Audix Microphones

A professional diversity wireless system featuring the B60 bodypack transmitter. This bodypack may be used with any lavalier, head-worn, or instrument microphone in the AUDIX line, as well as guitar and bass.

A professional diversity wireless system featuring the ADX10FL miniaturized cardioid condenser for standard-sized flutes. The ADX10FL reproduces the natural tone and percussive nature of the flute with detail and accuracy.

A value-packed diversity wireless system featuring the H60 bodypack transmitter with a guitar cable. This system features a durable and low-profile aluminum bodypack that can be securely clipped onto the guitar strap or clothing.

A professional diversity wireless system featuring the HT7 single ear miniaturized head-worn condenser microphone. The HT7 is a professional single ear head-worn condenser microphone designed for stage, presentation, and broadcast applications.

A professional diversity wireless system featuring the HT7 single ear miniaturized head-worn condenser microphone. The HT7 is a professional single ear head-worn condenser microphone designed for stage, presentation, and broadcast applications.

A value-packed bodypack diversity wireless system featuring the ADX10 cardioid miniature condenser microphone. The ADX10 is a lightweight, low-profile mic designed for lavalier applications such as speech, presentation, and theatrical production.

A value-packed handheld diversity wireless system featuring the AUDIX OM2. The OM2, our best-selling vocal microphone, has slight bass proximity, a tailored mid-range, and a full-bodied sound.

A combination system that allows for the flexibility of using either the OM2 handheld transmitter or the bodypack system with the ADX10 cardioid lavalier microphone.

A high-performance handheld diversity wireless system featuring the legendary AUDIX OM5. Since the mid-90s, the OM5 has become one of the most respected handheld dynamic mics in the world.

A professional diversity wireless system featuring the ADX20i clip-on cardioid condenser for sax, trumpet, and brass instruments. Designed for stage, broadcast, and recording, the ADX20i handles high sound pressure levels and provides natural sound reproduction at very close distances.

A professional diversity wireless system featuring the AUDIX VX5 vocal condenser microphone. The VX5 is a multi-purpose, professional vocal condenser microphone designed for stage, studio, and broadcast applications.

A value-packed diversity system featuring the versatile B60 bodypack transmitter. This bodypack may be used with any lavalier, head-worn, or instrument microphone in the AUDIX line, as well as guitar and bass. Included are a rack mount kit and BNC cables for front mounting antennas.

A dual-channel system that combines the OM2 handheld transmitter with the ADX10 cardioid lavalier system. This is a very efficient and cost-effective solution for combining the hands-free convenience of a lavalier with the flexibility of a handheld mic.

A dual-channel wireless system combining the OM2 handheld transmitter with a B60 bodypack transmitter. The OM2 has slight bass proximity, a tailored mid-range, and a full-bodied sound.

A value-packed dual-channel handheld diversity wireless system featuring the AUDIX OM2. The OM2, our best-selling vocal microphone, has slight bass proximity, a tailored mid-range, and a full-bodied sound.

A high-performance dual-channel handheld diversity wireless system featuring the legendary AUDIX OM5. Since the mid-90s, the OM5 has become one of the most respected handheld dynamic mics in the world.

A highly detailed dual-channel handheld diversity wireless system featuring the AUDIX VX5. The VX5 is a multi-purpose, professional vocal condenser microphone designed for stage, studio, and broadcast applications.

A professional true diversity lavalier wireless system featuring the B60 bodypack transmitter. This bodypack may be used with any lavalier, head-worn, or instrument microphone in the AUDIX line, as well as guitar and bass.

A professional true diversity lavalier wireless system featuring the AUDIX ADX10 cardioid miniature condenser microphone. The ADX10 is a lightweight, low-profile mic designed for lavalier applications such as speech, presentation, and theatrical production.

A professional true diversity handheld wireless system featuring the AUDIX OM2. The OM2, our best-selling vocal microphone, has slight bass proximity, a tailored mid-range, and a full-bodied sound.

The AUDIX AP61 OM2 L10 is a Performance Series single-channel true diversity receiver and dual-transmitter bundle designed to deliver reliable long-range wireless audio for preachers, guest speakers, and announcers in houses of worship and live stage applications.

A professional true diversity handheld wireless system featuring the AUDIX OM5. Since the mid-90s, the OM5 has become one of the most respected handheld dynamic mics in the world.

A professional true diversity wireless system featuring the ADX20i clip-on cardioid condenser for sax, trumpet, and brass instruments. Designed for stage, broadcast, and recording, the ADX20i handles high sound pressure levels and provides natural sound reproduction at very close distances.

A professional true diversity handheld wireless system featuring the AUDIX VX5. The VX5 is a multi-purpose, professional vocal condenser microphone designed for stage, studio, and broadcast applications.

A professional true diversity lavalier wireless system featuring the B60 bodypack transmitter. B60 bodypack transmitter. This bodypack may be used with any lavalier, head-worn, or instrument microphone in the AUDIX line, as well as guitar and bass.

A professional true diversity wireless system featuring the AUDIX OM2 handheld transmitter with the ADX10 cardioid lavalier system. This is a very efficient and cost-effective solution for combining the hands-free convenience of a lavalier with the flexibility of a handheld mic.

A professional true diversity wireless system featuring the AUDIX OM2 handheld transmitter with the B60 bodypack to allow your choice of lavalier or headset microphones. This is a professional wireless microphone system with the flexibility of a handheld mic.

