0001
A 12-fret 000-body acoustic guitar with Sitka spruce top and Honduran mahogany back and sides, designed for string-band purists who want maximum power from a comfortably-sized instrument with an elegant, old-time appearance.
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Official siteA 12-fret 000-body acoustic guitar with Sitka spruce top and Honduran mahogany back and sides, designed for string-band purists who want maximum power from a comfortably-sized instrument with an elegant, old-time appearance.
The Collings 0002H is a 12-fret 000-sized acoustic guitar. The longer 12-fret body typically produces more bass and overall volume, making it ideal for string-band purists or any guitarist who wants maximum power.
The 0003 is a 12-fret 000-body acoustic guitar with East Indian rosewood back and sides and a higher trim level, delivering more bass and overall volume ideal for string-band purists who want maximum power from a comfortably-sized instrument.
A guitar shape first designed around the time of the Civil War, the 001 is a 12-fret 00-size acoustic guitar with dimensions similar to classical guitars. It features a slotted headstock and small pyramid bridge. The tone is typically balanced and precise, suited for a wide range of playing styles from simple vocal accompaniment to ragtime solos.
The 001 14-Fret represents a mid-point between compact and mid-sized instruments, offering a pleasing midrange resonance alongside articulate attack and enhanced low-end definition. The shorter 24 7/8" scale enables delicate top-voicing with openness suitable for fingerstyle, strumming, and varied playing approaches.
The 001 14-Fret T is a Traditional Series acoustic guitar that occupies a middle ground in size while offering a distinctive voice and character. This vintage-inspired instrument delivers a fundamental tonality and dry articulation with warmer high-end response. The ultra-thin lacquer finish and lightweight construction provide added nuance and responsiveness.
The Traditional Series variations of the classic 12-fret 00 take a vintage-inspired approach to voicing and construction designed to produce a strong fundamental response and open feel, with rounder highs and less overtone complexity. The ultra-thin nitrocellulose lacquer finish and unique neck construction make for a woody and articulate voice with rich, balanced tone and excellent note separation.
The 002H is a 12-fret 00-size acoustic guitar combining timeless appearance with a comfortable size, wide neck, and shorter string scale. Its tone is typically balanced and precise, well-suited for everything from simple vocal accompaniment to ragtime solos. The guitar features East Indian rosewood back and sides, a Sitka spruce top with pre-war scalloped X-bracing, herringbone purfling body binding, and an ebony pyramid-style bridge.
The 002H 14-Fret represents a mid-point between small-bodied and mid-sized instruments, delivering a pleasing midrange resonance that distinguishes this size from other offerings. It combines a dry and articulate attack with more low-end definition than you would typically expect in an instrument of comparable dimensions.
The 002H 14-Fret T is a Traditional Series 00-size acoustic guitar that finds the sweet spot between small- and mid-sized instruments, offering a vintage-inspired voice with dry articulation, warmer high-end response, a rounder high end, fuller low midrange, and a slightly looser, more broken-in feel and tone.
The 002H T is a Traditional Series 12-fret 00-size acoustic guitar combining East Indian rosewood back and sides with vintage-inspired construction. The ultra-thin nitrocellulose lacquer finish and unique neck construction make for a woody and articulate voice with rich, balanced tone and excellent note separation.
The 003 is a 12-fret 00-sized acoustic guitar with 3-style appointments built on a body shape dating to the Civil War era. It delivers a typically balanced and precise tone suited for a wide range of playing styles, featuring East Indian rosewood back and sides, a Sitka spruce top, abalone rosette, chevron backstrip, and ivoroid binding throughout.
The 00 14-Fret Series finds the sweet spot between a small-bodied and mid-sized instrument while bringing to the table a distinctive voice and character all its own. This fullness of tone is complemented by dry and articulate attack, with more low-end definition than you'd typically expect to find in an instrument of this size.
The 01 is a single-0 14-fret acoustic guitar that functions equally well as a travel instrument or a small OM-style stage guitar. It delivers a uniquely round, punchy tone with the coveted small body character, along with impressive volume and headroom. Built with a Sitka spruce top and Honduran mahogany back and sides, it features a pre-war scalloped X-brace pattern and a high-gloss nitrocellulose lacquer finish.
The 01 12-Fret is a Single-0 size acoustic guitar featuring softer contours and a longer body dimension that produce a balanced and full tone with slightly more bass and overall volume. Built with a comfortable short 24 7/8" scale, it works well for both fingerstyle and strumming techniques and excels as a recording instrument.
The 01 12-Fret T is a vintage-inspired 0-size acoustic guitar from Collings' Traditional Series, designed to showcase the most desirable characteristics of coveted pre-war instruments. Its construction emphasizes warm, rounded highs and a present low midrange, with a quick attack and strong projection. The ultra-thin nitrocellulose lacquer finish and 12-fret neck joint preserve the vintage small-body acoustic tradition.
