52 products
The Ensoniq ESQ-1 is an 8-voice hybrid synthesizer combining digital oscillators with analog filters, offering three oscillators per voice, an 8-track sequencer, and a ring modulator. Released in 1986, it bridged vintage analog warmth and modern digital flexibility at an affordable price point.
The Ensoniq Halo is a 64-voice performance keyboard featuring 32 MB of ROM sounds including the acclaimed Perfect Piano, with three expansion slots for up to 128 MB total. Designed for live use, it offers 16 real-time controllers, programmable arpeggiators, and E-mu's Super BEATS interactive Groove Mode.
The Ensoniq KT-88 is a MIDI synthesizer workstation released in 1994 that combines synthesizer capabilities with the feel and sound of an acoustic piano. It features 64-voice polyphony and comes equipped with two sampled pianos, organs, vintage synths, and electric pianos in ROM, with a weighted 88-key action keyboard providing dynamic response comparable to a real piano.
Ensoniq's composer-focused 61-key workstation featuring the innovative Idea Pad MIDI capture buffer, onboard drum machine, 16-track sequencer, and three expansion slots for up to 72 MB of additional sample content.
The Ensoniq SD-1 is a wavetable workstation synthesizer featuring Transwave synthesis, a 24-track sequencer, 24-bit multi-effects, and polyphonic aftertouch, representing the evolution of Ensoniq's acclaimed ESQ/VFX line.
The Ensoniq SQ-80 is an enhanced version of the ESQ-1, combining 75 digital waveforms with analog four-pole lowpass filters, a floppy disk drive for patch storage, and an 8-track multitimbral sequencer in a 61-key keyboard with polyphonic aftertouch.
The TS-10 and TS-12 were the culmination of Ensoniq's workstation lineage from the ESQ-1 through the SD-1, combining 32-voice polyphony, four synthesis technologies including Transwave and Hyperwave, sample loading from EPS/ASR formats, and a powerful 24-track sequencer. Widely considered the best of Ensoniq's workstations, the TS-12 features a 76-note hammer-action Fatar keyboard while the TS-10 offers a 61-note synth-action keyboard with polyphonic aftertouch. A later TS-10 Plus model added a conventional LCD screen, SCSI interface, and fully loaded RAM as standard.
The Ensoniq VFX is a 21-voice digital synthesizer offering PPG-style wavetable synthesis with 109 waveforms, dual multi-mode filters, and a 24-bit effects processor. The VFX-SD variant added a professional 24-track sequencer for full workstation capability.
The Ensoniq ZR-76 is a 76-key weighted-action workstation offering 64-voice polyphony, over 1,200 ROM sounds including the acclaimed Perfect Piano sample library by W. Coakley, and a 16-track sequencer with sketch pad recording. Its sound-finder interface allowed performers to locate patches by typing the first letters of a name or browsing by category, making it exceptionally practical for live use. The 24-bit effects processor provided six simultaneous effects units covering 40 different effect types.
The Generalmusic S2 is a professional music workstation from Italian manufacturer GEM, introduced in 1992 as a "Music Processor" featuring a 61-note semi-weighted keyboard with polyphonic aftertouch. It combines a powerful synthesizer engine with sampling capabilities, a robust onboard sequencer, and excellent real-time controllers including seven programmable sliders and buttons. The 1993 Turbo upgrade doubled polyphony to 32 voices and added non-volatile storage, addressing the original model's limitation of losing RAM contents at power-off.
The Korg 01/W is a professional workstation synthesizer released in 1991 as the successor to the popular M1. It features Korg's AI2 sample and synthesis engine with 32-voice polyphony, 254 sampled instruments, a 16-track sequencer, and two multi-effects processors, designed for both home studio and professional use.
The Korg KARMA is a music workstation featuring revolutionary real-time phrase generation technology developed by Stephen Kay. Built on the Triton platform with 62-voice polyphony, it generates complex grooves, arpeggios, and animated effects by separating musical phrases into independently controllable parts. Over 1000 Generated Effects and eight real-time control knobs allow performers to play intricate synth parts that would normally take hours of programming.
The groundbreaking digital workstation that defined the sound of late-1980s and early-1990s pop, dance, and electronic music with its sample-based AI Synthesis engine, onboard sequencer, and versatile multi-effects processing.