A professional true diversity handheld wireless system featuring the AUDIX OM2. The OM2, our best-selling vocal microphone, has slight bass proximity, a tailored mid-range, and a full-bodied sound.

A professional true diversity handheld wireless system featuring the AUDIX OM5. Since the mid-90s, the OM5 has become one of the most respected handheld dynamic mics in the world.

A highly detailed handheld diversity wireless system featuring the AUDIX VX5. The VX5 is a multi-purpose, professional vocal condenser microphone designed for stage, studio, and broadcast applications.

The Performance Series bodypack boasts a contemporary and comfortable design. Rugged construction and ease of use make the B60 ideal for all users and applications. There is a convenient soft mute switch at the top of the housing which serves as an on-off switch when needed.

The AUDIX D2 Trio is everything you need for miking your toms, all in one convenient package. The tailored frequency response of the D2 drum microphone gives you all the punch, clarity, and warmth needed for percussion without being muddy or boomy.

The DP4 is a perfect complement of dynamic microphones for close miking of a variety of sources on-stage or in the studio. Included in the DP4 microphone package are the D6, AUDIX's flagship dynamic kick drum microphone, and three i5s, AUDIX's best-selling instrument microphone.

LIVE SOUND OR RECORDING The DP5A professional drum microphone pack contains five microphones required to mic a standard rock kit: kick, snare, rack toms, and floor tom.

The DP5MICRO drum pack contains the five microphones required to mic a standard 5-piece drum kit: kick, snare, rack toms and floor tom.

The DP7 professional drum microphone pack represents an outstanding combination of seven microphones designed to meet the demands of today's professional drummer, both on the stage and in the studio.

The DP7MICRO drum pack contains seven microphones to mic a standard 5-piece drum kit: kick, snare, rack toms, floor tom and stereo overheads.

The DP7X professional drum microphone pack builds on the proven success of the bestselling DP7 by replacing the D6 kick drum mic with the new D6X for exceptional tonal versatility, both onstage and in the studio.

The DP8 drum pack is a premium ensemble of microphones designed to mic a five-piece kit with accuracy and fine control. Kick, snare, rack toms and floor tom mics feature AUDIX VLM TM capsule technology for natural and precise sound reproduction in high SPL applications.

The DP Elite 8 professional drum pack is the ultimate combination of 8 microphones needed to mike up a 5 piece drum kit. All microphones perform equally well whether it be on a live stage or in the studio.

The DPQUAD pack consists of four drum microphones grouped together to microphone a full drum kit. This arrangement employs a left overhead microphone to cover hi-hat, cymbals, and rack toms, and a right overhead microphone to capture the floor tom and ride cymbal.

The Fusion Series are high-performance microphones in a cost-effective package. The f2 dynamic instrument microphone is best used for miking instruments requiring mid-bass and mid-high reproduction in live and studio applications.

The Fusion Series microphones represent affordable excellence. The f5 dynamic instrument microphone is an ideal choice for snare, toms, percussion, and acoustic instruments in live and studio applications.

The F50 multipurpose vocal dynamic microphone embodies a tight and uniformly controlled cardioid polar pattern which assists in isolating the vocals from the instruments on stage. The f50 is also available with a noiseless, magnetic on/off switch ( f50S ).

The F50 multipurpose vocal dynamic microphone embodies a tight and uniformly controlled cardioid polar pattern which assists in isolating the vocals from the instruments on stage. The f50 is also available with a noiseless, magnetic on/off switch ( f50S ).

The Fusion Series microphones represent affordable excellence. The f6 dynamic instrument microphone is designed for instruments requiring bass reproduction in live and studio applications.

This F9 all-purpose pencil condenser microphone is suited for instruments requiring detailed reproduction in mid-high and extended high-end frequency ranges in live and studio applications. A wide cardioid pick-up pattern paired with high sensitivity allows close, overhead, and distance miking.

The FireBall dynamic instrument microphone is designed for harmonicas (both diatonic and chromatic) and beatbox. Clear, accurate, and capable of handling SPLs in excess of 140 dB without distortion, the FireBall is ideally suited for both live stage and studio recording applications.

The FireBall V, with a cardioid pickup pattern for isolation and feedback control, is equipped with a VLM diaphragm for natural sound reproduction with an exceptional transient response.

The FP5 Drum Pack contains a combination of f2, f5, and f6 dynamic microphones.

The FP7 Drum Pack contains a combination of f2, f5, and f6 dynamic microphones and the f9 condenser for overheads.

The GS1 is an innovative flush-mount wall or ceiling microphone designed for distance miking. Features include a fully integrated preamp, an extremely high sensitivity rating of 38 millivolts, and complete immunity from RF interference caused by cell phones and GSM devices.

The OM2, our best-selling vocal microphone, has slight bass proximity, a tailored mid-range, and a full-bodied sound.

Since the mid-90s, the OM5 has become one of the most respected handheld dynamic microphones in the world. Used on stage, in studios, and for broadcast applications, the OM5 has a reputation for clarity, resistance to feedback, and the ability to handle SPLs in excess of 144 dB without distortion.

The VX5 is a multi-purpose, professional vocal condenser microphone designed for stage, studio, and broadcast applications.

The HT2 is a professional pre-polarized headset condenser microphone for the stage, presentation, and broadcast. The HT2 is known for its excellent sonic characteristics, low profile, comfort, and sound isolation.