The 01 T is a Traditional Series 0 14-fret acoustic guitar built as a vintage-inspired variation on the distinctive Collings sound, designed to showcase the desirable characteristics of pre-war instruments. Its voicing delivers warm, rounded highs and a present low midrange while retaining a quick attack and strong projection. Featuring a Sitka spruce top over Honduran mahogany back and sides, the 01 T is braced with a custom pre-war scalloped X-brace and finished in an ultra-thin nitrocellulose lacquer.
The 02H is one of Collings' smallest acoustic offerings, functioning equally well as a travel instrument and a small OM-style guitar. It delivers a uniquely round, punchy tone with small body character, offering impressive volume and headroom despite reduced low-end response compared to larger models. Built with a Sitka spruce top and East Indian rosewood back and sides, it features ivoroid binding with herringbone purfling and a pre-war scalloped X-brace pattern.
The 02H 12-Fret is a small-body single-0 acoustic guitar that delivers a balanced and full tone with slightly more bass and overall volume than its 14-fret counterpart. Built with a Sitka spruce top, East Indian rosewood back and sides, and a pre-war scalloped X-brace pattern, it excels as both a fingerstyle and strumming instrument. Its compact dimensions make it a versatile choice for recording, with shimmery highs, punchy midrange, and a tight, clean low end.
The 02H 12-Fret T is a vintage-inspired acoustic guitar from the Traditional Series, designed to showcase the most desirable characteristics of coveted pre-war instruments. It features a Sitka spruce top with East Indian rosewood back and sides, delivering warm, rounded highs and a present low midrange while retaining quick attack and strong projection. The 12-fret neck joint, ebony pyramid bridge, and nickel Waverly tuners contribute to its classic aesthetic and feel.
The 02H T is a vintage-inspired Traditional Series 0-body acoustic guitar built to showcase the most desirable characteristics of coveted pre-war instruments. Its voicing delivers warm, rounded highs and a present low midrange while retaining a quick attack and strong projection. Crafted with a Sitka spruce top and East Indian rosewood back and sides, it is finished in high-gloss ultra-thin nitrocellulose lacquer with ivoroid binding and herringbone purfling.
The 03 is a compact Single 0 14-fret acoustic guitar that functions equally well as a travel instrument or a small OM-style stage guitar. Despite its modest size, it delivers a uniquely round, punchy tone with characteristic small-body warmth, strong volume, and responsive headroom. It features East Indian rosewood back and sides, an ebony fingerboard and bridge, and pre-war scalloped X-brace construction with premium appointments throughout.
The 03 12-Fret is a single-0 acoustic guitar with softer contours and a longer body dimension than its 14-fret counterpart, producing a balanced, full tone with slightly more bass and overall volume. It features a short 24 7/8" scale and wide 2 5/16" string spacing, making it well-suited for fingerstyle playing, strumming, and recording. East Indian rosewood back and sides pair with a Sitka spruce top and pre-war scalloped X-bracing for a responsive, articulate voice.
Built in limited quantities, this 16" archtop is designed to function as an acoustic instrument. Drawing inspiration from 1920s American f-hole archtops, it delivers a warm and balanced response with clarity and projection. The guitar features understated appointments and gracefully-shaded finishing.
Built in limited quantities, this 16" archtop is designed to be played as an acoustic guitar. Based on 1920s American f-hole archtops, it delivers warm and balanced response with clarity, projection, and immediate response. The Deluxe version features a venetian cutaway, multiple black/white purflings, bound S-holes, and a stylized flared peghead. The fully hollow X-braced construction and fully carved premium figured maple body and solid spruce top make it equally at home in jazz, blues, and beyond.
The Baby 1 is Collings' smallest guitar model, a small-body acoustic that defies expectations for its size. Despite lacking the deep bass of larger instruments, it delivers remarkably balanced tone with adequate volume, making it equally at home as a travel guitar or a songwriter's tool. It features a Sitka spruce top over Honduran mahogany back and sides, finished in high-gloss nitrocellulose lacquer with tortoise binding and pre-war scalloped X-bracing.
The Baby 2H is Collings' smallest model and a rarity among fractional-size guitars, built as an approximately 3/4-size version of their OM. At 12 1/2 inches wide with a 24 1/8-inch scale, it delivers remarkably balanced tone with adequate volume for most applications. Equally at home as a travel guitar or a songwriter's tool, it brings Collings' hallmark craftsmanship to a compact, portable format.
The C-00 is a soulful, vintage-inspired 14-fret parlor acoustic guitar influenced by iconic 00 models from the early-to-mid 1930s. It delivers a drier, more fundamental tone with honky, punchy midrange suited for blues, folk, and fingerstyle playing. The instrument emphasizes raw character over polish, featuring woody thump and exceptional note separation.
