Pedal

The Microtubes B7K V2 is a bass preamp and distortion pedal delivering tone-crushing overdrive and transparent modern sound, adding switchable low-mid and high-mid center frequencies over the original B7K.

The Microtubes Infinity is an advanced bass distortion and compression preamp/DI pedal that combines Microtubes, Microtubes X, and Vintage Microtubes tones with 5 compressor modes, 5 distortion modes, 5 cab-sim IRs, a 6-band graphic EQ, MIDI control, and USB-C audio-interface capability.

The Microtubes X is a bass distortion pedal that covers the whole bass distortion spectrum, from articulate high gain to punchy mild overdrive, raw and gnarly fuzz, and everything in between. Split-band processing gives absolute control over distortion texture, definition, and size.

The Microtubes X Ultra is a flagship bass distortion preamp and DI pedal covering the whole bass distortion spectrum, with parallel processing split by variable low-pass and high-pass filters, a 6-band graphic EQ, switchable cab-sim, and a dedicated clean channel.

The Microtubes X7 is a bass distortion pedal with parallel split-band processing and a built-in XLR direct output. Separate distortion and compression paths for high and low frequency ranges let you construct customized bass distortion textures.

The Darkglass NSG is a Noise Gate Spot Series effects pedal, a response to extraneous noise in a bass rig. An adjustable threshold control filters out sounds below a set level so only the desired audio signal is heard.

The Vintage Deluxe V3 is an overdrive preamp pedal that delivers the natural dynamic response and organic compression of classic tube amps and tape machines in a compact form.

The Vintage Microtubes is Darkglass's tribute to legendary rock sounds, delivering warm tube-like tones with a natural dynamic response that emulates vintage tube amps and tape machine compression.

The Vintage Ultra is a bass overdrive preamp and DI pedal, a tribute to legendary rock sounds. It delivers warm tube-like tones with a natural dynamic response echoing vintage tube amps and reel-to-reel tape machines, with a 4-band EQ, switchable cab-sim, and XLR DI.

More features, unmatched durability, and distinctive feel for any player.

More features, unmatched durability, and distinctive feel for any player.

Designed alongside Gregg Bissonette, this pedal recreates the swinging motion of traditional tambourine.

Includes two 3700A Boom Cymbal Stands, a 3500A Hi-Hat Stand, a 3300A Snare Stand and a 3000A Single Pedal.

This all-metal, dual-chain double pedal now features eccentric Accelerator cams.

This all-metal, dual-chain double pedal now features eccentric Accelerator cams.

Offers drummer-friendly features, legendary reliability, and unmistakable feel.

This responsive and playable design is based on the industry standard double pedal linkage.

The DW 5000PK1 Hardware Pack is the perfect addition to any acoustic or electronic kit.

An externally-mounted pedal that's compatible with virtually every cajon model in the industry.

5000 Series pedals are now fitted with more features and upgrades than ever before.

5000 Series pedals are now fitted with more features and upgrades than ever before.

5000 Series pedals are now fitted with more features and upgrades than ever before.

5000 Series pedals are now fitted with more features and upgrades than ever before.

5000 Series pedals are now fitted with more features and upgrades than ever before.

5000 Series pedals are now fitted with more features and upgrades than ever before.

5000 Series pedals are now fitted with more features and upgrades than ever before.

5000 Series pedals are now fitted with more features and upgrades than ever before.

6000 Series pedals are based on our original 5000 Series radius rod design.

6000 Series pedals are based on our original 5000 Series radius rod design.

6000 Series pedals are based on our original 5000 Series radius rod design.

9000 Series pedals offer drummers an unequaled combination of speed, feel, and power.

9000 Series pedals offer drummers an unequaled combination of speed, feel, and power.

9000 Series pedals offer drummers an unequaled combination of speed, feel, and power.

9000 Series pedals offer drummers an unequaled combination of speed, feel, and power.

9000 Series pedals offer drummers an unequaled combination of speed, feel, and power.

Discontinued

This boutique pedal shares many of the patented features and the build-quality of its Direct Drive cousin.