The Korg M3 is a third-generation music workstation released in 2007 that combines synthesis, sampling, sequencing, and effects processing in an all-in-one hardware solution. It incorporates an Enhanced Definition Synthesis chip derived from the OASYS's HD-1 sound system, offering over 1,000 multi-samples and 1,500 drum samples. Available in 61-key, 73-key, 88-key, and rackmount (M3M) configurations, it bridges the gap between Korg's flagship OASYS and more affordable workstations.
The Korg M50 is a lightweight music workstation that shares the EDS (Enhanced Definition Synthesis) sound engine with the higher-end M3, delivering professional-quality sounds at a more accessible price point. Available in 61-key and 88-key configurations, it features a 16-track MIDI sequencer, dual polyphonic arpeggiator, and a monochrome touchscreen interface. Its plastic construction prioritizes portability, making it well-suited for both live performance and studio use.
The Korg MicroStation is a compact 61-key workstation built on the M50 sound engine, delivering 120-voice polyphony, 16-part multitimbrality, a 16-track MIDI sequencer, and 134 effect types in a portable mini-key format.
A 64-voice polyphonic music workstation from 1996 built on Korg's AI2 synthesis engine, featuring real-time pattern play and record capability along with a 16-track sequencer.
The Korg T3 is a 61-key digital workstation synthesizer released in 1989, widely regarded as an "M1 on steroids" due to doubled PCM sample memory and expanded storage. It combines sampling, synthesis, and an 8-track sequencer with dual multi-effects processors into a self-contained music production instrument. Notable users include Jean Michel Jarre, who featured it on his album Waiting for Cousteau.
The Korg TR-88 is an 88-key weighted hammer action workstation from 2006 featuring 62-voice polyphony, 64 MB of PCM wave memory, a 16-track sequencer, and 89 effect types.
The Korg Trinity is a 32-voice digital music workstation released in 1995, featuring Korg's ACCESS (Advanced Combined Control Synthesis System) engine and a revolutionary 320x240 TouchView graphical interface. It offered 24 MB of PCM ROM with approximately 375 multi-samples and 258 drum sounds, along with comprehensive effects processing and a built-in 16-track sequencer. The Trinity line established the design language that Korg would carry forward into the Triton and subsequent workstation series.
The Korg Triton is a flagship 62-voice digital workstation synthesizer released in 1999, featuring HI synthesis, a built-in 16-bit stereo sampler, touch-screen interface, and a 16-track sequencer. It became one of the most widely used production keyboards of its era, adopted by artists including Depeche Mode, Orbital, The Orb, BT, Rick Wakeman, and Vangelis.
The Korg X3 is a 32-voice workstation synthesizer from 1993 that served as the successor to the legendary M1, featuring 6 MB of 16-bit PCM multi-samples, a 16-track sequencer, and 47 digital multi-effects. Its solid bread-and-butter sounds and capable sequencing made it a popular mid-range production tool throughout the 1990s.
The Kurzweil K2000 is a V.A.S.T.-powered workstation combining 8 MB of ROM samples with 31 sound-shaping algorithms, an optional sampler, multi-effects, and a 32-track sequencer. Released in 1991, it introduced Variable Architecture Synthesis Technology that became the foundation for Kurzweil's entire professional keyboard line. Its versatility made it a staple for artists spanning electronic, progressive, and pop genres.
The Kurzweil K2500 is a professional sampler-synthesizer-workstation built around Kurzweil's V.A.S.T. synthesis engine, offering 48-voice polyphony and optional 128 MB sampling. Available in 76-key semi-weighted and 88-key fully weighted configurations, it features a 32-track sequencer, optional K.D.F.X. multi-effects, and extensive real-time control via eight sliders and two ribbon controllers.
The Kurzweil K2600 is a professional synthesizer/sampler workstation built on the V.A.S.T. synthesis engine, offering 48-voice polyphony, 12 MB of sample ROM expandable to 44 MB, and K.D.F.X. multi-effects processing. Released in 1999 as the final evolution of the K2000 series, it was available in 76-key and 88-key configurations with optional sampling capability up to 128 MB of RAM. The K2600 was used by artists including BT, Peter Gabriel, and Pink Floyd.
The Kurzweil PC2R is a 1U rackmount sound module delivering the acclaimed PC2 series sound engine with 64-voice polyphony, exceptional piano tones, and KB3 tone wheel organ modeling.
The Kurzweil PC88MX is an 88-key weighted-action performance keyboard released in 1997, featuring 64 ROM-based voices from Kurzweil's acclaimed sample library with 32-note polyphony in full stereo. Designed as a self-contained stage instrument and sophisticated MIDI controller, it was praised for its rich piano sounds and focus on quality over quantity.
