The Kilobyte is a lo-fi delay pedal combining an analog dry signal path with a +21dB boost/overdrive preamp that drives a low-fidelity digital delay chip sourced from karaoke machines and toys, delivering smeared, repeated glory ranging from crisp slapbacks to dirty, muted echoes.
The Kilobyte-2000 is Caroline Guitar Company's flagship lo-fi tap delay pedal, evolved from the original 2013 Kilobyte design, featuring an Invader repeater preamp with up to 5x gain on repeats, tap tempo, trails bypass, built-in modulation, a Havoc runaway hold, and a dedicated effects loop.
MEGABYTE builds on Caroline Guitar Company's acclaimed KILOBYTE legacy with two old school lo-fi digital chips for more delay time, tap tempo, trails or true bypass, and a nastier, dirtier runaway Havoc.
CROM is a BC184 Supa Tone Bender style fuzzstortion with a classic tweed amp style tone control (MOUNTAIN) that interacts with the SWORD gain control. Less lossy and less scooped than classic Muff-style circuits, it delivers an immediate and punchy response with a TURBO button for additional gain.
The Hawaiian Pizza is a three-knob fuzz pedal from Caroline Guitar Company, built from a circuit discovered in the archives of the Caroline Corporation. Originally released in 2018 as a fundraiser for a local Girls Rock chapter, customer demand brought it into the permanent lineup.
The Shigeharu IC Fuzz + Octave combines classic Muff-style fuzziness with the punch of a classic overdrive, using a cascading hybrid of op-amp and BC184 transistor gain stages. It features a parallel octave-up voiced fuzz via the Havoc stomp, designed in collaboration with John Snyder at Electronic Audio Experiments.
The Aaron Graves Overdrive brings both clarity and heft to the proceedings, featuring dual drive circuit modes — a classic preamp voicing and a Mode B power amp clipping circuit — along with a bass voicing selector and generous gain on tap.
Buffer, booster, and rich overdrive all in one, with a mix of Russian germanium sweetness. Based on Caroline Guitar Company's PARABOLA and METEORE preamps.
Released on April Fools' Day in 2021, The Blues is a drive/fuzz pedal offering two modes: a transparent always-on light drive and a gnarly raw drive, with approximately 85% drive and 15% fuzz character.
The Wave Cannon MKII is an unrepentant, unapologetic distortion pedal capable of producing sounds ranging from cranked, lightly dirty amp tones to extreme high-gain distortion.
The Wave Cannon Zero delivers late 1970s–early 80s big-amp distortion sounds and is described as the final form of the pedal that started it all for Caroline Guitar Company, featuring a refined shape control, voltage control for starved textures, and an expanded HAVOC with its own tuning and feedback mixing.
The Somersault is a hybrid analog/digital lo-fi modulator capable of chorus, vibrato, and faux-rotary effects, ranging from gentle doubling and 1980s-style choruses to seasick wobbles and glitchy bleep-bloops.
A phaser even for people who don't normally like phasers, Arigato delivers incredible modulation, range, and warmth, capable of airy psychedelia, rumbling wobbles, full wet vibrato sounds, and auto-wah sweeps through feedback manipulation.
A lo-fi reverb pedal inspired by the ultra-modern line 14 of the Paris Métro and its sleek platforms of glass, steel, and tile. The Météore keeps your original signal path analog and pure while offering overdrive and regeneration controls that take you from spring reverb sounds to something much bigger.
The Parabola is a transistor-based tremolo pedal featuring two modulation modes — classic amplitude modulation (AM) and filtered modulation (FM) — with pre and post effect gain stages for added overdrive and volume control.
$219
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