This pedal shares patented features with the Machined Chain Drive Pedal, but with an extended footboard.

Discontinued

This boutique pedal shares many of the patented features and the build-quality of its Direct Drive cousin.

This pedal shares patented features with the Machined Chain Drive Pedal, but with an extended footboard.

Discontinued

Packed with a slew of features, the MDD Pedal is the result of years of painstaking design and engineering.

This pedal shares patented features with the Machined Direct Drive Pedal, but with an extended footboard.

Discontinued

Packed with a slew of features, the MDD Pedal is the result of years of painstaking design and engineering.

This pedal shares patented features with the Machined Direct Drive Pedal, but with an extended footboard.

Discontinued

Stompbox-format analog distortion unit with eight selectable distortion circuits, MIDI control, and expression pedal input for real-time parameter control.

Alter X is the pedal version of the Alter 1 Eurorack module, offering seven DSP effects including delay, reverb, distortion and glitch with quarter-inch and 1/8-inch jacks and buffered relay-based bypass for trails.

Alter Y is the pedal version of the Alter 2 Eurorack module, offering seven DSP effects including analog delay, reverb, palindrome reverse delay, time stretch and pitch shift, with quarter-inch and 1/8-inch jacks and buffered relay-based bypass for trails.

Made in Japan analog delay mini-pedal with Repeat, Delay time, and Blend controls. Delivers warm tone with 100% analog circuitry and true bypass switching in a compact pedalboard-friendly housing.

Compact chromatic tuner pedal with two display modes (needle and strobe), covering A0 to C8 — wide enough for 5-string bass low B. Features adjustable calibration, flat-tune mode, and true bypass.

Made in Japan booster pedal with Bass, Treble, and Level controls — a step up from single-knob boosters, offering tonal flexibility from wide-range tone shaping to mid-boost lead cut. Built around a Japanese-made JRC MUSES 8820 op-amp.

Made in Japan analog chorus mini-pedal with Depth, Speed, and Level controls. A classic, warm, and ethereal chorus shrunk down to fit any pedalboard.

Made in Japan flanger mini-pedal modeled after a vintage flanger sound, with Depth, Regen, and Speed controls. Pro-quality tones in a pedalboard-friendly compact box.

The Ibanez Layer Delayer — a delay pedal that generates independently-controllable 16th-note and triplet delay signals, with three simulated delay types (digital, analog, tape echo), a ladder filter, auto-panning tails, MIDI clock sync, and 50 presets.

Made in Japan phaser mini-pedal with Depth, Feedback, and Speed controls and a 4-stage / 6-stage mode switch. 100% pure analog circuitry with true bypass.

The Pentatone Equalizer — a standalone 5-band EQ pedal derived from the Pentatone Preamp, with continuously variable Q on each band and a wide-headroom ±9V supply suited to guitars, basses, and keyboards.

The Pentatone Gate — a standalone noise-gate pedal derived from the GATE section of the Pentatone Preamp, with a high/low threshold-mode switch and a dedicated send/return loop for chain-internal noise reduction.

The Pentatone Preamp — a floor-format preamp with pre-boost, distortion plus two-band EQ, noise gate, 5-band parametric EQ, and post-boost, plus a bright switch and dual footswitches for bypass and post-boost control.

Made in Japan Super Metal mini-pedal preserving the five-knob layout of the original SM9 — Edge, Punch, Drive, Attack, and Level — for lush distortion and harmonics in a pedalboard-friendly housing.

Made in Japan tremolo mini-pedal with Wave, Speed, and Depth knobs plus an internal Level trim. 100% analog circuitry delivers warm, natural tremolo tones in a small footprint.

Reissue of the original Tube Screamer — the TS808 — featuring the JRC 4558D IC chip and analog circuitry with traditional Overdrive, Tone, and Level controls. Made in Japan.