The HT5 condenser vocal microphone has a uniformly controlled omnidirectional polar pattern and is designed to capture vocals from a comfortable distance of 2″-3″ off-axis. With a wide frequency range of 20 Hz – 20 kHz, this mic will handle high SPLs of ≥140 dB without distortion.

The HT7 is a professional single ear head-worn condenser microphone designed for stage, presentation, and broadcast applications.

Designed with a cardioid pickup pattern for isolation and feedback control, the i5 all-purpose dynamic instrument microphone is equipped with a VLM diaphragm for natural, accurate sound reproduction.

The L5 is a micro-sized (5 mm) cardioid condenser microphone also available with an omnidirectional polar pattern. The L5, which features modular, interchangeable capsules, is intended for use with the Audix wireless systems as well as hard-wired vocal and instrument applications.

The M1250B is a miniaturized cardioid condenser microphone with a fully integrated preamp, detachable cable, and has RF immunity to prevent interference from cell phone and GSM devices.

The M1255B is a miniaturized cardioid condenser microphone with a fully integrated preamp, detachable cable, and has RF immunity to prevent interference from cell phone and GSM devices.

The M1280B, a miniaturized condenser microphone with a fully integrated preamp and detachable cable, has complete immunity from RF interference caused by cell phones and GSM devices.

The M1370B is a retrofit kit designed to adapt an existing wired Audix Microboom System for wireless operation.

The M3 is an innovative, tri-element hanging ceiling microphone designed for applications where aesthetics, sound quality, and ease of installation are critical. The M3 is an ideal audio capture solution for video conferencing, distance learning, courtroom activities, and surgical procedures.

The M3DK is a convenient kit that pairs the AUDIX M3 hanging ceiling microphone with the AUDIX DN43 Dante | AES67 microphone interface, providing a simple to install, network-ready way to stream AUDIX audio performance through Ethernet networks.

The M3 is an innovative, tri-element hanging ceiling microphone designed for applications where aesthetics, sound quality, and ease of installation are critical. The M3 is an ideal audio capture solution for video conferencing, distance learning, courtroom activities, and surgical procedures.

The M3 is an innovative, tri-element hanging ceiling microphone designed for applications where aesthetics, sound quality, and ease of installation are critical. The M3 is an ideal audio capture solution for video conferencing, distance learning, courtroom activities, and surgical procedures.

The M3 is an innovative, tri-element hanging ceiling microphone designed for applications where aesthetics, sound quality, and ease of installation are critical. The M3 is an ideal audio capture solution for video conferencing, distance learning, courtroom activities, and surgical procedures.

The M3 is an innovative, tri-element hanging ceiling microphone designed for applications where aesthetics, sound quality, and ease of installation are critical. The M3 is an ideal audio capture solution for video conferencing, distance learning, courtroom activities, and surgical procedures.

The M3DK is a convenient kit that pairs the AUDIX M3 hanging ceiling microphone with the AUDIX DN43 Dante | AES67 microphone interface, providing a simple to install, network-ready way to stream AUDIX audio performance through Ethernet networks.

The M3 is an innovative, tri-element hanging ceiling microphone designed for applications where aesthetics, sound quality, and ease of installation are critical. The M3 is an ideal audio capture solution for video conferencing, distance learning, courtroom activities, and surgical procedures.

The M40 is a miniaturized condenser microphone with a fully integrated preamp designed with very high sensitivity for distance miking.

The M40 is a miniaturized condenser microphone with a fully integrated preamp designed with very high sensitivity for distance miking.

The M40 is a miniaturized condenser microphone with a fully integrated preamp designed with very high sensitivity for distance miking.

The M40 is a miniaturized condenser microphone with a fully integrated preamp designed with very high sensitivity for distance miking.

The M40 is a miniaturized condenser microphone with a fully integrated preamp designed with very high sensitivity for distance miking.

The M40 is a miniaturized condenser microphone with a fully integrated preamp designed with very high sensitivity for distance miking.

The M45 is a miniaturized shotgun condenser microphone with a swivel-and-pivot base for convenient aiming and positioning.

The M55 hanging ceiling microphone system is designed for applications where aesthetics, sound quality, and ease of installation are critical.

The M55 hanging ceiling microphone system is designed for applications where aesthetics, sound quality, and ease of installation are critical.

Designed, machined, assembled, and tested by AUDIX in the USA, the M60 is a miniaturized condenser microphone with fully integrated electronics and immunity from RF interference typically caused by cell phones and GSM devices.

Designed, machined, assembled, and tested by AUDIX in the USA, the M60 is a miniaturized condenser microphone with fully integrated electronics and immunity from RF interference typically caused by cell phones and GSM devices.

The M63 is a condenser boundary microphone featuring programmable functionality including a local toggle on/off, momentary talk and mute switching, and LED status (red/green) indicators. Optimized for speech, the M63 employs the Micros series technology for superior audio quality and performance.

The M63 is a condenser boundary microphone featuring programmable functionality including a local toggle on/off, momentary talk and mute switching, and LED status (red/green) indicators. Optimized for speech, the M63 employs the Micros series technology for superior audio quality and performance.

The M63 is a condenser boundary microphone featuring programmable functionality including a local toggle on/off, momentary talk and mute switching, and LED status (red/green) indicators. Optimized for speech, the M63 employs the Micros series technology for superior audio quality and performance.

The M63 is a condenser boundary microphone featuring programmable functionality including a local toggle on/off, momentary talk and mute switching, and LED status (red/green) indicators. Optimized for speech, the M63 employs the Micros series technology for superior audio quality and performance.