The Nord Stage 2 is a professional digital stage keyboard by Clavia that combines piano, organ, and synthesizer sections into a single performance instrument. Released in 2011 as the successor to the original Nord Stage, it features state-of-the-art sample-based pianos, B3 tonewheel organ modeling, and powerful analog, FM, and wavetable synthesis. It remains a coveted stage instrument known for its immediate, menu-free controls and distinctive red design.
The Roland D-20 is a 61-key digital workstation combining Linear Arithmetic Synthesis with an 8-voice sequencer and rhythm track, serving as a more affordable alternative to the D-50.
The Roland D-70 is a 76-key digital synthesizer workstation released in the early 1990s that combines sample playback with resonant TVF filters and onboard effects. Though marketed as a successor to the D-50, it shares more in common with the U-20/220 series, featuring a versatile but complex architecture. Its resonant filters, real-time fader control, and layering capabilities make it a capable performance keyboard despite its notoriously awkward interface.
The Roland Fantom-S is a 61-note workstation keyboard released in 2003, designed as a complete solution for professional music production. It combines sampling capabilities with ROM-based synthesis, featuring 32MB expandable sample RAM, a 16-track sequencer, and multi-effects processing for studio and performance use.
The Roland Fantom-X is a professional synthesizer workstation released in 2004, combining sampling, synthesis, and sequencing in 61-, 76-, and 88-key configurations. It features 128 voices of polyphony, 128 MB of waveform memory, 1,480 waveforms, and a 32 MB sampler expandable to 544 MB via DIMM slots. The Fantom-X represented a major upgrade over the Fantom-S series with doubled polyphony, a color LCD display, and enhanced user sampling capabilities.
The Roland Juno-G is a full-sized 61-key digital workstation keyboard featuring the same high-powered processor and sound engine as Roland's Fantom-X series. It combines up to 128 voices of polyphony with an onboard 16-track MIDI sequencer and 4-track audio recorder, putting a studio's worth of sound, sequencing, and recording into one complete instrument.
The Roland JV-1000 is a 76-key music workstation that combines the sound engine from the JV-80 synthesizer with the MC-50mkII sequencer in a single integrated unit. Released in 1993, it features 28-voice polyphony expandable to 56 voices, FXM synthesis, and a complex front panel with eight control sliders for real-time parameter manipulation. The JV-1000 supports expansion via VE-GS1 boards and PCM cards, making it a versatile platform for composition and live performance.
The Roland JV-2080 is a 64-voice multitimbral rack sound module with an 8 MB sample ROM, eight expansion board slots, and five onboard effects processors. It became one of the most widely used studio modules of the late 1990s thanks to its versatile sound library spanning acoustic instruments, orchestral textures, and electronic timbres.
The Roland JV-90 is a mid-1990s digital synthesizer featuring a 76-note semi-weighted keyboard with velocity and aftertouch response. It served as the basis for later professional models like the JV-1080 and JV-2080, offering a diverse sound palette powered by a 4MB ROM expandable to 14MB. The JV-90 also functions as a capable MIDI master controller with assignable parameter sliders for real-time sound editing.
The Roland JW-50 is an early 1990s music workstation that combines an SC-55 Sound Canvas synthesizer module with an integrated 16-track sequencer. It features 128 General MIDI sounds and drumkits along with MT-32 sound variations, a 61-key velocity-sensitive keyboard with aftertouch, and dual effects processing. Designed as an all-in-one music production tool, it offered an accessible workflow for composing and arranging complete songs.
The Roland W-30 is a self-contained music workstation released in 1988 that combines the S-550 sampler engine with the MRC sequencer and a 61-key aftertouch-sensitive keyboard. It features 16-voice polyphony, 8-part multitimbrality, a 16-track phrase sequencer, and a built-in 3.5-inch floppy disk drive with optional SCSI expansion. The W-30 is compatible with Roland S-330, S-550, and S-50 sound libraries.
The Roland XP-10 is an entry-level 28-voice digital workstation synthesizer released in 1994, featuring sampled sounds and waveforms stored on ROM chips with basic envelope and filter editing. It includes 338 preset and 256 user patches covering acoustic instruments and synth sounds, a resonant digital filter, two effects units, an arpeggiator, and a 61-key velocity and aftertouch sensitive keyboard with X-Dual layering mode.