Hand-wired Tube Screamer flagship — a re-envisioning of the original TS808 built around the JRC NJM4558 op-amp, with MOGAMI OFC internal wiring, a +6dB boost stage, true bypass, and an updated modern aesthetic.

Reissue of the classic TS9 Tube Screamer — same housing, same green paint, and the same crankin' overdrive that made it one of the all-time classics in guitar effects.

Bass-optimized Tube Screamer with Drive, Mix, Bass, Treble, and Level controls — preserves the low end bassists need while keeping the feel and tone of the original TS9 overdrive.

Turbo Tube Screamer — same circuitry as the TS9, with a Mode switch adding three extra voicings (+, Hot, Turbo) for increased low end and crunch.

Made in Japan Tube Screamer Mini — the legendary TS overdrive in a footprint roughly half the size of the original, with Overdrive, Tone, and Level controls and true bypass.

Twin Peaks — a wah-wah pedal with dual inductor circuitry and two peak points (one higher, one lower), a Balance knob to mix the peaks, a Tone-mode switch, and a Master Level with up to +6dB of boost.

Third-generation WH10 wah pedal in a die-cast aluminum body, with multiple feedback opamp circuitry, a Guitar/Bass range switch, volume boost, and selectable true or buffered bypass.

Ultra-compact AI-powered tone modeler that puts hyper-realistic modeled amps, cabs and stomps on any size pedalboard using IK Multimedia's AI Machine Modeling technology.

AmpliTube TONEX - a complete ecosystem based on new AI Machine Modeling technology that lets you experience thousands of ultra-realistic Tone Models of guitar amps and pedals.

Bring your perfect studio guitar sound onstage with the new AmpliTube X-DRIVE distortion pedal. This boutique pedal features 16 all-new overdrive and distortion effects leveraging IK's latest AmpliTube technologies, accompanied by an exclusive virtual X-GEAR version.

Audiophile-grade modulation pedal featuring all-new effects leveraging IK's latest AmpliTube technologies plus an exclusive plug-in of the exact same effects.

Discontinued

The JHS BAT SIM is a guitar effects pedal from JHS Pedals.

Discontinued

A discontinued JHS Pedals effect pedal listed in the Discontinued & Rare category.

Designed for comfort, durability, and SPEED. Accelerate your performance with this high-velocity bass drum pedal.

Back by popular demand in all of its former glory and then some — the return of the Ludwig Speed King Bass Drum Pedal. This newest version preserves all of the features of the Speed King of old but with more advanced features which include improved cam bearings, a more reliable and smoother direct-drive linkage, and heel plate bearings. All in a classic brushed finish.

A limited edition Maxon OD808 modified by pedal engineer Robert Keeley featuring a 'Max-Gain' mod that delivers a louder, hotter, stacked-gain sound while retaining the OD808's signature tone.

An analog flanger pedal using a Panasonic MN3207 BBD chip to create flanging, chorus, and vibrato effects. It features Speed, Width, Delay Time, and Regeneration controls with mechanical true bypass switching.

A Fortin-modded version of the Maxon OD-9 overdrive pedal, featuring extreme output level and red LED clipping for a more amp-like, tube-style overdrive tone. Designed by amp guru Mike Fortin, it ranges from clean boost to sweet, classic overdrive.

The FA10 Fuzz Elements Air recreates the square wave clipping and octave harmonics of the vintage Shin-Ei/Univox Super Fuzz. It features a two-position Tone switch to toggle between flat and scooped EQ curves.

The FEA10 Fuzz Elements Earth captures the grit and sustain of a vintage EH Ram's Head Big Muff. It offers a warm, wooly transistor distortion with long sustain and note sag.

The FE10 Ether combines the Fat channel fuzz of the Air with a powerful parametric equalizer covering 100 Hz to 5 kHz, allowing unlimited tonal variations on the classic Super Fuzz sound.

