62 products
Built with period correct components, the AG 4J-60 set offers warm, punchy, and articulate jazz bass tones akin to those of the 1960s. The 60's J-style pickups are designed with period-correct parts and deliver all the warmth and punch of the iconic 60's Jazz Bass pickup.
Built with period correct components, the AG 4J-70 set offers the bright, clear, and articulate jazz bass tones akin to those of the 1970s.
The warm, punchy tone of the 60s era jazz bass pickup, but without the 60-cycle hum. Noise-free, classic Jazz Bass tone in a pickup that works great for all playing styles.
The 4J-60 pickup, but over-wound with larger 6mm pole pieces for hotter output and fatter lows. Larger 6mm magnets and over-wound design give this pickup big personality – with an edge.
Classic Stingray tone with excellent string-to-string balance, consistency of tone and rich harmonic content. The M- Style pickups re-create the classic Stingray tone while adding the characteristics that Aguilar pickups are known for – excellent string-to-string balance and consistency of tone.
Classic Stingray tone with excellent string-to-string balance, consistency of tone and rich harmonic content, but with the added deep tone of the 4J-HC Neck pickup. These calibrated sets include one of Aguilar's AG 4M pickup for the bridge position and the AG 4J-HC pickup for the neck position.
The sound of the original '51 precision bass, in a modern package. Old-school vibe meets inspired engineering. This pickup delivers the thump and midrange presence of a classic '51 P-bass pickup with improved string-to-string balance and clarity. Direct replacement for '51 style precision basses.
Built with period correct components, the AG 4P-60 offers warm, punchy, and articulate tones akin to those of the 1960s. Based on the legendary Pre-CBS era Precision bass, this pickup is designed to capture the vibe and feel of the 60's.
The 4P-60 pickup, but over-wound with larger 6mm pole pieces for hotter output and fatter lows. Larger 6mm magnets and over-wound design give this pickup big personality – with an edge.
The Aguilar AG 4 P/J-HC's are well-balanced pickup sets that provide a flexible array of tones, whether using each pickup alone or in combination. Now you can get the thunderous lows of the neck pickup or the midrange cut of the bridge – or both – without 60 cycle hum.
A thick and growly soapbar style humbucker with rich harmonic development and accurate dynamic response. Built from-the-ground-up to be a unique beast, two rows of Alnico V magnets come together to create a big, thick, and growly tone.
The warm, punchy tone of the 60's era jazz bass pickup, but without the 60-cycle hum, in a 5-string version. Noise-free, classic Jazz Bass tone in a pickup that works great for all playing styles.
The 4J-60 pickup, but over-wound with larger 6mm pole pieces for hotter output and fatter lows, for 5-string bass. Larger 6mm magnets and over-wound design give this pickup big personality – with an edge.
Classic Stingray tone with excellent string-to-string balance, consistency of tone and rich harmonic content. The M- Style pickups re-create the classic Stingray tone while adding the characteristics that Aguilar pickups are known for – excellent string-to-string balance and consistency of tone.
Classic Stingray tone with excellent string-to-string balance, consistency of tone and rich harmonic content, but with the added deep tone of the 5J-HC Neck pickup. These calibrated sets include one of Aguilar's 5M pickups for the bridge position and the 5J-HC pickup for the neck position.
A thick and growly soapbar style humbucker with rich harmonic development and accurate dynamic response. Built from-the-ground-up to be a unique beast, two rows of Alnico V magnets come together to create a big, thick, and growly tone.
A thick and growly soapbar style humbucker with rich harmonic development and accurate dynamic response. Built from-the-ground-up to be a unique beast, two rows of Alnico V magnets come together to create a big, thick, and growly tone.
A thick and growly soapbar style humbucker with rich harmonic development and accurate dynamic response. Built from-the-ground-up to be a unique beast, two rows of Alnico V magnets come together to create a big, thick, and growly tone.
Full-bodied tone with a rich sustain characterizes the sound of the DCB series. Using the dual ceramic bar design, these pickups introduce a new and unique voice for Jazz style basses.
Full-bodied tone with a rich sustain characterizes the sound of the DCB series. Using the dual ceramic bar design, these pickups introduce a new and unique voice for PJ style basses.
Full-bodied tone with a rich sustain characterizes the sound of the DCB series. Using the dual ceramic bar design, these pickups introduce a new and unique voice for Jazz style basses.
Full-bodied tone with a rich sustain characterizes the sound of the DCB series. Aguilar's own dual-ceramic bar design capture all the detail and character of your instrument.
Full-bodied tone with a rich sustain characterizes the sound of the DCB series. Aguilar's own dual-ceramic bar design capture all the detail and character of your instrument.
Full-bodied tone with a rich sustain characterizes the sound of the DCB series. Aguilar's own dual-ceramic bar design capture all the detail and best qualities of your instrument.
Full-bodied tone with a rich sustain characterizes the sound of the DCB series. Aguilar's own dual-ceramic bar design capture all the detail and character of your instrument.
Full-bodied tone with a rich sustain characterizes the sound of the DCB series. Aguilar's own dual-ceramic bar design capture all the detail and best qualities of your instrument.
Full-bodied tone with a rich sustain characterizes the sound of the DCB series. Aguilar's own dual-ceramic bar design capture all the detail and best qualities of your instrument.