The only tabletop microphone that swivots. The M65 is an excellent alternative to a standard gooseneck microphone for education, conference rooms, and government applications. The M65's socket swivel mount is so innovative, we had to invent a word to describe it.

The M70 flush mount condenser microphone is designed for distance miking. Features include a fully integrated preamp, an extremely high sensitivity rating of 38 millivolts, and a small footprint of only 3 inches in diameter.

The M70WD is a steerable, flush-mount condenser microphone designed for distance miking in a variety of applications, including video conferencing, distance learning, hospital rooms, surveillance, and ambient room miking.

The MicroBoom System is produced in three lengths: 24″, 50″, and 84″ and comes with a carbon fiber rod compatible with any of The Micros.

The MicroBoom System is produced in three lengths: 24″, 50″, and 84″ and comes with a carbon fiber rod compatible with any of The Micros.

The MicroBoom System is produced in three lengths: 24″, 50″, and 84″ and comes with a carbon fiber rod compatible with any of The Micros.

The MicroBoom System is produced in three lengths: 24″, 50″, and 84″ and comes with a carbon fiber rod compatible with any of The Micros.

The MicroBoom System is produced in three lengths: 24″, 50″, and 84″ and comes with a carbon fiber rod compatible with any of The Micros.

The MicroBoom System is produced in three lengths: 24″, 50″, and 84″ and comes with a carbon fiber rod compatible with any of The Micros.

The MBW50B adds a wireless option to the popular Audix Microboom system. Needing only 5V to operate to full spec the MBW50B can plug into an Audix or other popular wireless body pack transmitters without any inline phantom power supply.

The MBW84B adds a wireless option to the popular Audix Microboom system. Needing only 5V to operate to full spec the MBW84B can plug into an Audix or other popular wireless body pack transmitters without any inline phantom power supply.

The NC2HEC is a complete dual-channel Novacore digital wireless system for vocalists and presenters — everything needed to go from box to stage in a single purchase.

The NC4HEC is a complete quad-channel Novacore digital wireless system for vocalists and presenters — everything needed to go from box to stage in a single purchase.

The AUDIX Novacore NCB P is a compact, professional-grade UHF digital bodypack transmitter designed for clergy, performers, presenters, broadcast talent, and anyone requiring discreet hands-free wireless operation.

The AUDIX Novacore NCEC is a professional extended cardioid wireless capsule engineered for balanced vocal clarity across a wide dynamic range.

The NCHEC is a complete single-channel Novacore digital wireless system for vocalists and presenters — everything needed to go from box to stage in a single purchase.

The AUDIX Novacore NCHH is a professional-grade UHF digital handheld transmitter built for vocalists, presenters, and performers.

The NCHHEC bundles the AUDIX Novacore NCHH digital handheld transmitter with the NCEC Extended Cardioid Wireless Capsule — a complete, performance-ready wireless handheld for vocalists and presenters who need natural, balanced vocal clarity straight out of the box.

The NCHHTH bundles the AUDIX Novacore NCHH digital handheld transmitter with the NCTH Tight Hypercardioid Wireless Capsule — a complete, performance-ready wireless handheld built for loud stages, high-SPL environments, and any application where maximum feedback rejection and precise pickup control …

The AUDIX Novacore NCTH is a professional tight hypercardioid wireless capsule engineered for high-gain environments where maximum feedback rejection and precise, controlled pickup are critical.

Designed, assembled, and tested by AUDIX in the USA, The AUDIX D Series, and i5 represent the finest dynamic instrument microphones available today.

The TM2 is an Integrated Ear-Simulator (coupler) specifically designed for test and measurement in the professional sound industry.

The TM2 is an Integrated Ear-Simulator (coupler) specifically designed for test and measurement in the professional sound industry.

The A127 is an omnidirectional metal film condenser microphone, designed to capture the most accurate and purest form of acoustic instruments and sound sources. The A127 delivers unmatched performance for recording, broadcast, film, and sound design.

The A131 is a large-diaphragm condenser microphone ideal for vocals, choir, piano, acoustic instruments, and overheads. Featuring a contemporary, compact design, the A131 is the perfect choice for podcasting, professional audio production, studios, and live stage performances.

The A133 is a large-diaphragm condenser microphone ideal for vocals, choir, piano, acoustic instruments, and overheads. Featuring a contemporary, compact design, the A133 is the perfect choice for podcasting, professional audio production, studios, and live stage performances.

The A231 is a large diaphragm condenser microphone built for the most discerning studio user.

The ADX10 is a miniaturized condenser microphone designed for lavalier applications such as speech, presentation, and theatrical production. The ADX10 has the ability to accurately capture and reproduce vocals from a comfortable distance of 4″- 8″.

The ADX10FL is characterized by a uniformly controlled cardioid polar pattern, helping to isolate the area or section being miked from other instruments or vocals on stage.

The ADX10FLP is a cardioid condenser flute microphone that utilizes a uniformly controlled cardioid polar pattern. This feature assists in isolating the miked sound at the embouchure hole from other instruments or vocals on stage.

The ADX12 and ADX18 are professional miniature gooseneck condenser microphones designed for applications such as podium, presentation, meetings, and teleconferencing. With a uniformly controlled cardioid polar pattern, the ADX12 and ADX18 help isolate the speaker from ambient noise.

The ADX12 & ADX18 are professional miniature gooseneck condenser microphones designed for applications such as podium, presentation, meetings, and teleconferencing. With a uniformly controlled cardioid polar pattern, the ADX12 & ADX18 help isolate the speaker from ambient noise.

