Avantone Pro

Active recreation of the iconic 'white cone' studio reference monitor, developed with platinum producer Chris Lord-Alge, featuring a mid-forward frequency response and 240W RMS Class AB amplification with Variable Tissue Paper Control.

Classic Passive Studio Monitor — a recreation of the iconic 'white cone' monitors developed in collaboration with platinum engineer Chris Lord-Alge, featuring the unforgiving mid-forward frequency response designed for professional mixing reference.

Limited-Edition Active Classic Reference Studio Monitor System — a powered recreation of the iconic 'white cone' studio monitor in North American black walnut veneer finish.

300W active studio subwoofer with a 10" custom dual-magnet driver, sweepable 50–180Hz high-cut control, front-firing or downward-firing modes, and thru output with 80/100Hz low-cut for satellite monitors.

A 2-way powered reference monitor featuring the GAU-AMT tweeter, combining vintage near-field monitor characteristics with modern bandwidth capabilities — bi-amped Class D design with 120W LF and 60W HF amplification.

Active Mini-Reference Monitor featuring a 5.25" proprietary driver and 60W Class A/B amplifier in a compact cube form factor — designed to replicate bass-challenged consumer playback devices for reliable mix translation checking.

Passive mini-reference monitor designed to replicate bass-limited consumer playback devices, helping producers verify how their mixes translate across real-world listening environments.

Tube-driven large-diaphragm condenser microphone with variable polar pattern, a 6072A tube, custom Cinemag transformer, and boutique capacitors — delivering vintage warmth for vocals, percussion, piano, brass, winds, and guitar cabinets.

Stereo FET large-diaphragm condenser with dual independently controllable multi-pattern capsules enabling XY, M-S, and Blumlein stereo configurations, featuring a rotating upper capsule and Class-A circuitry.

Large-capsule FET condenser microphone with 34mm 6-micron capsule, transformer-coupled circuit, three-way polar pattern selector (cardioid, omni, figure-8), 80Hz high-pass filter, and -10dB pad — all-metal construction with no plastic components.

Large-diaphragm tube condenser microphone with 9 selectable polar patterns, a premium 6072A vacuum tube, and custom transformer — designed to evoke the sonic character of legendary European tube microphones from the 1940s–60s.

Black Lion Audio hot-rodded version of the CV-12 tube condenser microphone with redesigned circuit, Solen Fastcap coupler, CK-style 34mm edge-terminated capsule, and enhanced power supply with greater filtering and lower noise floor.

Dynamic cardioid drum microphone suited for snare drums, rack toms, hand percussion, and guitar cabinets, featuring dye-cast housings and brass/steel grills for durability.

Dynamic cardioid tom microphone designed for capturing full-bodied punch and definition from rack and floor toms in both studio and live environments.

Complete drum microphone kits (CDMK-4 through CDMK-8) combining the Mondo kick mic, ADM snare mic, ATOM tom mics, and CK-1 condensers for overheads — packaged in a custom vintage tweed road case.

Sub-frequency kick drum microphone built around the AV10-MLF 18cm low-frequency speaker driver, housed in a birch plywood shell with a 10" mesh drum head — captures sub-bass frequencies beyond the range of conventional dynamic kick mics.

Dynamic cardioid kick drum microphone (2nd Generation) with bold, aggressive voicing requiring minimal EQ, all-metal die cast and machined construction — designed for studio and live touring applications.

Direct bolt-in replacement high-frequency tweeter for Avantone CLA-10 and Yamaha NS-10M studio monitors, reverse-engineered to match original voicing and dimensions with updated materials for extended lifespan.

Replacement high-frequency tweeter for Avantone CLA-10 and Yamaha NS-10M studio monitors, pre-textured via proprietary aging process to simulate the sonic character of 30-year-old vintage drivers — sound-correct immediately upon installation.

Direct bolt-in replacement low-frequency woofer for Avantone CLA-10 and Yamaha NS-10M studio monitors, with single continuous press-formed cone and updated materials for extended lifespan.

Direct bolt-in replacement crossover for Yamaha NS-10M studio monitors, reverse-engineered with upgraded aluminum rear panel, higher-grade capacitors, and precisely matched inductors — ships with replacement gasket and pre-connected spade wire harness.

1U rack-mount Class A/B studio reference power amplifier with 100W per channel into 8Ω, convection cooling (fanless), oversized toroidal transformer, and Stereo/Bridged Mono operation modes.

2U rack-mount Class A/B studio reference power amplifier with 200W per channel into 8Ω, toroidal transformer linear power supply, convection cooling (fanless), Speakon and binding post outputs, and Stereo/Parallel/Bridged Mono operation modes.

3U rack-mount Class A/B studio reference power amplifier with 360W per channel into 8Ω, toroidal transformer linear power supply, convection cooling (fanless), and Stereo/Parallel/Bridged Mono operation modes.

Small-diaphragm FET condenser pencil microphone with three interchangeable polar pattern capsules (cardioid, hypercardioid, omnidirectional), designed for acoustic instruments, drum overheads, and studio recording applications.

Affordable full-range large-capsule FET condenser microphone with a 30mm gold-sputtered capsule, transformer-less circuit design, cardioid polar pattern, 80Hz high-pass filter, and -10dB pad.

Affordable full-range large-capsule FET condenser microphone with a 32mm gold-sputtered capsule for enhanced low-end, transformer-less circuit design, cardioid polar pattern, 80Hz high-pass filter, and -10dB pad.

Multi-mode reference headphones with Vari-Voice technology, featuring selectable voicing modes including neutral stereo, mono, and Mixcube mode that emulates the midrange response of Avantone's Mixcube monitors.

Reference-grade open-back headphones featuring a 70×95 mm planar magnetic transducer for extremely low distortion and fast transient response, designed for mix engineers, musicians, podcasters, and hi-fi enthusiasts.

Drum rim microphone mount with three vibration-deadening contact points, durable steel frame, and secure grip that does not mar or discolor drum rims — eliminates boom stands while isolating mics from drum shell resonance.

Professional microphone pop filter with curved acoustically transparent metal screen that eliminates plosive sounds while preserving high-frequency detail — includes flexible 9mm gooseneck and boom stand clamp.

Vintage ribbon microphone with dual-ribbon aluminum diaphragm delivering classic figure-8 character with warm lows and clear high-frequency detail, suitable for vocals, instrument cabs, drum overheads, and room recording.

Professional microphone shockmount with cast zinc construction, four independently configurable Ethylene Propylene O-Rings, and compatibility with microphones 19mm–22mm in diameter — eliminates vibration and low-frequency transfer.