisp, detailed high end. The bundle pairs the RE420-RC3 self-biased condenser capsule (with multi-stage pop filter and switchable 150 Hz high-pass filter) with the RE3-HHT metal-body handheld transmitter and the RE3-RX half-rack diversity receiver. The RE3-RX offers diversity reception, an LCD display, automatic frequency scanning, IR sync to the transmitter and selectable output levels.

UHF wireless handheld vocal system pairing the RE3-HHT handheld transmitter fitted with the RE520 supercardioid condenser microphone head and an RE3-RX half-rack diversity receiver, intended for vocal performance and presentations.

Variable-D dynamic vocal and instrument microphone designed for broadcasting, podcasting, recording, and sound reinforcement. A dual-voicing switch selects between a general-purpose response for voice and most instruments and a dedicated kick-drum curve tailored for bass drums and some baritone voices.

Premium-grade, high-performance condenser cardioid vocal microphone engineered to capture vocal performances with exceptional detail. Delivers a warm and clear low end, natural and present midrange, and an open, crisp and detailed high end.

Handheld dynamic omnidirectional broadcast interview microphone, long established as an industry standard for ENG and field reporting. Built around Electro-Voice's Dyna-Damp shock mount and a four-stage pop filter for low handling noise and wind/plosive resistance in tough on-location conditions.

Handheld omnidirectional dynamic interview microphone with an extended 9.5-inch handle for broadcast ENG and field reporting. The Dyna-Damp 'mic in-a-mic' internal shock mount keeps handling noise extremely low while a four-stage pop filter tames wind and breath blasts in the field.

Premium-grade supercardioid condenser vocal microphone delivering a detailed, full, and vivid sonic character with warm low end, natural midrange presence, and crisp high-frequency detail. The supercardioid pattern provides strong acoustic isolation and feedback rejection for live vocal performance.

Miniature boundary microphone with a half-cardioid polar pattern and built-in equalization, designed for video conferencing, boardrooms, classrooms, and houses of worship. The ultra-thin profile and integrated pop filter deliver natural, intelligible speech pickup directly from a tabletop or podium surface.

Compact hanging-style cardioid condenser microphone for choral, instrumental, vocal group and live theater installations, with a built-in preamp and 25-foot braided shielded cable.

Cardioid back-electret condenser gooseneck microphone built around the premium RE90 capsule and an in-line preamp. The ultra-thin, dual-section gooseneck is strutted yet flexible for stable podium and lectern positioning, with uniform frequency response and polar pattern across its pickup range.

Ultra-miniature omnidirectional lavalier microphone terminated with a TA4F connector for use with Electro-Voice wireless bodypack transmitters. The lightweight back-electret condenser capsule and integrated 6-foot cable suit broadcast, house-of-worship, and business presentation applications.

Horn and instrument condenser microphone with TA4F connector, designed as a premium-grade solution for miking drums, brass, woodwinds, and stringed instruments through Electro-Voice and Telex bodypack transmitters.

Hanging-style cardioid condenser microphone with switchable 12 dB/octave high-pass filter and transformerless differential output, designed for suspended install applications such as theater and houses of worship.

Professional-quality miniature cardioid electret condenser lavalier microphone designed for speech miking in houses of worship, broadcast, presentation, and theater applications.

Miniature professional-quality cardioid electret condenser lavalier microphone terminated with a TA4F connector for use with Electro-Voice wireless bodypack transmitters. The directional capsule and integrated 6-foot cable suit presentations, houses of worship, broadcast, and theater applications.

Ultra-low-profile two-eared omnidirectional back-electret condenser headworn microphone terminated with a TA4F mini-XLR connector for use with Electro-Voice wireless bodypack transmitters. The dual-ear design with an adjustable behind-the-head band adds stability for active presenters and performers.

Ultra-miniature omnidirectional back-electret condenser lapel (lavalier) microphone terminated with a Switchcraft TA4F connector for use with Electro-Voice and Telex wireless bodypack transmitters.

Ultra-low-profile omnidirectional back-electret condenser headworn microphone terminated with a TA4F mini-XLR connector for use with Electro-Voice and Telex wireless bodypack transmitters. Designed for spoken-word applications in houses of worship, corporate AV, theater, and fixed installations.

The ULM21 is a rugged cardioid lavalier microphone built around a back-electret condenser element. Its small form factor and directional pick-up pattern help reduce feedback and improve sound quality in presentation, broadcast, and houses-of-worship use. The clothing clip attaches at the microphone body to maintain the cardioid pattern when worn on talent. An integrated 6-foot (180 cm) cable terminates in a TA4F connector, making it directly compatible with all Electro-Voice bodypack transmitters. For wired applications it can be paired with the EV TXA adapter to feed a standard 3-pin XLR mic input.

iRig Mic Studio XLR is a large-diaphragm analog studio condenser microphone with a 1-inch back electret condenser capsule and cardioid polar pattern, designed for vocal and instrument recording.