The ADX20i miniature condenser microphone is applicable for professional stage and studio applications. This microphone is primarily used for miking most reed and brass instruments.

The ADX20iP miniature condenser microphone is applicable for professional stage and studio applications. This microphone is primarily used for miking most reed and brass instruments.

The ADX24 ia professional miniature gooseneck condenser microphones designed for applications such as podium, presentation, meetings, and teleconferencing. With a uniformly controlled cardioid polar pattern, the ADX24 help isolate the speaker from ambient noise.

The ADX40 is a miniaturized condenser microphone designed to hang from an overhead position for applications such as group vocals, choir, theatrical production, and room ambiance.

The ADX51 is a professional pre-polarized condenser microphone used for stage, studio, and broadcast applications. The ADX51 is known for its clear, accurate response and flexibility to handle close or distance miking for a wide variety of acoustic instruments.

A professional pre-polarized condenser microphone, the ADX60 is designed for stage, studio, and broadcast applications. The ADX60 is highly sensitive and able to handle distance and area miking for various applications including conferences, plays, theatre, and acoustic instruments.

The MG Series gooseneck system is equipped with sophisticated dual preamp circuitry – one circuit located in the capsule housing and the other built into the base of the XLR. This circuitry is internally balanced, ensuring the audio path will be isolated from hum and noise.

The MG Series gooseneck system is equipped with sophisticated dual preamp circuitry – one circuit located in the capsule housing and the other built into the base of the XLR. This circuitry is internally balanced, ensuring the audio path will be isolated from hum and noise.

The MG Series gooseneck system is equipped with sophisticated dual preamp circuitry – one circuit located in the capsule housing and the other built into the base of the XLR. This circuitry is internally balanced, ensuring the audio path will be isolated from hum and noise.

The MicroD is primarily a drum and percussion instrument microphone for professional stage and studio applications. The MicroD has a uniformly controlled hypercardioid polar pattern and a smooth, accurate response in its frequency range. This microphone is lightweight, compact, and simple to use.

The MicroD Trio is a compact set of three MicroD microphones, primarily used for drum and percussion miking for professional stage and studio applications. The MicroD has a uniformly controlled hypercardioid polar pattern and a smooth, accurate response in its frequency range.

The MicroPod Series is a modular system consisting of the M1250B miniature condenser microphone combined with either a 6, 12, or 18-inch gooseneck.

The MicroPod Series is a modular system consisting of the M1250B miniature condenser microphone combined with either a 6, 12, or 18-inch gooseneck.

The MicroPod Series is a modular system consisting of the M1250B miniature condenser microphone combined with either a 6, 12, or 18-inch gooseneck.

The MicroPod Series is a modular system consisting of the M1250B miniature condenser microphone combined with either a 6, 12, or 18-inch gooseneck.

The SCX1 is a professional studio cardioid condenser microphone designed for a wide variety of recording, broadcast, and live sound applications.

The SCX1HC is a professional studio hypercardioid condenser microphone designed for a wide variety of recording, broadcast, and live sound applications. It is a popular choice for miking hi-hat and for interior dialogue boom pole miking.

The SCX1MP is a factory-matched pair of SCX1 professional studio cardioid condenser microphones, ideal for stereo recording of overheads, room ambiance, orchestral sections, piano, and acoustic instruments.

The SCX1O is a professional studio omnidirectional condenser microphone designed for a wide variety of recording, broadcast, and live sound applications. It is the omnidirectional capsule version of the SCX1 series.

The SCX25A is a professional studio condenser microphone with an elegant design and a patented capsule suspension system. Uniquely shock-mounted within an intricate machined brass ring, the capsule is completely isolated from the mic body and electronics.

When you need accurate stereo microphones that are synced with each other, the SCX25AMP Matched Pair is the perfect set. Featuring two matched SCX25A microphones, you can rely on these microphones for any stereo field recording you can think of.

Reproduction of piano sound is extremely challenging, particularly during live performances when other instruments are present. Ambient sounds near the piano often bleed into the piano microphones. To circumvent sound leakage, the piano is often played in the short-stick or closed-lid positions.

The TM1 is a 6 mm pre-polarized condenser microphone used for test and measurement applications. The TM1 is known for its linearity, accurate response, consistency, ease of use, and affordability.

The TM1 Plus is a 6 mm pre-polarized condenser microphone used for test and measurement applications. The TM1 is known for its linearity, accurate response, consistency, ease of use, and affordability.

The VX10 condenser vocal microphone was designed to set new performance standards for live sound and broadcast applications.

The VX5 is a multi-purpose, professional vocal condenser microphone designed for stage, studio, and broadcast applications.

20ft Premium XLR-XLR balanced mic cable. Quad conductor, twisted-pair with a braided shield for maximum conductivity. 6 mm PVC jacketed.

One pair of 24-inch (609.6 mm) BNC cables for front mounting antennas. Includes threaded connector and locking nut.

25 ft Premium right-angled XLR-XLR balanced mic cable. Quad conductor, twisted-pair with a braided shield for maximum conductivity. 6 mm PVC jacketed.

Guitar Cable – 30″ – 3 pin mini XLR – 1/4 inch jack.

Audiophile Pro Headphone Cable – Detachable 1.5 M high density, 3-conductor – 400 strands of 8 core braided OFC. 3.5 mm stereo jack. For all AUDIX headphones models.