Based on guitars first introduced around the same time as the OM, the C10 is a parlor-style acoustic with a narrow waist and small upper bout that delivers a precise, focused response. Its C-shape neck profile makes it a natural choice for electric guitarists transitioning to acoustic. The guitar is built with a Sitka spruce top and Honduran mahogany back, sides, and neck, finished in high gloss nitrocellulose lacquer.
The C10 Deluxe is a parlor acoustic guitar with a narrow waist and small upper bout that delivers a precise, focused response. It draws inspiration from guitars introduced around the same era as the OM model. The Deluxe version upgrades the standard C10 with East Indian rosewood back and sides, ivoroid fingerboard and peghead binding, and a deluxe maple/rosewood backstrip.
The C10 Traditional is a compact parlor acoustic guitar from Collings' vintage-inspired Traditional Series, delivering a focused, punchy response with an open, airy midrange. It pairs the short-scale comfort of the C10 body with Traditional Series construction for a broken-in feel and surprising projection. Handcrafted in Austin, Texas, it features a Sitka spruce top, Honduran mahogany back and sides, and premium appointments throughout.
The CJ is a slope-shouldered jumbo acoustic guitar that draws on classic American guitar design while incorporating Collings' hallmark precision craftsmanship. It delivers a distinctly different tone from a traditional dreadnought, with a somewhat percussive bottom end ideal for acoustic blues or styles that benefit from a more controlled bass response. Built with a Sitka spruce top, East Indian rosewood back and sides, and a pre-war scalloped X-brace.
The CJ Mh is a slope-shouldered jumbo acoustic guitar that draws on classic pre-war dreadnought tradition while carving out its own tonal identity. Built with a Sitka spruce top and Honduran mahogany back, sides, and neck, it delivers a warm, percussive bottom end well suited to blues and roots playing. A pre-war scalloped X-brace contributes to its vintage-inspired response and projection.
The CJ-45 T is a Traditional Series slope-shoulder jumbo acoustic guitar fully reimagined with vintage-inspired construction. Built with a Sitka spruce top and Honduran mahogany back, sides, and neck, it delivers the dry, fundamental tone with growl and thump characteristic of Wartime-era dreadnoughts. A Wartime scalloped X-brace pattern and ebony straight-style bridge reinforce its vintage character.
The CW Indian A is a modified dreadnought acoustic guitar designed for flatpicking specialists, named after the Walnut Valley Festival in Winfield, Kansas. It features an Adirondack spruce top and bracing with an enlarged soundhole and pre-war scalloped X-brace construction. East Indian rosewood back and sides deliver strong projection for aggressive playing while maintaining Collings' signature tone.
The CW Mh A (Collings Winfield) is a modified dreadnought acoustic guitar designed for flatpicking specialists, named after the Walnut Valley Festival in Winfield, Kansas. It features an Adirondack spruce top with an enlarged soundhole and a pre-war scalloped X-brace pattern for maximum projection and headroom. Honduran mahogany back, sides, and neck are paired with an ebony fingerboard and bridge for a focused, resonant tone suited to bluegrass performance.
The D1 is a square-shouldered 14-fret dreadnought acoustic guitar built with a Sitka spruce top and Honduran mahogany back, sides, and neck. It delivers tonal clarity combined with depth and warmth, making it equally suited to vocal accompaniment and bluegrass flatpicking. The guitar features pre-war scalloped X-bracing, an ebony fingerboard with MOP long dot inlays, and a high-gloss nitrocellulose lacquer finish.
The D1 A HC is part of the Hill Country series, designed to push acoustic tone to the far end of the tonal spectrum with a strong fundamental voice that is both warm and woody. Built with an Adirondack spruce top and Honduran mahogany back and sides, it delivers a dry character and full low end suited to bluegrass and beyond. Appointments include an ebony fingerboard with gold MOP dots, a hand-poured tortoise pickguard, and Relic Nickel Waverly tuners.
The D1 T is a Traditional Series dreadnought acoustic guitar designed to evoke the character of coveted pre-war instruments. It features a Sitka spruce top with Honduran mahogany back, sides, and neck, voiced for warm, rounded highs and a present low midrange with quick attack and strong projection. The pre-war scalloped X-brace pattern and vintage-inspired appointments give it a slightly looser, more broken-in feel compared to the standard D1.
The D2 A Hill Country is a dreadnought acoustic guitar from the Hill Country series, designed to push the tonal spectrum toward a strong fundamental voice that is both warm and woody. It features an Adirondack spruce top with Hill Country scalloped X-bracing and an abbreviated soundboard graft, producing a dry character and full low end well suited for bluegrass and beyond. East Indian rosewood back and sides complement the Honduran mahogany neck and ebony fingerboard for a classic, resonant build.
