29 products
Legendary synthesizer manufacturer founded by Bob Moog, pioneer of the modern synthesizer. Creates iconic analog instruments including the Minimoog, Sub series, Matriarch, and modular systems. Known for rich, warm analog sound that defined electronic music.
Official siteThe Liberation was Moog's keytar-style portable performance synthesizer, featuring a dual-oscillator monophonic analog engine with the classic Moog 24dB/octave lowpass filter. Designed to be worn like a guitar, it gave performers authentic Moog sound with full stage mobility, and included a built-in ribbon controller for expressive pitch bending and modulation.
The Little Phatty is a monophonic analog synthesizer from Moog Music that brings classic Moog sound design into a compact, portable package. Designed by Bob Moog as his final synthesizer creation, it features a 100% analog signal path with two ultra-stable oscillators and the iconic Moog ladder filter. It offers 100 user-editable presets and a 37-note keyboard, positioned as an accessible entry point to authentic Moog synthesis.
Moog's ambitious polyphonic flagship that packed six independent Minimoog-style voice circuits into a single instrument, delivering massive analog sound with programmable patch memory.
The Micromoog is a compact, single-oscillator monophonic synthesizer designed by Moog as an affordable alternative to the Minimoog. Despite its budget positioning, it features a filter virtually identical to the Minimoog's legendary 24 dB/oct lowpass and can process external audio, making it valuable as both a synthesizer and a standalone filter processor.
The instrument that brought synthesis out of the laboratory and onto the stage, pairing three powerful oscillators with the most celebrated lowpass filter in electronic music history.
Bob Moog's personal reimagining of his most iconic instrument, blending the original Model D's analog soul with modern conveniences like patch memory, MIDI, and a unique 3D touch controller.
The Minitmoog is a rare monophonic preset synthesizer produced by Moog in the mid-1970s, closely related to the Moog Satellite. It features 13 preprogrammed instrument sounds selected via flip-switches and a 37-note keyboard with aftertouch for expressive performance.
Moog's dual-oscillator monophonic synthesizer featuring a ribbon controller, aftertouch, sample and hold, and the classic 24 dB per octave Moog ladder filter.
A polyphonic analog synthesizer from 1980 with three dedicated instrument sections for strings, brass, and organ, each with independent filtering and panning controls.
The Polymoog 203a is a fully polyphonic analog synthesizer released by Moog in 1975, featuring eight preset sounds and a 71-note velocity-sensitive keyboard. It uses divide-down circuitry to achieve full polyphony and includes a genuine Moog ladder filter with extensive modulation options. Originally called the Polymoog Keyboard, it descended from the unreleased Moog Constellation project and was designed by Dave Luce.
A stripped-down, no-nonsense dual-oscillator monosynth built around the classic Moog filter, prized for its punchy basses and aggressive lead tones.
The Moog Rogue is a compact two-oscillator analog monosynth that served as Moog's most affordable offering, delivering genuine Moog bass tone in a stripped-down, budget-friendly package.
The Moog Satellite is a single-VCO monophonic preset synthesizer from the early 1970s, housed in an attractive wood case. Shaped after organ-type synthesizers of its era, it offers a 37-note keyboard with preset sounds including brass, reeds, strings, bell, and an experimental "lunar sound." Left-hand controls provide modulation, pitch bend, and filter sweeps for expressive performance.
A limited-edition analog synthesizer module from Moog based on the Taurus bass engine, but extended to reach notes as high as D8, featuring the classic Moog ladder filter, dual ADSR envelopes, and 128 presets in a compact brushed stainless steel enclosure.
The Moog Slim Phatty is a monophonic analog synthesizer that packs the same sound engine as the Little Phatty into a compact, rack-mountable 3U format. It delivers Moog's signature thick oscillators and rich ladder filter in a portable, lightweight design weighing just 5.75 lbs. It was the first Moog device to feature USB connectivity, enabling seamless integration with modern DAW-based studios.
The Sonic Six is a duophonic analog synthesizer originally derived from the muSonics Sonic V design, produced after muSonics merged with R.A. Moog to form Moog muSonics. Featuring two oscillators, a 24dB/oct low-pass filter, ring modulator, and built-in speaker, it was designed for educational and home use in a portable briefcase-style enclosure. Despite its simple front panel, the Sonic Six is a uniquely flexible and great-sounding instrument with advanced LFO mixing capabilities not found on other Moog synthesizers.