Microphone check 1—2—what is this? A big-sounding microphone module in a small 1U package. Turn your voice, instruments, environmental sounds, or even wild feedback experiments into audio for your Eurorack system.

A microphone designed for voice over, audiobook, narration and vocal recording with a patented triangular capsule for a smooth, hyper-realistic sound and extremely low self noise.

Stand out with signature sound and intimate presence.

Multi-pattern condenser studio microphone with PAD switch.

Cardioid condenser studio microphone.

World's first ribbon and large-diaphragm condenser hybrid microphone, designed by Marc Urselli.

Discover full and rich vintage sound that sits in the mix without EQ.

Well-balanced and super-rich sound.

Get the legendary sound in a new, better shape and quality.

Classy warm sound that we all love.

Discover classic vintage vibe loved throughout decades.

A large-diaphragm studio microphone combining tube and FET circuits in one housing, with nine polar patterns and variable blend control for professional recording.

Traditional, internal acoustic microphones have historically been trapped by physics. Enclosed inside your instrument, the sound reflections inside the guitar body make the mic sound boxy and sensitive to feedback, even at low volumes. The Lyric changed the rules.

Ultra-compact professional microphone for smartphones and DSLRs.

Complete Mobile Vlogger Kit for Smartphones and DSLRs.

Order the OnyxGO Microphone to enjoy high-quality music technology. This mic is wireless, clip-on, and connects easily to your smartphone with the Companion App.

Reference Cardioid features 12AX7 tube, 6-micron gold diaphragm, U47-inspired fixed cardioid. MANLEY POWER®. Pop music's go-to vocal microphone.

The Reference Gold features CK12-style capsule, all-tube 12AX7 electronics, and MANLEY transformers. Variable polar patterns. 10Hz-30kHz. Made in California.

Reference Silver features Sony C-37A-inspired Josephson capsule, 5670 tube, cardioid/omni patterns, and MANLEY IRON®. Warm, classic tone. California-made.

The Model 2 is a passive ribbon microphone handcrafted in Detroit, Michigan, featuring an extended high frequency response, classic ribbon midrange, and a rich, extended low end.

The Model 2A is an active, phantom powered ribbon microphone made in Detroit, Michigan, offering the same extended high frequency character as the Model 2 with higher output and lower self-noise.

The Model 2S is a passive stereo ribbon microphone made in Detroit, Michigan, using two matched ribbon motors angled at 90 degrees in a Blumlein configuration to capture phase coherent stereo recordings.

A microphone designed for use on snare drums and toms.

A microphone designed for use on kick drums.

A dynamic handheld supercardioid microphone.

The BCM 104 is a dedicated broadcast microphone for radio, streaming and podcast, designed to convey emotion with Neumann perfection. Its functionally optimized design features an integrated pop screen and a shock protected large diaphragm condenser capsule, specially developed for speech. Transformerless circuitry ensures a direct, noise-free sound.

For the classic “American” announcer voice✔️Dynamic capsule✔️ Designed for radio announcers ✔️ Works without phantom power✔️Integrated pop screen and elastic suspension✔

Condenser capsule head. Cardioid characteristic. High feedback resistance. Studio grade sound quality. For Sennheiser SKM 5000 und 5200 handheld transmitters.

Cardioid condenser capsule head for 3rd party* wireless systems

Supercardioid condenser microphone head optimized for speech and vocals. Designed for Sennheiser wireless systems with high feedback rejection.

The combination of the capsule KK 120 with the output stage KM A is only one of the numerous options within the Neumann KM A/D small diaphragm microphone system.

The combination of the capsule KK 131 with the output stage KM A is only one of the numerous options within the Neumann KM A/D small diaphragm microphone system.

Modular small diaphragm microphone with sound diffraction sphere and analog output stage

The combination of the capsule KK 143 with the output stage KM A is only one of the numerous options within the Neumann KM A/D small diaphragm microphone system.

The combination of the capsule KK 145 with the output stage KM A is only one of the numerous options within the Neumann KM A/D small diaphragm microphone system.

The combination of the capsule KK 184 with the output stage KM A is only one of the numerous options within the Neumann KM A/D small diaphragm microphone system.

The KK 204 is a premium quality capsule head for Sennheiser SKM 2000/6000/9000 handheld transmitters as well as EW G4 300/500 and EW-D wireless systems.

Condenser microphone head delivering studio-grade sound for Sennheiser wireless transmitters. Designed for reliable performance on stage and in broadcast use.