The D2H is a square-shouldered 14-fret dreadnought acoustic guitar, the most popular steel-string body shape in the world. It is built with a Sitka spruce top and East Indian rosewood back and sides, bringing tonal clarity to the depth and warmth associated with this large, deep-bodied instrument. Well suited to both vocal accompaniment and bluegrass flatpicking.
The D2H T is a Traditional Series dreadnought acoustic guitar voiced as a vintage-inspired tonal variation on the Collings sound, designed to showcase the most desirable characteristics of coveted pre-war instruments. Its voicing features warm, rounded highs and a present low midrange, while retaining quick attack and strong projection. It pairs East Indian rosewood back and sides with a Sitka spruce top and pre-war scalloped X-bracing for a full, resonant tone.
The D3 is a 14-fret dreadnought acoustic guitar featuring a Sitka spruce top and East Indian rosewood back and sides. It combines tonal clarity with the warmth and depth characteristic of large-bodied dreadnoughts, making it well-suited for vocal accompaniment and bluegrass flatpicking. The guitar features a pre-war scalloped X-brace, ebony belly-style bridge, and gold Waverly tuners.
The DS1 is a 12-fret slope shoulder dreadnought based on the original dreadnought shape first designed as an oversized Hawaiian guitar almost a century ago. The wide neck and slotted headstock retain the vintage body shape while delivering an open, airy tone with smoothness and warmth suited to both flatpicking and fingerstyle playing. The 12-fret neck join positions the bridge further down the body for a uniquely resonant, vintage-voiced response.
The DS1 A Hill Country is a 12-fret dreadnought acoustic guitar from the Hill Country Series, built to push the tonal spectrum toward a strong fundamental voice that is warm and woody. Constructed with an Adirondack spruce top and Honduran mahogany back, sides, and neck, it delivers a dry character with full low-end response well suited to bluegrass and roots styles. Its Hill Country scalloped X-brace pattern and ebony appointments give it a distinctive voice and look.
The DS2 A Hill Country is a 12-fret dreadnought acoustic guitar built with Hill Country voicing — a construction approach that pushes the instrument toward a warm, woody tonal character with a strong fundamental and full low end. It features an Adirondack spruce top over East Indian rosewood back and sides, with a Hill Country scalloped X-brace pattern designed for bluegrass and beyond. Cosmetic appointments include ivoroid body binding, a zipper backstrip, gold MOP long diamond & squares inlays, and a 2-style rosette.
The DS2H is a 12-fret slope shoulder dreadnought based on the original oversized Hawaiian guitar shape developed nearly a century ago. Built with a Sitka spruce top and East Indian rosewood back and sides, it delivers an open, airy tone with smoothness and warmth suited to both flatpicking and fingerstyle playing. Herringbone purfling and abalone long diamond and square inlays place it in the middle of the DS lineup.
The DS3 is a 12-fret slope shoulder dreadnought rooted in the original oversized Hawaiian guitar shape developed nearly a century ago. The bridge placement closer to the center of the lower bout produces an open, airy tone with smoothness and warmth not typically found in contemporary 14-fret dreadnoughts, handling both flatpicking and fingerstyle playing with substantial headroom and dynamic range. Ivoroid binding throughout, an abalone rosette, and gold Waverly tuners distinguish it as the flagship of the DS series.
The OM1 is a 14-fret Orchestra Model steel-string acoustic guitar built for fingerstyle soloists, flatpickers, and lead players. Its compact body features a Sitka spruce top paired with Honduran mahogany back and sides, delivering balanced tone and immediate response. Pre-war scalloped X-bracing, an ebony fingerboard, and bone nut and saddle round out a classic, player-focused build.
The OM1 A HC is part of Collings' Hill Country series, designed to deliver a strong fundamental voice that is both warm and woody with a dry character and full low end. Built with an Adirondack spruce top and Honduran mahogany back, sides, and neck, it features Hill Country scalloped X-bracing for distinctive tonal character. The guitar is particularly well suited to bluegrass players while remaining versatile across musical styles.
The OM1 JL is a Julian Lage signature acoustic guitar developed through collaboration between guitarist Julian Lage and Collings founder Bill Collings. Its custom neck is modeled after Lage's cherished 1939 Martin 000-18, digitized for precision replication. Built to Traditional Series specs, it features a custom satin nitrocellulose lacquer finish and a script peghead logo hand-cut by Bill Collings roughly 30 years ago.
The OM1 T is a Traditional Series Orchestra Model acoustic guitar from Collings, offering a vintage-inspired variation on the distinctive Collings sound. Built with a Sitka spruce top and Honduran mahogany back, sides, and neck, it is designed to showcase the most desirable characteristics of coveted pre-war instruments. The Traditional Series designation means it features period-correct construction details including a pre-war scalloped X-brace, ebony fingerboard, and nickel Waverly tuners.