Headphone cable – Detachable 1.8 m high density, 3-conductor, 96 strands of braided OFC with 3.5 mm stereo jack for all headphone models.

Headphone Extension Cable – Detachable 1.5 M high density, 3-conductor – 96 strands of braided OFC with 3.5 mm stereo female and male connectors. For all AUDIX headphone models.

25′ Cable for the Micros Series and MicroBoom. 3.3 mm diameter shielded microphone cable for The Micros series and MicroBoom. Mini-XLRf to standard XLRm. Also available in white.

M3 Interface cable, Cat 7, 7 meters (23′) RJ45, 4 twisted shielded pairs, plenum cover.

M3 Interface cable, Cat 7, 10 meters (33′) RJ45, 4 twisted shielded pairs, plenum cover.

M3 Interface cable, Cat 7, 100 meters (325′) RJ45, twisted shielded pairs, plenum cover. BULK CABLE.

M3 Interface cable, Cat 7, 15 meters (49′) RJ45, 4 twisted shielded pairs, plenum cover.

M3 Interface cable, Cat 7, 20 meters (66′) RJ45, 4 twisted shielded pairs, plenum cover.

M3 Interface cable, Cat 7, 25 meters (82′) RJ45, 4 twisted shielded pairs, plenum cover.

M3 Interface cable, Cat 7, 30 meters (98′) RJ45, 4 twisted shielded pairs, plenum cover.

M3 cable, Cat 7, 300 meters (984′) RJ45, 4 twisted shielded pairs. BULK CABLE.

Breakout cable consisting of RJ45 female to 3 terminal block connectors.

Breakout cable consisting of RJ45 female to 3 XLR male connectors.

50′ Cable for the Micros Series and MicroBoom. 3.3 mm diameter shielded microphone cable for The Micros series and MicroBoom. Mini-XLRf to standard XLRm. Also available in white.

The ATS1, ATS1LX, and ATS1LP are the industry's only programmable, shock-absorbent table stands with LED indicators that do not require external power supplies, eliminating the added expense and complication associated with installation and wiring.

The ATS1, ATS1LX, and ATS1LP are the industry's only programmable, shock-absorbent table stands with LED indicators that do not require external power supplies, eliminating the added expense and complication associated with installation and wiring.

The ATS1, ATS1LX, and ATS1LP are the industry's only programmable, shock-absorbent table stands with LED indicators that do not require external power supplies, eliminating the added expense and complication associated with installation and wiring.

The ATS1, ATS1LX, and ATS1LP are the industry's only programmable, shock-absorbent table stands with LED indicators that do not require external power supplies, eliminating the added expense and complication associated with installation and wiring.

The CabGrabber (CABGRAB1) is a tension fit microphone holder that clamps on to most combo amps or cabinets between 8″-14″ in depth (CabGrabber XL for larger cabinets). Can be used with any microphone weighing up to 16 oz.

The CabGrabber XL is a tension fit microphone holder that clamps onto larger combo amps or cabinets. Can be used with any microphone weighing up to 16 oz.

Flexible mini-gooseneck with drum tension lug mount. Includes DCLIP plastic clip for D Series.

Heavy-duty nylon molded snap-on clip provided with D Series, A131 , A133 , ADX51 and SCX Series. May also be used with ADX12 , ADX18 , TM1 as well as DVICE , DCLAMP , and DFLEX mounting clips.

Dual pivot rim mounted clip with extra-wide butterfly jaws. Attaches firmly to drum rims, congas, mic stands, drum stands, or goodie table. Comes stock with DCLIP but can be used with any standard mic clip.

Optional DFLEX mounting clip for The Micros series. Dual pivot arm and extra-wide butterfly jaws. Works with drums, percussion, stands, and piano rails.

Standard nylon molded clip with brass insert. Provided with all OM Series, VX5, VX10, i5, and f50 mics.

Clutch Assembly to be used with AUDIX Micros Series. Available in black and white.

White clutch assembly to be used with AUDIX Micros Series.

Replacement clip for ADX10FLP flute mic. Designed for standard size Flutes.

Hanger for Micros series and ADX40. A clear plastic hanger allows for control over angle and position.

Mic stand adapter for The Micros Series. Fits any 12 mm diameter mic.

Pedestal stand with heavy-duty weighted base. For use with the MicroBoom for presentation style vocal. The minimum height is 12.8" and the maximum height is 21".

Metal tripod desktop stand for use with any 5/8″ threaded mic clip.

The D2 dynamic instrument microphone is used for stage, studio, and broadcast applications. It is designed with a hypercardioid pickup pattern for isolation and feedback control and is equipped with a VLM diaphragm for natural, accurate sound reproduction.

With a wide frequency response of 40 Hz – 18 kHz and the ability to handle SPLs in excess of 144 dB, the D4 dynamic instrument microphone is an excellent choice for miking instruments requiring precise, low-frequency reproduction such as large rack toms, floor toms, cajon, djembe, tympani, leslie b…

The D6 dynamic instrument microphone is used for stage, studio, and broadcast applications. Designed with a cardioid pickup pattern for isolation and feedback control, the D6 drum microphone is equipped with a VLM diaphragm for natural, accurate sound reproduction.

The D6X is a dynamic instrument microphone that builds on the historic legacy of the D6 microphone, our highly praised design for stage, studio, and broadcast applications.

Designed, machined, assembled, and tested by AUDIX in the USA, the OM11 vocal dynamic microphone was first issued in 1985 as the OM1 . This microphone is a dynamic vocal microphone used for a wide variety of stage, studio, and broadcast applications.