The FF10 Fire is based on the vintage Roland AF100 Bee Baa, producing two distinct aggressive fuzz tones. A footswitchable Notch mode scoops mids and accentuates upper octave harmonics for lead work.

The FV10 Void emulates the vintage Ampeg Scrambler, producing unique frequency- and dynamics-dependent fuzz and octave effects that vary based on playing technique and note position.

The FWA10 Water combines the Ram's Head Big Muff replication of the Earth pedal with a parametric EQ circuit, letting users dial in a wide range of Big Muff variations from mid-heavy snarl to scooped-mid mayhem.

The FW10 Fuzz Elements Wind recreates the vintage Mk II Tonebender sound, offering an edgy midrange-heavy fuzz tone with a Vintage/Hot gain switch and a selectable input buffer for smoother note response.

An analog overdrive pedal offering warm, open overdrive with a brighter high-frequency response than the OSD-9. It uses NJM (JRC) 4558 op amps and features Drive and Level controls with mechanical true bypass switching.

A true-to-spec reissue of the legendary 1980's OD-9/TS-9 overdrive circuit with the addition of true bypass switching, featuring the NJM 4558D op amp for classic Tube Screamer tone.

The OD808X takes Maxon's classic 808 circuit and extends its frequency response, adds harder clipping, and increases output level by +5dB compared to a stock OD808, creating a searing, full-bodied amp-like overdrive.

The OD820 is a guitar overdrive pedal based on Maxon's classic 808 circuit, running at an internal 18 volts for extra headroom and a fuller frequency response. It offers a dual-purpose Drive control that blends clean boost and overdrive tones.

An overdrive pedal based on the classic OD-9 circuit with switchable 9- or 18-volt internal operation and a Mid Boost switch for added midrange gain, using an NJM4558 op amp with true bypass switching.

A reissue of Maxon's first overdrive, the 1977 OD880, offering a warm, open overdrive with a mild high-end roll off using NOS UA741 op amps and regulated 9 VDC power with true bypass switching.

A single-knob analog phaser pedal reissuing the original 1974 circuit unchanged, offering classic 70's-era phasing effects with buffered JFET bypass switching.

An optical phase shifter pedal based on the rare Japan-only PT-9 Pro, adding a voltage-doubling IC for increased headroom and a fat, lush, 3-dimensional phasing effect similar to vintage optical phasers.

An analog chorus pedal with a full-bodied, wide-range LFO capable of rotary speaker sounds, featuring Pure and Bright switches for tonal variation and standard plus inverted outputs for stereo routing.

A collaboration guitar pedal combining a slap-back delay with adjustable time, mix, repeats, and repeat EQ, alongside a simple clean boost circuit.

Discontinued

A delay pedal that layers two syncopated, independently modulated echoes drifting into a soft, beautiful reverb.

A reissue of the Ambience delay, pairing two syncopated, independently modulated echoes drifting into a soft reverb.

Discontinued

An all-analog BBD chorus and pitch vibrato with a tap-tempo LFO offering four waveforms, ranging from tight studio chorus to warm, murky vibrato.

A compact all-analog tremolo built around a high-performance VCA and a precision multi-waveform LFO, with an active master volume and a maximum-speed Robot Mode.

An overdrive and preamp built for bass, with a two-band active EQ tuned for bass guitar and a natural, touch-sensitive grind.

A pure-analog overdrive that captures the sag, response, and harmonic character of a legendary 18-watt EL-84 combo amp.

A deep, oceanic reverb inspired by Challenger Deep, with fluid, shifting reflections that roll outward like slow underwater currents.

A fully re-engineered classic tube overdrive with an all-new circuit delivering creamy, warm vintage tone.

A warm, sustaining fuzz pedal, produced as a limited black-finish run.

A digital delay with up to 900mS of crisp, articulate repeats, subtle modulation, and self-oscillation on demand.