The OM2 A Hill Country is an orchestra model acoustic guitar built around Collings' Hill Country voicing, delivering a strong fundamental voice that is both warm and woody with a dry character and full low end. Featuring an Adirondack spruce top over East Indian rosewood back and sides, it appeals especially to bluegrass players while remaining versatile across styles. Appointments include ivoroid binding, an ebony fingerboard and bridge, and Relic Nickel Waverly tuners.
The OM2H is a 14-fret Orchestra Model steel-string acoustic guitar favored by fingerstyle soloists. Its compact body measures just over 4 inches deep, producing balanced tone and immediate response. Built with a Sitka spruce top and East Indian rosewood back and sides, it delivers clarity and warmth across the full dynamic range.
The OM2H T is a Traditional Series Orchestra Model acoustic guitar designed to showcase the most desirable characteristics of coveted pre-war instruments. Its voicing delivers warm, rounded highs and a present low midrange while retaining a quick attack and strong projection. Built with a Sitka spruce top and East Indian rosewood back and sides, it combines vintage aesthetics with meticulous modern craftsmanship.
The OM3 is a 3-style Orchestra Model acoustic guitar built on Collings' most popular 14-fret body shape. It features a Sitka spruce top with East Indian rosewood back and sides, an ebony fingerboard and belly bridge, abalone rosette, and gold Waverly tuners. The shallow 4-inch body delivers balanced tone and immediate response suited to both fingerstyle and flatpicking approaches.
The Parlor 1 T is a Traditional Series 12-fret acoustic guitar inspired by late 19th century early steel string guitar designs. Built with a Sitka spruce top and Honduran mahogany back, sides, and neck, it delivers exceptional tonal balance and responsiveness in a compact, portable body. A pre-war scalloped X-brace pattern and high-gloss nitrocellulose lacquer finish reflect its vintage-inspired construction, complemented by Waverly engraved bronze tuners with ebony buttons.
The Parlor 2H T is a Traditional Series 12-fret acoustic guitar drawing inspiration from some of the earliest steel string guitar designs that form the roots of the modern acoustic guitar family tree. Originally popularized in the late 19th century, this parlor-sized instrument offers exceptional tonal balance and responsiveness along with portability and a comfortable feel. It pairs a Sitka spruce top with East Indian rosewood back and sides, featuring vintage-inspired appointments including ivoroid binding with herringbone purfling, a slotted peghead, and Waverly engraved bronze tuners.
The Parlor Deluxe T is a Traditional Series 12-fret acoustic guitar inspired by the earliest steel string guitar designs of the late 19th century. Built with a Sitka spruce top and East Indian rosewood back and sides, it delivers exceptional tonal balance and responsiveness in a compact, portable body. Pre-war scalloped X-bracing and a mortise & tenon hybrid neck joint reflect Collings' meticulous approach to traditional construction.
The SJ is a Small Jumbo acoustic guitar featuring a 16-inch lower bout with deep sides and a tight waist curve that creates a distinctive sound chamber. It delivers pronounced midrange response alongside strong bass and volume, balanced with treble clarity. The standard model features a Sitka spruce top with European maple back, sides, and neck, finished in high gloss nitrocellulose lacquer.
The SJ Indian is a Small Jumbo acoustic guitar featuring a 16-inch lower bout and deep sides with a tight waist curve that creates a distinctive sound chamber. It combines the bass and volume of a large guitar with pronounced midrange response and treble clarity. Built with a Sitka spruce top, East Indian rosewood back and sides, and a pre-war scalloped X-brace.
The SJ Mh is a Small Jumbo acoustic guitar with a 16-inch lower bout, slightly wider than a dreadnought yet with similarly deep sides. Its tight waist curve creates a distinct sound chamber with pronounced midrange response and strong treble clarity. Honduran mahogany back and sides pair with a Sitka spruce top and pre-war scalloped X-brace for a warm, articulate voice with substantial bass and volume.
Named for the scenic US 290 highway that winds past the Collings shop through the Texas Hill Country, the 290 is a single-cutaway solid body electric built on Honduran mahogany with a set neck and 24 7/8" scale. Two Lollar P90 Soapbar pickups deliver broad harmonic richness and dynamic response, wired in classic 50s style with CTS 500K pots and Jupiter Vintage Yellow caps. The result is a refined take on vintage single-cutaway tone with meticulous American craftsmanship.
The 290 DC is a double-cutaway solid body electric guitar with a Honduran mahogany body and neck, offering unhindered access to the upper frets. It features dual hand-wound Lollar P90 pickups, a 24 7/8" scale length, and an extra long mortise & tenon neck joint. The guitar delivers clean tones with harmonic richness through classic rock sounds, finished in high gloss nitrocellulose lacquer.
The 290 DC S is a solid body double cutaway electric guitar built for unhindered access to all 22 frets and a wide tonal range. It features a single Lollar P90 Overwound bridge pickup, Honduran mahogany body and neck, and 50s-style wiring. The simplified single-pickup format delivers focused, expressive tone in a lightweight, elegant package.