The OM2 is a dynamic vocal microphone used for a wide variety of stage, home, and studio applications. This microphone has clear and accurate sound reproduction, resistance to feedback, and the ability to handle very high SPLs without distortion.

The OM2 is a dynamic vocal microphone used for a wide variety of stage, home, and studio applications. This microphone has clear and accurate sound reproduction, resistance to feedback, and the ability to handle very high SPLs without distortion.

The OM3 is a vocal dynamic microphone used for a wide variety of stage, home, and studio applications. This microphone has clear and accurate sound reproduction, resistance to feedback, and the ability to handle very high SPLs without distortion.

The OM3 is a vocal dynamic microphone used for a wide variety of stage, home, and studio applications. This microphone has clear and accurate sound reproduction, resistance to feedback, and the ability to handle very high SPLs without distortion.

The OM5 vocal dynamic microphone is made with an extremely tight and uniformly controlled hypercardioid polar pattern which isolates the vocals from the rest of the instruments on stage or in a studio.

The OM7 vocal dynamic microphone is used by professional sound companies, front of house and mixing engineers as well as high-profile fixed installations. The OM7 provides unprecedented gain before feedback on concert level stages without sacrificing sound quality.

Engineered for vocalists with a varied mic technique, the OMX-E microphone features a robust all metal construction, a dynamic capsule for accurate vocal capture and a unique identification ring.

Engineered for vocalists with close mic technique, the OMX-M microphone features a robust all metal construction , a dynamic capsule for accurate vocal capture, and a unique identification ring. OMX-M features a tailored mid-range response that results in a desired extra presence in the vocals.

Engineered for vocalists with close mic technique performing on loud stages, the OMX-T microphone features a robust all metal construction , a dynamic capsule for accurate vocal capture and a unique identification ring.

Introducing PDX520, the latest addition to the PDX family, AUDIX's line of premium dynamic microphones for broadcast, podcasting and studio work. PDX520 has been carefully designed to provide a true-to-life, full and accurate spoken voice capture.

Wide-band active directional antennas for improved reception (522-865 MHz). May be used with standard coaxial cable with BNC connectors. Features include 15dB of amplified gain to make up for signal loss over distance. Ideal for use with the ADS48 antenna distribution system.

Two-channel 48V phantom power supply for condenser microphones. 110V is switchable to 240V. Detachable power cord.

The APS910 is a professional phantom power adapter designed to convert 9-52 volts of phantom power to 2.5-volt electret microphones with an internal impedance converter and internal load. It's supplied with a wide range of AUDIX electret condenser microphones.

Optional phantom power adapter for use with electric condenser microphones. Runs on AA batteries when phantom power is not available. Features on/off switch and bass roll-off filter. Connectors are standard XLR-m to mini XLR-m.

Modular capsule adapter with the OM2 dynamic VLM capsule. For use with the H60 wireless transmitter.

Modular capsule adapter with the OM5 dynamic VLM capsule. For use with the H60 wireless transmitter.

Modular capsule adapter with the VX5 condenser capsule. For use with the H60 wireless transmitter.

Passive junction box and cable-management accessory for Audix installed microphones, with seismic and fire-safety cable restraint.

The LCB1 is a discrete button designed to remotely control the on-off functions of a microphone (or other devices) when used in conjunction with a logic-enabled media system for video and teleconferencing.

AUDIX Novacore NCC2 is a dedicated 2-bay charging station built for the Novacore digital wireless ecosystem. Compact and easy to use, it is compatible with Novacore handhelds, beltpacks, as well as the AUDIX lithium-ion rechargeable batteries directly.

Brass plenum bell housing. Specifically designed to provide a plenum seal with threaded on to the plenum junction box.

Professional impedance matching transformer that allows a low impedance microphone (100-600 Ohms) to be connected to a high impedance input (10k – 50k Ohms).

Machined 1/2-inch calibration adapter for the TM1 and TM1 Plus microphone to attach to the Bruel and Kjaer 4231 sound level calibrator.

The AUDIX ADS48 is a wide range UHF antenna distribution system that combines up to four wireless systems to be able to run off a single pair of antennas and power supply.

The AUDIX Novacore NCR1 is a compact, single-channel digital UHF wireless receiver and the entry point into the Novacore digital wireless ecosystem.

The AUDIX Novacore NCR2 digital wireless receiver is meticulously engineered to satisfy the rigorous demands of complex RF deployments.

The AUDIX Novacore NCR4 digital wireless receiver is meticulously engineered to satisfy the rigorous demands of complex RF deployments.

Single-channel true diversity wireless receiver kit including antennas, power supply, and padded carrying case. Add the desired handheld or bodypack transmitter of choice to complete the system.

Two-channel true diversity wireless receiver kit including antennas, power supply, rack mount, and BNC cables for front mounting antennas. Compatible with the ADS48 antenna distribution system for expanded channel counts.

True diversity receiver including antennas, power supply, and padded carrying case. The R61 Kit allows a custom system to be configured according to one's unique application. Just add the desired handheld or bodypack transmitter of your choice to the system. Frequency Band 522 MHz – 586 MHz

Two-channel true diversity receiver including antennas, power supply, rackmount, and BNC cables for front mounting antennas. With the R62 Kit, a variety of combination packs can be tailored to a specific application depending on what type of transmitter and mics are needed.