A high-gain distortion with three simple controls, well suited to heavy playing, baritones, and bass guitars.

A limited black-finish edition of the compact Double Tracker, a real-time double-tracking pedal that adds a second, slightly detuned and delayed voice.

A limited black-finish edition of the Echo Repeater, a straightforward, perfectly voiced echo with trails on bypass and wild self-oscillation.

An instant power-chord generator that adds an octave and a perfect fifth to a single note, with independent level control for each voice.

An ethereal reverb whose unique Decline control slows and bends the reverb tails, stretching them into a descending sonic pad.

An analog octave pedal delivering one octave up, one octave down, and the dry signal blended together. A Jack Deville original design produced as a Black LTD. limited run.

A natural-sounding overdrive for guitar and bass that cleans up well from the instrument's volume knob. A Jack Deville original design, limited run of 95 pieces.

A dynamic, natural overdrive built on the original Black LTD. Overdriver, using an internal voltage inverter for expanded headroom and low noise. A Jack Deville limited run of 95 pieces.

A four-stage phase-shifter inspired by the vintage Univibe, sweeping from classic phaser tones through watery Univibe-style chorusing to true pitch-vibrato. A Jack Deville limited run of 83 pieces.

A plate reverb pedal whose proprietary algorithm models the soft, floaty character of a large steel plate. A Jack Deville original design, limited run of 65 pieces.

An overdrive that generates its thick, raunchy saturation by pushing an actual power amplifier into overdrive. A Jack Deville original design, limited run of 40 pieces.

A classic germanium treble booster hand-built with an NPN germanium transistor. The vintage rock-and-roll boost circuit in an all-black Black LTD. finish.

A tri-chorus pedal using three independent modulated delay lines sharing one LFO for deep dimension and sparkle. A Jack Deville original design, limited run of 63 pieces.

A recreation of the original 1976 chorus ensemble sound with modern touches like 9VDC power, true-bypass, a full wet/dry mix and expanded rate. A Jack Deville limited run of 48 pieces.

A responsive, high-headroom compressor built around a proprietary voltage-controlled amplifier, for clean, natural sustain on guitar and bass. A Jack Deville limited run of 48 pieces.

A lush ambient reverb built on the classic SuperMoon foundation, adding a full wet/dry mix and a thick, fluid reverb voicing. Made in the U.S.A.

A dual-reverb pedal combining Mr. Black's BloodMoon and SuperMoon Chrome into one box, with preset save/recall and optional expression control. Two modes selected by Red or Green.

A two-in-one surf-flavored pedal pairing dripping spring reverb with smooth bias-modulating harmonic vibrato, usable individually or together.

A reborn cult-classic overdrive and boost prized for its clear, natural, amp-like dynamic response, now with dual soft-touch footswitches and on-the-fly Ultra Boost. A Jack Deville design.

A full-range analog-voiced chorus that braids four discrete modulated delay lines into a deep, multi-dimensional shimmer, offered here in a "Diamond Sunset" special-edition finish (black satin or high-gloss white).

A true-stereo double-tracking pedal that generates a second, slightly detuned and delayed voice across two discrete signal paths, with SYNC and COMP modes, a preset, and an expression jack.

A modulated delay whose repeats pitch-shift ever downward into an endless, self-oscillating abyss, offered here as a limited "Unicorn Tears" rainbow special-edition finish of the standard Downward Spiral.

Discontinued

An envelope vibrato pedal that masters the pitch vibrato with a touch-responsive, tipsy wobble, blending alcohol (intensity) and volume to taste. Production discontinued.

A lush, fully-featured shimmer reverb, offered here as a limited "Stained-Glass" custom-graphic edition of the standard Eterna. Same classic circuit, custom finish.

Discontinued

A shimmer reverb built on the Eterna foundation with a modified algorithm, adding a 60-second-plus decay tail, shimmer-swell and extra early reflections. Production discontinued.