The 290 S distills the popular 290 model to its essence, featuring a single Lollar High-Wind Dogear P90 pickup in the bridge position. With one volume and one tone control, it offers a huge array of tones from rich and harmonically complex cleans to gritty and saturated rock. The single-cutaway solid mahogany body pairs with a C-shape mahogany neck and rosewood fingerboard for a classic, focused feel.
The 360 Baritone is an offset solid body electric guitar built on the 360 LT M platform, extended to a 27.5" scale length for baritone tuning. It features Custom Lollar Alnico Pole Piece P90 pickups, a Mastery Offset bridge and vibrato tailpiece, and high gloss nitrocellulose lacquer finish. The result opens up a whole new range of sonic possibilities while retaining the refined construction Collings is known for.
The 470 JL is a fully hollow electric guitar developed through a years-long collaboration between Collings and jazz guitarist Julian Lage. Designed and built from the sound up, it combines a solid Honduran mahogany body with a maple laminate top, Ron Ellis Ellisonics pickups, and a Bigsby B3 vibrato tailpiece. The result is an instrument that reflects both the builder's and player's unique approaches to tone and playability.
The 620 is a semi-hollow electric guitar tailor made for guitarists who value both nuance and punch. It features a premium flamed maple top, 1 5/8" Honduran mahogany body, and solid maple center block for smooth sustain and a focused sound with a gentle top end. Lollar Low Wind Imperial humbuckers and 50s-style wiring deliver expressive, harmonically rich tone. An extra long mortise and tenon neck joint and high gloss nitrocellulose lacquer finish complete the package.
The 620 SM LC is a fully hollow thinline electric guitar with a 15" wide maple laminate body and a shape reminiscent of 1960s hollow bodies. Its trestle-block construction delivers open, expressive tonality while maintaining the articulate response of a semi-hollow. Custom-voiced Righteous Sound Diadem P90-inspired pickups, 50s-style wiring, and an ebony-based tune-o-matic bridge complete the vintage-leaning feature set.
The 71 is an offset solid body electric guitar built around a solid ash body with mortise and tenon set-neck construction and a hard maple slab-sawn neck. It features dual Lollar T-style pickups, a Rutters bridge with brass saddles, and a 3-way blade wiring scheme with a series/parallel tone knob function for enhanced harmonic character. Finished in antiqued nitrocellulose lacquer and available in multiple colors, the 71 delivers assertive sonic clarity and responsiveness with meticulous Collings craftsmanship.
The 71 M is an offset solid body electric guitar emerging from a lineage of beloved offset instruments, elevated with unmistakable Collings craftsmanship. It features a solid ash body with a mortise & tenon set-neck construction, hard maple neck, rosewood fingerboard, and Lollar JM-style pickups. Expressive tone and resonance are at the forefront, complemented by a Mastery Offset bridge and vibrato tailpiece finished in antiqued nitrocellulose lacquer.
The AT-17 is a fully-hollow 17" archtop electric guitar representing a pinnacle of craftsmanship. One of the rarest and most labor-intensive instruments in the lineup, it features a fully-carved premium figured maple body, a fully-carved solid spruce top, and an ebony fingerboard. It is finished in high-gloss nitrocellulose lacquer with grained ivoroid bindings throughout.
The City Limits is a solid body electric guitar crafted from premium flamed maple and Honduran mahogany, built for tone and resonance. It features a hand-set extra long mortise and tenon neck joint for tonal complexity and sustain, paired with Lollar Standard Wind Imperial Humbuckers. The contoured body includes a swooping heel, elegant cutaway, and back comfort carvings finished in high gloss nitrocellulose lacquer.
The City Limits Deluxe is a solid body electric guitar built from Honduran mahogany with a premium flamed maple top, joined by an extra-long hand-set mortise and tenon neck joint for enhanced sustain and tonal complexity. Its sleekly contoured body features a swooping heel, elegant cutaway, and back comfort carves, finished in high gloss nitrocellulose lacquer. Lollar Standard Wind Imperial Humbuckers drive the electronics, wired in vintage 50s style through CTS 500K pots and Jupiter Vintage Yellow caps. The Deluxe trim adds grained ivoroid bindings throughout the body, fingerboard, and peghead.
The City Limits Jazz is a fully hollow thin-line archtop electric guitar built for jazz performance. Its Honduran mahogany body features a carved solid spruce top with parallel bracing, producing a lightweight and ultra-responsive instrument. Elegant appointments include bound S-holes, multiple black/white purflings, and an ebony fingerboard with mother-of-pearl parallelogram inlays. A single Lollar Johnny Smith pickup at the neck delivers warm, articulate jazz tone.