The Roland XP-30 is a 64-voice expandable synthesizer released in 1999 that delivers the acclaimed XP-series sound architecture at a more affordable price point than previous models. It retains all waveforms from the XP-80 workstation plus sounds from the Session, Orchestral, and Techno expansion cards, offering 1,406 patches and 28 rhythm kits through a 61-key velocity and aftertouch sensitive keyboard.
The Roland XP-50 is a 64-voice digital synthesizer workstation built around the same sound engine as the JV-1080, featuring 8MB of sampled ROM waveforms and 512 onboard waveforms processed by 32-bit custom RISC chips. It combines a 61-note velocity- and aftertouch-sensitive keyboard with a 16-track MRC-PRO sequencer, making it a capable all-in-one music production workstation. The XP-50 supports up to four SR-JV80 expansion cards for a maximum of 42MB of sounds, and has been used by artists including The Cure.
The Roland XP-60 is a 64-voice polyphonic digital workstation synthesizer featuring 16MB of PCM ROM sounds expandable to 80MB via SR-JV80 expansion boards. It offers a 61-key velocity and aftertouch sensitive keyboard, a built-in MRC Pro sequencer, and high-quality multi-effects processing, making it a comprehensive all-in-one music production instrument. Its sound engine is virtually identical to the JV-1080, JV-2080, XP-80, and XP-50 synthesizers.
One of Roland's flagship 1990s workstations, combining 64-voice polyphony, a 76-key semi-weighted keyboard, 16MB of expandable PCM sounds, and a full-featured onboard sequencer.
The Roland XV-3080 is a 128-voice professional synthesizer module that picks up where the classic JV-series left off, featuring 64MB of internal wave memory with 1,083 waveforms and true stereo waveforms per tone. It includes sounds from the JV-2080, JD-990, and Super JD, plus studio-quality effects derived from the SRV-3030, V-Studios, and RSS technology, with four SR-JV80 expansion slots for further sonic expansion.
Roland's XV-5050 is a 64-voice synthesizer that packs the flagship XV-5080 synth engine into a compact 1U rack module. It features over 1,000 preset patches, three independent effects processors, and two SRX expansion slots for up to 192 MB of additional waveform data. Designed for computer and MIDI studio integration, it includes USB connectivity and 24-bit D/A conversion across four analog outputs.
Roland's flagship 128-voice rack-mount sound module combining an extensive waveform library with sample playback, four expansion slots, and professional digital connectivity.
Yamaha's flagship Extended Synthesis workstation combining AWM2 sample playback, analog physical modeling, FDSP formant synthesis, and VL virtual acoustic synthesis into a single 76-key instrument with onboard sampling and sequencing.
The Yamaha EX7 is a 61-key synthesizer built around Yamaha's Extended Synthesis system, combining AWM sampling, AN analog physical modeling, and FDSP digital sound processing in a single instrument. It features 64-voice polyphony, an integrated sampler with up to 65 MB of expandable memory, and a built-in 16-track sequencer. The EX7 also includes a 4-track arpeggiator, extensive effects processing, and a rich set of performance controllers including six assignable knobs and a ribbon controller.
The Yamaha Motif is a music workstation released in 2001 that combines synthesizer, sampler, and sequencer capabilities with extensive sound libraries. It uses Yamaha's AWM2 sample-playback tone generator and features the innovative Megavoice technology for realistic acoustic instrument expression. Available in 61, 76, and 88-key configurations, the Motif became a staple for studio production and live performance.
A mid-range 32-voice polyphonic workstation from 1995 built on Yamaha's AWM2 synthesis engine, featuring a 16-track sequencer and hundreds of sounds including 22 drum kits.
The Yamaha V50 is a 4-operator FM synthesis workstation released in 1989, combining 16-note polyphony with a built-in sequencer, drum machine, and dual effects processor. It shares its sonic engine with the DX11 and TX81Z, packaged in an all-in-one workstation format with a 3.5-inch floppy disk drive for storage. The DVA function and pitch delay make it particularly capable of generating percussive timbres and experimental ambient textures.
The Yamaha W7 is a professional workstation synthesizer from the mid-1990s featuring Yamaha's AWM2 tone generation system with 8 MB of wave memory and 384 realistic voices. It combines powerful synthesis tools, studio-quality DSP effects, and a 16-track onboard sequencer with 100,000-note capacity in a 61-key velocity and aftertouch-sensitive keyboard.