A touch-responsive envelope / low-pass filter with a dedicated "Fwonk" control for aggressive, funk-forward filter sweeps and serious low-end thump.

An 8-stage phase shifter with an extended-range LFO and a regenerative "Bonus" control for vocal, intense swirl, plus a fixed "Cobra Tone" mode. Offered here in a special-edition "Electric Lizard" finish.

An 8-stage phase shifter with an extended-range LFO and a regenerative "Bonus" control for vocal, intense swirl, plus a fixed "Cobra Tone" mode. Offered here in a "Throwback Special" matte finish.

A dynamic reverb that lets ambience bloom while you play and instantly clears the moment you stop or mute, so reflections appear and disappear at your command.

An instant power-chord generator that adds an octave and a natural fifth to a single note, turning single-note lines into full power chords with three simple controls.

Discontinued

A highly dynamic, amp-like overdrive spanning touch-responsive crunch to thick, harmonic-laden drive and near-full distortion, with optional 18V operation for extra headroom. Production discontinued.

A 100% analog BBD modulation pedal that combines chorus, flanger and high-band flanger in one unit, blendable on the fly, with tap-tempo, six LFO waveforms and click-less relay bypass.

A true-stereo harmonic-tremolo and panner with fully independent left and right paths, a tonally rich pre-amp per channel, tap-tempo, preset save/recall and assignable expression control.

A barber-pole through-zero flanger that sweeps endlessly up or down without a cycle beginning or end, with positive and negative regeneration and a single Speed control.

A barber-pole through-zero flanger that sweeps endlessly up or down without a cycle beginning or end, in a special Sub-Zero edition adding subtractive through-zero flanging.

A heavy, thick analog fuzz inspired by the classic late-1970s IC distortion-sustainer, expanded for more ferocity and less noise, equally at home on guitar and bass.

Discontinued

A true-stereo expansion of Mr. Black's Vintage Ensemble chorus/vibrato, with standard and spatial-expansion modes that widen the stereo field via the Haas effect. Production discontinued.

A true-stereo chorus and pitch-vibrato modeled on the Roland CE-1, with two independent stereo modulation engines, a lossless chorus-to-vibrato mixer, tap-tempo, presets and full MIDI.

The SuperMoon is a cavernous, orbital ambient reverb pedal with proprietary Sway modulation and reverb trails of up to 30 seconds. It plays especially well with distortion.

The SuperMoon Chrome expands the original SuperMoon reverb with brighter early reflections, a 30-plus second reverb tail and a lossless full wet/dry mix that is 100% wet capable. It adds proprietary Sway modulation for ambience in a box.

The SuperMoon Eclipse is a true-stereo reverb that combines both the SuperMoon and SuperMoon Chrome voicings in one pedal, selectable via a mode button, with expression control and preset save/recall.

Discontinued

A special-edition 100-piece run based on the SuperMoon Chrome with additional modulation in the reverb output, sold as a charity release with all proceeds donated to the National MS Society.

The Tapex 2 is a compact analog-voiced tape-echo delay with 43 to 808 ms of delay time, two tape modes, true-stereo I/O, preset save/recall, and optional expression and tap-tempo inputs.

The ThunderClaw is a high-gain, high-headroom distortion pedal with a 100% analog signal path, active treble and bass tone controls, an active output volume and an internal split-rail power supply for exceptional dynamics.

Discontinued

The TrancePortal is a shimmer echo pedal that layers an octave-up choir shimmer and modulation onto a short digital delay for a mesmerizing, ethereal ambience.

Discontinued

The TunnelWorm is a compact through-zero flanger that also covers classic flanger, airy chorus and watery rotary tones via its Zero knob.

The Twin Lazers K1 is a dual, true-stereo phase-shifter with two independent 4- or 6-stage phasers that can run in stereo or be chained for up to 12 stages, plus tap-tempo, presets and expression control.

The Vintage Ensemble recreates the classic 1976 Chorus Ensemble sound in a pedalboard-friendly enclosure, adding 9VDC power, true-bypass, a full wet/dry mix control and expanded rate limits.