The Eastside Jazz LC is a sleekly contoured hollow-body archtop electric guitar that bridges the gap between the Eastside LC and CL Jazz models. It features a fully hollow parallel-braced, thin-line construction with a 15" maple laminate body designed for comfortable, ergonomic playability. A single Lollar Charlie Christian-style pickup at the neck delivers highly refined and balanced jazz tone. The result is a versatile instrument suited to players seeking classic jazz voice in a manageable body size.
The Eastside LC is a fully-hollow laminate archtop electric guitar designed for professional jazz players seeking full, warm vintage tone. It features a 16" lower bout, 2 1/2" body depth, and a single Lollar Charlie Christian neck pickup. Construction includes a Honduran mahogany neck, rosewood fingerboard, and high gloss nitrocellulose lacquer finish.
The Eastside LC Deluxe is a fully-hollow laminate archtop electric guitar designed for the professional jazz player. Built with a maple laminate body and top, a single Lollar Charlie Christian pickup at the neck position delivers a full, warm vintage tone. The Deluxe model adds ivoroid binding on the fingerboard, peghead, S-holes, and pickguard, along with custom ebony top hat knobs, distinguishing it from the standard Eastside LC.
The I-30 LC is a fully-hollow double cutaway electric guitar built with a lightweight trestle-brace construction that directly couples the neck and tail block for exceptional strength and acoustic responsiveness. Featuring Lollar Dog Ear P90 pickups with custom phenolic covers and 50s-style wiring, it delivers expressive tone well-suited for jazz, blues, and rock. The 15" maple laminate body is finished in high gloss nitrocellulose lacquer with non-grained ivoroid binding throughout.
The I-35 is a semi-hollow electric guitar that pairs a hollowed-out mahogany body with a maple center block for a tonal response that is complex and quick with an airy character. It is a modern tribute to the heritage of the double-cutaway semi-hollow electric guitar, featuring Lollar Low Wind Imperial Humbuckers and a high-gloss nitrocellulose lacquer finish.
The I-35 Deluxe is a semi-hollow electric guitar built as a modern tribute to the heritage of the double cutaway semi-hollow electric guitar. It features all-solid tonewoods including a Honduran mahogany body with a premium flamed maple top and maple center block. Lollar Low Wind Imperial humbuckers and 50s-style wiring deliver warm, articulate tone, while appointments like grained ivoroid binding and a high-gloss nitrocellulose lacquer finish reflect Collings' commitment to craftsmanship.
The I-35 LC is a semi-hollow electric guitar built using a custom laminate construction process developed by Bill Collings and his R&D team. It features a maple laminate body with maple/spruce center block, Honduran mahogany neck, and Lollar Low Wind Imperial Humbuckers. The result is a drier, woodier, mid-forward tone characteristic of classic semi-hollow guitars.
The I-35 LC Deluxe is a semi-hollow electric guitar built with a maple laminate top, sides, and back using a custom-laminated construction process developed by Bill Collings' R&D team. The laminate construction over a maple/spruce center block produces a drier, woodier, and mid-forward tone characteristic of classic semi-hollow guitars. Enhanced appointments include grained ivoroid bindings, custom ivoroid knobs, and pickup rings that distinguish it from the standard I-35 LC.
The I-35 LC Vintage is a semi-hollow electric guitar drawing inspiration from the best instruments of the 1960s, featuring a maple laminate body with a maple/spruce center block and Honduran mahogany neck. It is equipped with custom Throbak ESG-102B pickups, Luxe Bumblebee capacitors, 50s-style wiring, and aged nitrocellulose lacquer finish for an exceptionally organic feel and vintage character.
The Ladybird is a fully hollow electric guitar combining mid-century soul with modern Collings craftsmanship. Its compact 24 1/8" scale length is the shortest in the Collings electric lineup, delivering vintage character reminiscent of 1960s single-cut instruments. Available in Antiqued Jet Black and Satin Teal finishes, it ships with D'Addario flatwound .011s and a deluxe hardshell case.
The SoCo 16 LC is a semi-hollow electric guitar inspired by Austin's South Congress district. It features a solid maple center block and slightly larger 16" body dimensions that deliver versatile tones ranging from warm punchy jazz to sparkling airy leads. Built with a Honduran mahogany neck, rosewood fingerboard, and Lollar Low Wind Imperial Humbuckers, it combines classic construction with premium components.
The SoCo 16 LC Deluxe is a semi-hollow electric guitar inspired by Austin's South Congress district, built to deliver versatile tones from warm punchy jazz to sparkling airy leads. It features a maple laminate body with center block, a Honduran mahogany neck, and premium Lollar Low Wind Imperial Humbuckers with 50s-style wiring. The Deluxe model is distinguished by grained ivoroid binding and appointments throughout.