The Moog Source is a monophonic analog synthesizer featuring two oscillators and Moog's legendary 24dB low-pass filter, with programmable patch memory for storing up to 16 sounds. Released in 1981, it replaced traditional knobs and sliders with a membrane button interface and a single data wheel for parameter editing.
The Moog Sub Phatty is a compact monophonic analog synthesizer released by Moog in 2013 as the successor to the Little Phatty. It was the first Moog synth to feature a multidrive circuit, giving it a reputation as their grittiest-sounding instrument while remaining one of their most affordable analog offerings.
The Moog Synthesizer 1c/2c/3c are landmark modular analog synthesizers produced by Moog Music from 1964 to 1981. These configurable systems use patch cables to connect dedicated function modules housed in solid walnut cabinets for creating, shaping, and manipulating electronic sounds. The three pre-configured models offered increasing complexity, from the 1c for independent composers to the 3c for commercial studios.
A foot-operated analog bass synthesizer with 13 pedal-keys and the unmistakable Moog filter, designed to let keyboardists and guitarists add thunderous low-end without lifting a hand.
The Moog Taurus II is a monophonic analog pedal synthesizer featuring an 18-note foot-operated keyboard and the same synth engine as the Moog Rogue. Produced from 1981 to 1983, it excels at deep bass sounds using its dual VCOs with sawtooth and square waveforms, and can also control external synthesizers via CV/gate outputs.
The MF-101 is a Moogerfooger series analog voltage-controlled lowpass filter and envelope follower designed by Bob Moog. It features the classic Minimoog VCF circuit in a compact stomp-box format with switchable 2-pole and 4-pole filtering, a Drive knob for input signal overdrive, and an envelope follower for dynamic filter modulation. The unit also includes four expression pedal inputs and CV connections, making it a versatile semi-modular addition to any analog setup.
The Moog MF-102 is an analog ring modulator from the Moogerfooger series, designed by Bob Moog himself, producing classic metallic and dissonant ring mod tones with full CV control.
The Moogerfooger MF-103 is a fully analog 6/12-stage phaser designed by Bob Moog, featuring a wide-range LFO, variable feedback resonance, and full CV/Gate control over all parameters.
The Moog MF-104 Analog Delay is a limited-edition Moogerfooger effects processor that delivers warm, authentic analog delay with times ranging from 40 milliseconds to 800 milliseconds. Built using the last available analog delay chips, approximately 1,000 units were manufactured, making it a highly sought-after collector's piece. Each of its primary parameters can be externally controlled via control voltage or expression pedal for dynamic real-time manipulation.
The Moog MF-105M MIDI MuRF is an analog multiple resonance filter array effect pedal that animates sound across eight switchable frequency bands. It features MIDI synchronization, user-editable patterns via a Mac/PC sequence editor, and is compatible with Moog expression pedals and the MP-201 controller. The MF-105M is the third iteration in the MuRF series, adding MIDI control, switchable Bass/Mids frequency bands, and editable patterns over its predecessors.
The Moog Vocoder is a 16-band analog vocoder released in 1979, designed to process external carrier and modulator signals across distinct frequency bands ranging from 50 to 5080 Hz. It lacks internal oscillators, output mixer, MIDI, or CV/Gate, functioning purely as an external signal processor. Its architecture is nearly identical to the Bode 7702 vocoder and has been used by artists including Yellow Magic Orchestra, Wendy Carlos, Devo, and John Carpenter.
A collection of classic analog control circuits for generating, modifying, combining, and distributing control voltages, designed to expand Moogerfooger and modular synthesizer setups.
The Moog Etherwave Theremin is a modern analog theremin that produces sound without physical contact, using hand movements near two antennae to control pitch and volume. Originally designed by Bob Moog based on Leon Theremin's early 20th-century invention, it offers a five-octave pitch range with controls for waveform, brightness, and output level. Constructed from solid wood and mic-stand mountable, it has been used by artists including Fatboy Slim, Vangelis, Led Zeppelin, Jean-Michel Jarre, and Air.