The KM 184 is a state-of-the-art small diaphragm condenser microphone with a uniform, frequency-independent cardioid polar pattern. Its very natural, transparent sound with very low self-noise and high SPL capability have made the KM 184 a worldwide stage and studio standard for many applications ranging from classical piano to heavy metal drums.

State-of-the-art small diaphragm condenser microphone

The KMR 81 i is a shotgun microphone for medium distances, e.g. for film dialogue with a clear and focused sound while the microphone is placed outside the picture. The KMR 81 i offers high sensitivity with low power consumption and is lightweight for easy handling.

The KMR 82 i is a shotgun microphone for longer distances, e.g. in ENG and stage applications. With an acceptance angle of 45° and minimal off-axis coloration the KMR 82 i can be used to record individual instruments in an orchestra without problems.

Studio grade stage microphone for vocalists. Cardioid pickup pattern.

The KMS 105 stage microphone features a supercardioid condenser capsule with high feedback rejection, excellent pop protection and studio-grade sound for live vocals.

Dummy head microphone for a truly immersive sound experience. The KU 100 dummy head is a binaural stereo microphone. Two omnidirectional condenser capsules are built into artificial ears mounted on an enclosure resembling a human head. KU 100 recordings played back over high quality headphones give listeners an experience almost identical to what they would have heard with their own ears at the recording position, with stunning lateral and vertical localization and a breathtaking sense of space. Unlike older dummy head microphones, the KU 100 is compatible with loudspeaker playback as well.

The M 147 Tube brings back the classic sound of Neumann's famous tube microphones of the 1950s. The M 147 tube is a cardioid microphone using the same large diaphragm capsule as the legendary U 47 but combines it with an innovative tube circuit for lowest noise.

The M 149 Tube is a modern version of Neumann's famous M 49 microphone. Like its predecessor, it uses the classic K47/49 large diaphragm capsule in an acoustically open headgrille.

The M 150 Tube is a unique small diaphragm condenser microphone for orchestral recordings, based on the legendary Neumann M 50.

Introduced in 1951, the M 49 revolutionized studio technology with its continuously variable, remote-switchable polar pattern. And, of course, with its incomparably full, silky sound, which has made its mark on countless recordings to this day.

Discover the M 50 V, a faithful reissue of the legendary M 50 with enhanced detail improvements, perfect for immersive and stereo recordings.

Big sound for small studios: The TLM 102 is Neumann's most affordable large diaphragm condenser microphone to date. Nonetheless it offers true Neumann quality, made in Germany.

Cardioid characteristic. Large diaphragm capsule. Pristine, clear sound. Extremely low self-noise. Capsule design derived from the legendary U 87 A.

The TLM 107 is a reference class microphone for vocals and instruments with breathtaking realism. Five polar patterns plus variable pad and low cut settings make the TLM 107 exceptionally flexible.

The TLM 170 R is a truly universal microphone for even the most demanding recording situations. It combines technical excellence with the smoothness and flexibility of a large diaphragm capsule.

The TLM 49 brings back the vintage tone of Neumann's post-war classics. The TLM 49 uses the same K 47 capsule and the iconic large headgrille design of Neumann's legendary M 49, but instead of electron tubes the TLM 49 relies on trouble free FET circuitry with a special sound design for smooth vocals and acoustic instruments with timeless elegance.

The TLM 67 captures the spirit of Neumann's classic U 67, which defined the sound of the 1960s. But instead of electron tubes the TLM 67 relies on trouble free FET electronics with a special sound design for a gorgeous retro tone.

Introduced in 1960, the U 67 was the quintessential studio workhorse throughout the formative years of modern music.

The Neumann U 87 Ai is probably the best-known and most frequently used studio microphone the world over.

The U 89 i is a universal studio microphone combining classic transformer coupled circuit topology with a state of the art Neumann capsule.

The USM 69 i is a one-point stereo microphone for all coincident stereo techniques such as XY, MS, and Blumlein.

WM200 is a cardioid, dynamic microphone that is rugged and reliable enough to stand up to the real-world rigors of the DJ stage.

Digital wireless handheld microphone system with dual-antenna diversity receiver, 24-bit UHF audio, and 200-foot working range.

A vintage telephone converted into a microphone and preamp, allowing the handset to be used as a mic and the base to accept instruments like guitar, bass, or synth for boosted, uniquely shaped tones.

A handbuilt large-diaphragm condenser microphone purpose-built for high SPL sources like kick drum, floor tom, bass cab, and brass.

A transformerless small-diaphragm condenser microphone based on the Schoeps CMC5, with very low noise, very low distortion and fast, accurate transient response.