The SoCo Deluxe is a semi-hollow electric guitar built on a Honduran mahogany body with a premium flamed maple carved top and a maple center block. It features grained ivoroid binding on the body, fingerboard, and peghead, along with Lollar Low Wind Imperial Humbuckers and CTS 500K pots with Jupiter Vintage Yellow capacitors. The 15-inch lower bout and 24 7/8" scale length offer a balanced, articulate voice with easy upper-fret access.
Named after the vibrant South Congress district of Austin, TX, the SoCo LC is a single-cutaway semi-hollow electric guitar that combines the most well-loved features and sounds from the heritage of semi-hollow guitars with a distinctive look and feel. Built with a maple laminate body and center block, it delivers a drier, woodier, and mid-forward tone compared to solid-wood counterparts. Lollar Low Wind Imperial Humbuckers and 50s-style wiring round out a vintage-voiced, player-focused instrument.
The SoCo LC Deluxe is a semi-hollow electric guitar named after the South Congress district of Austin, TX. Its single cutaway body features a maple laminate construction with a maple center block, delivering a drier, woodier, mid-forward tone characteristic of classic semi-hollow guitars. The Deluxe model distinguishes itself with grained ivoroid binding on the body, fingerboard, and peghead, along with premium ivoroid appointments throughout.
The MF is a satin finish F-model mandolin with simplified appointments, built with the same quality construction as fully-appointed models. Featuring a fully-carved Adirondack spruce top and Eastern flamed maple back and sides, it produces the rich, woody tone expected from a professional quality mandolin at a more accessible price.
The MF Deluxe builds on the standard MF with upscale appointments including grained ivoroid neck and peghead binding, an ivoroid-bound ebony pickguard, and a gloss nitrocellulose lacquer top over a satin body finish. It features a fully-carved Adirondack spruce top and Eastern flamed maple back, sides, and neck.
The MF-O combines an affordable satin finish and simplified appointments with the same quality construction and tonewoods as fully-appointed F-style models. The fully carved Adirondack spruce top with maple back and sides produces a rich, woody tone. The oval soundhole accentuates bass and low-mid response while providing a warm, open tonality that is rich in overtones.
The MF5 is a highly-appointed F-model mandolin with a carved, seasoned Adirondack (Red) spruce top and premium maple back and sides. With superb tone, elegant stylings, and unmatched playability, it is built to please the most discerning players.
The MF5 Deluxe-V is the flagship F-style mandolin, produced in very limited numbers with elaborate hand-etched inlays, multiple black/white purflings, and carefully selected tonewoods. It features Waverly tuners with pearl buttons, a custom hand-engraved tailpiece, and an ultra-thin high gloss alkyd resin varnish finish.
The MF5-O is a fully-appointed F-style mandolin with an oval soundhole, carved Adirondack spruce top, and Eastern flamed maple back, sides, and neck. The oval soundhole accentuates bass and low-mid response while providing a warm, open tonality rich in overtones — contrasting with the more cut and chop character of f-hole models. Ivoroid binding throughout and high gloss nitrocellulose lacquer finish complete the premium specification.
The MF5-V is a premium F-style mandolin featuring the same construction and appointments as the standard MF5 but with an oil-based alkyd resin varnish finish and an ivoroid-bound ebony pickguard. The varnish finish allows the tonewoods to resonate more freely compared to lacquer-finished models.
The MT is a handcrafted A-style mandolin offering professional level tone and playability in a simple and understated appointment package. It features a carved Engelmann spruce top and seasoned figured maple back, sides, and neck. An ultra-thin, all-nitrocellulose lacquer finish and individually-graduated tonewoods provide ringing sustain, a wide dynamic range, and impressive responsiveness.
The MT-O is an A-style mandolin featuring a satin nitrocellulose lacquer finish and an oval soundhole, combining affordable appointments with the same quality construction and tonewoods as higher-end models. Its carved Engelmann spruce top paired with Eastern flamed maple back, sides, and neck produces a rich, woody tone. The oval soundhole accentuates bass and low-mid response while providing a warm, open tonality. It ships with a deluxe hardshell case and D'Addario EJ74 strings.
The MT2 is a fully-appointed A-model mandolin with a seasoned Adirondack (Red) spruce top and premium maple back and sides. With superb tone, elegant stylings, and unmatched playability, it is built to please the most discerning players. Ivoroid binding with black/white purfling and high gloss nitrocellulose lacquer finish distinguish it from the entry-level MT.
Full gloss oval hole A-style mandolin constructed with select Adirondack spruce and eastern maple, producing a warm, rich, and vibrant tone suited for celtic, old-time, classical, and jazz styles. Features high-gloss nitrocellulose lacquer finish and full ivoroid bindings.
The MT2-V features the same construction and appointments as the standard MT2 but with an oil-based alkyd resin varnish finish and an ivoroid-bound ebony pickguard. The varnish finish allows the tonewoods to breathe more freely, offering a different acoustic character than lacquer-finished models.
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