Metal rackmount accessory that adapts two R41 or R61 receivers into a single rack space. When using this rackmount, the antennas must remain on the rear side of the receivers.

Metal rackmount that adapts one R41 or R61 receiver into a single 19-inch rack space. Features mounting holes for front mounting antennas ( RMT41 KIT required).

Rackmount kit that includes the RMT4161 and all the parts needed to front mount the antennas.

Metal rackmount that adapts one R42 or R62 two-channel receiver into a single 19-inch rack space.

Includes the RMT42 rackmount and the BNC cables needed for front mounting the antennas.

Flexible mini-gooseneck lug clamp for drums, congas, and percussion. Aluminum ring with rubber shock mount holder.

Flexible mini-gooseneck with spring-loaded rim mount clamp. Includes DCLIP plastic clip for D Series. Provided with all D Series mic packs.

Spring-loaded DVICE rim mount clip designed specifically for the MicroD and the Micros (12mm body). The clip features a flexible gooseneck that will adjust for height and position and provide strain relief for the cable.

For use with the AUDIX Micros, this innovative shock mount adapter employs a ball and socket pivot for complete control over mic positioning.

Rubber insulated shock mount for ADX series miniature gooseneck condenser microphones.

Proprietary shock mount clip designed for use with the TM1 , SCX series, ADX51 , and any microphone with a 19 mm diameter. A thumbscrew tightens the mount into position.

Optional low profile shock mount system with nylon cable and thumbscrew for positioning: Models SCX25A , SCX1 , ADX51, and TM1 .

Optional mic stand adapter with rubber shockmount housed within an aluminum ring. May be used with any Micros Series mic. Attaches to any standard 5/8 inch threaded mic stand.

For use with the AUDIX CabGrabber or Cabgrabber XL, this boom arm features a 12-inch adjustable steel tube that enables the CabGrabber to handle front address microphones and a wider variety of miking positions.

Designed to be used with the award winning Micros Series of miniaturized condensers. Lightweight and able to attach to any standard microphone stand, the MicroBoom is a problem solver for portability and hard-to-reach miking applications including choir, live theater and orchestra.

Designed to be used with the award winning Micros Series of miniaturized condensers. Lightweight and able to attach to any standard microphone stand, the MicroBoom is a problem solver for portability and hard-to-reach miking applications including choir, live theater and orchestra.

Designed to be used with the award winning Micros Series of miniaturized condensers. Lightweight and able to attach to any standard microphone stand, the MicroBoom is a problem solver for portability and hard-to-reach miking applications including choir, live theater and orchestra.

Short pedestal stand with telescoping boom arm. For kick drum and guitar cabinets. Minimum height is 12.8", maximum height is 21" with boom arm extending to 31".

The NC2B X10 is a complete dual-channel Novacore digital wireless lavalier system for clergy, presenters, performers, and broadcast talent - everything needed for professional hands-free wireless audio in a single purchase.

The NC4B X10 is a complete quad-channel Novacore digital wireless lavalier system for clergy, presenters, performers, and broadcast talent - everything needed for professional hands-free wireless audio in a single purchase.

The NCB P +ADX10 bundles the AUDIX Novacore NCB P digital bodypack transmitter with the AUDIX ADX10 cardioid lavalier condenser microphone — a complete, performance-ready wireless lavalier system for clergy, presenters, performers, and broadcast talent who need discreet, hands-free wireless audio s…

The NCB X10 is a complete single-channel Novacore digital wireless lavalier system for clergy, presenters, performers, and broadcast talent - everything needed for professional hands-free wireless audio in a single purchase.

Optional high-quality external foam windscreen for reducing wind, sibilance, and pop noise. Fits over the GR357 grille on OM Series microphones.

Black probe-shaped foam windscreen for the i5 microphone.

Optional threaded high-quality external foam windscreen for reducing wind, sibilance, and pop noise. Fits the TM1 and TM1 Plus microphones.

The DN4 is a 4-channel, analog-microphone-to-Dante (or AES67) interface featuring selectable pre-amp gain, low- and high-pass filters, and LED logic control.

The DN43 is an analog-to-Dante (or AES67) interface for the AUDIX M3 tri-element microphone, plus one additional analog microphone, featuring selectable pre-amp gain, low- and high-pass filters, and LED logic control.

The A140 is the perfect choice for home studio and music enthusiasts alike. Featuring a professional, high-quality design, the A140 provides exceptional clarity and a tight, balanced sound across the entire frequency range.

The A150 is designed with one goal in mind: to reproduce music with accuracy throughout the full frequency range with a smooth, balanced linear response. Featuring 50 mm phase-coherent drivers, the A150 headphones are designed to be worn for hours without listening fatigue.

The A10 Earphones are engineered to deliver studio-quality performance for live sound monitoring and critical listening with exceptional imaging and isolation.

The A10X Earphones are designed for the ultimate immersive listening experience. At the heart of the earphone is a dynamic low-mass moving coil assembly and composite beryllium diaphragm delivering over ten octaves of balanced frequency response and extended bass.

Optional two-layer mesh microphone pop filter for controlling acoustic plosives. Generally used with condenser microphones such as the A131 , A133 , and SCX25A . Can be screwed directly onto any standard 5/8" mic stand or used with the 11" gooseneck which attaches to the mic stand.

The USB12 is a miniaturized USB condenser microphone used for recording voice and acoustic instruments directly into a computer via the USB port. This mic is designed to naturally capture and reproduce vocals and instruments with stunning detail.