Full-bodied tone with a rich sustain characterizes the sound of the DCB series. These pickups capture more harmonic content than traditional "M" style pickups due to their dual ceramic bar design.
Full-bodied tone with a rich sustain characterizes the sound of the DCB series. These pickups capture more harmonic content than traditional "M" style pickups due to their dual ceramic bar design.
A powerful, high output bridge pickup with a tight, focused range, rich harmonics and long natural sustain, compatible with both tremolo and fixed bridges.
A neck pickup with a three-magnet anisotropic construction that delivers high output and a dark, brooding sound rich in harmonics, well suited to heavy down-tuning.
A powerful, high output neck pickup featuring a tight, clear low end and focused upper mid-range with rich harmonics and long natural sustain.
A bridge pickup with a three-magnet anisotropic construction giving massive output while retaining clear separation, compatible with both tremolo and fixed bridges.
A neck pickup developed specifically for 27-fret guitars, designed to provide a warm, fat and throaty tone despite its position closer to a traditional center pickup location.
A single-sized high output humbucking pickup designed for the neck and middle positions of 24-fret guitars, offering powerful, rich and harmonically articulate tone.
A vintage voiced single coil pickup with a warm vintage tone and gritty dynamic response, featuring copper foil shielding to reduce unwanted noise.
$39.99
A piezo transducer pickup for acoustic instruments such as guitar, mandolin, fiddle, dulcimer and banjo, using a compression-based lead differential weight design and an adhesive mount.
$54.99
An acoustic soundhole pickup with a humbucking coil design that delivers rich tone with minimal hum. It features a maple wood housing with an ebony piano finish and a 1/4-inch output that attaches to the strap button.
$54.99
A single coil acoustic soundhole pickup offering smooth high-end response and balanced string output, with maple wood housing and double-shielded cable.
In 2010, when the acoustic world was running to cold digital modeling, Baggs chose a different route. We believed a real mic would do a better job of being a mic. Leaning into pure analog physics, we bypassed the digital emulation idea to create our award-winning Anthem System.
The Anthem SL was designed as the streamlined version of the Anthem. Utilizing a pre-set mix between the mic and pickup, you get the best tonal qualities of the Anthem with a simplified control unit and minimalist endpin preamp.
Building directly off of the specialized engineering of our Baggs Violin Pickup design, molding our miniature vibration sensor directly into the bridge, we adapted this same concept for the banjo.
The Element is the pickup system that we stripped down to bare essentials.
The Element is the pickup system that we stripped down to bare essentials.
Amplifying a ukulele used to mean taking a random guitar pickup system and trying to adapt it to fit, or installing a large, bulky onboard preamp/EQ system that weighed more than the instrument itself. We created the Baggs Five.O Ukulele Pickup to solve both of these problems.
Bridge plate contact pickups aren’t anything new, but while traditionally they’ve offered a warm and woody sound, they have struggled with feedback and often require a permanent, glued-in installation.
Most acoustic pickups make you choose. You can get the tone you want, but fight feedback all night. Or you can get the volume you want, with a thin, plastic sound that leaves your performance feeling flat.
In the early 1980s, there weren’t many options for acoustic guitarists to amplify their instruments.
Traditional soundhole pickups sound notoriously magnetic, amplifying the sound of the strings while losing the character of your guitar’s body. The patented M1 changed the rules.
Traditional soundhole pickups are notoriously magnetic, amplifying the sound of the strings while losing the character of your guitar’s body. The patented M1 changed the rules.
If traditional magnetic pickups have a one-dimensional sound, and the body-sensitive M1 has a two-dimensional sound, then the M80 unlocks the third dimension.
Mandolins inherently produce a sound that is rich in transient detail and upper harmonics. When creating the Radius Mandolin Pickup, we knew we had to design something fundamentally different to capture that response.
The Session VTC takes the studio-inspired features that we originally pioneered in our Session DI and builds them into the guitar’s onboard electronics.
The Stage Pro Anthem utilizes the same Element Pickup and TRU•MIC as the standard Anthem, and gives you even more control over your sound via the system’s side-mounted controls for EQ, blending, anti-feedback, and onboard tuning.
The Stage Pro Element preamp uses our minimalist pickup and adds the maximum amount of onboard control via the system’s side-mounted control panel. The Element is the pickup system that we stripped down to bare essentials.
Bowed strings vibrate in a left and right motion. That left and right energy is transferred through the “heart" of the bridge. Instead of just sticking a pickup to the violin, we created a pickup that became one with the bridge.
$279
A Lipstick-style guitar pickup set with Alnico 5 bar magnets and pure copper wire, designed for a traditional single coil tone with beefy midrange and higher output. The neck and bridge pickups are calibrated for even volume response.
A matched set of modified PAF mini-humbucker pickups recreating the 1960s Silvertone 1446 tone, built with Alnico V bar magnets and a unique 3+3 pole piece layout. The bridge pickup is overwound by 5% to balance output with the neck pickup.
A hypercardioid capsule for the STC-1 and STC-1S microphones offering greater side rejection than standard cardioid patterns for isolating sound sources in noisy or reverberant environments.
£59
An omnidirectional capsule for the STC-1 and STC-1S microphones providing 360-degree sensitivity for capturing ambient audio, room acoustics, or group performances.
This catalog is open source. View or improve the data on GitHub. View on GitHub
Catalog data as of