The Vintage Overdrive is a 100% analog overdrive and boost with smooth attack, singing sustain and gentle compression, built on an all-new circuit that offers more gain and output than the classic it is inspired by.

The DirectAmp is an analog stereo guitar preamp and cabinet simulator pedal offering three amp voicings, three speaker types, and three cab types, with stereo XLR and headphone outputs plus Bluetooth wireless input.

The PRS Horsemeat transparent overdrive pedal is designed to enhance your sound without coloring your tone. Horsemeat adds harmonic midrange richness and overdrives without cutting out your high notes – all while giving you more available headroom.

The PRS Mary Cries optical compressor pedal is intuitive and sounds incredible. Based on the storied LA-2A, Mary Cries will thicken your tone, help control signal peaks, lengthen sustain, and push your tone without losing definition or clarity.

The PRS Wind Through the Trees dual analog flanger pedal is best described as two flangers fighting each other, resulting in a sound reminiscent of the wind whipping through the trees.

An experimental lo-fi synth, octave, and fuzz hybrid pedal built around an ATtiny85 microcontroller, producing unstable, glitch-heavy digital textures.

A hand-wired glitch, pitch, slice, and dice pedal that distorts, modulates, glitches, and slices signal on the fly.

Discontinued

A tape-style delay pedal with a distinct modulation response compared to later versions.

A pedal that emulates vintage reel-to-reel tape overdrive and echo, with separate controls for tape saturation and tape delay levels, a freeze function, and expression/CV control for time.

A pedal delivering complex delay and reverb with two distinct modes, offering vintage-style modulated delay with small room reverb, or high-fidelity analog-style delay with large hall reverb.

A transparent drive/compression pedal offering a slight boost/compression to warm light overdrive, with switchable transistors for modern and vintage tones.

An all-analog, real spring reverb pedal with a built-in boost that can go from splashy reverb to gritty, fuzzy, psychedelic tones.

The Sound Destruction Device is a pedal that distorts, filters, oscillates, glitches, and clips guitar or other 1/4-inch instrument signals into unusual sounds. Its oscillation can be controlled with an expression pedal.

White Gold is a choral synthesizer pedal that creates densely lush harmonized textures, synthesized pads, and shimmering ensembles from any instrument, drum machine, synth, or vocal source.

Zenith And Vales is a digital distortion pedal that uses bit crushing, sample rate reduction, and aliasing to produce angular fuzz tones and heavily pixelated digital artifacts. It has two algorithm modes and two aliasing modes for varying degrees of digital destruction.

A true analog tremolo guitar effects pedal featuring two distinct tremolo circuits, a Harmonic Trem and an Optical Trem, each with independent Speed, Depth, and Volume controls that can be used separately or combined.

At TAMA, our tireless product team has immersed their activity in direct drive bass drum pedals. Direct drive pedals provide a unique benefit - immediate energy conversion and accelerated beater movement.

At TAMA, our tireless product team has immersed their activity in direct drive bass drum pedals. Direct drive pedals provide a unique benefit - immediate energy conversion and accelerated beater movement.

The Iron Cobra 200 series was developed using the same design principles as the Iron Cobra 900 series, and offers remarkable performance at an affordable price. The cam provides a smooth, light feel without sacrificing power or speed. Both the HP200P and HP200PTW can be fitted with TAMA's Cobra Coil for an even faster footboard return.

The Iron Cobra 200 series was developed using the same design principles as the Iron Cobra 900 series, and offers remarkable performance at an affordable price. The cam provides a smooth, light feel without sacrificing power or speed. Both the HP200P and HP200PTW can be fitted with TAMA's Cobra Coil for an even faster footboard return.

The Iron Cobra 600's most unique feature is a reversible cam called the "Duo Glide Cam." A simple adjustment allows fast changes between a true round "Rolling Glide" sprocket and an offset "Power Glide" sprocket. Drummers can choose the appropriate cam based on playing style, musical environment, and personal preference.