A matched stereo pair of transformerless MicParts SDC small-diaphragm condenser microphones, supplied in a flight case for stereo recording and drum overheads.

A small-diaphragm condenser microphone based on the vintage Neumann KM84, favoring character over accuracy with slightly controlled transients.

A matched stereo pair of MicParts SDC-84 small-diaphragm condenser microphones, supplied in a flight case for stereo recording and drum overheads.

A large-diaphragm condenser microphone with a K47-style capsule, designed for a full, balanced tone with low self-noise and distortion.

A matched stereo pair of Mini K47 condenser microphones, tightly matched in sensitivity and frequency response for stereo recording applications.

A large-diaphragm condenser microphone combining a K47 capsule with a transformer-coupled circuit that produces harmonic saturation reminiscent of vintage tube microphones.

A matched stereo pair of Mini K47x large-diaphragm condenser microphones with an internally switchable attenuation pad, ideal for drum overheads and piano.

A large-diaphragm condenser microphone with a proprietary K67-style capsule and transformer-coupled circuit that provides harmonic saturation, designed to excel on vocals and guitars.

A matched stereo pair of Mini K67x large-diaphragm condenser microphones with harmonic coloration from a transformer-coupled circuit.

A neutrally-voiced large-diaphragm condenser microphone using a K67/K87-style capsule and transformerless circuit for transparent, low-distortion capture.

A matched stereo pair of neutrally-voiced Mini K87 condenser microphones using a transformerless circuit for low distortion and wide bandwidth.

A large-diaphragm condenser microphone designed specifically for drum room recording, with switchable Cardioid/Figure-8 polar pattern and a tuned high-frequency rolloff to reduce cymbal wash.

A matched stereo pair of RM8 large-diaphragm condenser microphones designed specifically for drum room recording, with switchable Cardioid/Figure-8 polar pattern and a tuned high-frequency rolloff.

Professional-quality dynamic vocal microphone with cardioid polar pattern. Designed for live vocal performance with tailored frequency response, bright midrange presence, and bass rolloff to minimize proximity effect and handling noise.

A cutting-edge studio recording microphone with the sound of 36 iconic mics in one.

Omnidirectional measurement microphone with individual calibration profile, measured by Sonarworks acousticians against an ANSI-certified measurement microphone. Offers accuracy across the audible range and eliminates sample-to-sample irregularities. Includes a 21-day trial of SoundID Reference software.

Compact lavalier condenser microphone for voice capture in film, video, live events, and lectures. Features an omnidirectional back electret condenser capsule (φ6.5 × 22 mm) with plug-in power. The 160 cm cable terminates in a 3.5mm mini plug with a Sennheiser-style screw-lock, compatible with wireless transmitters and the DR-10 series recorders.

Large-diaphragm studio condenser microphone with a 34mm pure gold-coated aluminum diaphragm in a cardioid polar pattern. Operates on 48V phantom power with a switchable −10dB pad and low-cut filter. Designed for vocals, acoustic guitar, and wind instruments; ships with a suspension shockmount and hard and soft carrying cases.

Compact super-cardioid shotgun microphone for videographers, vloggers, and field recording. Built around a back electret condenser element with a frequency response of 30Hz–20kHz, max SPL of 132dB, and a built-in 160Hz low-cut filter. Powered exclusively via 48V phantom power through a 3-pin XLR male connector.

USB condenser microphone for podcasting, conferencing, and computer recording. Plug-and-play via USB-C (UAC 1.0) with no driver required. Features a super-cardioid polar pattern, 16-bit/48kHz capture, built-in headphone output for low-latency direct monitoring, plus on-device gain, volume, and mute controls. Compatible with Windows, macOS, iOS, Android, and Chrome OS.

High-performance large-diaphragm studio condenser microphone with a 34mm pure gold-sputtered diaphragm in a cardioid polar pattern. Handles sources up to 135dB SPL with a switchable −10dB pad and high-pass filter. Includes a suspension shockmount, pop filter, and flight case.

The Bill Putnam Mic Collection provides access to exacting emulations of rare, vintage mics which have been used to record countless iconic artists of the '50s, '60s, and '70s, including frank sinatra, nat king cole, the beach boys, and more.

Get legendary studio mic sounds.

Capture vocals with the world’s most inspiring dynamic modeling mic.

A modern classic for snare, percussion, and guitar amps.

Get kick and bass tones from your favorite era.

Capture toms and instruments with legendary clarity.

Capture the details with impossible precision.

Record with rich tube magic.

Do it all with a classic mic that never leaves your mic stand.

Reach sonic nirvana.

Get the sounds of the greatest mics ever made.

Record through 20 of the greatest mics ever made.