The Iron Cobra 600's most unique feature is a reversible cam called the "Duo Glide Cam." A simple adjustment allows fast changes between a true round "Rolling Glide" sprocket and an offset "Power Glide" sprocket. Drummers can choose the appropriate cam based on playing style, musical environment, and personal preference.

Two Decades. Now One Step Beyond.

Two Decades. Now One Step Beyond.

Two Decades. Now One Step Beyond.

Two Decades. Now One Step Beyond.

The Speed Cobra 310 series was developed using the same design principles as the Speed Cobra 910 series, and offers remarkable performance at an affordable price. The extended footboard, which features the same design as the Speed Cobra 910, offers rapid acceleration and power with less physical effort.

The Speed Cobra 310 series was developed using the same design principles as the Speed Cobra 910 series, and offers remarkable performance at an affordable price. The extended footboard, which features the same design as the Speed Cobra 910, offers rapid acceleration and power with less physical effort.

Unprecedented Velocity. Serious Power.

Unprecedented Velocity. Serious Power.

The HP30 utilizes the same offset cam design as the Iron Cobra Power Glide. The offset cam offers increased power and speed as the beater reaches the end of the stroke.

Utilizing the same offset cam shape as the Iron Cobra 900 Power Glide, the HP30 offers increased power and speed with an easily adjustable beater angle - a feature usually found on top-of-theline pedals.

While super complex and technical playing can wow audiences, sometimes a simpler and stripped down approach is even more moving. Sometimes, eliminating everything but the most essential can produce greater creativity and boosts interaction between players and audiences.

The world’s most famous limiter, on your pedalboard.

Explore the pinnacle of classic chorus, flanging/doubling, and tube tremolo effects.

Pack your bags and embark on a delay and reverb fantasy.

Get the classic American tube amp sounds that shaped music.

Play the mythical guitar tones that enchanted legends.

Explore the beyond with the lush ambient sound of vintage digital.

Three flavors of authentic tube tremolo, at your feet.

Explore the outer limits of analog time and space.

Explore vintage reverb effects beyond any other stompbox.

Bathe in eternal reverb sounds.

Get the raw sound of punk, alt rock, and metal under your boots.

Get the iconic plexi tones that powered rock.

Your sound, perfected.

Travel light years beyond all other tape delays.

Get perfectly miked guitar tones in seconds.

Get unmatched authentic vintage and modern delay effects.

Get the rich tube tones of a legendary limiter.

Experience raw tube tones from the dawn of electric guitar. Get the best emulation of a mid-'50s american tweed amp ever packed into a pedal. Go from dapper to dangerous with classic tube tones. Take world-class studio amp sound anywhere, complete with mic/speaker pairings and preamp boosts. Download artist tones, customize.

One Expression pedal shouldn’t limit what you can control. Canvas Expression reimagines what an expression pedal can be: two independently configurable outputs capable of Expression, Switch, or Control Voltage (CV), plus deep MIDI control over products via ⅛” TRS output and USB-C.

The Canvas Volume Pedal is designed to give players unprecedented control, reliability, and flexibility from a volume pedal.

A digital destruction guitar pedal driving an 8-bit computer with a high-gain preamp, offering sounds from tubey overdrive to harsh digital errors. Controls include Gain, Tone, Sample Rate, Bit Depth, and 252 wave tables, with CV input for expression control.

A simplified guitar pedal offering 32 sounds from the original Geiger Counter with stripped-down controls for gain, tone, and function selection. It recalls bit depth, sample rate, and wave table parameters from the original for digital distortion effects.

A guitar distortion pedal offering complete control over brutal to subtle tones with 512 wavetables, wavetable morphing, 12-bit signal path, and full MIDI control. It includes 16 switchable presets, dual CV/expression inputs, and dry/wet mix.